Before you know it, a minute turns into an hour, an hour turns into a day, and a day may turn into . . . eternity. Inspired by the likes of Edward Lear, X. J. Kennedy, and Lewis Carroll, the author of Arithme-Tickle and Scien-Trickery has created a collection of original poems about books and reading that range from sweet to silly to laugh-out-loud funny. Newcomer Kyle M. Stone's clever, witty, and endearing paintings make this the perfect treat for book lovers of all ages.

    But where do butterflies come from? How are they born? What do they eat--and how? With a simple, rhyming text and glorious color-drenched collage, Lois Ehlert provides clear answers to these and other questions as she follows the life cycle of four common butterflies, from their beginnings as tiny hidden eggs and hungry caterpillars to their transformation into full-grown butterflies. Complete with butterfly and flower facts and identification tips, as well as a guide to planting a butterfly garden, this butterfly book is like no other.

    But it’s not easy for a little monkey to sit still too long. From selecting books to getting his very own library card, George’s day at the library makes reading fun.

    The Complete Memoirs of George Sherston includes "Sherston's Progress" and both "Memoirs,"

    Alligator Pie, which remains the classic Canadian bedtime book, is written as if Mother Goose had the Latin name Branta canadensis, from William Lyon Mackenzie King, who "loved his mother like anything," to Trois-Rivières, which, of course, rhymes with "eat you hair."

    Victor, Illich celebrates the culture of the book from the twelfth century to the present. Hugh's work, at once an encyclopedia and guide to the art of reading, reveals a twelfth-century revolution as sweeping as that brought about by the invention of the printing press and equal in magnitude only to the changes of the computer age—the transition from reading as a vocal activity done in the monastery to reading as a predominantly silent activity performed by and for individuals.

    Before long he began to see things differently from the other bats who from dawn to sunset never opened their eyes. The Bat-Poet is the story of how he tried to make the other bats see the world his way.With illustrations by Maurice Sendak, The Bat-Poet—a New York Times Best Illustrated Children's Book selection—is a collection of the bat's own poems and the bat's own world: the owl who almost eats him; the mockingbird whose irritable genius almost overpowers him; the chipmunk who loves his poems, and the bats who can't make heads or tails of them; the cardinals, blue jays, chickadees, and sparrows who fly in and out of Randall Jarrell's funny, lovable, truthful fable.

    "We must wait and see."So begins the story of a tin father and son who dance under a Christmas tree until they break the ancient clock-work rules and are themselves broken. Thrown away, then rescued from a trash can and repaired by a tramp, they set out on a perilous odyssey to follow the child's dream of a family and a place of their own. What happens to the mouse and his child in their search for the magnificent doll house, the plush elephant, and the tin seal they had known in the toyshop is a tale to remember and return to.

    On the page facing each letter, an illustration by a celebrated illustrator or graphic artist presents that artist's visual response.Among the diverse contributions are letters from Jane Goodall, Neil Gaiman, Jerome Bruner, Shonda Rhimes, Ursula K. Le Guin, Yo-Yo Ma, Judy Blume, Lena Dunham, Elizabeth Gilbert, and Jacqueline Woodson, as well as a ninety-eight-year-old Holocaust survivor, a pioneering oceanographer, and Italy’s first woman in space. Some of the illustrators, cartoonists, and graphic designers involved are Marianne Dubuc, Sean Qualls, Oliver Jeffers, Maira Kalman, Mo Willems, Isabelle Arsenault, Chris Ware, Liniers, Shaun Tan, Tomi Ungerer, and Art Spiegelman.  This project is woven entirely of goodwill, generosity of spirit, and a shared love of books. Everyone involved has donated their time, and all profits will go to the New York Public Library systems.Preface by David Remnick, editor, The New Yorker; Edited and introduced by Maria Popova, who has been writing since 2006 about what she reads on Brain Pickings (brainpickings.org), which is now included in the Library of Congress archive of culturally valuable materials; Edited by Claudia Bedrick, publisher, editorial and art director of Enchanted Lion Books.

    First, read the poems forward (how old-fashioned!), then reverse the lines and read again to give familiar tales, from Sleeping Beauty to that Charming Prince, a delicious new spin. Witty, irreverent, and warm, this gorgeously illustrated and utterly unique offering holds a mirror up to language and fairy tales, and renews the fun and magic of both.

    A fly went by, followed by a frog, who's chased by a cat, who's chased by a dog and a host of other frantic characters, in a humorous cumulative tale.

    "In the beginning there is light and two wide-eyed figures standing near the foot of your bed and the sound of their voices is love....A cab driver plays love softly on his radiowhile you bounce in back with the bumps of the city and everything smells new, and it smells like life."In this heartfelt celebration of love, Matt de la Peña and illustrator Loren Long depict the many ways we experience this universal bond, which carries us from the day we are born throughout the years of our childhood and beyond. With a lyrical text that's soothing and inspiring, this tender tale is a needed comfort and a new classic that will resonate with readers of every age.

    S. G. Boggs, an artist whose consuming passion is money, or perhaps more precisely, value. Boggs draws money-paper notes in standard currencies from all over the world-and tries to spend his drawings. It is a practice that regularly lands him in trouble with treasury police around the globe and provokes fundamental questions regarding the value of art and the value of money.

    in full color. A baffled youngster awakens one morning to findeverything's out of place, but no one seems to notice! Beginning readers willhave fun discovering all the wacky things wrong on each page while sharpeningtheir ability to observe, as well as to read.

    Elizabeth Romer chronicles each season's activities month by month: curing prosciutto and making salame in January, planting and cheesemaking in March, harvesting and threshing corn in July, hunting for wild muchrooms in September, and grape crushing in Ocober. Scattered throughout this lovely calendar are recipes—fresh bread and olive oil, grilled mushrooms, broad beans with ham, trout with fresh tomatoes and basil, chicken grilled with fresh sage and garlic, and apples baked with butter, sugar, and lemon peel, among many others. Alive with the rhythms of country tradition, The Tuscan Year is a treasure for the armchair traveler as well as the cook.