Martin Luther King Jr. An extraordinary picture-book biography, Martin's Big Words consists of Rappaport's own words interwoven with quotes from Dr. King...all powerfully brought to life by Collier's striking, glorious art. Rappaport's spare, gripping text and Collier's distinctive collage-and-watercolor illustrations depict King's life journey with reverence and dignity -- beginning with his childhood experience of seeing "White Only" signs throughout his hometown, presenting his efforts as a civil rights crusader, and ending abruptly with his assassination. The front cover of the book immediately conveys King's power and spiritual strength, consisting entirely of a lifelike portrait of him -- the title and the author's and illustrator's names are relegated to the back cover. As Collier says in his illustrator's note, he "tried to push [the imagery] to an emotional level that allows the reader to bring his or her own experience to it, without actually losing the intensity or the intention of the story." His technique is utterly effective. By using simple, direct language -- much of it King's -- the text offers young readers an accessible yet profound introduction to King's legacy. It explains that as a child, he listened to his minister father's "big words" and vowed to inspire others with such words when he grew up. The book's final sentence: "His big words are alive for us today," testifies to King's success -- and to the timeless importance of this great leader's ideals. As further inspiration for interested readers, Martin's Big Words includes a list of significant dates as well as a bibliography of resources for them to explore. (Jamie Levine)

    As the young Jane observes the natural world around her with wonder, she dreams of "a life living with and helping all animals," until one day she finds that her dream has come true. With anecdotes taken directly from Jane Goodall's autobiography, McDonnell makes this very true story accessible for the very young--and young at heart.One of the world's most inspiring women, Dr. Jane Goodall is a renowned humanitarian, conservationist, animal activist, environmentalist, and United Nations Messenger of Peace. In 1977 she founded the Jane Goodall Institute (JGI), a global nonprofit organization that empowers people to make a difference for all living things.

    . . .But to Daveit was clay,the plain and basic stuffupon which he formed a lifeas a slave nearly 200 years ago.Dave was an extraordinary artist, poet, and potter who lived in South Carolina in the 1800s. He combined his superb artistry with deeply observant poetry, carved onto his pots, transcending the limitations he faced as a slave. In this inspiring and lyrical portrayal, National Book Award Finalist Laban Carrick Hill and award-winning artist Bryan Collier tell Dave's remarkable story, one rich in history, hope, and long-lasting beauty.

    One day on a walk through Paris (a "twelve little girls in two straight lines" kind of walk), Madeline slips and falls off a bridge right into the Seine. Everyone feared she would be dead, "But for a dog / That kept its head," saving her from a "watery grave." What choice do Madeline and the girls have but to take the heroic pooch home, feed her biscuits, milk, and beef, and name her Genevieve? Sadly, when Lord Cucuface gets wind of the new dog, he decrees that no dogs will be allowed in the "old house in Paris that was covered with vines," and kicks Genevieve out on the street. Madeline vows vengeance, and the girls scour Paris looking for the pup: "They went looking high / and low / And every place a dog might go. / In every place they called her name / But no one answered to the same." As we've come to expect from Bemelmans, all's well that ends well chez Clavel, and young readers will be tickled by this heartwarming, quirky dog story with a surprise finale. (Ages 4 to 8) --Karin Snelson

    They have thought-provoking questions for everything they see: Is the sun the world's light bulb? Is dirt the world's skin? Are rivers the earth's veins? Is the wind the world breathing? I wonder . . .

    She introduces two engaging mouse couples eager to get away from their everyday lives. But when they agree to swap homes, they find unexpected adventures around every corner. Lush green scenes alternate with the elegant details of a fine Victorian townhouse to make a sumptuous and stunning picture book.

    . . And so a story of friendship begins, following two cats through their days, months, and years until one day, the older cat has to go. And he doesn’t come back.This is a poignant story, told in measured text and bold black-and-white illustrations about life and the act of moving on.

    Duke Ellington. As a child, he said piano made an umpy-dump sound that was headed nowhere worth following. But, years later, he heard the piano played a whole new way. People called the music "ragtime", and soon the sound had Duke's fingers riding the piano keys.Duke began to compose his own melodies, which led him to form a band, The Washingtonians. Before long, the group was performing at the swankiest hangouts in Harlem, including The Cotton Club, but under a new name: Duke Ellington and His Orchestra. Soon the whole country swung to Duke's beat.This is the story of one of the greatest composers of the twentieth century - the king of the keys - Duke Ellington.

    A mission to find something spectacular. So they dig a hole. And they keep digging. And they find . . . nothing. Yet the day turns out to be pretty spectacular after all. Attentive readers will be rewarded with a rare treasure in this witty story of looking for the extraordinary—and finding it in a manner you’d never expect.

    Daddy hums as he packs our car with suitcases and a cooler full of snacks. He says there’s nothing like going down home.” Down home is Granny’s house. Down home is where Lil Alan and his parents and sister will join great-grandparents, grandparents, aunts, uncles, and cousins. Down home is where Lil Alan will hear stories of the ancestors and visit the land that has meant so much to all of them. And down home is where all of the children will find their special way to pay tribute to family history. All the kids have to decide on what tribute to share, but what will Lil Alan do?In this rich and moving celebration of history, culture, and ritual, Kelly Starling Lyons’ eloquent text explores the power of family traditions. Stunning illustrations by Coretta Scott King Honor-winner Daniel Minter reveal the motion and connections in a large, multi-generational family.

    Everyone in the neighborhood dreams of a taste of Omu's delicious stew! One by one, they follow their noses toward the scrumptious scent. And one by one, Omu offers a portion of her meal. Soon the pot is empty. Has she been so generous that she has nothing left for herself? Debut author-illustrator Oge Mora brings a heartwarming story of sharing and community to life in colorful cut-paper designs as luscious as Omu's stew, with an extra serving of love. An author's note explains that "Omu" (pronounced AH-moo) means "queen" in the Igbo language of her parents, but growing up, she used it to mean "Grandma."

    The river didn't know it was capable of adventures until a big bear came along. But adventures aren't any fun by yourself, and so enters Froggy, Turtles, Beaver, Racoons, and Duck.These very different animals take off downstream, but they didn't know they needed one another until thankfully, the river came along.This hilarious picture book and heartfelt message celebrates the joy and fun that's in store when you embark together on a ride of a lifetime.

    Inspired by William Blake’s Songs of Innocence and Songs of Experience, this delightful collection of poetry for children brings to life Blake’s imaginary inn and its unusual guests.

    Winner of the 1995 Caldecott Medal. During the Los Angeles riots, Daniel and his mother witness the night's events unfold from the safety of shelter after they are forced to leave their apartment. “Diaz has not been afraid to take risks in illustrating the story with thickly textured paintings against a background of torn-paper and found-object collage. Without becoming cluttered or gimmicky, these pictures manage to capture a calamitous atmosphere that finally calms. . . . Both author and artist have managed to portray a politically charged event without pretense or preaching.”--The Bulletin

    "An original nonsense tale told with...spirit and gusto." -- The Horn Book