Most of the stories, including such improbable ones as "Kill Them! Kill Them!," "The Whitaker Negroes" & "A Toast to Ava Gardner" are, the author insists, true. Written between 1924 & 1962, each stands on its own; but together, as autobiography, this collection makes a fascinating companion to GOODBYE TO ALL THAT, Robert Graves' famous account of his life at Charterhouse School & as a young officer in WWI.

    Exact Change launched a program of reprinting her fiction with what is perhaps her best loved book.The Hearing Trumpet is the story of 92-year-old Marian Leatherby, who is given the gift of a hearing trumpet only to discover that what her family is saying is that she is to be committed to an institution. But this is an institution where the buildings are shaped like birthday cakes and igloos, where the Winking Abbess and the Queen Bee reign, and where the gateway to the underworld is open. It is also the scene of a mysterious murder.Occult twin to Alice in Wonderland, The Hearing Trumpet is a classic of fantastic literature that has been translated and celebrated throughout the world.

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    6 and Other Stories, by Anton Chekhov, is part of the Barnes & Noble Classics (1899), as well as several lesser-known works, no less masterful in their composition. David Plante is a Professor of Writing at Columbia University. He is the author of many novels, including The Ghost of Henry James, The Family (nominated for the National Book Award), and The Woods. He has been a contributor to The New Yorker, Esquire, and Vogue, and a reviewer and features writer for the New York Times Book Review. The cook's wedding --The witch --A dead body --Easter Eve --On the road --The dependents --Grisha --The kiss --Typhus --The pipe --The princess --Neighbours --The grasshopper --In exile --Ward No. 6 --Rothschild's fiddle --The student --The darling --A doctor's visit --Gooseberries --The Lady with the dog --In the ravine --The bishop.

    On this occasion, their ringleader is inspired to rebellion after reading some books on philosophy and science.Anatole France's 1914 satire of war, government, and religion offers an ever-resonant protest against violence and tyranny.

    Translated from the French by Justin O'Brien.The six works featured in this volume are: "The Adulterous Woman" ("La Femme adultère") "The Renegade or a Confused Spirit" ("Le Renégat ou un esprit confus") "The Silent Men" ("Les Muets") "The Guest" ("L'Hôte") "Jonas or the Artist at Work" ("Jonas ou l’artiste au travail") "The Growing Stone" ("La Pierre qui pousse")

    A young English gentleman of means, Aubrey is immediately intrigued by Lord Ruthven, the mysterious newcomer among society’s elite. His unknown origin and curious behavior tantalizes Aubrey’s imagination. But the young man soon discovers a sinister character hidden behind his new friend’s glamorous facade.   When the two are set upon by bandits while traveling together in Europe, Ruthven is fatally injured. Before drawing his last breath, he makes the odd request that Aubrey keep his death and crimes secret for a year and a day. But when Ruthven resurfaces in London—making overtures toward Aubrey’s sister—Aubrey realizes this immortal fiend is a vampyre.   John William Polidori’s The Vampyre is both a classic tale of gothic horror and the progenitor of the modern romantic vampire myth that has been fodder for artists ranging from Anne Rice to Alan Ball to Francis Ford Coppola. Originally published in 1819, many decades before Bram Stoker’s Dracula, and misattributed to Polidori’s friend Lord Byron, The Vampyre has kept readers up at night for nearly two hundred years.

    He is the curate sent by the bishop to assist Father Angwin-or is he? In the most unlikely of places, a superstitious town that understands little of romance or sentimentality, where bad blood between neighbors is ancient and impenetrable, miracles begin to bloom. No matter how copiously Father Angwin drinks while he confesses his broken faith, the level of the bottle does not drop. Although Fludd does not appear to be eating, the food on his plate disappears. Fludd becomes lover, gravedigger, and savior, transforming his dull office into a golden regency of decision, unashamed sensation, and unprecedented action. Knitting together the miraculous and the mundane, the dreadful and the ludicrous, Fludd is a tale of alchemy and transformation told with astonishing art, insight, humor, and wit.

    Lewis said that upon reading this astonishing 19th-century fairy tale he "had crossed a great frontier," and numerous others both before and since have felt similarly.In MacDonald's fairy tales, both those for children and (like this one) those for adults, the "fairy land" clearly represents the spiritual world, or our own world revealed in all of its depth and meaning. At times almost forthrightly allegorical, at other times richly dreamlike (and indeed having a close connection to the symbolic world of dreams), this story of a young man who finds himself on a long journey through a land of fantasy is more truly the story of the spiritual quest that is at the core of his life's work, a quest that must end with the ultimate surrender of the self.The glory of MacDonald's work is that this surrender is both hard won (or lost!) and yet rippling with joy when at last experienced. As the narrator says of a heavenly woman in this tale, "She knew something too good to be told." One senses the same of the author himself.Newly designed and typeset in a modern 6-by-9-inch format by Waking Lion Press.

    At the center of it all is the seventy-seventh Earl, Titus Groan, who stands to inherit the miles of rambling stone and mortar that form Gormenghast Castle and its kingdom, unless the conniving Steerpike, who is determined to rise above his menial position and control the House of Groan, has his way.In these extraordinary novels, Peake has created a world where all is like a dream - lush, fantastical, and vivid. Accompanying the text are Peake's own drawings, illustrating the whole assembly of strange and marvelous creatures that inhabit Gormenghast.Also featuring:Introductory essays by Anthony Burgess and Quentin CrispTwelve critical essays, curated by Peake scholar Peter G. WinningtonFragment of the unpublished novel, Titus Awakes

    Great Short Short Stories: Quick Reads by Great Writers offers that opportunity. An outstanding collection of 30 brilliant short stories, each just six or fewer pages in length, it provides the chance to absorb an entire story (or two or three) in just one sitting.Well-known tales from masters of the short-story genre include: Mark Twain, "The Notorious Jumping Frog of Calaveras County"; Franz Kafka, "A Country Doctor"; Edgar Allan Poe, "The Cask of Amontillado"; Guy de Maupassant, "A Piece of String"; Stephen Crane, "The Veteran"; Kate Chopin, "A Pair of Silk Stockings"; plus works by Dickens, O. Henry, Chekhov, Wilde, and many others. Includes 2 selections from the Common Core State Standards Initiative: "A White Heron" and "Cask of Amontillado."The egg / Sherwood Anderson (1876-1941, American)An occurrence at Owl Creek Bridge / Ambrose Bierce (1842-1914?, American)The enchanted bluff / Willa Cather (1873-1947, American)A malefactor / Anton Chekhov (1860-1904, Russian)A pair of silk stockings / Kate Chopin (1851-1904, American)The veteran / Stephen Crane (1871-1900, American)The apparition of Mrs. Veal / Daniel Defoe (1660-1731, English)Nobody's story / Charles Dickens (1812-1870, English)If I were a man / Charlotte Perkins Gilman (1860-1935, American)Squire Petrick's lady / Thomas Hardy (1840-1928, English)The luck of Roaring Camp / Bret Harte (1836-1902, American)Dr. Heidegger's experiment / Nathaniel Hawthorne (1804-1864, American)A ghost story / Jerome K. Jerome (1859-1927, English)A white heron / Sarah Orne Jewett (1849-1909, American)A country doctor / Franz Kafka (1883-1924, Czech)Wee Willie Winkie / Rudyard Kipling (1865-1936, English)Sanctuary / Nella Larsen (1891-1964, American)Second best / D.H. Lawrence (1885-1930, English)The white silence / Jack London (1876-1916, American)Germans at meat / Katherine Mansfield (1888-1923, English)A piece of string / Guy de Maupassant (1850-1893, French)The open window / H.H. Munro, or Saki (1870-1916, English)The furnished room / O. Henry (1962-1910, American)With other eyes / Luigi Pirandello (1867-1936, Italian)The cask of Amontillado / Edgar Allan Poe (1809-1849, American)The coffin-maker / Alexander Pushkin (1799-1837, Russian)The three hermits / Leo Tolstoy (1828-1910, Russian)The notorious jumping frog of Calaveras County / Mark Twain (1835-1910, American)The remarkable case of Davidson's eyes / H.G. Wells (1866-1946, English)The sphinx without a secret / Oscar Wilde (1854-1900, Irish)

    G. Ballard lived far ahead of his time. Called his "prophetic masterpiece" by many, The Atrocity Exhibition practically lies outside of any literary tradition. Part science fiction, part eerie historical fiction, part pornography, its characters adhere to no rules of linearity or stability. This reissued edition features an introduction by William S. Burroughs, extensive text commentary by Ballard, and four additional stories. Of specific interest are the illustrations by underground cartoonist and professional medical illustrator Phoebe Gloeckner. Her ultrarealistic images of eroticism and destruction add an important dimension to Ballard's text.

    With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned –a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible. When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell’s masterpiece have a meaning and message still ferociously fresh.

    But when old Smiler takes a seat beside him, sucking in pint after pint through his gingery whiskers, a whole new world of battles and bones opens up before him…H. E. Bates – a prolific English novelist and short story writer – wrote 'Castle in the Air' for The Evening News in 1957, but the story was never re-printed in any of his later collections. In fact, its existence was forgotten until 2013 when it was spotted accidentally during a rummage through a newspaper archive. On re-discovering this charming and humorous short story – which exemplifies H.E. Bates's great skill of drawing vivid characters and his ability to create an almost tangible sense of a place – Bates's descendants felt it had to be shared with a wider audience.Bloomsbury Reader is delighted to be re-publishing 'Castle in the Air' alongside the whole body of H. E. Bates's short fiction and novellas, and here we offer it as a free taste of Bates's irresistible writing.

    This collection of the poet Dylan Thomas's fiction––and what an extraordinary storyteller he was!––holds special interest because it ranges from the early stories such as "The School for Witches" and "The Burning Baby," with their powerful inheritance of Welsh mythology and wild imagination, to the chapters he completed before his death of the alas unfinished novel Adventures in the Skin Trade. Adventures is the story, written in a shrewd, sly, deadpan vein of picaresque comedy, of young Samuel Bennet, who runs away from his home in Wales to seek his fortune in London.