You will feel at home eating your own heart off a commemorative plate featuring a picture of your corpse.You won't learn anything except that, "No one can do anything to you that's worse than what you're already thought to yourself. No one can do anything worse to you than the things you've already done. No one can do anything worse to you than you can."

    This volume presents the text in French and English with photographs by Robert Mapplethorpe.

    It has a biographical Preface by Lear himself, and concludes with some delightful 'heraldic' sketches of his cat, Foss.

    You won’t find any dazzlingly handsome, wealthy action heroes or beyond belief beauties here, but real characters … hard working, Irish country folk who grow to depend upon each other through a dangerous and oppressive time in Ireland’s history … a time of hardship, fear and persecution.Liam Flynn travels across Tipperary, his destination the shores of Lough Derg, his objective to fulfill a lifelong dream. The perils he encounters on the road are only the beginning for this young itinerant carpenter. He finds himself thrust into an impossible situation when, with the help of an old Franciscan priest, he tries to save the tiny Irish village of Gortalocca. If he is discovered by the authorities, he faces almost certain execution for treason and, when the villagers discover what action he has taken in his efforts to help them, he becomes the object of their contempt and hatred.These are dangerous times in Ireland and, as the country struggles to piece itself back together after a hundred years of conflict, the very fabric of society has changed. English Parliament has begun to impose harsh Penal Laws in Ireland which will ban Catholics from voting, from receiving an education, even from practicing their own faith. Catholics can no longer own their own land. More than ninety percent of Ireland’s land will be confiscated and given to English and Irish Protestant landlords, who will charge the rightful owners rent as they try to eke out a living on land which their families have worked for generations. Liam and Father Grogan risk their lives in an effort to save their peaceful Irish village from dissolution.A consummate loner, Liam has led a solitary life so far but he finds romance in Gortalocca, not with a retiring Irish lass, but rather with the feisty daughter of Michael Hogan, the owner of Gortalocca’s only store and bar. Roisin grew up in a man’s environment and has seen enough to know that she will never wed if it means compromising herself by marrying a man she doesn’t love. Now, at the age of nineteen, Roisin Hogan is a spinster.There is plenty of fast-paced action in our story and villains abound, from Gortalocca’s homegrown bully, Sean Reilly, and his gang of thugs, to the menacing dark man who appears from nowhere, posing a threat to Liam’s plan and adding a further complication to his life.You will meet Moira, the ancient and mysterious old hag who lives alone in a tiny cottage, hidden deep inside the forest. Moira is one of the ‘wise ones’, a healer, with her own blend of the spiritual and the ritualistic, the Christian and the Pagan. She is feared by the villagers who think her a witch and do not dare to gaze upon her … unless one of them is ill, and then she is beckoned for help. Moira becomes the source of wisdom for Liam and a strange and shadowy, yet important, part of the plot.Of course, an Irish story would not be complete without humor, and there is plenty of ‘craic’ to be had here. In Hogan’s bar, you will experience, first hand, the humor which epitomises the character of the people of Ireland, and sustains them, especially in times of crisis … an unconscious humor, one of habit. You will sit at the bar with Paddy Shevlin, the pig farmer and Ben Clancy, the shepherd, whose banter provides a welcome respite from the tension, and who never let the truth spoil a perfectly good story.Allow yourself to be stirred into this cauldron of Irish stew.

    Neruda made a single pilgrimage to Easter Island during a poignant time in his life—he was dying of cancer and taking his life’s inventory. Out of this journey grew a sequence of poems that alternate between “Men” and “The Island,” through which Neruda observes the latest remnants of the ancient world in direct opposition to modernity. With an introduction by William O’Daly.

    This classic book of inspiration has sold more than 190,000 copies and continues to give comfort and cheer to new readers year after year. Line drawings.

    An illustrated edition of the classic poem, in which a British soldier recalls his experiences in the army in India and pays homage to the courage of the Indian water carrier Gunga Din.

    Its contributors include William Butler Yeats, William Allingham, and other well-known Irish poets.

    This new collection has a bonus section: in a series of wonderfully funny poems, responding to Carol Ann Duffy's The World's Wife McGough gives voice to a number of forgotten and longsuffering male figures: Lord Godiva, Mr Sappho, Mr Blyton, etcPresenter of Radio 4's Poetry Please and Britain's foremost popular poet, McGough brings us this happy collision of life, language and imagination with his unique and witty wordplay. His recent adaptation of The Hypochondriac playing at the Liverpool Playhouse has had fantastic reviews where, as with all his writing, McGough "produces that rare sound, an audience rocking to rhyme" (Susannah Clapp, Observer)

    Includes many poems used in Arseny's son's films (Andrei Tarkovsky). With a bibliography of both Arseny and Andrei Tarkovsky, and illustrations from Tarkovsky's movies.FROM THE INTRODUCTION:Arseny Aleksandrovich Tarkovsky was was born in June 1907 in Elizavetgrad, later named Kirovograd. He studied at the Academy of Literature in Moscow from 1925 to 1929, and also worked in the editorial office of the journal Gudok. He was well respected as a translator, especially of the Oriental classics, but was little known as a poet for most of his life, being unable to get any of his own work published during the Stalinist era. His poems did not begin to appear in book form until he was over fifty. His son, the film director Andrei Tarkovsky, made extensive use of his father's in some of his films, and certain of his diary entries indicate the esteem in which the poet was held in the Soviet Union towards the end of his life. An entry written after Andrei had given a talk at the Moscow Physical Institute in 1980, for instance, reproduces the following note from a member of the audience: 'An enormous number of people in this hall admire Arseny Aleksandrovich Tarkovsky as a great Russian poet. Please convey our respects to him.' One of the few recorded public appearances of Arseny Tarkovsky was at the funeral of Anna Akhmatova; he was one of three writers deputed to accompany her coffin from Domodedovo to Leningrad, and he read both at her funeral in Komarovo and at the first evening held in her memory in Moscow. He died in 1989 and is now beginning to be recognised as one of the many significant Russian poets of the twentieth century.From Ignatyevo Forest'The last leaves' embers in total immolationRise into the sky; this whole forestSeethes with irritation, just as we didThat last year we lived together.

    Simic is a master of the absurd and unexpected.

    Possessed of an unshakeable sense of entitlement and a boundless sense of self-worth, assured of the adoration of all, Matilda can break men's hearts for fun. Agnes-diffident, careworn and poor-can only gape in astonishment at the figure her pupil cuts in the world. Employed to lead and form her, she is instead buffeted about in Matilda's tumultuous wake. She loves her young student-it is impossible not to. But it is hard not to wonder if Matilda's good fortunes will ever end.

    Tell Sackett knew that gold spelled trouble faster than anything except a woman, and he had a lot of gold.  Problem was, none of it was his.  Tell was just delivering the gold for a fee.  The Coopers, a gang of bloodthirsty desperadoes who'd slit a man's throat for the silver filling in his teeth, were hot on his trail.So, the last thing Tell needed was Christine Mallory, a pretty, stuck-up city woman, to slow him down.  Taking her on could easily cost Tell his life.  But it was that or leave her in the desert to die.  As Tell Sackett's father used to say, "Women are trouble."  Tell was about to learn what he meant.

    Hart Crane, prodigiously gifted and tragically doom-eager, was the American peer of Shelley, Rimbaud, and Lorca. Born in Garrettsville, Ohio, on July 21, 1899, Crane died at sea on April 27, 1932, an apparent suicide. A born poet, totally devoted to his art, Crane suffered his warring parents as well as long periods of a hand-to-mouth existence. He suffered also from his honesty as a homosexual poet and lover during a period in American life unsympathetic to his sexual orientation. Despite much critical misunderstanding and neglect, in his own time and in ours, Crane achieved a superb poetic style, idiosyncratic yet central to American tradition. His visionary epic, The Bridge, is the most ambitious and accomplished long poem since Walt Whitman's Song of Myself. Marc Simon's text is accepted as the most authoritative presentation of Hart Crane's work available. For this centennial edition, Harold Bloom, who was introduced to poetry by falling in love with Crane's work while still a child, has contributed a new introduction.

    For the first time, Mojgani has given us a collection which combines his poems with his illustrations, at times using them to infuse and inform one another. The poems and pictures of The Pocketknife Bible climb through the child-like heart of its author to bring stories from the well that are enhanced by the imagery. This book is a celebration of childhood and family, or rather the mythology of what that entails, exploring the intersection of how we may have once seen the world and how we remember how we saw it. This is an almost-children s book for those who might no longer be young, but could use a map to find their way back to that world."