Unless the neighbor is the extremely hot, mysterious billionaire Isaias Durant with his rock-hard body that Rebecca can’t take her eyes off of. There is no way that this piece of art is attracted to her…the shy virgin. Or is there? Book Two: The Bear Shifter's Second Chance She doesn’t need that sort of relationship in her life, right? It's hard to keep that in mind when Adela Choi sees Marcus Haught drive up on his motorcycle, his tattoos rippling over his hard muscles. So utterly mouth-watering that she can hardly think around him. Not to mention his animal side, that used to make Adela howl. But she has to stay strong, for her and her little toddler. People just don't change, and she isn't about to be hurt again. Book Three: The Bear Shifter's Nanny It's not easy being a shifter without a clan. But finally, Jasmine Rowland has a job at least. Well, being a nanny is not what she had dreamed of, but it pays the bills. Also, there are worse places to be than around that handsome Doctor Alava with his tight clothes, showing every vein and muscle of his body. But something is definitely wrong with him. What is he hiding? Book Four: The Bear Shifter's Baby Lori Rowlands is done with the loser boyfriends she’s always picked; the kind that would play for a while and then leave her high and dry. She wants something sweet but passionate, where they can count on one another in a crisis. And that means her new boss, the rich, delicious lawyer Clifford Boone, is off limits. Or, isn’t he? A little play can’t hurt anybody, right? Book Five: The Bear Shifter's Mate Serena Boone always knew it. Being the new matriarch of her bear shifter clan comes with big responsibility. Nothing she couldn’t handle alone, but now she has to be protected during the transition of power. But why does her protector have to be one hot and sexy masterpiece? He can’t be her mate. Mates are chosen in traditional fights. AUTHOR´S NOTE: This is a collection of paranormal romances with HEA, so no cliff-hangers! The collection contains mature themes and language, and is intended for 18+ readers only.

    . . . Many readers . . . will be gratified to know that Brunvand intends to continue this series of relaxed, unofficial excursions into popular legends. Admirers of curiosa and the psychology of crowds cannot afford to miss them." —Kirkus Reviews

    Featuring folklore, mythology, and poetry from around the world, this lovely collection reveals these ethereal spirits' extraordinary powers and the history behind their existence. From the case of the Cottingley fairies in the early twentieth century, whose photographs fooled thousands (including Arthur Conan Doyle), to the mischievous fairies found in Shakespeare's A Midsummer Night's Dream, the fascinating stories surrounding these magical sprites are sure to captivate anyone who has ever dreamed of catching one hiding deep within her flowerbed. Whether you're interested in exploring the history and culture or just want to learn more about fairies' powers and trickery, you'll love plunging into the enchanting tales that bring these whimsical creatures to life.Complete with hundreds of lovely illustrations, Fairies reveals the magnificent beauty of these mesmerizing sprites as well as their knack for causing mischief.

    A resourceful samurai and a faithful daughter. A spirit of the moon and a dragon king.This collection of 15 traditional Japanese folktales transports readers to a time of adventure and enchantment. Drawn from the works of folklorists Lafcadio Hearn and Yei Theodora Ozaki, these tales are by turns terrifying, exhilarating, and poetic.• Striking illustrations by contemporary Japanese artist Kotaro Chiba• Special gift edition features an embossed, textured case with metallic gold ink, and a satin ribbon page marker• Part of the popular Tales series, featuring Nordic Tales, Celtic Tales, Tales of India, and Tales of East AfricaFans of Ghostly Tales, and Japanese Notebooks will love this book.This book is ideal for:• Fans of fairytales, folklore, ghost stories, Greek mythology, roman mythology, Chinese mythology, and Celtic mythology• Anyone interested in Japan's history books and culture studies• People of Japanese heritage• Collectors of illustrated classics

    English authors such as J.R.R.Tolkien, C.S. Lewis, Terry Pratchett, and J.K.Rowling, dominate the world of magic in fiction, but from the earliest times, England has also acted as home to generations of eccentrics and scholars who have researched and explored every conceivable kind of occult art. Most people are torn between a fascination with magic and an almost instinctive fear of the occult, of a world redolent with superstition and illusion. And yet more people now practice magic in England than at any time in her history. The Book of English Magic explores this hidden story, from its first stirrings to our present-day fascination with all things magical. Along the way readers are offered a rich menu of magical things to do and places to visit.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    The origins and legends of the Giants, the Ancient Britons, the Picts, the Scots and the English are all explained, in a work aimed at both the specialist and the casual reader. Organised into a simple system based on Robert Graves' classic Greek Myths, Ashe describes the myth or theme first followed by discussion or analysis.

    From the tale of a sixteenth-century shoemaker from Breslau whose ghost terrorized everyone in the city, to the testimony of a doctor who presided over the exhumation and dissection of a graveyard full of Serbian vampires, his book is fascinating reading.

    Drawing on examples from diverse American groups and experiences, this text gives the student a strong foundation—from the field’s history and major terms to theories, interpretive approaches, and fieldwork.Many teachers of undergraduates find the available folklore textbooks too complex or unwieldy for an introductory level course. It is precisely this criticism that Living Folklore addresses; while comprehensive and rigorous, the book is specifically intended to meet the needs of those students who are just beginning their study of the discipline. Its real strength lies in how it combines carefully articulated foundational concepts with relevant examples and a student-oriented teaching philosophy.

    W. Rolleston masterfully retells the great Celtic myths and illuminates the world that spawned them. Focusing principally on Irish myths, the book first takes up the history and religion of the Celts, the myths of the Irish invasion and the early Milesian kings.What follows is pure enchantment as you enter the timeless world of heroic tales centered around the Ulster king Conor mac Nessa and the Red Branch Order of chivalry (Ultonian cycle). These are followed by the tales of the Ossianic cycle, which center on the figure of Finn mac Cumhal, whose son Oisín (or Ossian) was a poet and warrior, and the traditional author of most of the tales. Next comes a summary of the Voyage of Maeldūn, a brilliant and curious piece of invention that exemplifies the genre of "wonder-voyages" — adventures purely in the region of romance, out of earthly space and time. Finally, the author recounts a selection of the myths and tales of the Cymry (Welsh).In these pages, readers will delight in the favorite and familiar tales of Cuchulain, King Arthur and the Knights of the Round Table, the Grail, Deirdre, and many more figures that haunt the shadowy, twilight world of Celtic legend. The magic of that world is further brought to life in more than 50 imaginative full-page illustrations by Stephen Reid, Arthur G. Bell, and the famed illustrator J. C. Leyendecker. Reprinted here in its first paperback edition, Celtic Myths and Legends also includes several helpful genealogical tables: Gods of the House of Dōn, Gods of the House of Llyr, and Arthur and His Kin, as well as a useful glossary.

    Jenkyn Thomas was dismayed to find that his students — who took such delight in the fairy stories of other nations — knew nothing at all of their own country's rich heritage of fairy tales. To fill the need for a collection of Welsh fairy tales for young readers, he compiled this definitive treasury.Abounding in phantoms, fairies, witches, magical spells, and other time-honored fairy-tale ingredients, the 83 fascinating stories include "Lady of the Lake," in which a young country boy falls in love with a beautiful girl who agrees to marry him under very strange conditions; "The Adventures of Three Farmers," and "The Fairy Wife," in which fairies outsmart mortals; and a wealth of other fanciful, imaginative tales. Among these are such favorites as "Elidyr’s Sojourn in Fairy-Land," "Pergrin and the Mermaiden," "The Cave of the Young Men of Snowdonia," "Goronwy Tudor and the Witches of Llanddona," "A Strange Otter," "Nansi Llwyd and the Dog of Darkness," "The Bride from the Red Lake," "Lowri Dafydd Earns a Purse of Gold," and many more. Overflowing with charm, whimsy, and authentic Welsh flavor, this stimulating collection is sure to delight not only children but also fairy- and folk-tale lovers of all ages.

    That all goes out the window the night Mars, god of war, demands her grandfather abandon her and return to Olympus for the brewing war. Now Old Vulcan is racing around the world and across higher planes with Sehkmet to gather allies, leaving Linn and an old immortal friend to protect the farm and the very special litter. But even the best wards won't last forever, and when the farm goes up in flames, she is on the run with a daypack, a strange horse, a sword, and an armful of kittens. Linn needs to grow up fast and master her powers, before the war finds the unlikely refugees...

    Eerie red marks on the apartment's ceiling kept Zack and his wife on edge. The landlord warned them not to open a door in the apartment that led to nowhere. "Our Japanese visitors had no problem putting a name to it . . . they would sense the vibes of the place, look around a bit and inevitably say 'Ahhh . . . yurei ga deteru.' There is a yurei here."Combining his lifelong interest in Japanese tradition and his personal experiences with these vengeful spirits, Davisson launches an investigation into the origin, popularization, and continued existence of yurei in Japan. Juxtaposing historical documents and legends against contemporary yurei-based horror films such as The Ring, Davisson explores the persistence of this paranormal phenomenon in modern day Japan and its continued spread throughout the West.Zack Davisson is a translator, writer, and scholar of Japanese folklore and ghosts. He is the translator of Mizuki Shigeru's Showa 1926–1939: A History of Japan and a translator and contributor to Kitaro. He also worked as a researcher and on-screen talent for National Geographic's TV special Japan: Lost Souls of Okinawa. He writes extensively about Japanese ghost stories at his website, hyakumonogatari.com.

    He idolizes Sarah Roberts from afar, and has done so for more than five years. He has studied her pictures, memorized her news clippings and now waits in the dark for the day when he can make Sarah his hostage.A steel cage waits for Sarah, where Elmore has practiced what he will do to her. The other girls he has practiced with now lay discarded, buried about his property. He keeps their fingernails and toenails to roll between his teeth, to savor their strength, to feel the nails weaken and give in, just as his victims do.Elmore has a plan for Sarah, and she walks right into his trap. Sarah Roberts is his hostage and no one knows where they are. In Sarah Roberts Book Four, The Hostage, Sarah is in a fight not just for her freedom, but also her life.The Victim (Sarah Roberts Book Five)In Book Five, Sarah Roberts is The Victim.Sarah is killed in a horrible car accident, the DNA found in the car verified as hers. But the government men at the Sophia Project have faked her death to keep her to themselves.After her funeral, she shows up in the food court of a busy mall where a violent exchange takes place. Things go wrong fast. The people protecting Sarah die within seconds from a mysterious drug. She runs, escaping the clutches of the police who want to figure out her connection to the murderers. A group of men called The Rapturites surface to take responsibility for the carnage. They want Sarah raptured as the end times are upon us. As the police hunt her, and the Rapturites get close, people she loves, old friends who have helped her in the past, start to die around her. Vivian, her sister, watches. Vivian listens. Sarah executes.In Sarah Roberts Book Five, Sarah is The Victim, and there's nothing she can do about it. Except she won't stay dead.The Enigma (Sarah Roberts Book Six)In Book Six, The Enigma, Sarah Roberts heads to Las Vegas, Nevada.Her dead sister has left her a message with two tasks to complete in Vegas. She is supposed to choose a random guy with a cell phone and send a message to a number her sister has supplied. Before she can complete this first task, she notices a man following her. This man begs her, with tears in his eyes, to not send the text.On the west side of Vegas, a man is being tortured. Sarah's second task is to arrive at a certain time to stop it. When she shows up late, people start to die. The man who had followed her also shows up. With people dead at the warehouse, the police want to know what she's doing in Vegas and why she was there.All Sarah wants is to get her bike and leave Las Vegas. But Maxwell Ramsey has a different plan for Sarah. She has entered his territory and intervened in his business. She has cost him money and time as he plans the acquisition of a local casino. For that, Sarah has to be removed.What she doesn't expect are the deep ties to her family and what that means to her now, and in the future.In Book Six, The Enigma, Sarah Roberts is in Vegas gambling with her life and can only make it out alive if she plays her cards right.

    This is the foundation for the veneration of Santa Muerte, or "Holy Death." Considered to be the female personification of death, she is associated with protection and safe passage to the afterlife. She is also the patron saint of people who live on the fringes of society and often face violence and death. In recent years her constituency has expanded to include the LGBT community and people who are marginalized or whose jobs put them at significant risk of death such as military and police personnel. Santa Muerte is hailed as their potent and powerful protector, capable of delivering them from harm and even granting miracles.Santa Muerte is a complete ritual guide to working with this famous--and infamous!--Mexican folk saint. It takes us beyond the sensational headlines to reveal the truth about why Santa Muerte is so beloved by so many. Author Tracey Rollin presents simple, straightforward methods for working with Holy Death that may be used alone or easily incorporated into your own magical practice.