A delicious novel for fans of Tom Perrotta, Maria Semple, and Cynthia D'Aprix Sweeney about how sometimes the only way to move forward is to go back.David Hedges’s life is coming apart at the seams. His job helping San Francisco rich kids get into the colleges of their (parents’) choice is exasperating; his younger boyfriend has left him; and the beloved carriage house he rents is being sold. His solace is a Thai takeout joint that delivers 24/7.The last person he expects to hear from is Julie Fiske. It’s been decades since they’ve spoken, and he’s relieved to hear she’s recovered from her brief, misguided first marriage. To him.Julie definitely doesn’t have a problem with marijuana (she’s given it up completely, so it doesn’t matter if she gets stoned almost daily) and the Airbnb she’s running out of her seaside house north of Boston is neither shabby nor illegal. And she has two whole months to come up with the money to buy said house from her second husband before their divorce is finalized. She’d just like David’s help organizing college plans for her 17-year-old daughter.That would be Mandy. To quote Barry Manilow, Oh Mandy. While she knows she’s smarter than most of the kids in her school, she can’t figure out why she’s making so many incredibly dumb and increasingly dangerous choices.When David flies east, they find themselves living under the same roof (one David needs to repair). David and Julie pick up exactly where they left off thirty years ago―they’re still best friends who can finish each other’s sentences. But there’s one broken bit between them that no amount of home renovations will fix.In prose filled with hilarious and heartbreakingly accurate one-liners, Stephen McCauley has written a novel that examines how we define home, family, and love. Be prepared to laugh, shed a few tears, and have thoughts of your own ex-life triggered. (Throw pillows optional.)

    Disgusted by an overabundance of phallocratic narratives and Freytag’s pyramid, she turns to a subcultural canon of resistance and failure. Wryly riffing on feminist literary tropes, it documents the survival of a demonized single mother figuring things out.

    Home-schooled, Ada accompanies David to work every day; by twelve, she is a painfully shy prodigy. The lab begins to gain acclaim at the same time that David's mysterious history comes into question. When his mind begins to falter, leaving Ada virtually an orphan, she is taken in by one of David's colleagues. Soon after she embarks on a mission to uncover her father’s secrets: a process that carries her from childhood to adulthood. What Ada discovers on her journey into a virtual universe will keep the reader riveted until The Unseen World's heart-stopping, fascinating conclusion.

    But within six short years, AIDS would claim his lover, his friends, and his future. With nothing left in New York but memories of death, Brian decides to write his mother a letter asking to come back to the place, and family, he was once so desperate to escape.Set in 1986, a year after Rock Hudson’s death shifted the public consciousness of the epidemic and brought the news of AIDS into living rooms and kitchens across America, it is a novel that speaks to the question of what home and family means when we try to forge a life for ourselves in a world that can be harsh and unpredictable. It is written at the far reaches of love and understanding, and zeroes in on the moments where those two forces reach for each other, and sometimes touch.

    I thought that Ma was all that she was and all that she had ever wanted to be. I was wrong. As we made our way from Virginia to California, returning to the places where she d lived as a child in foster care and as a teenager on the run, repaying debts and keeping promises, I learned who she was in her life-before-me and the secrets she had kept even from herself. But when life on the road began to feel normal I couldn t forget the home we d left behind, couldn t deny that, just like my mother, I too had unfinished business. This enigmatic pilgrimage takes them back to various stages of Alex s mother s life, each new state prompting stories and secrets. Together they trace back through a life of struggle and adventure to put to rest unfinished business, to heal old wounds and to search out lost friends. This is an extraordinary story of a life; a stunning exploration of identity and an authentic study of the relationship between a mother and her child.The Lauras is the new novel from the exceptionally gifted author of The Shore, which was long listed for the Baileys Women s Fiction Prize and shortlisted for the Guardian First Book Award and the Sunday Times Young Writer of the Year."

    There's snow in Israel; the Thames is overflowing; and an iceberg separated from the Fjords in Norway is expected to drift just off the coast of Scotland. As ice water melts into the Atlantic, frenzied London residents evacuate by the thousands for warmer temperatures down south--but not Dylan. Grieving and ready to build life anew, he heads north to bury his mother's and grandmother's ashes on the Scottish islands where they once lived. Hundreds of miles away, twelve-year-old Estella and her survivalist mother, Constance, scrape by in the snowy, mountainous Highlands, preparing for a record-breaking winter. Living out of a caravan, they spend their days digging through landfills, searching for anything with restorative and trading value. When Dylan arrives in their caravan park in the middle of the night, life changes course for Estella and Constance. Though the weather worsens, his presence brings a new light to daily life, and when the ultimate disaster finally strikes, they'll all be ready. The Sunlight Pilgrims is a visionary story of courage and resilience in the midst of nature's most violent hour. It's by turns an homage to the portentous beauty of our natural world, and to just how strong we can be, if the will and the hope is there, to survive its worst.

    She is a sheltered college student, he an adventurous, charismatic young artist. In a city brimming with possibilities, he spurs her to take life on with gusto. But as Catherine opens herself to new experiences, James's life becomes a prison; as changed as the new Ireland may be, it is still not a place in which he feels able to truly be himself. Catherine, grateful to James and worried for him, desperately wants to help -- but as time moves on, and as life begins to take the friends in different directions, she discovers that there is a perilously fine line between helping someone and hurting them further. When crisis hits, Catherine finds herself at the mercy of feelings she cannot control, leading her to jeopardize all she holds dear.By turns exhilarating and devastating, Tender is a dazzling exploration of human relationships, of the lies we tell ourselves and the lies we are taught to tell. It is the story of first love and lost innocence, of discovery and betrayal. A tense high-wire act with keen psychological insights, this daring novel confirms McKeon as a major voice in contemporary fiction, belonging alongside the masterful Edna O'Brien and Anne Enright.

    Suddenly, Astrid realizes she was not quite the parent she thought she’d been to her three, now-grown children. But to what consequence?Astrid’s youngest son is drifting and unfocused, making parenting mistakes of his own. Her daughter is intentionally pregnant yet struggling to give up her own adolescence. And her eldest seems to measure his adult life according to standards no one else shares. But who gets to decide, so many years later, which long-ago lapses were the ones that mattered? Who decides which apologies really count? It might be that only Astrid’s thirteen-year-old granddaughter and her new friend really understand the courage it takes to tell the truth to the people you love the most.In All Adults Here, Emma Straub’s unique alchemy of wisdom, humor, and insight come together in a deeply satisfying story about adult siblings, aging parents, high school boyfriends, middle school mean girls, the lifelong effects of birth order, and all the other things that follow us into adulthood, whether we like them to or not.

    Desperate to fend off starvation and predatory neighbors, she cuts off her hair, binds her chest, saddles her beloved mare, and sets off across the mountains to find her outlaw brother Noah and bring him home. A talented sharpshooter herself, Jess's quest lands her in the employ of the territory's violent, capricious Governor, whose militia is also hunting Noah—dead or alive.Wrestling with her brother's outlaw identity, and haunted by questions about her own, Jess must outmaneuver those who underestimate her, ultimately rising to become a hero in her own right.Told in Jess's wholly original and unforgettable voice, Whiskey When We're Dry is a stunning achievement, an epic as expansive as America itself—and a reckoning with the myths that are entwined with our history.

    They are even better at keeping them from each other. Max Walker is a golden boy, with a secret that the world may not be ready for. This novel is a riveting tale of a family in crisis, a fascinating exploration of identity, and a coming-of-age story like no other.

    Desperate to win her love, he decides to surpass her as the best and most famous lot lizard ever. With his own leather mini-skirt and a makeup bag that closes with Velcro, the young “Cherry Vanilla” embarks on a journey through the Appalachian wilds, dining on transcendental cuisine, supplicating to the mystical Jackalope, encountering the most terrifying of pimps, walking on water, being venerated as an innocent girl saint—and then being denounced as the devil. By turns exhilarating and shocking, magical and realistic, Sarah brings urgency, wit, and imagination to an unknown and unforgettable world.

    An unforgettable story of coming of age in America, it is also an essential milestone in the movement of American fiction, from a novelist who has become one of the most important and enduring voices of this generation.

    Setting off with their pet mongoose, Otto and Xavier arrive at their sleepy local train station, but quickly deduce that The Lucky Day is no ordinary locomotive. Their trip on this former tea-smuggling train has been curated beyond their wildest imaginations, complete with mysterious and welcoming touches, like ingredients for their favorite breakfast. They seem to be the only people onboard, until Otto discovers a secretive woman who issues a surprising message. As further clues and questions pile up, and the trip upends everything they thought they knew, Otto and Xavier begin to see connections to their own pasts, connections that now bind them together.A spellbinding tale from a star author, Peaces is about what it means to be seen by another person--whether it's your lover or a stranger on a train--and what happens when things you thought were firmly in the past turn out to be right beside you.

    The place is a blue-collar town in upstate New York, where five high school girls are joined in a gang dedicated to pride, power, and vengeance on a world they never made - a world that seems made to denigrate and destroy them. Foxfire is Joyce Carol Oates' strongest and most unsparing novel yet...an often engrossing, often shocking evocation of female rage, gallantry, and grit. Here, then, are the Foxfire chronicles - the secret history of a sisterhood of blood, a haven from a world of lechers and oppressors, marked by a liberating fury that burns too hot to last. It is the story of Maddy Monkey, who writes it...of Goldie, whose womanly body masks a fierce, explosive temper...of Lana, with her Marilyn Monroe hair and packs of Chesterfields...of timid Rita, whose humiliation leads to the first act of Foxfire revenge. Above all, it is the story of Legs Sadovsky, with her lean, on-the-edge, icy beauty, whose nerve, muscle, hate, and hurt make her the spark of Foxfire, its guiding spirit, its burning core. At once brutal and lyrical, this is a careening joyride of a novel - charged with outlaw energy and lit by intense emotion.The story moves over the years from the first eruption of adolescent anger at sexual abuse to a shared life financed by luring predatory men into traps baited with sex. But then the gang's very success leads to disaster - as Foxfire makes a last tragic stand against a society intent on swallowing it up. Yet amid scenes of violence, sexual abuse, exploitation, and vengeance lies this novel's greatest power: the exquisite, astonishing rendering of the bonds that link the girls of Foxfire together - especially that between Maddy, the teller ofthe tale, and Legs, whose quintessential strength and bedrock bravery make her one of the most vivid and vital heroines in modern fiction.

    Not stories of triumph over adversity, but something completely other. Described in language that is brilliantly sardonic, Woods's characters return repeatedly to places where they don't belong—often the places where they were born. In "Zombie," a coming-of-age story like no other, two young girls find friendship with a mysterious woman in the local cemetery. "Take the Way Home That Leads Back to Sullivan Street" describes a lesbian couple trying to repair their relationship by dropping acid at a Mensa party. In "A New Mohawk," a man in romantic pursuit of a female political activist becomes inadvertently much more familiar with the Palestine/Israel conflict than anyone would have thought possible. And in the title story, Woods brings us into the mind of a queer goth teenager who faces ostracism from her small-town evangelical church.In the background are the endless American wars and occupations and too many early deaths of friends and family. This is fiction that is fresh and of the moment, even as it is timeless.