Taking place on the most evil of holidays, Halloween, the Darknight Detective confronts his deepest fears as he tries to stop the madness and horror created by Scarecrow, the Mad Hatter, the Penguin, Poison Ivy and the Joker.

    In the passing shadow of the Civil War, defiant Confederate General Oleander Hume waits to be let loose, too evil and warped to die, too mad with bloodlust to let go of his black magic. He hungers for his lost and most precious possession, an ancient weapon of foreboding doom. Having fallen into the hands of an innocent girl, this last and most powerful of six revolvers is the key to unlocking unstoppable power. But before General Hume, with his wicked bride and four twisted horsemen, can summon an army of undead to claim what is his, in his path stands Drake Sinclair--a gunslinger playing with cards close to his chest. However, Sinclair is no white knight and is himself on the hunt for the six guns...

    Just what the hell has happened to his career-?! His marriage?! His life?! Hey, it's nothing that a drink can't fix. It's after one such night of debauchery with artist GREG HINKLE that the project really comes into its own. Quite literally. Because Airboy himself appears to set the two depraved comic book creators on the straight and narrow. But no one in this story has their life go according to plan. Read the entire series in one hardcover collected volume, which features a brand new story dealing with the reaction to the comic's initial publication that doesn't turn out the way anyone expects...least of all Robinson and Hinkle. A satirical look into the comic book industry paired with the debauchery of Hunter S. Thompson's Fear and Loathing in Las Vegas.

    The narrative also explores the experiences of the loved ones he leaves behind, on his ship and at home on land, as well as of the mermaids who jadedly witness his destruction. At the heart of the story lie the dubious value of maintaining dignity to the detriment of intimacy, and the erotic potential of the worst-case scenario. Julie Gfrörer’s delicate drawing style perfectly complements the period era of Black Is the Color, bringing the lyricism and romanticism of Gfrörer’s prose to the fore. Black Is the Color is a book as seductive as the sirens it depicts.

    The place where he first rebelled against his given destiny and imagined that he could be more -that he could be a man. There, he builds them. A wife, Virginia. Two teenage twins, Viv and Vin. They look like him. They have his powers. They share his grandest ambition (or is that obsession?) the unrelenting need to be ordinary.Behold the Visions! They’re the family next door, and they have the power to kill us all. What could possibly go wrong? Artificial hearts will be broken, bodies will not stay buried, the truth will not remain hidden, and the Vision will never be the same.Collecting: The Vision 1-6

    Each installment features its own cast of strange characters, dealing with their own special sundae of suffering. And on the periphery of all of them, like the twinkly music of his colorful truck, is the Ice Cream Man—a weaver of stories, a purveyor of sweet treats. Friend. Foe. God. Demon. The man who with a snap of his fingers—lickety split!—can change the course of your life forever.

    Here, burning figures roam the streets, men in brightly colored costumes scale the glass and concrete walls, and creatures from space threaten to devour our world. This is the Marvel Universe, where the ordinary and fantastic interact daily. This is the world of Marvels.Witness the birth of this fantastic universe from the inside. See the world's greatest heroes in a different light, with a new awe and a touch of fear.For the first time, experience the Marvel Universe from a whole new perspective — yours. Collects Marvels #1-4 and Marvels #0.

    How can our Spider-Man possibly hope to survive against this interdimensional onslaught.Collecting: Amazing Spider-Man #7-15, Superior Spider-Man #32-33, Free Comic Book Day 2014 (Guardians of the Galaxy) 1 (5 page Spider-Man story), Spider-Verse #1-2, Spider-Verse Team-Up #1-3, Scarlet Spiders #1-3, Spider-Woman #1-4, Spider-Man 2099 #5-8.

    He’s also its would-be poet laureate. Would-be, that is, were it not for the “florid banalities” of his archrival, Ida Wentz, pub­lished ad nauseam in the Ice Haven Daily Progress. Among Wilder’s other fellow Ice Havians are the love­lorn Violet Vanderplazt and Vida Wentz; the adorable interracial moppets Carmichael and Paula; the Blue Bunny, newly sprung from prison and the bitterest rabbit in town; and poor little David Goldberg, miss­ing for more than a week now. . . . The lives of the men and women of Ice Haven are woven into a multilayered tale that, while it owes a debt to Our Town, is ultimately based on and inspired by . . . Leopold and Loeb. No kidding. Only Daniel Clowes could do it and, luckily for us, he has.

    Hellboy is one of the most celebrated comics series in recent years. The ultimate artists' artist and a great storyteller whose work is in turns haunting, hilarious, and spellbinding. Mike Mignola has won numerous awards in the comics industry and beyond. When strangeness threatens to engulf the world, a strange man will come to save it. Sent to investigate a mystery with supernatural overtones, Hellboy discovers the secrets of his own origins, and his link to the Nazi occultists who promised Hitler a final solution in the form of a demonic avatar." ... Hellboy is a brilliant example of how to elevate the comic of the future to a higher literary level while achieving a higher pitch of excitement." --Robert Bloch, from his introduction

    1: THE SHRIKE. Sarah Fields is dying and her children strike a bargain with the Immortals: give them one month, until the moon is full again, to find her son. The boy is far away, in the trenches of France, stalked by the Reapers of Vengeance and Cruelty. Collects PRETTY DEADLY #6-10

    Carré’s elegant short stories read like the gothic, family narratives of Flannery O’Connor or Carson McCullers, but told visually. Poetic rhythms — a coin flip, a circling ferris wheel — are punctuated by elements of melancholy fantasy pushed forward by character-driven, naturalistic dialogue. The stories in Heads Or Tails display a virtuosic breadth of visual styles and color palettes, each in perfect service of the story, and range from experimental one-pagers to short masterpieces like The Thing About Madeline (featured in The Best American Comics 2008), to graphic novellas like The Carnival (featured in David Sedaris and Dave Eggers’ 2010 Best American Nonrequired Reading, originally published in MOME).

    Shining a light on humanity’s ancient customs and institutions in a funny origin story of human civilization, Mark Russell (PREZ) blends modern interpretations with Hanna-Barbera’s classic characters, bringing a breath of fresh stone-age air.Hanna-Barbera has created some of the most recognizable animated characters of all time. As part of DC Comics’ reimagination of cartoons like SCOOBY-DOO, JOHNNY QUEST, SPACE GHOST and WACKY RACERS, these new series are infused with modern and contemporary concepts while keeping the heart and soul of the classic animation.Collects THE FLINSTONES #7-12.

    The individual stories in Flayed Corpse stand on their own as minimasterpieces of skin-crawling terror, but collectively complement each other in a way that only heightens the anxiety and dread pouring from page to page. Flayed Corpse also collects several collaborations between Simmons and other cartoonists, including James Romberger, Anders Nilsen, Tara Booth, Eroyn Franklin, Tom Van Deusen, and Eric Reynolds, amongst others.

    When she comes to America for a better life, she marries a drug kingpin, whose son learns Maria’s darkest secret, leading to the most violent gangland bloodbath in organized crime history. Maria M. collects 2013’s Book One (now out of print), and the never-before-published Book Two, presenting the complete graphic novel for the first time. Longtime readers of Hernandez’s books will recognize a metatwist worthy of Maria M.’s pulpy pages: Maria M. doubles as a “biopic” of the mother of Hernandez’s most beloved character: Luba from Love and Rockets!