Each year, the series editor and guest editor curates a truly exceptional collection. The only shared traits among all these diverse styles, voices, and stories are the extraordinarily high caliber of writing, and the pure passion they tap into that can only come from sports.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    His major works were long visionary poems including, Alastor, The Revolt of Islam, Prometheus Unbound and the unfinished The Triumph of Life. Shelley was a strong advocate for social justice for the 'lower classes'. He witnessed many of the mistreatments occurring in the domestication and slaughtering of animals and he became a fighter for the rights of all living things. This collection contains On Love, On Life in a Future State, On the Punishment of Death Speculations, On Metaphysics Speculations, On Morals on the Literature, the Arts and the Manners of the Athenians, On the Symposium, or Preface to the Banquet of Plato, and A Defence of Poetry.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    At a young age, Rafael was exposed to many languages. By the time he was seventeen, he was the master of five languages. He quickly added a sixth language - English - to his linguistic collection. After a brief stint in the business world, Sabatini went to work as a writer. He wrote short stories in the 1890s, and his first novel came out in 1902. Sabatini was a prolific writer; he produced a new book approximately every year. He consciously chose to write in his adopted language, because, he said, "all the best stories are written in English." In all, he produced thirty one novels, eight short story collections, six nonfiction books, numerous uncollected short stories, and a play. He is best known for his world-wide bestsellers: The Sea Hawk (1915), Scaramouche (1921), Captain Blood (1922) and Bellarion the Fortunate (1926). Other famous works by Sabatini are The Lion's Skin (1911), The Strolling Saint (1913) and The Snare (1917).

    But when he fled the country to escape prosecution and entrusted her with his hard-won empire, Gino realized that Lucky Santangelo is no different than him—Lucky is a woman who could seize the reins of power with all the cunning, drive, and strength of a true Santangelo. Poised, sensuous, hungry for pleasure, Lucky is in love with power—and determined to fight for it. From New York penthouses and the villas of Southern France to the casinos of Las Vegas and the bedrooms of Beverly Hills, here's the unforgettable story of a woman on top of a world of love, sex, and wealth—where power is the ultimate aphrodisiac.

    

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    Macbeth is a distinguished warrior hero, who over the course of the play, transforms into a brutal, murderous villain and pays an extraordinary price for committing an evil act. A man consumed with ambition and self-doubt, Macbeth is one of Shakespeare’s most vital meditations on the dangerous corners of the human imagination. Award-winning writer and beloved professor Harold Bloom investigates Macbeth’s interiority and unthinkable actions with razor-sharp insight, agility, and compassion. He also explores his own personal relationship to the character: Just as we encounter one Anna Karenina or Jay Gatsby when we are seventeen and another when we are forty, Bloom writes about his shifting understanding—over the course of his own lifetime—of this endlessly compelling figure, so that the book also becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity. Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare’s characters make. He delivers that kind of exhilarating intimacy and clarity in Macbeth, the final book in an essential series.

    Taylor Jr. and his brother Marines are assembled into a new reaction force that is immediately tested in the fire of a bloody conflict known as Operation Beaver Cage. After a traumatic first fight, they push through back-to-back operations with little time to rest or reflect. Those who survive will return home ensnared by everlasting memories of a real, but entirely surreal nightmare. Now after more than fifty years of holding everything in, Taylor shares his experience in explicit and often horrific detail and with a reverent honor for those Marines who did not live to tell the tale.Taylor reveals what it truly means to walk the path of a warrior, to sacrifice, and to live a lifetime with the memories of a war—seeking answers to the question, “Was it worth it?"

    D. Robb Treachery in Death Eve Dallas and her partner, Peabody, are following up on a brutal, senseless crime—an elderly grocery owner killed by three stoned punks for nothing more than kicks and snacks. And for the first time, Peabody is primary detective on the case, which means she has to get used to a new level of authority and responsibility. Good thing she learned the ropes from a master like Eve.But after rounding up the perps, Peabody stumbles upon a much trickier situation. Determined to start working out as hard as she grills suspects, she chooses to do it at the old, rarely-used gym at Central. After a grueling workout, she squeezes into one of the narrow shower stalls, happy to have the place to herself. Just after she shuts the water off, the gym door clatters open—and while she cringes inside the stall, trying not to make a sound, Peabody overhears two fellow officers, Garnet and Oberman, arguing. References are made to delivering product, and a house in the islands, and someone named Keener who’s supposed to look like an OD. It doesn’t take long for a naked and vulnerable Peabody to realize that both officers are crooked—guilty not just of corruption but of murder as well. Fortunately, the two clear out of the locker room without realizing there was a witness.Eve Dallas may have trained Peabody well—but this is too dangerous for one person to take on alone. Now Peabody, Eve, and her husband, Roarke, must try to get the hard evidence they need to bring the dirty cops down—knowing all the while that the two have already killed to keep their secret, and are no doubt willing to do it again. New York to Dallas It was one of Eve Dallas’s earliest takedowns, back in her uniform days. A monster named Isaac McQueen had been abducting young victims and leaving them scarred in both mind and body. Thanks to Eve, he wound up where he belonged, removed from civilized society in Rikers. But he’s not behind bars anymore.After his escape, McQueen has two things in mind. One is to take up where he left off, preying on the young and innocent—when necessary, with the help of a female partner all too willing to be manipulated and to aid and abet his crimes. His other goal: to get revenge on the woman who stopped him all those years ago, now a high-profile lieutenant in the NYPSD and married to one of the city’s richest men.Commanding Eve’s attention with a chilling and brazen crime, McQueen sets off the chase—forcing Eve down a road marked with blood and tears, a road that eventually leads southwest to Dallas, Texas, the home Eve fled long ago. And each new twist brings her closer to the harrowing memory of when she wasn’t a hardened detective but a vulnerable girl just like McQueen’s innocent prey. As her husband, Roarke, tries to rescue her from the nightmares that claw at her mind, and her partner, Peabody, doggedly works to support her, Eve must confront—and call upon—the darkest parts of her own soul in order to survive.

    She and her two younger sisters gather at his side, praying he’ll live… At a time like this, falling in love is the last thing on Valerie’s mind. And with Dr. Colby Winston, of all people! He’s David’s heart surgeon, a renowned specialist who enjoys small-town living, while Valerie is a high-powered businesswoman who prefers city life. They’re complete opposites in every way. Yet David keeps insisting she and Colby are a perfect couple. Meanwhile, Stephanie has other worries besides her father’s health. She fled Orchard Valley three years earlier, after her humiliating rejection by local journalist Charles Tomaselli. Now she’s home, and it’s not long before they begin reliving past battles—and renewing old feelings. He was the reason she left. This time, will he give her a reason to stay? David seems to think so… Norah is feeling a bit unneeded these days. Her father is recovering, and her sisters are busy planning their weddings. But then a cantankerous Texan named Rowdy Cassidy crashes his small plane in Orchard Valley. The same Rowdy Cassidy who’d been Valerie’s boss…and who’d demanded Valerie marry him. Now he’s Norah’s patient, and in all her nursing experience she’s never encountered a more difficult man. Or a more irresistible one! Except…is he still in love with her sister?When Norah’s friend Sherry Waterman leaves Orchard Valley, Oregon, for Pepper, Texas, she’s definitely not in the mood for Lone Star Lovin’. But if anyone can change her mind, it’s Cody Bailman—a hardworking, good-looking rancher. Not only that, Cody has a twelve-year-old daughter who thinks Sherry’s “just perfect for Dad!”

    Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low. A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead. All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary."how to be interesting, line after line."Contents:Charles DickensBoys' WeekliesInside the WhaleDrama Reviews: The Tempest, The Peaceful InnFilm Review: The Great DictatorWells, Hitler and the World StateThe Art of Donald McGillNo, Not OneRudyard KiplingT.S. EliotCan Socialists Be Happy?Benefit of Clergy: Some Notes on Salvador DaliPropaganda and Demotic SpeechRaffles and Miss BlandishGood Bad BooksThe Prevention of LiteraturePolitics and the English LanguageConfessions of a Book ReviewerPolitics vs. Literature: An Examination of Gulliver's TravelsLear, Tolstoy and the FoolWriters and LeviathanReview of The Heart of the Matter by Graham GreeneReflections on Gandhi