Ada, or Ardor is no less than the superb work of an imagination at white heat.This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.

     Neil Gaiman, “Orange”   Aimee Bender, “The Color Master”   Joyce Carol Oates, “Blue-bearded Lover”   Michael Cunningham, “The Wild Swans”   These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party.   Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico.   Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.

    Now, there's a reason to be. Lux and his younger brother Lunam enjoy the full freedom of the simple life and all the childhood adventures offered by growing up in a small village in a picturesque glen. Life is tranquil, peaceful, and just about perfect—except for one formidable fact... Every day is followed by night. And, with the night, comes the DARKNESS. Slowly shrouding the valley and relentlessly seeping into every nook and cranny on its nightly rampage, the darkness returns to feast on its victims. No man, woman, child, animal—or even, insect—is safe. The darkness consumes all; the darkness's hunger is never satisfied. When the sun falls from the sky, the villagers, young and old, must take to arms, guarding their homes, loved ones, and livestock with every ray of light they can muster. Even young Lux and Lunam are well-soldiered in their responsibilities to safeguard themselves and their parents during the nightly vigil, the nightly fight to live to see another day. It's always been this way—the truths and ritual passed down from generation to generation since ancient times. No one dares question why. Nothing can change the frightening fact of the lives of the villagers or emancipate them from their singular foe—nothing, except a child's imagination and a curiosity as immutable as the darkness's own appetite. There's just one truth guiding every man, woman, and child to strive to see another day: "Darkness Comes but Once a Night."

    5,000 words (16 pages).For Bafion, there is no farther to fall. Once a banneret, officer, and gentleman, he is none of those things now. He is a swordsman who has slipped through the cracks of society and is eking out an existence as a thug for hire.Bafion is presented with the opportunity to reclaim some of what was lost to him, but to do so will mean facing part of his past that he would rather forget.The Swordsman of Tanosa is a swashbuckling fantasy short story set in the same world as the Society of the Sword trilogy.

    He now shares them in this jewel of a book.

    Olga Grushin is dealing with issues of women’s identity, of women’s choices, that no modern novel has explored so deeply. “Forty rooms” is a conceit: it proposes that a modern woman will inhabit forty rooms in her lifetime. They form her biography, from childhood to death. For our protagonist, the much-loved child of a late marriage, the first rooms she is aware of as she nears the age of five are those that make up her family’s Moscow apartment. We follow this child as she reaches adolescence, leaves home to study in America, and slowly discovers sexual happiness and love. But her hunger for adventure and her longing to be a great poet conspire to kill the affair. She seems to have made her choice. But one day she runs into a college classmate. He is sure of his path through life, and he is protective of her. (He is also a great cook.) They drift into an affair and marriage. What follows are the decades of births and deaths, the celebrations, material accumulations, and home comforts—until one day, her children grown and gone, her husband absent, she finds herself alone except for the ghosts of her youth, who have come back to haunt and even taunt her. Compelling and complex, Forty Rooms is also profoundly affecting, its ending shattering but true. We know that Mrs. Caldwell (for that is the only name by which we know her) has died. Was it a life well lived? Quite likely. Was it a life complete? Does such a life ever really exist? Life is, after all, full of trade-offs and choices. Who is to say her path was not well taken? It is this ambiguity that is at the heart of this provocative novel.

    But Bunin's other stories are not to be missed. In Sunstroke, Graham Hettlinger has selected the "Gentleman" and twenty-four other stories and translated them afresh—several for the first time in English. The result is a collection that is remarkable in its crystalline prose, surprising in its vibrancy. It includes, among others, "Raven," "Cold Fall," "Muza," "Styopa," "Antigone," "In Paris," and "Late Hour." Never has the last of the great "gentry" writers and the first Russian to win the Nobel Prize for Literature received a more caring and passionate translation. The lyric impulse that motivated so much of Bunin's writing is evident throughout the stories in Sunstroke. In the prose miniatures, such as "Summer Day" and "Sky Above a Wall," he seeks only to capture a momentary impression or a passing scene rather than to write a traditional narrative. And even in his longer works, Bunin displays little interest in exploring the psychology of his characters or creating detailed plots. Instead these stories are primarily shaped by an urge to express both the intense, sensual pleasure of existence and the tragic fleetingness of life. Thus, even as they depict a wide range of affairs, seductions, betrayals, and deaths, they tend to read more like poetry than potboilers, delivering their most powerful effects through the rhythms and pacing of their sentences, their highly detailed, sensuous imagery, and the connotative richness of their language.Sunstroke confirms Bunin's stature as one of the greatest—and most neglected—Russian writers of the twentieth century.

    This new collection of eleven mind-bending and spellbinding tales includes some of Krzhizhanovsky's most dazzling conceits: a provincial journalist who moves to Moscow finds his existence consumed by the autobiography of his room's previous occupant; the fingers of a celebrated pianist's right hand run away to spend a night alone on the city streets; a man's lifelong quest to bite his own elbow inspires both a hugely popular circus act and a new refutation of Kant. Ordinary reality cracks open before our eyes in the pages of Autobiography of a Corpse, and the extraordinary spills out.An NYRB Classics Original

    Widely ranging in time and place, these subversive tales -- by Grace Paley, Bessie Head, Katherine Mansfield, Elizabeth Jolley, Djuna Barnes, Colette, Angela Carter, Jamaica Kincaid, Ama Ata Aidoo, Jane Bowles and many more -- all have one thing in common: to restore adventuresses and revolutionaries to the rightful position as models for all women, everywhere. Leonora Carrington's debutante swaps places with a hyena who exchanges the cage for the ball -- and goes dressed to kill. Christina Stead's seedy seducer is eventually wrecked by the utterly conventional bride. Some of these stories celebrate toughness and resilience, some of them low cunning: all of them are about not being nice.

    The fable has since been reprinted in The Thurber Carnival (Harper and Brothers, 1945), James Thurber: Writings and Drawings, The Oxford Book of Modern Fairy Tales, and other publications. It is taught in literature and rhetoric courses.

    Imagine your child hanging on your every word and captivating them every night with an easy to tell bedtime story. Spend quality time with your kids and make memories they will never forget. About The Lost Princess in Winter's Grip Annabeth lives a normal life as a happy girl in a small town. Then one day her life is turned upside down by a Royal pronouncement that she is in fact a Princess! With evil nipping at her heals, Annabeth and Prince Ryan must battle Stone Monsters, Bandits, and the dreaded Ice Witches in order to reclaim her title and dispense True Justice throughout the land. Look for Other Titles in the Tell Me A Story Series: The Tales of Big and Little - Doom of the Three Stones Sean Ryanis & The Impossible Chase The Superhero Chronicles: Birth of Moonlight OR Buy All Four First Stories for One Low Price!

    Alyosha follows a magical black hen down into an underground kingdom of little people and receives a special gift from their king."

    I've been cursed to serve a bad-tempered elemental in my beastly form for centuries!There's only one way to lift the curse: a kiss from three true loves. To garner even one is nearly impossible. How am I going to get three? Then three gorgeous-as-sin, yet clueless dragon princes stumble into my lair. Only they do not come to kiss me. They come to slay me without knowing who I really am. Unless they cut the three heads of the Furies - my heads - or make the Fury Queen fall in love with them, they'll never shift back to dragons!Not surprisingly, the princes all choose what they think is the easiest - to behead the beasts... The boxed set includes all three novels in the series: The Fury Queen's Harem The Dragon Queen's HaremThe Fae Queen's Harem Warning: This is a WhyChoose fantasy/paranormal romance that features one hell of a strong woman and her three hot Dragon princes and a demigod mate. It contains battles, steamy scenes, raw language, magic, swordfights, dark fae, dragon shifters, vampires, and otherworldly nightmares of creatures. And at last, true loves, with a happy ever after at the end of series.

    Past winners and shortlisted authors have included the Pulitzer winners Junot Díaz, Anthony Doerr and Adam Johnson, plus Hilary Mantel, Ali Smith, Yiyun Li, CK Stead and Elizabeth Strout.Six Shorts 2017 brings together the six stories shortlisted for this year's award: ‘Reputation Management’ by Kathleen Alcott; ‘Half of What Atlee Rouse Knows about Horses’ by Bret Anthony Johnston; ‘The Hazel Twig and the Olive Tree’ by Richard Lambert; ‘The Tenant’ by Victor Lodato; ‘Every Little Thing’ by Celeste Ng; and ‘Mr Salary’ by Sally Rooney.Chosen by a hugely experienced and prestigious judging panel that included Booker-winner Anne Enright, Orange- and Whitbread-winner Rose Tremain, Booker-shortlistee Neel Mukherjee and critic and novelist Mark Lawson, the six stories represent the very best in contemporary English-language short fiction.

    [Author's note: If you're visiting this page looking for Guild of Tokens, entered in SPFBO5, go here instead: https://www.goodreads.com/book/show/4...Initiate was released last year and only contains the first section of the book.]