This is the only introduction to Romanticism that incorporates not only the English but the Continental movements, and notonly literature but music, art, religion, and philosophy. Balancing lively details with intriguing topics, it sheds light on such subjects as the Sensibility movement, which preceded Romanticism; the rising prestige of the poet as inspired prophet; the suffering and neglect of the poet; therather different figure of the poetess; Romanticism as a religious trend; Romantic philosophy and science; and Romantic responses to the French Revolution, the Orient, gypsies, and the condition of women. Ferber offers a definition and several general propositions about this very diverse movement, as well as a discussion of the word Romantic and where it came from. Finally, some two hundred authors or artists are cited or quoted, many at length, including Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, Emerson, Hugo, Goethe, Pushkin, Beethoven, Berlioz, Chopin, and Delacroix.

    His main target is the all-pervasive figure of the child, which he reads as the linchpin of our universal politics of “reproductive futurism.” Edelman argues that the child, understood as innocence in need of protection, represents the possibility of the future against which the queer is positioned as the embodiment of a relentlessly narcissistic, antisocial, and future-negating drive. He boldly insists that the efficacy of queerness lies in its very willingness to embrace this refusal of the social and political order. In No Future, Edelman urges queers to abandon the stance of accommodation and accede to their status as figures for the force of a negativity that he links with irony, jouissance, and, ultimately, the death drive itself.Closely engaging with literary texts, Edelman makes a compelling case for imagining Scrooge without Tiny Tim and Silas Marner without little Eppie. Looking to Alfred Hitchcock’s films, he embraces two of the director’s most notorious creations: the sadistic Leonard of North by Northwest, who steps on the hand that holds the couple precariously above the abyss, and the terrifying title figures of The Birds, with their predilection for children. Edelman enlarges the reach of contemporary psychoanalytic theory as he brings it to bear not only on works of literature and film but also on such current political flashpoints as gay marriage and gay parenting. Throwing down the theoretical gauntlet, No Future reimagines queerness with a passion certain to spark an equally impassioned debate among its readers.

    But what if love isn’t enough?Marrying a handsome, wealthy lawyer and living in a Hollywood Hills mansion…it’s a dream come true for twenty-four-year-old Jana, from the moment Lawrence Collins swept her off her feet and into his luxurious world. True, she put her studies at a local Bible college on hold in order tow ed after a six-month whirlwind romance. Beautiful and vivacious, with a stunning body, Jana knows men like Lawrence don’t come along every day, and she vows to be a perfect companion—the ideal wife—to this sexy, powerful man. But at what price?From her wardrobe and hairstyle to her friends and her choice of church, Lawrence seems to want Jana to change into someone she’s not…and soon, the man Jana thought she knew will test her values and her faith with a shocking revelation that goes against everything she believes. How far will Jana be willing to go to keep the man she loves? With her “ideal” marriage falling apart, Jana—the real, modest, smart, and strong girl who knows what she stands for—must put her trust in God, and follow His guiding light out of the darkness of a broken relationship.

    He examines the individuals and institutions involved in making cultural products what they are: not only the writers and artists, but also the publishers, critics, dealers, galleries, and academies. He analyzes the structure of the cultural field itself as well as its position within the broader social structures of power.The essays in his volume examine such diverse topics as Flaubert's point of view, Manet's aesthetic revolution, the historical creation of the pure gaze, and the relationship between art and power.The Field of Cultural Production will be of interest to students and scholars from a wide range of disciplines: sociology and social theory, literature, art, and cultural studies.

    The author, editor, or translator of nearly three dozen books of criticism and works of literature, Keene now offers an enjoyable and beautifully written introduction to traditional Japanese culture for the general reader.The book acquaints the reader with Japanese aesthetics, poetry, fiction, and theater, and offers Keene's appreciations of these topics. Based on lectures given at the New York Public Library, The Metropolitan Museum of Art, and the University of California, Los Angeles, the essays -though written by a renowned scholar- presuppose no knowledge of Japanese culture. Keene's deep learning, in fact, enables him to construct an overview as delightful to read as it is informative.His insights often illuminate aspects of traditional Japanese culture that endure today. One of these is the appreciation of "perishability." this appreciation os seen in countless little bits of Japanese life: in temples made of wood instead of durable materials; in the preference for objects -such as pottery- that are worn, broken, or used rather than new; and in the national love of the delicate cherry blossom, which normally falls after a brief three days of flowering. Keene quotes the fourteenth-century Buddhist monk Kenko, who wrote that "the most precious thing about life is its uncertainty."Throughout the volume, Keene demonstrates that the rich artistic and social traditions of Japan can indeed be understood by readers from our culture. This book will enlighten anyone interested in Japanese literature and culture.

     ENGLISH MAJORS. You know who you are and here is a double-CD celebrating the secret society of those who, though they may be chauffeuring kids to swim lessons or writing Unix programs or frying cheeseburgers, still could, if need be, write a term paper on the water imagery in "The Waste Land." Includes the "Six-Minute Hamlet," the "Ten-Minute MacBeth," tributes to Hawthorne and Kerouac and Emily Dickinson, a Guy Noir adventure that exposes an M.F.A. scam, the Ballad of John Henry ('John Henry was an English major and poetry was his line. He sat by the window with his yellow legal pad and he wrote one sentence at a time.'), and more. With guest appearances by Allen Ginsberg, Billy Collins, Roy Blount Jr., Robert Bly, Donald Hall, and Calvin Trillin.

    Steel is known for her heartfelt love stories and this piece joins the ranks with the charming romance between Stephanie Adams and Chase Taylor. Although the plot itself is the familiar blueprint to many romance novels, Steel’s well-developed characters steal the show and provide an enjoyable performance. Stephanie and Chase shine in the leading roles, their strong likeability factor making them a team to root for. Steel takes care to give all the characters a clear purpose and journey of their own, adding to their depth and to their level of importance in Stephanie and Chase’s lives. Stephanie Adams has devoted her entire life to her husband and her children, remaining trapped in a loveless marriage in an effort to keep her family intact. The sudden death of her husband sends her reeling and she feels lost without his familiar presence. With her children grown and living elsewhere, she is forced to face the reality that her life no longer holds the purpose it once did. Danielle Steel’s novel is a sweet romantic tale that brings together an underappreciated widow with a famous music star in a simple twist of fate that changes their lives forever. This companion to Country also includes the following: • Book Review • Story Setting Analysis • Story elements you may have missed as we decipher the novel • Clear, concise description and analysis of personalities • Summary of the text, with some analytical comments interspersed • Thought Provoking /or Discussion Questions for both Readers & Book Clubs • Discussion & Analysis of Themes, Symbols… • And Much More! This Analysis fills the gap, making you understand more while enhancing your reading experience.

    Their happiness is interrupted when Seth travels west in search of his fortune. His obsession almost leads him to lose all that is precious. Seth’s legacy continues when the 7 pieces of his torn treasure map find their way into the hands of 7 more colorful brides and their pioneer husbands. RUBY'S RACE Ruby Murphy is a young orphan who is used cruelly by her aunt and cousins. When one of her cousins attempts to molest her and she defends herself, she is kicked out into the street and left to fend for herself. Homeless and unable to find employment, she turns in desperation to The Western Matrimonial Agency and answers a complete stranger’s advertisement for a bride. CORAL'S CRY Despite all her friends’ warnings, Coral is determined to marry Richard. Then, when he leaves her at the altar for his secret lover, Coral is unable to face people’s looks and disdain. The chance to move west and marry Thomas Winters seems the perfect escape route. AMBER'S ESCAPE Amber is highly amused at the sight of the ridiculous Lord Richard Clarington The Third, Earl of Suffolk, but she is horrified when she discovers that her father and stepmother intend to marry her off to him. When she refuses, her parents confine her to her rooms, but she and her maid, Felicia, plot her means of escape: Amber will become a Mail Order Bride. JADE'S JOURNEY Forced to sell her family home, Jade Fern finds her ancestor’s papers, including a piece of a map. Jade decides to go to Rainbow Mountain. Meanwhile, Julius Neil discovers deeds to the same land. A spirited rivalry springs up between them, but Sheriff Augustus Gordon has a scheme to bring them togther. SAPPHIRE'S SURPRISE The determined Sapphire Alexander is a successful nurse and midwife at San Francisco’s prestigious Central Memorial Hospital, but she is plagued by the attentions of Dr. Michael “Itchy Fingers” Spinks. Her repeated rebuffs only anger him, and he eventually has her fired because she won’t give in to him. Forced to travel west and terrible accident leads to love. AMETHYST'S SECRET Amethyst Mayfield is the daughter of an archeologist whose travels lead him to the Amazon forest - he never returns. Amongst the artifacts that he leaves is a fragment of parchment promising rich returns from the Montana hills. Amethyst, fascinated and keen to continue her father’s legacy, devises a way to move to Montana as a Mail Order Bride. VIOLET'S VICTORY Violet Wakefield faces the impossible dilemma of providing the necessary fees for her sick mother’s urgent medical care. She is led to respond to the pleas of a lonely logger from Rainbow Mountain, willing to pay a handsome dowry for a suitable Christian bride. She reluctantly leaves her mother to join Martin Allen, who pays for her mother’s medical care 7 COLORS OF LOVE Each of our brides has found love in Montana, but all are unaware that a storm is brewing. Creeping from the past comes a greedy hand ready to grasp the hidden treasure, but first the seven brides must be lured where their bounty can be stolen. Watch and wonder as the thrilling finale of the Rainbow Mountain Brides gallops to its conclusion.

    Her appetites—for men, for food, for attention—are gargantuan, and her ability to irritate is similarly outsized. So when someone electrocutes the bombastic Australian contralto, few tears are shed at the Northern Opera Company. In fact, most of the company members are dancing a jig, and it falls on Superintendent Nichols to determine which of them might have helped Gaylene along to her just reward. With so many potential suspects, Nichols has his hands full, but Barnard and his readers have a deliciously malicious good time.

    In Bakhtin's view, the spirit of laughter and irreverence prevailing at carnival time is the dominant quality of Rabelais's art. The work of both Rabelais and Bakhtin springs from an age of revolution, and each reflects a particularly open sense of the literary text. For both, carnival, with its emphasis on the earthly and the grotesque, signified the symbolic destruction of authority and official culture and the assertion of popular renewal. Bakhtin evokes carnival as a special, creative life form, with its own space and time.Written in the Soviet Union in the 1930s at the height of the Stalin era but published there for the first time only in 1965, Bakhtin's book is both a major contribution to the poetics of the novel and a subtle condemnation of the degeneration of the Russian revolution into Stalinist orthodoxy. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.

    A must-read for art and music fans interested in going beyond the stereotyped observations of Yoko as a Lennon hanger-on or inconsequential avant noisemaker.

    The western world was turned upside down by the rock ‘n' roll revolution and here's the real lowdown on the rock stars who made it happen — and what it did to their lives.

    Biss doesn’t just love Beethoven more than other music, he loves it more than most things. It’s the lens through which he understands the world, and has been since he can remember. But in Unquiet Biss reveals the full extent to which Beethoven is also a ruthless lens through which he views himself.Biss provides listeners front and center access to his long overdue confrontation with a painful truth: Living with Beethoven has essentially amounted to severing all meaningful ties with himself. As we learn in rich detail, amidst the treasures Beethoven’s music has gifted Biss also lies searing self-doubt and heaps of crippling anxiety. Biss’s raw self-reflection is delivered through pitch-perfect prose, delving deep into the fascinating paradox that the greatest pleasure in his life is also responsible for imprisoning him. Beethoven’s defining personal characteristic, for example—his unwavering self-conviction and weapons-grade callousness—only served to mock Biss’s own perceived shortcomings and vulnerabilities. This captivating combination of wit and wisdom Biss readily shares is only interrupted by something even more extraordinary—his new interpretations of movements from seven of Beethoven's sonatas, including the Pathetique and Tempest, and his groundbreaking, awe-inducing final sonatas.Unquiet both begins and ends with Jonathan Biss staring down the daunting complexity and infinite majesty of Beethoven's last piano sonatas. But between these two points, the singular pianist has traversed a world of healing. An immeasurable weight has been lifted from him—by him. And we have witnessed its dramatic rise. While his journey is a fantastically unique one, if we listen close, we can hear ours too. An endless battle to confront and quiet our greatest pain so that we can embrace something even greater. Take a moment, and heed the sound.

    He announces he is the Lord of Misrule and appoints his Court of Fools.Very quickly odd things start to happen.Previously unseen magic is revealed, and paranormal characteristics are unveiled.And unfortunately, darker events occur, too.Unless Avery, Alex, and the other witches can find a solution, Yuletide may not be as joyous as they hoped.

    She struggles to provide for the kids, working a dead-end job while going to school. Stuck in a meaningless relationship, which only involved midnight creeps into her bed, she ends things with Darius in hopes for something better in life. Just when Cassandra isn't looking for anything or anyone, that's when Marco comes along; he's handsome, a great father to his son, and a business owner. Marco's had his share of women and often juggled relationships, but upon meeting Cassandra, his desire is kindled and he has to fight against wanting anything more than just a casual thing. With each day, they both fight the obvious; they want each other. A night of forbidden passion leads them into bed together; they soon wind up going back and forth, as Cassandra begins to date Damian to distract her from the one she really wants--Marco. The attraction is strong and the chemistry is explosive--will their efforts to ignore their hearts' desire trump love, or will they finally give in to what is obviously meant to be?