Corinne Cabot is living the American dream: a successful ER physician, she is married to a hardworking and handsome psychologist. Together they own a charming house in the Chicago suburbs. But Cabot has a dark personal past and her memory has holes she tries to fill in. Her sleep is ravaged by recurring nightmares of that night when, as a teenager, she found her father standing next to the bodies of two people he had shot dead. It is what she can't remember about that night that utterly haunts her. Her father is still alive in jail for that terrible crime. At times now, despite her success, she fears she is truly unable to determine what is real and what is not. Then she starts to suspect that something is amiss with her husband and realizes that nothing--and no one--in her life is as it appears.

    No help for miles. What would you do?On her way to Utah to see her dying mother, college student Darby Thorne gets caught in a fierce blizzard in the mountains of Colorado. With the roads impassable, she’s forced to wait out the storm at a remote highway rest stop. Inside are some vending machines, a coffee maker, and four complete strangers.Desperate to find a signal to call home, Darby goes back out into the storm . . . and makes a horrifying discovery. In the back of the van parked next to her car, a little girl is locked in an animal crate.Who is the child? Why has she been taken? And how can Darby save her?There is no cell phone reception, no telephone, and no way out. One of her fellow travelers is a kidnapper. But which one?Trapped in an increasingly dangerous situation, with a child’s life and her own on the line, Darby must find a way to break the girl out of the van and escape.But who can she trust?

    We listened. We obeyed. We sinned. Shall we repent? Or shall we take you down with us? Thou shall not have any other gods before me. Thou shall not make yourself a carved image. Thou shall not take the Lord's name in vain. Thou shall remember the Sabbath Day and keep it holy. Thou shall honor your mother and father. Thou shall not murder. Thou shall not commit adultery. Thou shall not steal. Thou shall not bear false witness against thy neighbor. Thou shall not covet your neighbor’s house. *This is NOT a religious book. This is dark, depraved, and delicious and is intended for a mature audience 18+. The Ten Commandments as you've never seen them before...*

    She chose her apartment with care—a safe district with a good neighbor—a place where she can live a quiet, unassuming, under-the-radar existence. Then she makes one mistake and opens her door to accept a delivery of flowers from a secret admirer and her life will never be the same again. A guy she’s never seen before bursts into her apartment and asks her to marry him. Jack Thompson won’t take no for an answer and drags Kate on a cross country journey to hell.Invalided out of the police, Nathan Beranson works as a private investigator in San Antonio, Texas where he spends too much of his time following unfaithful spouses and delivering the bad news to their partners. When his fiancée cheats on him with Jack Thompson, the half-brother Nathan’s only just met, he becomes obsessed with Jack in the same unhealthy way as his revenge-seeking clients. By the time Nathan finally realizes putting the ghosts of the past to rest is a wiser option than settling an old score, it’s too late. He’s already been drawn into his sibling’s latest deadly game and Nathan and Kate find their nightmare is only just beginning.

    Through her neighbor's kitchen window, she sees what appears to be a little girl washing dishes late at night. But the Fleming family doesn't have a child that age, and even if they did, why would she be doing housework at this late hour?It would be easy for Sharon to just let this go, but when eighteen-year-old Niki, a former foster child, comes to live with Sharon, she notices suspicious activity at the Flemings' house as well. When calling social services doesn't result in swift action, the two decide to investigate on their own.

    But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder. Writing to her lawyer from prison, she struggles to explain the unravelling events that led to her incarceration. It wasn’t just the constant surveillance from the cameras installed around the house, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman, Jack Grant. It was everything. She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder. Which means someone else is. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.

    But a cell phone call from an unknown number changes everything: it's a woman on the line, informing her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a ransom, and find another child to abduct. This is no ordinary kidnapping: the caller is a mother herself, whose son has been taken, and if Rachel doesn't do as she's told, the boy will die. "You are not the first. And you will certainly not be the last." Rachel is now part of The Chain, an unending and ingenious scheme that turns victims into criminals—and is making someone else very rich in the process. The rules are simple, the moral challenges impossible; find the money fast, find your victim, and then commit a horrible act you'd have thought yourself incapable of just twenty-four hours ago. But what the masterminds behind The Chain know is that parents will do anything for their children. It turns out that kidnapping is only the beginning.

    For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims—a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story—and survive this homecoming.Librarian's Note: this is an alternate cover edition - ISBN 10: 0307341550 (ISBN 13: 9780307341556)

    Decades later, old wounds are reopened when her son, Theo, hires ex-journalist Kate Aitken to create an archive of his mother's work.From Miranda's vast maze of personal effects, Kate pieces together a portrait of a vibrant artist buckling under the pressures of ambition, motherhood, and marriage. As the summer progresses, Kate navigates vicious local rumors and her growing attraction to the enigmatic Theo, all while unearthing the shocking details of Miranda's private life. But Kate has secrets of her own, and when she stumbles across a diary that may finally resolve the mystery of Miranda's death, her curiosity starts to spiral into a dangerous obsession.With breathtaking and haunting imagery, Take Me Apart paints a vivid picture of two magnetic young women, separated by years, but bonded by shared struggles. Sara Sligar draws readers into a web of secrets and lies, alternating between the present and the past and revealing the truth about Miranda's death through the objects she left behind.

    Jonah Keller moved to New York City with dreams of becoming a successful playwright, but, for the time being, lives in a rundown sublet in Bushwick, working extra hours at a restaurant only to barely make rent. When he stumbles upon a photo of Richard Shriver—the glamorous Pulitzer Prize–winning playwright and quite possibly the stepping stone to the fame he craves—Jonah orchestrates their meeting. The two begin a hungry, passionate affair. When summer arrives, Richard invites his young lover for a spell at his sprawling estate in the Hamptons. A tall iron fence surrounds the idyllic compound where Richard and a few of his close artist friends entertain, have lavish dinners, and—Jonah can’t help but notice—employ a waitstaff of young, attractive gay men, many of whom sport ugly bruises. Soon, Jonah is cast out of Richard’s good graces and a sinister underlay begins to emerge. As a series of transgressions lead inexorably to a violent climax, Jonah hurtles toward a decisive revenge that will shape the rest of his life. Riveting, unpredictable, and compulsively readable, Yes, Daddy is an exploration of class, power dynamics, and the nuances of victimhood and complicity. It burns with weight and clarity—and offers hope that stories may hold the key to our healing.

    Ten years later, the boy he used to be is gone. In his place is the shell of a man with murder under his belt. Any emotion he once had was left under the gavel when he was given life in prison. That is until the new nurse in the infirmary joins the block. Putting your hands on a prison employee will get you the hole, but some things are worth their punishment, and something tells him Lyla will be worth more than he bargained for. Lyla Evans isn’t sure about her new job at a maximum security prison, but showing uncertainty and weakness isn’t an option. Taking care of murderers and rapists isn’t ideal, but survival is key. She’s warned ahead of time about a prisoner named X, but when she’s attacked, it’s the dangerous X that saves her. Fraternizing with the prisoners is forbidden, but sometimes the most forbidden things are the sweetest.

    I was simply Naomi Carradine. One month ago, I was admitted into a psych ward. Yesterday, Lachlan visited me. Kissed me. And told me that I’m starting to lose my mind. Hours later, Max haunted my thoughts, reminding me I’m not crazy and that he needs my help. A few minutes ago, I drifted further from reality, trying to unravel the past. And now...everyone thinks I’m insane. But, I know he's real, and I know he needs me. Do you believe me?

    You'd do best to remember that." Once upon a time, I was an eighteen year old psychology student.Now, I’m a man’s property.Stolen and sold, I’ve been decorated in bruises since the day my world changed two years ago.I suffer in silence, I crave freedom, but I never break.I can’t.Until he arrives.Elder Prest, the only man to look at me and see me. The only man more ruthless than my owner.He wants me for reasons I don’t understand.He claims me for one night then leaves and never looks back.Until he returns.And life becomes much more complicated.

    You were looking down at your brown straggly dog, your mouth going slack as your eyes clocked her. Alice Taylor.I was no different. I’d catch myself gazing at the back of her head in class, at her thick fair hair swaying between her shoulder blades.If you’d glanced just once across the field, you’d have seen me standing in the middle on my own looking straight at you, and you’d have gone back through the trees to the path quick, tugging your dog after you. You’d have known you’d given yourself away, even if only to me.But you didn’t. You only had eyes for Alice.

    . . wasn’t? Clara Lawson is torn from her life in an instant. Without warning, her home is invaded by armed men, and she finds herself separated from her beloved husband and daughters. The last thing her husband yells to her is to say nothing. In chapters that alternate between past and present, the novel slowly unpeels the layers of Clara’s fractured life. We see her growing up, raised with her sisters by the stern Mama and Papa G, becoming a poised and educated young woman, falling desperately in love with the forbidden son of her adoptive parents. We see her now, sequestered in an institution, questioned by men and women who call her a different name—Diana—and who accuse her husband of unspeakable crimes. As recollections of her past collide with new revelations, Clara must question everything she thought she knew, to come to terms with the truth of her history and to summon the strength to navigate her future.