Its brief rule ended in 'Bloody Week' - the brutal massacre of as many as 15,000 Parisians, and perhaps even more, who perished at the hands of the provisional government's forces. By then, the city's boulevards had been torched and its monuments toppled. More than 40,000 Parisians were investigated, imprisoned or forced into exile - a purging of Parisian society by a conservative national government whose supporters were considerably more horrified by a pile of rubble than the many deaths of the resisters.In this gripping narrative, John Merriman explores the radical and revolutionary roots of the Commune, painting vivid portraits of the Communards - the ordinary workers, famous artists and extraordinary fire-starting women - and their daily lives behind the barricades, and examining the ramifications of the Commune on the role of the state and sovereignty in France and modern Europe. Enthralling, evocative and deeply moving, this narrative account offers a full picture of a defining moment in the evolution of state terror and popular resistance.

    In addition to nine essays from Goldman’s own 1910 collection, Anarchism and Other Essays; three dramatic sections from her 1931 autobiography, Living My Life; and the afterword to her My Disillusionment in Russia (which the collapse of the Soviet Union later revealed as prescient); this book contains sixteen more pieces covering a great range of subjects, assembled here for the first time to offer a rich composite or Goldman’s life and thought. Red Emma speaks on: anarchism, sex, prostitution, marriage, jealousy, prisons, religion, schools, violence, war, communism, and much more. This new third edition, containing a new foreword by Alix Kates Shulman and more accessible source listings, has been revised to situate the works more precisely in light of burgeoning Goldman scholarship.

     Anarchy, A Graphic Guide is an account of people's attempts to build a world and live a life free of imposed authority. From the thirteenth century Free Spirits, to Emma Goldman and Alexander Berkman, from Noam Chomsky to the Zapatistas, Clifford Harper chronicles, in word and illustration, ordinary people's extraordinary efforts to overcome authoritarian social and economic conditions.Harper's beautifully rendered drawings add a distinctive elegance to his writings. With entirely new illustrations-over 350-and prose, this handsome reissue can hardly be called a reprint. His celebrated style brings new life to history's forgotten and maligned heroes: the Diggers, William Godwin, Pierre-Joseph Proudhon, Peter Kropotkin, the Grimke Sisters, Francisco Ferrer, Buenaventura Durruti, the Kronstadt sailors, Kenneth Rexroth, Paul Goodman, and Carol Ehrlich. In addition, he addresses anarchism's relationship to broader movements, including art, feminism, environmentalism, abolitionism, labor, intellectualism, atheism, and education.

    It recounts crow's efforts with others in the community to found Common Ground Collective, a grassroots relief organization that built medical clinics, set up food and water distribution, and created community gardens when local government agencies, FEMA, and the Red Cross were absent or ineffective. The members also stood alongside the beleaguered residents of New Orleans in resisting home demolitions, white militias, police brutality, and FEMA incompetence. This vivid, personal account maps the intersection of radical ideology with pragmatic action and chronicles a community's efforts to translate ideals into tangible results. Resisting indifference, rebuilding hope amidst collapse, and independence from government entities emerge as persistent themes in this call to activism, demonstrating what can be done by determined individuals in extreme circumstances.

    As governments fail to respond to—or actively engineer—each crisis, ordinary people are finding bold and innovative ways to share resources and support the vulnerable. Survival work, when done alongside social movement demands for transformative change, is called mutual aid.This book is about mutual aid: why it is so important, what it looks like, and how to do it. It provides a grassroots theory of mutual aid, describes how mutual aid is a crucial part of powerful movements for social justice, and offers concrete tools for organizing, such as how to work in groups, how to foster a collective decision-making process, how to prevent and address conflict, and how to deal with burnout. Writing for those new to activism as well as those who have been in social movements for a long time, Dean Spade draws on years of organizing to offer a radical vision of community mobilization, social transformation, compassionate activism, and solidarity.

    In conversation with organizers and intellectuals from a wide variety of political currents, the authors explore how rigid radicalism smuggles itself into radical spaces, and how it is being undoneInterviewees include Silvia Federici, adrienne maree brown, Marina Sitrin, Gustavo Esteva, Leanne Betasamosake Simpson, Walidah Imarisha, Margaret Killjoy, Glen Coulthard, Richard Day, and more.

    

    Yet how far has this theory got us? Is it still central to feminism, anti-capitalism, anti-racism, anarchism, and other radical social movements today? Richard Day shows how most contemporary movements attempt to develop new forms of self-organization that can run parallel-or as alternatives-to existing forms. They follow a logic of affinity rather than hegemony. From Hegel's concept of recognition, through theories of hegemony and affinity, to Hardt and Negri's reflections on Empire, Day translates academia's theoretical and philosophical concerns to the politics of the street.

    Music sure as hell changed me." - Tom MorelloRock god. Justice fighter. Rabble-rouser. Ivy Leaguer. An American renegade and fearless truth teller. Rage Against the Machine’s guitar virtuoso, Tom Morello, is many things, but perhaps he himself sums it up best: a one man revolution. For the first time ever, hear Morello fuse the deeply personal with the political in a rapturous, badass, one-man show that skillfully balances soul-bearing stories with spellbinding guitar fury. This is Tom Morello at Minetta Lane Theatre: Speaking Truth to Power Through Stories and Song.Executive produced by the legendary, multi-Grammy winning producer and composer T Bone Burnett, Morello’s performance adds to a growing list of iconic talent (Patti Smith, James Taylor, Common) who give voice to Audible’s Words and Music series: a new type of audio-only memoir that blends storytelling, music, and performance to create a one-of-a-kind listening experience.Morello begins at the beginning, opening up about his tumultuous childhood in small-town Illinois, his grappling with sense of identity and ultimate artistic purpose. "I was the only black kid in an all-white town, the only anarchist at a conservative high school, the only heavy metal shredding guitar player at Harvard University, and the only Ivy League Star Trek loving nerd in the world’s biggest political rock rap band." As Morello takes us thru poignant moments of an astounding and meaningful career (Rage Against the Machine, Audioslave, the Nightwatchman, Springsteen and the E-Street Band, Prophets of Rage, The Atlas Underground) we hear firsthand of the triumphs and tragedies, riffs and rebellions that mark a life in shattering artistic bounds, confronting the establishment, and creating/collaborating on music that matters.By the time Tom closes out the show by leading a palpably super-charged audience through a banging version of "Killing in the Name Of", Lennon’s working-class anthem "Power to the People", and, finally, a spirited and wholly sincere "This Land Is Your Land", a piercing truth resounds: Tom Morello is a singular force and a most essential type of artist: the kind who not only inspires but empowers. In the words of T Bone Burnett, who provides a tender lead-in to the rare performance, "There is no more articulate or intelligent musician today than Tom Morello. He is a magical guitarist and a deep storyteller whose life and artistry reflect and challenge the time we live in."©2019 Tom Morello (P)2020 AO Media LLC

    We are again riding the crest of a revolutionary epic, much like 1848 or 1917, from the Arab Spring to movements against austerity in Greece to the Occupy movement. In Wages of Rebellion, Chris Hedges—who has chronicled the malaise and sickness of a society in terminal moral decline in his books Empire of Illusion and Death of the Liberal Class—investigates what social and psychological factors cause revolution, rebellion, and resistance. Drawing on an ambitious overview of prominent philosophers, historians, and literary figures he shows not only the harbingers of a coming crisis but also the nascent seeds of rebellion. Hedges' message is clear: popular uprisings in the United States and around the world are inevitable in the face of environmental destruction and wealth polarization.Focusing on the stories of rebels from around the world and throughout history, Hedges investigates what it takes to be a rebel in modern times. Utilizing the work of Reinhold Niebuhr, Hedges describes the motivation that guides the actions of rebels as “sublime madness” — the state of passion that causes the rebel to engage in an unavailing fight against overwhelmingly powerful and oppressive forces. For Hedges, resistance is carried out not for its success, but as a moral imperative that affirms life. Those who rise up against the odds will be those endowed with this “sublime madness.”From South African activists who dedicated their lives to ending apartheid, to contemporary anti-fracking protests in Alberta, Canada, to whistleblowers in pursuit of transparency, Wages of Rebellion shows the cost of a life committed to speaking the truth and demanding justice. Hedges has penned an indispensable guide to rebellion.

    Herman and Noam Chomsky show that, contrary to the usual image of the news media as cantankerous, obstinate, and ubiquitous in their search for truth and defense of justice, in their actual practice they defend the economic, social, and political agendas of the privileged groups that dominate domestic society, the state, and the global order.Based on a series of case studies—including the media’s dichotomous treatment of “worthy” versus “unworthy” victims, “legitimizing” and “meaningless” Third World elections, and devastating critiques of media coverage of the U.S. wars against Indochina—Herman and Chomsky draw on decades of criticism and research to propose a Propaganda Model to explain the media’s behavior and performance. Their new introduction updates the Propaganda Model and the earlier case studies, and it discusses several other applications. These include the manner in which the media covered the passage of the North American Free Trade Agreement and subsequent Mexican financial meltdown of 1994-1995, the media’s handling of the protests against the World Trade Organization, World Bank, and International Monetary Fund in 1999 and 2000, and the media’s treatment of the chemical industry and its regulation. What emerges from this work is a powerful assessment of how propagandistic the U.S. mass media are, how they systematically fail to live up to their self-image as providers of the kind of information that people need to make sense of the world, and how we can understand their function in a radically new way.

    That core belief never changed.Chosen by Zinn himself as the shorter writings on history he believed to have enduring value—originally appearing in newspapers like the Boston Globe or the New York Times; in magazines like Z, the New Left, the Progressive, or the Nation; or in his book Failure to Quit—these essays appear here as examples of the kind of passionate engagement he believed all historians, and indeed all citizens of whatever profession, need to have, standing in sharp contrast to the notion of "objective" or "neutral" history espoused by some."It is time that we scholars begin to earn our keep in this world," he writes in "The Uses of Scholarship." And in "Freedom Schools," about his experiences teaching in Mississippi during the remarkable "Freedom Summer" of 1964, he adds: "Education can, and should, be dangerous."

    What was once a fringe movement has been gaining cultural acceptance and political power for years. Rebranding itself as "alt-right" and riding the waves of both Donald Trump's hate-fueled populism and the anxiety of an abandoned working class, they have created a social force that has the ability to win elections and inspire racist street violence in equal measure.Fascism Today looks at the changing world of the far right in Donald Trump's America. Examining the modern fascist movement's various strains, Shane Burley has written an accessible primer about what its adherents believe, how they organize, and what future they have in the United States. The ascension of Trump has introduced a whole new vocabulary into our political lexicon—white nationalism, race realism, Identitarianism, and a slew of others. Burley breaks it all down. From the tech-savvy trolls of the alt-right to esoteric Aryan mystics, from full-fledged Nazis to well-groomed neofascists like Richard Spencer, he shows how these racists and authoritarians have reinvented themselves in order to recruit new members and grow.Just as importantly, Fascism Today shows how they can be fought and beaten. It highlights groups that have successfully opposed these twisted forces and outlines the elements needed to build powerful mass movements to confront the institutionalization of fascist ideas, protect marginalized communities, and ultimately stop the fascist threat.Shane Burley is a writer, filmmaker, and antifascist based in Portland, Oregon.

    Many believed Hill was innocent, condemned for his association with the Industrial Workers of the World -- the radical Wobblies. Now, following four years of intensive investigation, William M. Adler gives us the first full-scale biography of Joe Hill, and presents never before published documentary evidence that comes as close as one can to definitively exonerating him.Joe Hill's gripping tale is set against a brief but electrifying moment in American history, between the century's turn and World War I, when the call for industrial unionism struck a deep chord among disenfranchised workers; when class warfare raged and capitalism was on the run. Hill was the union's preeminent songwriter, and in death, he became organized labor's most venerated martyr, celebrated by Woody Guthrie and Bob Dylan, and immortalized in the ballad "I Dreamed I Saw Joe Hill Last Night."The Man Who Never Died does justice to Joe Hill's extraordinary life and its controversial end. Drawing on extensive new evidence, Adler deconstructs the case against his subject and argues convincingly for the guilt of another man. Reading like a murder mystery, and set against the background of the raw, turn-of-the-century West, this essential American story will make news and expose the roots of critical contemporary issues.

    According to Chomsky, "propaganda is to democracy as the bludgeon is to a totalitarian state," and the mass media is the primary vehicle for delivering propaganda in the United States. From an examination of how Woodrow Wilson’s Creel Commission "succeeded, within six months, in turning a pacifist population into a hysterical, war-mongering population," to Bush Sr.'s war on Iraq, Chomsky examines how the mass media and public relations industries have been used as propaganda to generate public support for going to war. Chomsky further touches on how the modern public relations industry has been influenced by Walter Lippmann’s theory of "spectator democracy," in which the public is seen as a "bewildered herd" that needs to be directed, not empowered; and how the public relations industry in the United States focuses on "controlling the public mind," and not on informing it. Media Control is an invaluable primer on the secret workings of disinformation in democratic societies.From the Audiobook Download edition.