Planisphere is a new collection by one of America’s most innovative and influential poets—an exceptional artist whose work stands alongside the finest of Whitman, Dickinson, Stevens, and Hart Crane. For more than half a century Ashbery has been producing timeless works such as Chinese Whispers, Hotel Lautréamont, A Wave, Self-Portrait in a Convex Mirror, and Where Shall I Wander. Planisphere is proof that the master only improves with age.

    Flawlessly chic and working hard at a top architectural firm, Saanvi has it all together on the surface. But everyone does bad things when they think no one is watching and Ava only wants what’s fair—to destroy Saanvi’s life the way her own was destroyed.Next, she watches Cass. She’s there as Cass tries on wedding dresses, she’s there when Cass picks out a cake, she’s there when Cass betrays her fiancé. She’s the reason Cass’s entire future comes crashing down. Finally, Ava watches Mel. Mel was always the ringleader and if anyone has to pay, it’s her. But one tiny slipup and Ava realizes the truth: Mel knows she’s being watched, and she’s ready to play Ava’s games to the bitter end.

    It was as if the house called to its own... When Sadie inherits Poet's Cottage in the Tasmanian fishing town of Pencubitt, she sets out to discover all she can about her notorious grandmother, Pearl Tatlow. Pearl was a children's writer who scandalised 1930s Tasmania with her behaviour. She was also violently murdered in the cellar of Poet's Cottage,/i> and her murderer never found. Sadie grew up with a loving version of Pearl through her mother, but her aunt Thomasina tells a different story, one of a self-obsessed, abusive and licentious woman. And Pearl's biographer, Birdie Pinkerton, has more than enough reason to discredit her. As Sadie and her daughter Betty work to uncover the truth, strange events begin to occur in the cottage. And as the terrible secret in the cellar threads its way into the present day, it reveals a truth more shocking than the decades-long rumours. Poet's Cottage is a beautiful and haunting mystery of families, bohemia, truth, creativity, lies, memory and murder.

    Wry, profane, hilarious, and tragic, sometimes in a single line, Lush Life is his masterwork. I doubt anyone will write a novel this good for a long, long time." — Dennis Lehane"So, what do you do?" Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter… But now he's thirty-five years old and he's still living on the Lower East Side, still in the restaurant business, still serving the people he wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn't say tending bar. He was going places--until two street kids stepped up to him and Eric one night and pulled a gun. At least, that's Eric's version.In Lush Life, Richard Price tears the shiny veneer off the 'new' New York to show us the hidden cracks, the underground networks of control and violence beneath the glamour. Lush Life is an X-ray of the street in the age of no broken windows and "quality of life" squads, from a writer whose "tough, gritty brand of social realism…reads like a movie in prose." — Michiko Kakutani, The New York Times.

    In a dusty back room of the old house, she discovers the crumbling photo of a handsome World War II medic - Samuel Riordan, the homestead's former occupant - and soon finds herself becoming obsessed with him. But as Audrey digs deeper into Samuel's story, she discovers he was accused of bashing to death a young woman on his return from the war in 1946. When she learns about other unexplained deaths in recent years - one of them a young woman with injuries echoing those of the first victim - she begins to suspect that the killer is still very much alive. And now Audrey, thanks to her need to uncover the past, has provided him with good reason to want to kill again.

    A bravura performance, it is the finest recent work from a true master.To be bound in a nutshell, see the world in two inches of ivory, in a grain of sand. Why not, when all of literature, all of art, of human endeavour, is just a speck in the universe of possible things.

    The year is 1965, the setting a university town in Connecticut, and serial killers are still referred to as "multiple murderers." Profiling hasn't even begun, so Delmonico has to go it alone on a frantic learning curve that has the killer always two steps ahead of him." "The story begins when parts of the body of a young woman are found in a research center for neurology privately funded by one of the university's greatest benefactors." "It swiftly develops that the killer is very possibly a member of the research facility and that this is not his first murder. With great cunning and daring, he targets a "type" of young woman, following which the women are subjected to unspeakable torture and rape, and finally a horrible death." "The suspects are many and varied, and include a wealthy and ambitious young Indian eager to win a Nobel Prize; the professional head of the institute, who does something peculiar in his basement; an internationally renowned epilepsy clinician; a neurochemist with a taste for fine food, wine, and music; a Japanese with rarefied and strange tastes; and a business manager named Desdemona Dupre, a tough, well-educated woman, full of common sense, for whom Delmonico feels a growing, risky attraction." As the serial murders begin to mount - the killer is getting more and more bloodthirsty and bold - and the media and anguished parents begin to put pressure on the governor, Delmonico and the forceful, enigmatic Miss Dupre are drawn deeper and deeper into the secrets of the suspects and toward an old family scandal as shocking as it is bizarre. But is the scandal something quite separate, or does it lie at the roots of the present killings?

    She is headed for the Panopticon, a home for chronic young offenders. She can't remember what’s happened, but across town a policewoman lies in a coma and Anais’s school uniform is covered in blood.Raised in foster care from birth and moved through twenty-three placements before she even turned seven, Anais has been let down by just about every adult she has ever met. Now a counter-culture outlaw, she knows that she can only rely on herself. And yet despite the parade of horrors visited upon her early life, she greets the world with the witty, fierce insight of a survivor.Anais finds a sense of belonging among the residents of the Panopticon – they form intense bonds, and she soon becomes part of an ad hoc family. Together, they struggle against the adults that keep them confined. When she looks up at the watchtower that looms over the residents though, Anais knows her fate: she is an anonymous part of an experiment, and she always was. Now it seems that the experiment is closing in.Named one of the best books of the year by the Times Literary Supplement and the Scotsman, The Panopticon is an astonishingly haunting, remarkable debut novel. In language dazzling, energetic and pure, it introduces us to a heartbreaking young heroine and an incredibly assured and outstanding new voice in fiction.

    In the Western Night brings together in one volume all of the poems to date, including many previously unpublished poems, of one of the most exciting and gifted poets writing today.

    But when Jenna arrived late, she found that Celia had disappeared—and hasn’t been seen again. Jenna has blamed herself for her friend’s disappearance every single day since then.The only piece of evidence is a lone diamond earring found where Celia and Jenna were planning to meet, leading the national media to dub Celia “The Diamond Mom.” And even though Jenna has obsessively surfed message boards devoted to missing persons cases, she is no closer to finding any answers—or easing her guilt.But when her son’s new girlfriend—who suddenly arrived in town without a past—disappears, a stricken Jenna begins to unwind the tangled truth behind Celia’s tragedy. And as long-buried secrets finally come to light, she discovers how completely lives can be shattered by a few simple lies.

    He’s a star wrestler, a video game aficionado, and a loving boyfriend to his seemingly perfect match, Vanessa. But on the inside, Brendan struggles to understand why his body feels so wrong—why he sometimes fantasizes having long hair, soft skin, and gentle curves. Is there even a name for guys like him? Guys who sometimes want to be girls? Or is Brendan just a freak?In Freakboy's razor-sharp verse, Kristin Clark folds three narratives into one powerful story: Brendan trying to understand his sexual identity, Vanessa fighting to keep her and Brendan’s relationship alive, and Angel struggling to confront her demons.

    That's when alumnae advisor, Jane Lawless, steps in to find out the truth. Assisted by her irrepressible sidekick Cordelia, Jane searches for clues, and what she finds is as chilling as the Minnesota winter. At a lonely vacation lodge, amidst the icy snow drifts, she risks her life to ensnare a cunning killer.Nominated: 1990 Minnesota Book Award for Best Crime FictionNominated: 1989 Lambda Literary Award for Best Lesbian MysteryNominated: 1996 Golden Earphones Award (Audio World), Best Unabridged BookWinner: 1996 Golden Earphones Award (Audio World), Best Reader of an unabridged work, Carol Jordan Stewart for her reading of Hallowed Murder

    The accused are four teenage boys whose family connections stretch across the water to Palm Island. As she battles to prove herself in the courtroom, Cathy realises that the truth is far more complex than she first thought. She starts to question who are the criminals and who are the victims.Saltwater tells the compelling story of one lawyer’s fight for justice amongst the beauty and the violence of this tropical paradise.

    it doesn't hurt that he's buff, boyish, and completely irresistible, with a job by day as a personal trainer...and the occasional night gig dancing on the bar for rent money. Hey, it's a living. Scotty likes his relaxed life, living upstairs from the coddling lesbian couple he calls his aunties, and hanging out with his eccentric, close-knit family -- stoner-hippie parents, Uptown but well-meaning sister, and scheming lawyer brother. And with New Orleans's biggest circuit party -- Southern Decadence -- about to hit town, Scotty's looking forward to plenty of dancing, cruising, and maybe, just maybe, an adorable Mr. Right.But then Scotty discovers one of his best clients in front of his Decatur Street apartment, shot through the head, execution style. It's even more troubling when his friend Jeremy, he of the disappearing act a year ago, reappears briefly in the bar, begging Scotty to take care of a computer disk for him and spouting something crazy about people being after him. And things get really, really bad when everyone from the cops -- who don't believe anything Scotty says -- to a shadowy man claiming to be an FBI agent is tailing Scotty's every move, waiting for a chance to arrest him...or worse.Now, with help from his best friend David and a gorgeous new lover who just happens to be a cat burglar of the real and not-Cary Grant variety, Scotty's diving into a web of tawdry Southern secrets that stretches all the way to a corrupt political machine whose members would do anything and use anyone to get to Scotty and that disk. Suddenly, the Big Easy's liveliest gay celebration has just taken on asinister glow, and Scotty's carefree living is turning into a desperate race for his life.

    Logic says there was no more she could have done to save the mercurial and unhappy Alice, but Lara can’t escape the feeling that she is somehow to blame for the tragedy.She spends a weekend at the rebuilt house with Alice’s charismatic widower, Crow, and his three young children. Rummaging through the remains of their shared past, Lara reveals a friendship with Alice that was as troubled as it was intense. But beneath the surface is a darker, more unsettling secret waiting to be exposed.Through exquisite prose and searing insight, Into the Fire explores the many ways, small and large, we betray one another and our ideals. It’s a compelling story about power, guilt and womanhood from an outstanding voice in Australian fiction.