A perfect Mother's Day and Father's Day gift, as well as an absolute must-have for new and seasoned parents. 120 illustrations. of color cartoons.

    And of her Friends, male and female, and her acquaintances as well. But Merritt's favourite motif is herself: she poses almost every minute of the day for her camera, taking photographs of herself in bed, in the shower, having sex with her friend, masturbating with and without accessories, from every imaginable angle and with the camera usually at arm's length. Merritt, born 1977, works with a digital camera, the Polaroid of the 90s, breaking down the most intimate details into universally accessible bits of information. Eric Kroll came across Natacha Merritt by chance in the internet, where she had put several of her photographs. This was something that left the tradition of classical pin-up and fetish photography, in which Kroll himself works, far behind. Face to face with Merritt's photographs one can reflect on intimacy and publicity in the digital age, on narcissism even, or on radical self-exploration with the help of the camera. But this all sounds better as Natacha Merritt herself puts it: in her view, she has found a new mode of masturbating her way into the next millennium.

    While the publishing industry struggles to adapt to the rapidly changing digital world, independent artists now have the ability to build a successful and lucrative brand completely on their own with a little hard work and some Internet savvy. Now there's nothing stopping you from getting your book in front of thousands or even millions of people. Suddenly you can't blame anyone for not giving you a chance. You can only blame yourself for not trying. So roll up your sleeves, sharpen your pencils and fire up your Internet because we are about to make and sell comics! Jason Brubaker's graphic novel reMIND raised over $125,000 in pre-order sales on Kickstarter, won the Xeric Award and made ALA's Great Graphic Novels for Teens List. This book is a collection of his thoughts, strategies and practical lessons developed during his experience writing, drawing and self-publishing reMIND.

    - Resplendent full-color art on glossy paper with a stylish matte cover. - Original artwork not featured in other Clamp titles. - Features an exclusive how to draw manga section - Printed in Japan with special color inks not available in the United States South Side features art from beloved series such as Man of Many Faces, Duklyon: Clamp School Defenders, Clamp School Detectives, Suki, Wish, CLAMP School Paranormal Investigators, Miyuki-chan in Wonderland, The One I Love, Shirahime-Syo and Legal Drug, as well as original Clamp artwork, a how to draw manga section and a complete catalogue of all featured images with a description of each. The work here spans the period between 1989-2002.

    It features six step-by-step demonstrations by well-known artists, so readers can learn firsthand from the pros.

    1891), one of the leading figures of the surrealistic movement and among the most original artists of the 20th century. From old catalog and pulp novel illustrations, Ernst produced this series of 182 bizarre and darkly humorous collage scenes of classic dreams and erotic fantasies which seem mysteriously to lure the unconscious into view: Stern, proper-looking women sprout giant sets of wings, serpents appear in the drawing-room and bed chamber, a baron has the head of a lion, a parlor floor turns to water on which some people can apparently walk while others drown.Une Semaine de Bonté is divided into seven parts, one for each day of the week, with each section illustrating one of Ernst’s “seven deadly elements.” “Oedipus,” “The Court of the Dragon,” and “Three Visible Poems” are among the startling episodes of Ernst's week. The Dada and surrealist epigraphs which introduce each section appear in this edition in both French and English.Une Semaine de Bonté first appeared in 1934 in a series of five pamphlets of fewer than 1,000 copies each, and has never been reprinted before this present edition. Previously available only to a few libraries and collectors, this is a major source and great treat for anyone interested in the surrealists and their work, in collage, visual illusion, dream visions, and the interpretations of dreams.

    His gay BDSM stories are now widely celebrated for both their virtuosic drawing and their unparalleled passion. Produced by a veteran Japanist--Anne Ishii--"The Passion of Gengoroh Tagame" is a project that began some years ago, when Ishii was translating Chip Kidd's personal Tagame collection and decided to reach out to him. Inspired by filmmaker Graham Kolbeins' online work with gay comics, the project took on new ambitious proportions, materializing in this exciting celebration of one of the world's most poignant erotic artists. This hefty Tagame omnibus includes ten English editions of short stories dating from the late 1990s to 2012. The newest work is an original story commissioned by Kidd himself: Tagame's very first foray into writing directly for an American reader. Celebrated novelist and biographer Edmund White contributes an introduction to the volume.Gengoroh Tagame (born 1964) is a legend in gay comics throughout the world and in the American underground, where loyal fans have quietly shared foreign-language editions of his groundbreaking work in the outermost edges of bondage and pornography. Beyond the comic book format, Tagame's original artwork has been exhibited internationally and paired with the works of Tom of Finland. Tagame was also the founding Editor and Art Director of Japan's most widely circulated gay journal, "G-Men."

    Like a bizarro-world Norman Rockwell, he created magazine covers of Frankenstein, the Creature from the Black Lagoon. the Phantom of the Opera, and countless others in horrifying yet dazzling images throughout the 1960s and '70s. His intense colour and bold, impressionistic brushwork gave a unique sense of drama and sophistication to these iconic characters. Today, collectors fight over his original art--but, with this book, every fan can own glowing full-colour reproductions of his most famous work as well as many previously unpublished paintings and drawings.

    All the basic information relating to picture elements, composition, theme and design is provided at the start of the book, together with an exploration of the meaning of abstract painting, and its importance as a means of self-expression and creativity.

    Collected here for the first time is an anthology of pieces artist Tracey Emin wrote for The Independent newspaper in London-a weekly column that ran to great acclaim between 2005 and 2009-that touch on everything from the themes behind her work to her process, inspirations, and her alternately humorous and profound observations of daily life. Moving from diatribes on contemporary art and culture to confessional pieces chronicling her travels abroad and reflecting on her private life in London, the columns bring together elements of essay and diary that present a unique perspective on life and the work of the queen of the Young British Artists. Edited and introduced by the artist, and illustrated with forty reproductions of photographs that recall the original format of the columns, Tracey Emin: My Life in a Column makes a giant of the art world at once more familiar and more profound.

    His influential work spans many practices over a 23-year period, from music packaging to installation work to printmaking. Here, he reveals his personal notebooks, photographs, sketches, and abandoned routes to iconic Radiohead artworks. Arranged chronologically, each chapter is dedicated to a major work—whether an album cover, promotional piece, or a personal project—and is presented as a step-by-step working case study. Featuring commentary by Thom Yorke and never-before-seen archival material, this is the first deep dive into Donwood’s creative practice and the artistic freedom afforded to him by working for a major music act. It is a must-have for fans of the band and anyone interested in graphic design and popular culture.

    From the award-winning creator of Liberty Meadows, Zombie King, and Jungle Girl, this 144-page, full-color collection showcases Frank Cho's past and present illustrations and reveals why he's one of the top masters of the female form and fantastic beasts.

    Forney has for several years been illustrating the Seattle alt-weekly The Stranger's "Lustlab" classified ads by interpreting the most interesting, outrageous, or idiosyncratic ad in that week's paper, that is awarded the appellation "Lustlab Ad of the Week." "Lustlab" is the category encompassing the kinkiest personal ads in the paper, and every week the page attracts Seattle's finest lovers, kinksters, perverts, and the perv-curious, and each week, Forney chooses one ad, edits the text, and creates a comic combining that text and imagery. She uses her brushwork in many different styles bold and graphic, fine and detailed, cartoony, or elegant, depending on the tone of the ad. She uses a variety of resource materials for inspiration, from early erotic photography to Tom of Finland to Wacky Packages-style send-ups of consumer products to original designs. Exhibitionists, voyeurs, threesomes, moresomes, tops, bottoms, switches, rope-lovers, spankers, spankees, bi-curious men, bi-curious women, lesbians with prison fantasies, masturbation clubs Forney illustrates them all in her bemused, affectionate, witty, and elegant style. In addition to the text and illustrations, the author embarked upon the rare journalistic feat of interviewing six enthusiastic Lustlab subscribers, who provide background, context, and hilarity (intentional and unintentional) by discussing their participation in the Lustlab network and their lusty experiences with the lovers for whom they advertised. Thrill to their outr sexual quests Live vicariously through their sexual adventuring To cap it off, the collection includes an introduction by the notorious sex advice columnist and novelist (and Stranger editor), Dan Savage. You'll meet (and love): The female-to-male transsexual boot-loving Germanophile The trashy fat redneck man seeking same, preferably with months-old B.O. The erotic hypnotist's offer to give women mind-blowing "joy-buttons" The smartass bisexual nerdy-girl rope-lover The obedient transvestite who wants to clean women's toilets The man organizing a private strip poker game for gay men The butch dyke seeking a femme for erotic medieval reenactments Three women friends seeking a male "service bottom" The woman who wants to watch a very fat woman on the toilet The male-to-female blonde transsexual who wants "airhead" lessons The man who wants to be humped in public by someone in an animal costume The woman who wants to try "pegging" for the first time. Exhibitionists, voyeurs, threesomes, moresomes, tops, bottoms, switches, rope-lovers, spankers, spankees, bi-curious men, bi-curious women, lesbians with prison fantasies, jack-off clubs Forney illustrates them all in her bemused, affectionate, witty, and elegant style.

    It is, to me, the most interesting place to hunt for stories." So begins this stunningly realized and beautifully rendered new work from master storyteller and artist Iain McCaig. McCaig is best known for his work as a principal designer on the three Star Wars prequels, including the iconic characters Queen Amidala and Darth Maul, as well as his work on many major motion pictures, television, and video games. His work can be seen in such acclaimed films as Terminator 2, Hook, Francis Ford Coppola's Dracula, Interview with a Vampire, and Harry Potter and the Goblet of Fire. Shadowline presents a stunning portfolio of more than two decades of McCaig's masterful concept designs and storyboards, cover art and illustrations, as well as his private sketchbooks and personal paintings, all woven together within the confines of an engrossing, otherworldly tale.

    Yet unsanctioned public art remains the problem child of cultural expression, the last outlaw of visual disciplines. It has also become a global phenomenon of the 21st century. Made in collaboration with featured artists, Trespass examines the rise and global reach of graffiti and urban art, tracing key figures, events and movements of self-expression in the city's social space, and the history of urban reclamation, protest, and illicit performance. The first book to present the full historical sweep, global reach and technical developments of the street art movement, Trespass features key works by 150 artists, and connects four generations of visionary outlaws including Jean Tinguely, Spencer Tunick, Keith Haring, Os Gemeos, Jenny Holzer, Barry McGee, Gordon Matta-Clark, Shepard Fairey, Blu, Billboard Liberation Front, Guerrilla Girls and Banksy, among others. It also includes dozens of previously unpublished photographs of long-lost works and legendary, ephemeral urban artworks. Also includes: • Unpublished images of street art by Keith Haring and Jean-Michel Basquiat • Unpublished photographs by Subway Art luminary Martha Cooper • Unpublished photos from the personal archives of selected artists • Incisive essays by Anne Pasternak (director of public arts fund Creative Time) and civil rights lawyer Tony Serra • Special feature: exclusive preface by Banksy