The air is saturated with smells of cooking and passion. Seven-year-old Shlomi, who develops a remarkable culinary talent, has fallen for Ella, the strange girl next door with suicidal tendencies; his little brother Hilik obsessively collects words in a notebook.In the wild, selfish but magical grown-up world that swirls around them, a mother with a poet’s soul mourns the deaths of literary giants while her handsome, wayward husband cheats on her both at home and abroad.Some Day is a gripping family saga, a sensual and emotional feast that plays out over decades. The characters find themselves caught in cycles of repetition, as if they were “rhymes in a poem, cursed with history.” They become victims of inspired recipes that bring joy and calamity to the cooks and diners. Mysterious curses cause people’s hair to fall out, their necks to swell and the elimination of rational thought amid capitulation to unhealthy urges.This is an enchanting tale about tragic fates that disrupt families and break our hearts. Zarhin’s hypnotic writing renders a painfully delicious vision of individual lives behind Israel’s larger national story.

    There is tension in the air. A pogrom threatens to erupt. Suddenly, an extraordinary man—Moshe the dreamer, a madman and mystic—steps forward & confesses to a crime he didn't commit, in a vain attempt to save his people from certain death. The community gathers to hear his last words—a plea for silence—& everyone present takes an oath: whoever survives the impending tragedy must never speak of the town’s last days & nights of terror. For fifty years the sole survivor keeps his oath—until he meets a man whose life depends on hearing the story, & one man’s loyalty to the dead confronts head-on another’s reason to go on living. One of Wiesel’s strongest early novels, this timeless parable about the Jews & their enemies, about hate, family, friendship & silence, is as powerful, haunting & significant as it was when first published.

    The daughter of a powerful lord, Sarah balks at the marriage her father has planned for her. On her wedding day, she impulsively flees to the vast, empty marshes outside the city walls, where she meets a young man named Abram, son of a tribe of outsiders. Drawn to this exotic stranger, Sarah spends one night with him and reluctantly returns to her father’s house. But on her return, she secretly drinks a poisonous potion that will make her barren and thus unfit for marriage.Many years later, Abram returns to Ur and discovers that the lost, rebellious girl from the marsh has been transformed into a splendid woman—the high priestess of the goddess Ishtar. But Sarah gives up her exalted life to join Abram’s tribe and follow the one true God, an invisible deity who speaks only to Abram. It is then that her journey truly begins.From the great ziggurat of Ishtar to the fertile valleys of Canaan to the bedchamber of the mighty Pharaoh himself, Sarah’s story reveals an ancient world full of beauty, intrigue, and miracles.

    We all have a tree inside us. Finding it is just a matter of time. Neda is born in Evin Prison, where her mother is allowed to nurse her for a few months before the arms of a guard appear at the cell door one day and, simply, take her away. Omid, at age three, witnesses the arrests of his political activist parents from his perch at their kitchen table, yogurt dripping from his fingertips. More than twenty years after the violent, bloody purge that took place inside Tehran's prisons, Sheida learns that her father was one of those executed, that the silent void firmly planted between her and her mother all these years was not just the sad loss that comes with death, but the anguish and the horror of murder. Neda, Omid, and Sheida are just three of the many unforgettable characters in Sahar Delijani's startling debut novel, Children of the Jacaranda Tree. Set in post-revolutionary Iran, from 1983 to 2011, it follows a group of mothers, fathers, children, and lovers, some connected by family, others brought together by the tide of history that forces its way into their lives. Finally, years later, it is the next generation that is left with the burden of the past and their country's tenuous future as a new wave of protest and political strife begins. Based on the harrowing experiences of Delijani, her family, and friends, Children of the Jacaranda Tree is a moving, timely drama about three generations of men and women moved by love, inspired by poetry, and motivated by dreams of justice and freedom. For fans of The Kite Runner and In the Shadow of the Banyan, it is a stunningly evocative look at the intimate side of revolution and a brilliant tribute to anyone who has answered the call of history.

    The story of Elizabeth and her mother Jenny is remarkable for its fullness of details: the pieces of family silver the grandmother mails to Jenny, piece by piece, over the years; Jenny's vivid memories of her uncle's viola d'amore lessons; the smell of the wood floors in the family's Vienna home. It's an emotional story of what is inherited from one generation to the next.

    Yona Stern longs to make amends with her estranged sister who lives in a radical Jewish settlement. Mark Greenglass, a Talmud teacher, has inexplicably lost his once fierce devotion to Orthodox Judaism and now wonders if he’s done with God. Enter Aaron Blinder, an unstable college dropout whose famous father endlessly—some say obsessively—mines the Holocaust for his best-selling, melodramatic novels. In a sweeping, beautifully written story of the lengths to which we will go in search of spiritual fulfillment, Joan Leegant weaves together the stories of three lives in the grip of a volatile, demanding faith, and ultimately bound together by a tragic act of violence. Haunting and wise, Wherever You Go is a gripping and prescient debut novel.

    Agnon's famous masterpiece, his novel Only Yesterday, here appears in English translation for the first time. Published in 1945, the book tells a seemingly simple tale about a man who immigrates to Palestine with the Second Aliya--the several hundred idealists who returned between 1904 and 1914 to work the Hebrew soil as in Biblical times and revive Hebrew culture. Only Yesterday quickly became recognized as a monumental work of world literature, but not only for its vivid historical reconstruction of Israel's founding society. This epic novel also engages the reader in a fascinating network of meanings, contradictions, and paradoxes all leading to the question, what, if anything, controls human existence?Seduced by Zionist slogans, young Isaac Kumer imagines the Land of Israel filled with the financial, social, and erotic opportunities that were denied him, the son of an impoverished shopkeeper, in Poland. Once there, he cannot find the agricultural work he anticipated. Instead Isaac happens upon house-painting jobs as he moves from secular, Zionist Jaffa, where the ideological fervor and sexual freedom are alien to him, to ultra-orthodox, anti-Zionist Jerusalem. While some of his Zionist friends turn capitalist, becoming successful merchants, his own life remains adrift and impoverished in a land torn between idealism and practicality, a place that is at once homeland and diaspora. Eventually he marries a religious woman in Jerusalem, after his worldly girlfriend in Jaffa rejects him.Led astray by circumstances, Isaac always ends up in the place opposite of where he wants to be, but why? The text soars to Surrealist-Kafkaesque dimensions when, in a playful mode, Isaac drips paint on a stray dog, writing "Crazy Dog" on his back. Causing panic wherever he roams, the dog takes over the story, until, after enduring persecution for so long without "understanding" why, he really does go mad and bites Isaac. The dog has been interpreted as everything from the embodiment of Exile to a daemonic force, and becomes an unforgettable character in a book about the death of God, the deception of discourse, the power of suppressed eroticism, and the destiny of a people depicted in all its darkness and promise.

    You will do everything the Devil requires. Whatever it takes, you will maintain the transfer of Jews from Germany to Israel. Remember not to fear him. After all, he thinks it is you who is the Devil." 1937. In a fictional turn of historical events, the British Cabinet accepts the recommendations of the Peel Commission, establishing a Jewish State in the Land of Israel. Dan Lavi is a young diplomat sent by Ben-Gurion to serve as the country’s first ambassador to Berlin, in an effort to save as many Jews as possible under the controversial Transfer Agreement. Surrounded by the terror and atrocities of the Third Reich, Dan struggles to uphold good relations and diplomatic protocol with those who want him dead, to negotiate Nazi party politics and Allied pressures, to reconcile his love for his family with his loyalty to his country, and to stop the Final Solution – even if it costs him everything. Yehuda Avner’s political insight meets Matt Rees’s novelistic skill in this fast-paced counter-historical thriller about a diplomatic mission to the Devil.

    Brooks has an uncanny ability to hear and transform characters from history, and this beautifully written, unvarnished saga of faith, desire, family, ambition, betrayal, and power will enthrall her many fans.

    While the feisty Esther Kaminsky understands her obligations, her artistic talent inspires her to secretly explore worlds outside her religion, to dream of studying in Paris and to believe that God has a special destiny for her. When tragedy strikes her family, Esther views it as a warning from an angry God and suppresses her desires in order to become an obedient "Jerusalem maiden." But when a surprising opportunity forces itself on to her preordained path, Esther finds her beliefs clashing dangerously with the passions she has staved off her entire life forcing her to confront the most difficult and damning question of all. To whom must she be true, God or herself?

    Godless, fatherless, divorced, and childless, Aaliya is her family’s "unnecessary appendage.” Every year, she translates a new favorite book into Arabic, then stows it away. The thirty-seven books that Aaliya has translated have never been read—by anyone. After overhearing her neighbors, "the three witches,” discussing her too-white hair, Aaliya accidentally dyes her hair too blue.In this breathtaking portrait of a reclusive woman’s late-life crisis, readers follow Aaliya’s digressive mind as it ricochets across visions of past and present Beirut. Insightful musings on literature, philosophy, and art are invaded by memories of the Lebanese Civil War and Aaliya’s volatile past. As she tries to overcome her aging body and spontaneous emotional upwellings, Aaliya is faced with an unthinkable disaster that threatens to shatter the little life she has left.A love letter to literature and its power to define who we are, the gifted Rabih Alameddine has given us a nuanced rendering of a single woman's reclusive life in the Middle East.

    What on earth possessed her?Could it have anything to do with Fanny's missing brother-in-law, who left her sister almost a year ago and ran away to Minsk, abandoning his family to destitution and despair?Or could Fanny have been lured away by Zizek Breshov, the mysterious ferryman on the Yaselda river, who, in a strange twist of events, seems to have disappeared on the same night?Surely there can be no link between Fanny and the peculiar roadside murder on the way to Telekhany, which has left Colonel Piotr Novak, head of the Russian secret police, scratching his head. Surely that could have nothing to do with Fanny Keismann, whatever her past, whatever her reputation as a wilde chayeh, a wild beast . . . Surely not.

    Fania, a 16 year old survivor of a program in the Ukraine, arrives in Israel with her uncle, her deranged brother, and her unwanted baby - a product of rape. She meets Yehiel, a 26 year old widower and father of two. Fania moves in with Yehiel and throws herself into the life of a peasant woman, trying to squeeze a living out of the stony ground despite hunger and disease. Wearing Arab robes, she breaks into the male-dominated world of commerce, politics, and even defense.

    In a vivid re-creation of Mary Magdalene's life story, Margaret George convincingly captures this renowned woman's voice as she moves from girlhood to womanhood, becomes part of the circle of disciples, and comes to grips with the divine.While grounded in biblical scholarship and secular research, Mary, Called Magdalene ultimately transcends both history and fiction to become a "diary of a soul."

    She is taught only to obey, but she always finds ways to rebel—gossiping with her sister among the fragrant roses of her mother’s walled garden, venturing to the forbidden rooftop to roughhouse with her three brothers, writing poems to impress her strict, disapproving father, and sneaking out to flirt with a teenage paramour over café glacé. It’s during the summer of 1950 that Forugh’s passion for poetry really takes flight—and that tradition seeks to clip her wings. Forced into a suffocating marriage, Forugh runs away and falls into an affair that fuels her desire to write and to achieve freedom and independence. Forugh’s poems are considered both scandalous and brilliant; she is heralded by some as a national treasure, vilified by others as a demon influenced by the West. She perseveres, finding love with a notorious filmmaker and living by her own rules—at enormous cost. But the power of her writing grows only stronger amid the upheaval of the Iranian revolution. Inspired by Forugh Farrokhzad’s verse, letters, films, and interviews—and including original translations of her poems—Jasmin Darznik has written a haunting novel, using the lens of fiction to capture the tenacity, spirit, and conflicting desires of a brave woman who represents the birth of feminism in Iran—and who continues to inspire generations of women around the world.