From all across the continent come tales of creation and love, of heroes and war, of animals, tricksters, and the end of the world. Alfonso Ortiz, an eminent anthropologist, and Richard Erdoes, an artist and master storyteller, Indian voices in the best folkloric sources of the nineteenth century to make this the most comprehensive and authentic volume of American Indian myths available anywhere.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    After all, the ogre never gets the princess. And since fairy tales are the foundational myths of our culture, how can a girl with a disability ever think she'll have a happy ending?By examining the ways that fairy tales have shaped our expectations of disability, Disfigured will point the way toward a new world where disability is no longer a punishment or impediment but operates, instead, as a way of centering a protagonist and helping them to cement their own place in a story, and from there, the world. Through the book, Leduc ruminates on the connections we make between fairy tale archetypes—the beautiful princess, the glass slipper, the maiden with long hair lost in the tower—and tries to make sense of them through a twenty-first-century disablist lens. From examinations of disability in tales from the Brothers Grimm and Hans Christian Andersen through to modern interpretations ranging from Disney to Angela Carter, and the fight for disabled representation in today's media, Leduc connects the fight for disability justice to the growth of modern, magical stories, and argues for increased awareness and acceptance of that which is other—helping us to see and celebrate the magic inherent in different bodies.

    When romance problems cause their powers to go berserk, a trio of witches whose family was banned from practicing magic risk getting in serious trouble with the Grand Council. Can they get their magic—and their love lives—in order before it’s too late? Nearly a century ago, Gwen Engel’s great-great-grandfather cast a spell with catastrophic side-effects. As a result, the Grand Council of Witches forbade his descendants from practicing witchcraft. The Council even planted anonymous snitches called Watchers in the community to report any errant spellcasting… Yet magic may still be alive and not so well in Zenobia. Gwen and her cousins, Trudy and Milo, receive a letter from Gwen’s adopted sister, Tannith, informing them that she’s bewitched one of their partners and will run away with him at the end of the week. While Gwen frets about whether to trust her scientist boyfriend, currently out of town on a beetle-studying trip, she’s worried that local grad student Jeremy is secretly a Watcher doing his own research. Cousin Trudy is so stressed that she accidentally enchants her cupcakes, creating havoc among her bakery customers—and in her marriage. Perhaps it’s time the family took back control and figured out how to harness their powers. How else can Gwen decide whether her growing feelings for Jeremy are real—or the result of too many of Trudy’s cupcakes?

    Plague is spreading. The Thirty Years' War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katharina Kepler is accused of being a witch.Katharina is an illiterate widow, known by her neighbors for her herbal remedies and the success of her children, including her eldest, Johannes, who is the Imperial Mathematician and renowned author of the laws of planetary motion. It's enough to make anyone jealous, and Katharina has done herself no favors by being out and about and in everyone's business.So when the deranged and insipid Ursula Reinbold (or as Katharina calls her, the Werewolf) accuses Katharina of offering her a bitter, witchy drink that has made her ill, Katharina is in trouble. Her scientist son must turn his attention from the music of the spheres to the job of defending his mother. Facing the threat of financial ruin, torture, and even execution, Katharina tells her side of the story to her friend and next-door neighbor Simon, a reclusive widower imperiled by his own secrets.Drawing on real historical documents but infused with the intensity of imagination, sly humor, and intellectual fire for which Rivka Galchen is known, Everyone Knows Your Mother Is a Witch will both provoke and entertain. The story of how a community becomes implicated in collective aggression and hysterical fear is a tale for our time. Galchen's bold new novel touchingly illuminates a society and a family undone by superstition, the state, and the mortal convulsions of history.

    This deck is an ideal companion as you seek to uncover the places in your life-and in yourself-that are most in need of illumination.

    It is full of wonder at what it can mean to learn and teach and change and grow in this world which belongs to all of us: you, me, plants, trees, coffee cups and garbage bins. What can it mean to be a witch today, in the city?

    

    She's the real deal, an Elemental with the power to control fire, earth, water, and air. But even though she lives in Salem, Massachusetts, her magic is a secret she has to keep to herself. If she's ever caught using it in front of a Reg (read: non-witch), she could lose it. For good. So, Hannah spends most of her time avoiding her ex-girlfriend (and fellow Elemental Witch) Veronica, hanging out with her best friend, and working at the Fly by Night Cauldron selling candles and crystals to tourists, goths, and local Wiccans. But dealing with her ex is the least of Hannah's concerns when a terrifying blood ritual interrupts the end-of-school-year bonfire. Evidence of dark magic begins to appear all over Salem, and Hannah's sure it's the work of a deadly Blood Witch. The issue is, her coven is less than convinced, forcing Hannah to team up with the last person she wants to see: Veronica.While the pair attempt to smoke out the Blood Witch at a house party, Hannah meets Morgan, a cute new ballerina in town. But trying to date amid a supernatural crisis is easier said than done, and Hannah will have to test the limits of her power if she's going to save her coven and get the girl, especially when the attacks on Salem's witches become deadlier by the day.

    A wealthy Boston widow, Ann Hibbens was hanged in 1656 for casting spells on her neighbors. The case of Ann Cole, who was "taken with very strange Fits," fueled an outbreak of witchcraft accusations in Hartford a generation before the notorious events at Salem.More than three hundred years later, the question "Why?" still haunts us. Why were these and other women likely witches—vulnerable to accusations of witchcraft and possession? Carol F. Karlsen reveals the social construction of witchcraft in seventeenth-century New England and illuminates the larger contours of gender relations in that society.

    What is certain is that this 1899 classic has become a foundational document of modern Wicca and neopaganism. Leland claimed his "witch informant," a fortune-teller named Maddalena, supplied him with the secret writings that he translated and combined with his research on Italian pagan tradition to create a gospel of pagan belief and practice. Here, in the story of the goddess Aradia, who came to Earth to champion oppressed peasants in their fight against their feudal overlords and the Catholic Church, are the chants, prayers, spells, and rituals that have become the centerpieces of contemporary pagan faiths. American journalist and folklorist CHARLES GODFREY LELAND (1824-1903) was editor of Continental Monthly during the Civil War and coined the term emancipation as an alternative to abolition, but he is best remembered for his books on ethnography, folklore, and language, including The Gypsies (1882), The Hundred Riddles of the Fairy Bellaria (1892), and Unpublished Legends of Virgil (1899).

    Noted French scholar and linguist discusses the gods of the continental Celts, the beginnings of mythology in Ireland, heroes, and the two main categories of Irish deities: mother-goddesses — local, rural spirits of fertility or of war — and chieftain-gods: national deities who are magicians, nurturers, craftsmen, and protectors of the people.

    Gone are the days of "on Tuesday you will meet your prince charming" horoscopes. Instead, Nicholas is spearheading a radical new approach to astrology. In her hip, inspirational weekly horoscopes, she doesn’t tell readers what will happen to them. Instead, she encourages her devotees to take control—to confront themselves, their desires, and their needs—to fulfill their potential using the power of the stars.Written in her lyrical, cool-girl, feminist writing style, You Were Born for This explains how knowing your star signs and what they mean for your individual character can be revelatory. Understanding the astrological chart can help you refine your intentions, identify your strengths, recognize areas for growth, become more connected to your core self, and steer you on your spiritual path.In an era when growing numbers of people feel a sense of meaninglessness and a desire to learn more about themselves, You Were Born for This teaches you how to harness the zodiac to help you become more in tune with yourself and your place in the universe.

    At turns lyrical, philosophical and obscene, Tamáss astonishing debut evokes the sexual prowess of nature as an organism that swallows and consumes. These are poems that unsettle the reader, taking them to dark, magical places where earth and blood, politics and pornography, intermingle; they celebrate poetry as a small, bright, filthy song.

    Honoured for their gifts and feared for their wrath, the fairies remind us to respect both the world we live in and forces we cannot see.In Meeting the Other Crowd, Eddie Lenihan presents a book about a hidden Ireland, a land of mysterious taboos, dangers, other worldly abductions, enchantments and much more. It is a world which most Irish people acknowledge exists, but which few of them, except the very oldest or professional folklorists, know much more about.Eddie Lenihan opens our eyes to this invisible world with the passion and bluntness of a great storyteller. In doing so he provides one of the finest collections of Irish folklore in modern times.

    With violets, rosemary, and yarrow to attract faeries; an apple tree for love and health; and a circle of stones in some tucked-away corner? Whether you live in a cottage in the woods, a home in the suburbs, or a city apartment with a small balcony, a powerful and enchanted realm awaits you. Discover the secret language and magickal properties of the trees and flowers, herbs and plants found growing around you, and learn how to create your own witch's garden.Written with down-to-earth humor by a master gardener who is also a practicing witch, this creative and encouraging guide will inspire gardeners of all ages and experience levels. It includes a journal section that makes it easy to keep track of your progress, practical gardening advice, personal stories, and garden witchery lore and magick. Inside, you'll get the dirt on:Flower folklore Moon gardening and astrological timing Faerie magick Beginning to advanced witchcraft Floral and herbal spells Sabbat celebrations Witch crafts (sachets, wreaths, charm bags) Creating sacred space Shade, moonlight, and sun gardens Enchanted houseplant and container gardens Magickal herbal correspondences Garden blessings 2004 COVR Award Winner