At its heart are the three Cartier brothers whose motto was "Never copy, only create".Francesca Cartier Brickell, whose great-grandfather was the youngest of the brothers, has traveled the world researching her family's history, tracking down those connected with her ancestors and discovering long-lost pieces of the puzzle along the way. Now she reveals never-before-told dramas, romances, intrigues, betrayals, and more.

    The first of the literary Waughs was Arthur, who, when he won the Newdigate Prize for poetry at Oxford in 1888, broke with the family tradition of medicine. He went on to become a distinguished publisher and an immensely influential book columnist. He fathered two sons, Alec and Evelyn, both of whom were to become novelists of note (and whom Arthur, somewhat uneasily, would himself publish); both of whom were to rebel in their own ways against his bedrock Victorianism; and one of whom, Evelyn, was to write a series of immortal novels that will be prized as long as elegance and lethal wit are admired. Evelyn begat, among seven others, Auberon Waugh, who would carry on in the family tradition of literary skill and eccentricity, becoming one of England’s most incorrigibly cantankerous and provocative newspaper columnists, loved and loathed in equal measure. And Auberon begat Alexander, yet another writer in the family, to whom it has fallen to tell this extraordinary tale of four generations of scribbling male Waughs.The result of his labors is Fathers and Sons, one of the most unusual works of biographical memoir ever written. In this remarkable history of father-son relationships in his family, Alexander Waugh exposes the fraught dynamics of love and strife that has produced a succession of successful authors. Based on the recollections of his father and on a mine of hitherto unseen documents relating to his grandfather, Evelyn, the book skillfully traces the threads that have linked father to son across a century of war, conflict, turmoil and change. It is at once very, very funny, fearlessly candid and exceptionally moving—a supremely entertaining book that will speak to all fathers and sons, as well as the women who love them.

    From their first meeting, where West held out a diamond-covered hand in greeting and lamented her interviewer's lack of jewels, to their farewell, where the star was still gamely offering advice on how to attract men, Mae West and Charlotte Chandler developed a warm rapport that glows on every page of this biography.Actress, playwright, screenwriter, and iconic sex symbol Mae West was born in New York in 1893. She created a scandal -- and a sensation -- on Broadway with her play Sex in 1926. Convicted of obscenity, she was sentenced to ten days in prison. She went to jail a convict and emerged a star. Her next play, Diamond Lil, was a smash, and she would play the role of Diamond Lil in different variations for virtually her entire film career.In Hollywood she played opposite George Raft, Cary Grant (in one of his first starring roles), and W. C. Fields, among others. She was the number one box-office attraction during the 1930s and saved Paramount Studios from bankruptcy. Her films included some notorious one-liners -- which she wrote herself -- that have become part of Hollywood lore: from "too much of a good thing can be wonderful" to "When I'm good, I'm very good. When I'm bad, I'm better." Her risque remarks got her banned from radio for a dozen years, but behind the clever quips was Mae's deep desire, decades before the word "feminism" was in the news, to see women treated equally with men. She saw through the double standard of the time that permitted men to do things that women would be ruined for doing.Her cause was sexual equality, and she was shrewd enough to know that it was perhaps the ultimate battleground, the most difficult cause of all. In addition to her extensive interviews of Mae West, Chandler also spoke with actors and directors who worked with and knew the star, the man with whom she lived for the last twenty-seven years of her life, as well as her closest assistant at the end of her life. Their comments and insights enrich this fascinating book. "She Always Knew How" captures the voice and spirit of this unique actress as no other biography ever has.

    Bair penetrates the mystique of this brilliant and often paradoxical woman, who has been called one of the great minds of the 20th century, and surely, one of the most famously unconventional figures of her generation. "As a reference work . . . Simone de Beauvoir can be considered definitive."--The Atlantic. 16-page photographic insert.

    Nagel brings the formidable Marie-Thérèse to life, along with the age of revolution and the waning days of the aristocracy, in a page-turning biography that will appeal to fans of Antonia Fraser's Marie Antoinette and Amanda Foreman's Georgiana: Duchess of Devonshire.In December 1795, at midnight on her seventeenth birthday, Marie-Thérèse, the only surviving child of Marie Antoinette and Louis XVI, escaped from Paris's notorious Temple Prison. To this day many believe that the real Marie-Thérèse, traumatized following her family's brutal execution during the Reign of Terror, switched identities with an illegitimate half sister who was often mistaken for her twin. Was the real Marie-Thérèse spirited away to a remote castle to live her life as the woman called "the Dark Countess," while an imposter played her role on the political stage of Europe? Now, two hundred years later, using handwriting samples, DNA testing, and an undiscovered cache of Bourbon family letters, Nagel finally solves this mystery. She tells the remarkable story in full and draws a vivid portrait of an astonishing woman who both defined and shaped an era. Marie-Thérèse's deliberate choice of husbands determined the map of nineteenth-century Europe. Even Napoleon was in awe and called her "the only man in the family." Nagel's gripping narrative captures the events of her fascinating life from her very public birth in front of the rowdy crowds and her precocious childhood to her hideous time in prison and her later reincarnation in the public eye as a saint, and, above all, her fierce loyalty to France throughout.

    In this Penguin Classics edition, the letters are selected and edited by Ronald de Leeuw, and translated by Arnold Pomerans in Penguin Classics.Few artists' letters are as self-revelatory as Vincent van Gogh's, and this selection, spanning his artistic career, sheds light on every facet of the life and work of this complex and tortured man. Engaging candidly and movingly with his religious struggles, his ill-fated search for love, his attacks of mental illness and his relation with his brother Theo, the letters contradict the popular myth of van Gogh as an anti-social madman and a martyr to art, showing instead a man of great emotional and spiritual depths. Above all, they stand as an intense personal narrative of artistic development and a unique account of the process of creation.The letters are linked by explanatory biographical passages, revealing van Gogh's inner journey as well as the outer facts of his life. This edition also includes the drawings that originally illustrated the letters.Vincent Willem van Gogh (1853-1890) was born in Holland. In 1885 he painted his first masterpiece, The Potato Eaters, a haunting scene of domestic poverty. A year later he began studying in Paris, where he met Gauguin, Toulouse-Lautrec and Seurat, who became very important influences on his work. In 1888 he left Paris for the Provencal landscape at Arles, the subject of many of his best works, including Sunflowers.If you enjoyed The Letters of Vincent van Gogh, you might also like 100 Artists Manifestos, available in Penguin Modern Classics.'If there was ever any doubt that Van Gogh's letters belong beside those great classics of artistic self-revelation, Cellini's autobiography and Delacroix's journal, this excellent new edition dispels it'The Times

    In this critically hailed biography, Leonie Frieda reclaims the story of this unjustly maligned queen to reveal a skilled ruler battling extraordinary political and personal odds -- from a troubled childhood in Florence to her marriage to Henry, son of King Francis I of France; from her transformation of French culture to her fight to protect her throne and her sons' birthright. Based on thousands of private letters, it is a remarkable account of one of the most influential women ever to wear a crown.

    His portrayal of the child murderer in Fritz Lang's masterpiece M (1931) catapulted him to international fame. Lang said of Lorre: "He gave one of the best performances in film history and certainly the best in his life." Today, the Hungarian-born actor is also recognized fo

    During the following ten years they were lovers, worked closely together and she became mother to two of his children, Claude and Paloma. Life with Picasso, her account of those extraordinary years, is filled with intimate and astonishing revelations about the man, his work, his thoughts and his friends - Matisse, Braque, Gertrude Stein and Giacometti, among others. Francois Gilot paints a compelling portrait of her turbulent life with the temperamental (and even abusive) genius that was Picasso. As one of the few intimate witnesses to Picasso as a human being and as an artist, her account of him is invaluable for assessing him on both counts.

    Ernest Hemingway was reading proofs of A Farewell to Arms, and a few blocks away F. Scott Fitzgerald was struggling with Tender Is the Night. As his first published book rose to fame in New York, Morley Callaghan arrived in Paris to share the felicities of literary life, not just with his two friends, Hemingway and Fitzgerald, but also with fellow writers James Joyce, Ford Madox Ford, and Robert McAlmon. Amidst these tangled relations, some friendships flourished while others failed. This tragic and unforgettable story comes to vivid life in Callaghan's lucid, compassionate prose.

    Their romance on and off screen made them Hollywood's most celebrated couple and together they produced some of the most electric scenes in movie history. But when Bogart died of cancer in 1957, Bacall had to find a way of living beyond the fairytale and ironic way she had evolved. In a time of post war communism, Hollywood blacklisting and revolutionary politics she moved with the legends: Hemingway, the Oliviers, Katharine Hepburn, Bobby Kennedy, an engagement to Frank Sinatra and a second turbulent marriage to Jason Robards. Now at 80, BY MYSELF AND THEN SOME brings her story up to date including her recent films and Broadway runs, fond memories of her children and many close lifelong friendships, not least the greatest love of her life, Humphrey Bogart.

    Far from inheriting the throne, the orphaned boy-king had to endure the hostility and abuse of a nation. Two years later, the revolutionary leaders declared the young Louis XVII dead, prompting rumors of murder. No grave was dug, no monument built to mark his passing. Soon thereafter, the theory circulated that the prince had in fact escaped from prison and was still alive. Others believed that he had been killed, his heart preserved as a relic. The quest for the truth continued into the twenty-first century when, thanks to DNA testing, a stolen heart found within the royal tombs brought an exciting conclusion to the two-hundred-year-old mystery.A fascinating blend of royalist plots, palace intrigue, and modern science, The Lost King of France is a moving and dramatic tale that interweaves a pivotal moment in France's history with a compelling detective story.

    But he never forgot the magic of his Provencal childhood, and when he set his memories to paper late in life the result was a great new success. My Father's Glory and My Mother's Castle appeared on the scene like a fresh breeze, captivating readers with its sweet enchantments. Pagnol recalls his days hunting and fishing in the hill country, his jaunts about Marseilles, his schoolboy diversions, and above all his family: his anticlerical father and sanctimonious uncle, his mild and beautiful mother, and many others. This bright and lively book sparkles with the charm and magic that were Marcel Pagnol's own.

    Henry VIII had both of them beheaded.Catherine the Great had her idiot husband murdered and ruled the Russian empire with a long list of sexy young favorites.Marie Antoinette fell in love with the handsome Swedish count Axel Fersen, who tried valiantly to rescue her from the guillotine.Princess Diana gave up her palace bodyguard to enjoy countless love affairs, which tragically led to her early death.In this impeccably researched, scandalously readable follow-up to her New York Times bestseller Sex with Kings, Eleanor Herman reveals the truth about what has historically gone on behind the closed door of the queen's boudoir.

    Their delicious letters, most never before published (for fear of speaking ill of the living), provide colorful glimpses of both lives, of an enduring but thorny friendship, and of the literary and social circles of London and Paris at midcentury. Waugh and Mitford came out of the group of London socialites known as the Bright Young Things; they both found best-selling success in the 1940s, Waugh with Brideshead Revisited, Mitford with The Pursuit of Love. In their letters they sharpened their wits at the expense of friends and enemies alike and eagerly dissected their friends, including Harold Acton, Graham Greene, the Sitwells, Duff and Diana Cooper, Randolph Churchill, and their favorite butt, Cyril Connolly. Waugh's pessimistic brand of Roman Catholicism clashed with Mitford's cheerful iconoclasm; her francophilia only fueled he