Four teenagers with the fate of the world in their hands. Four nations destined for conflict. End is cliffhanger. In Brigant, Princess Catherine prepares for a loveless political marriage arranged by her brutal and ambitious father. In Calidor, downtrodden servant March seeks revenge on the prince who betrayed his people. In Pitoria, feckless Edyon steals cheap baubles for cheaper thrills as he drifts from town to town. And in the barren northern territories, thirteen-year-old Tash is running for her life as she plays bait for the gruff demon hunter Gravell. As alliances shift and shatter, and old certainties are overturned, our four heroes find their past lives transformed and their futures inextricably linked by the unpredictable tides of magic and war. Who will rise and who will fall? And who will claim the ultimate prize?

    Frightened, Kendra believes someone is always watching and following her, leaving menacing messages only she understands. If she lets her guard down even for a minute, it could cost Kendra her life. To relieve the pressure, Kendra cuts; aside from her brilliantly expressive artwork, it's her only way of coping. Since her own mother is too self-absorbed to hear her cries for help, Kendra finds support in others instead: from her therapist and her art teacher, from Sandy, the close family friend who encourages her artwork, and from Meghan, the classmate who's becoming a friend and maybe more. But the truth about Kendra's abuse is just waiting to explode, with startling unforeseen consequences. Scars is the unforgettable story of one girl's frightening path to the truth.Watch the book trailer here: http://www.youtube.com/watch?v=lF5xEK...

    Riley’s debut collection is an arsenal of deeply personal poems that embody an intensity that is truly impressive yet their hands are tender. She enlists you. She gives you camouflage & a pair of boots so you can stay the course through the minefield of her heart. You will track the lovely flow of her soft yet fierce voice through a jungle of powerful imagery on womanhood, relationships, family, grief, sexuality & love, amidst other matters. Battles with the heart aren’t easily won but Riley hits every mark. You’ll be relieved that you’re on the same side. Much like war, you’ll come back from this book changed.

    With the author's characteristic eloquence and honesty, I Hope We Choose Love proposes heartfelt solutions on the topics of violence, complicity, family, vengeance, and forgiveness. Taking its cues from contemporary thought leaders in the transformative justice movement such as adrienne maree brown and Leah Lakshmi Piepzna-Samarasinha, this provocative book is a call for nuance in a time of political polarization, for healing in a time of justice, and for love in an apocalypse.

    This collection takes you through a night of insomnia, ruminating on ideas of self-doubt, loss, and hope for the future.

    She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.Ames isn't happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese—and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames's boss and lover, Katrina, reveals that she's pregnant with his baby—and that she's not sure whether she wants to keep it—Ames wonders if this is the chance he's been waiting for. Could the three of them form some kind of unconventional family—and raise the baby together?This provocative debut is about what happens at the emotional, messy, vulnerable corners of womanhood that platitudes and good intentions can't reach. Torrey Peters brilliantly and fearlessly navigates the most dangerous taboos around gender, sex, and relationships, gifting us a thrillingly original, witty, and deeply moving novel.

    In this sequence of memoir-esque poems, Sierra DeMulder pulls at the threads of a past abusive relationship and the long road to forgiveness. The poems themselves become an act of recovery and reclamation, wherein the poet finds again the voice which was taken from her. These are hard poems, made up of clarity and healing, which attempt to share some of their peace with the world.

     In The Love Between Us, Yung Pueblo describes how intense emotions accumulate in our subconscious and condition us to act and react in certain ways. In his characteristically spare, poetic style, he guides readers through the excavation and release of the past that’s required for growth.

    For Hala Alyan, this is a year in which the past—memories of family members, old friends and past lovers, the heat of another land, another language, a different faith—winds itself around the present. Hala's ever-shifting, subversive verse sifts together and through different forms of forced displacement and the tolls they take on mind and body. Poems leap from war-torn cities in the Middle East, to an Oklahoma Olive Garden, a Brooklyn brownstone; from alcoholism to recovery; from a single woman to a wife. This collection summons breathtaking chaos, one that seeps into the bones of these odes, the shape of these elegies. A vivid catalog of trauma, heartache, loneliness, and joy, The Twenty-Ninth Year is an education in looking for home and self in the space between disparate identities.

    When he’s whisked away to the bizarre land, his best chance for escape is to ally himself with the person called the Mad Hatter. Hatter—an odd but strangely attractive fellow—just wants to avoid execution. If that means delivering “Boy Alice” to the Queen of Hearts at her Red Castle, Hatter will do what he has to do to stay alive. It doesn’t matter if Henry and Hatter find each other intolerable. They’re stuck with each other.Along their journey, Henry and Hatter must confront what they’ve always accepted as truth. As dislike grows into tolerance and something like friendship, the young men see the chance for a closer relationship. But Wonderland is a dangerous place, and first they have to get away with their lives.

    Brought together by a secret project designed to hide British targets from German radar, the two founded a love that could not be revealed. When the project went wrong, Tom and Ben vanished into nothingness, presumed dead. Their bodies were never found.Now the two are lost in time, hunting each other across decades, leaving clues in books of poetry and trying to make their disparate timelines overlap.

    With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape—Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain—persistently emerge and reappear with the dark energy of the inevitable, while at the same time are shot through with the bright aspect of things new-made.              From the outset (“Come here / Come here, little one”), Gluck’s voice has addressed us with deceptive simplicity, the poems in lines so clear we “do not see the intervening fathoms.”  From within the earth’sbitter disgrace, coldness and barrennessmy friend the moon rises: she is beautiful tonight, but when is she not beautiful?To read these books together is to understand the governing paradox of a life lived in the body and of the work wrested from it, the one fated to die and the other to endure.

    Raymond Strom's NORTHERN LIGHTS, set in rural Minnesota in the late 90s about a teenage boy who arrives in the remote, declining town of Holm, in search of the mother who abandoned him— and while unraveling this mystery, is forced to navigate his own confused sexuality, dark revelations from his family's past, and a violent, white supremacist web in the town that threatens to engulf him, to Ira Silverberg at Simon & Schuster, by Adam Eaglin at Elyse Cheney Agency (NA).

    She only knows one thing: She’s different now.Across North America, flocks of birds hurl themselves into airplanes, causing at least a dozen to crash. Thousands of people die. Fearing terrorism, the United States government grounds all flights, and millions of travelers are stranded.Reese and her debate team partner and longtime crush David are in Arizona when it happens. Everyone knows the world will never be the same. On their drive home to San Francisco, along a stretch of empty highway at night in the middle of Nevada, a bird flies into their headlights. The car flips over. When they wake up in a military hospital, the doctor won’t tell them what happened, where they are—or how they’ve been miraculously healed.Things become even stranger when Reese returns home. San Francisco feels like a different place with police enforcing curfew, hazmat teams collecting dead birds, and a strange presence that seems to be following her. When Reese unexpectedly collides with the beautiful Amber Gray, her search for the truth is forced in an entirely new direction—and threatens to expose a vast global conspiracy that the government has worked for decades to keep secret.

    Forced to share a room to prevent Robbie from hurting himself, the brothers begin to feel the weight of each other's lives on the ice, and off. Tristan starts seeing his twin not as a hockey star whose shadow Tristan can't escape, but a struggling gay teen terrified about coming out in the professional sports world. Robbie's future in the NHL is plagued by anxiety and the mounting pressure from their dad, coach, and scouts, while Tristan desperately fights to create his own future, not as a hockey player but a musical theatre performer. As their season progresses and friends turn out to be enemies, Robbie finds solace in an online stranger known only as “Jimmy2416.” Between keeping Robbie's secret and saving him from taking his life, Tristan is given the final call: sacrifice his dream for a brother he barely knows, or pursue his own path. How far is Robbie willing to go—and more importantly, how far is Tristan willing to go to help him?