The Mars of the movies and the imagination, an endless bastion of opportunities for a colonist with some guts. But she’s trapped in Mexico City, enduring the drudgery of an unkind metropolis, working as a rent-a-friend, selling her blood to old folks with money who hope to rejuvenate themselves with it, enacting a fractured love story. And yet there’s Mars, at the edge of the silver screen, of life. It awaits her.Note: official publication date is December 2017 but only for IndieGoGo backers. Wide release for everyone else on July 2018.

    In these devastating stories, the hopeful monsters in question are those who will not be tethered by familial duty nor bound by the ghosts of their past.Home becomes fraught, reality a nightmare as Hiromi Goto weaves her characters through tales of domestic crises and cultural dissonance. They are the walking wounded—a mother who is terrified by a newborn daughter who bears a tail; a “stinky girl” who studies the human condition in a shopping mall; a family on holiday wih a visiting grandfather who cannot abide their “foreign” nature. But wills are a force unto themselves, and Goto’s characters are imbued with the light of myth and magic-realism. With humor and keen insight, Goto makes the familiar seem strange, and deciphers those moments when the idyllic skews into the absurd and the sublime.

    Though most of Earth has already been evacuated, it’s Samantha’s job to catalog plant samples for the survivors’ unknowable journey beyond.Preparing to stay behind and watch the world end, she makes a final human connection.As certain doom hurtles nearer, the unexpected and beautiful potential for the future begins to flower.Veronica Roth’s Ark is part of Forward, a collection of six stories of the near and far future from out-of-this-world authors. Each piece can be read or listened to in a single thought-provoking sitting.

    Brought together by a secret project designed to hide British targets from German radar, the two founded a love that could not be revealed. When the project went wrong, Tom and Ben vanished into nothingness, presumed dead. Their bodies were never found.Now the two are lost in time, hunting each other across decades, leaving clues in books of poetry and trying to make their disparate timelines overlap.

    While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies.A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella Especially Heinous, Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes.Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.The husband stitch --Inventory --Mothers --Especially heinous --Real women have bodies --Eight bites --The resident --Difficult at parties

    Valente’s Palimpsest.The city of Ora uses a complex living network called the Gleaming to surveil its inhabitants and maintain harmony. Anima is one of the cloistered extrasensory humans tasked with watching over Ora's citizens. Although ær world is restricted to what æ can see and experience through the Gleaming, Anima takes pride and comfort in keeping Ora safe from all harm.All that changes when a mysterious visitor enters the city carrying a cabinet of curiosities from around the world, with a story attached to each item. As Anima’s world expands beyond the borders of Ora to places—and possibilities—æ never before imagined to exist, æ finds ærself asking a question that throws into doubt ær entire purpose: What good is a city if it can’t protect its people?

    Whether through the falsified historical record of the uniquely weird Swedish creature known as the “Pyret” or the title story, “Jagannath,” about a biological ark in the far future, Tidbeck’s unique imagination will enthrall, amuse, and unsettle you. How else to describe a collection that includes “Cloudberry Jam,” a story that opens with the line “I made you in a tin can”? Marvels, quirky character studies, and outright surreal monstrosities await you in what is likely to be one of the most talked-about short story collections of the year.Tidbeck is a rising star in her native country, having published a collection there in Swedish, won a prestigious literary grant, and just sold her first novel to Sweden’s largest publisher. A graduate of the iconic Clarion Writer’s Workshop at the University of California, San Diego, in 2010, her publication history includes Weird Tales, Shimmer Magazine, Unstuck Annual and the anthology Odd.

    In one story, a Jewish college Sarah passively consents to a form-life in pursuit of an MRS degree and is swept into a culture of normalized sexual violence. Another reveals a version of Sarah finding pleasure—and a new set of problems—by playing dead for a wealthy necrophiliac. A Buffy-loving Sarah uses fan fiction to work through romantic obsession. As the collection progresses, Cohen explodes this search for self, insisting that we have more to resist and repair than our own personal narratives. Readers witness as the ever-evolving "Sarah" gets recast: as a bible-era trans woman, an aging lesbian literally growing roots, a being who transcends the earth as we know it. While Cohen presents a world that will clearly someday end, "Sarah" will continue.In each Sarah's refusal to adhere to a single narrative, she potentially builds a better home for us all, a place to live that demands no fixity of self, no plague of consumerism, no bodily compromise, a place called Sarahland.

    They took her history, her home, her family, her god. They tried to take the sea. Now, years later, when she is just beginning to rebuild a life, an agent of that government intrudes on her life again, with an offer she wishes she could refuse. "The Litany of Earth" is a dark fantasy story inspired by the Lovecraft mythos.

    The winner of multiple Hugo and Nebula Awards, Connie Willis captures the timeless essence of generosity and goodwill in this magical collection if Christmas stories.  These eight tales — two of which have never before been published — boldly reimagine the stories of Christmas while celebrating the power of love and compassion.  This enchanting treasury includes:"Miracle," in which a young woman's carefully devised plans to find romance go awry when her guardian angel shows her the true meaning of love."In Coppelius's Toyshop," where a jaded narcissist finds himself trapped in a crowded toy store at Christmastime."Epiphany," in which three modern-day wisemen embark on a quest unlike any they've ever experienced."Inn," where a choir singer gives shelter to a homeless man and his pregnant wife — only to learn later that there's much more to the couple than meets the eye.Also includes: "The Pony""Adaptation""Cat's Paw""Newsletter"

    The seventeen stories in this volume are not dull utopias—they grapple with real issues such as the future and ethics of our food sources, the connection between technology and nature, and the interpersonal conflicts that arise no matter how peaceful the world is. In these pages you’ll find a guerilla art installation in Milan, a murder mystery set in a weather manipulation facility, and a world where you are judged by the glow of your solar nanite implants. From an opal mine in Australia to the seed vault at Svalbard, from a wheat farm in Kansas to a crocodile ranch in Malaysia, these are stories of adaptation, ingenuity, and optimism for the future of our world and others. For readers who are tired of dystopias and apocalypses, these visions of a brighter future will be a breath of fresh air.

    A young girl, a slave in the South, is presented with a moment where she can grasp for freedom, for change, for life. She grabs it with both hands, fiercely and intensely, and the spirit world is shaken.A Tor.com Original

    The collection contains some of Ellison's best stories from earlier collections and is judged by some to be his most consistently high quality collection of short fiction. The theme of the collection can be loosely defined as God, or Gods. Sometimes they're dead or dying, some of them are as brand-new as today's technology. Unlike some of Ellison's collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two. One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction.His stories will rivet you to the floor and change your heartbeat...as unforgettable a chamber of horror, fantasy and reality as you'll ever experience.-Gallery "Brutally and flamboyantly shocking, frequently brilliant, and always irresistibly mesmerizing."-Richmond Times-Dispatch

    Soon he is mixed up in the affairs of Sir Francis Dashwood and his notorious Hellfire Club.

     Featuring new fiction by Ursula Vernon, John Chu, Chinelo Onwualu, Naomi Kritzer, Hiromi Goto, and K.M. Szpara, reprinted fiction by Carlos Hernandez, essays by Javier Grillo-Marxuach, Sarah Gailey, Sam J. Miller, Sarah Pinsker, Mimi Mondal, David J. Schwartz, Kelly McCullough, LaShawn M. Wanak, Yamile Saied Méndez, and DongWon Song, poetry by Roshani Chokshi, Sonya Taaffe, Betsy Aoki, and Theodora Goss, interviews with John Chu and Hiromi Goto by Julia Rios, a cover by Galen Dara, and an editorial by Lynne M. Thomas and Michael Damian Thomas.