The poems are haunting, the evocation of emotional life vivid. But her analysis also reveals how deeply implicated poetry and sentiment are in the play of power and the maintenance of a system of social hierarchy. What begins as a puzzle about a single poetic genre becomes a reflection on the politics of sentiment and the relationship between ideology and human experience.

    Abi Talib, son-in-law and cousin of the Prophet Muhammad, first Shi'i imam and fourth caliph, is a monumental figure within the Islamic tradition. But despite the immense importance of Imam Ali, there is a dearth of literature in Western languages about his life and thought. This book -- the first serious engagement in English with the intellectual principles underpinning his teachings -- is therefore a welcome and valuable addition to the sources available. It consists of three parts. Part one introduces the person of Ali in a general manner, and focuses particularly on the spiritual and ethical content of his teachings. Part two evaluates Ali's "sacred conception of justice" Part three addresses the theme of spiritual realization through the remembrance of God, the central mystical practice of the Sufis. Justice and Remembrance will be of great value to students and scholars of Islamic thought, as well as to those interested in the relationship between spirituality and ethics.

    While some of these narratives are loosely based in fact, they are written with a large dollop of literary license. The characters are not "politically correct" in today's parlance and speak in the vernacular of their time and culture. Some of them you will like ...others you may not. No disrespect or offense is intended in the telling. These are their stories.The lead story "Fat of The Land" was a past runner-up in the national Raymond Carver short story awards.

    Determined to do exactly what she sets her mind to, she explores the mountains and valleys around her home with an unquenchable thirst for knowledge and a keen eye that misses nothing. When her mother dies, Emmaline, Emmy for short, is thrust into the mystical, spiritual world of her mother’s native peoples, the Tsalagi, better known as the Cherokee. Given the power of observation and shape shifting by her immortal g-great-grandfather Two Feathers, who is the keeper of the Sacred Fire’s Ashes, Emmy is told that she must carry on her mother’s duties and is charged with the task of becoming the family “Ka no he ha Ka no Ge sdi,” the Storyteller. She is supposed to remember and pass down her family’s history and tell about their ancestors. As Emmy grows older and matures, her explorations become more advanced. She discovers a hidden path that takes her beyond an ancient willow tree to a layer of the world that at first seems much like her own, but she soon discovers that it is quite different… When she stays longer than allowed a mortal, she discovers that her grandfather can travel between space and time and communicate with all peoples between the layers of her world. Emmy’s Journey is a voyage through time and into the mysterious spiritual and mystical realms of the Cherokees and a world that most never knows exists.

    Why the French Don't Like Headscarves explains why headscarves on schoolgirls caused such a furor, and why the furor yielded this law. Making sense of the dramatic debate from his perspective as an American anthropologist in France at the time, John Bowen writes about everyday life and public events while also presenting interviews with officials and intellectuals, and analyzing French television programs and other media.Bowen argues that the focus on headscarves came from a century-old sensitivity to the public presence of religion in schools, feared links between public expressions of Islamic identity and radical Islam, and a media-driven frenzy that built support for a headscarf ban during 2003-2004. Although the defense of la�cit� (secularity) was cited as the law's major justification, politicians, intellectuals, and the media linked the scarves to more concrete social anxieties--about communalism, political Islam, and violence toward women.Written in engaging, jargon-free prose, Why the French Don't Like Headscarves is the first comprehensive and objective analysis of this subject, in any language, and it speaks to tensions between assimilation and diversity that extend well beyond France's borders.

    Bilel is the French right-hand man of the most dangerous militant in the world, Abu Bakr al-Baghdadi, the Caliph of Islamic State. He offers Mélodie a way to fill the boredom in her young life: he cares about her, offers beautiful things, spiritual purpose and, in less an idyllic life. Bilel’s seduction is honey-tongued and forceful – and all Mélodie must do is join him and ISIS in their Syrian jihad. Every day he gives more detail, telling her how he drives a jeep filled with guns and bottles of the chocolate milk he loves for hundreds of miles on murderous missions of execution. Every night he lures, seduces and manipulates this vulnerable young woman.A riveting page-turner In the Skin of a Jihadist is a shocking inquiry into how technology is spreading radicalism, the lure of ISIS propaganda, and the factors that motivate young people – including many British teenagers – to join extremist wars in Syria and elsewhere.

    

    B is known for her amazing ability to make readers feel like they are walking beside her with every page that they turn, and this book, the follow up to the notorious "Letters To My Ex," is another testament to that. Fresh out of an intense break-up, and with her three closest friends by her side, Cici brings you with her as she learns what it means to take back control of her life, and to be her own woman. Completely raw and unfiltered, as always, she doesn't hold back. This is a story for the modern day grown woman. It will make you smile, laugh out loud, hold your breath, bite your bottom lip, and most importantly... Blush.

    Mohi symbolises ""the hurting"" and Kabir is all about ""the healing"" that comes after it. A book written and illustrated by author,which is for everyone. for those who believe in love and compassion and for those who don't. Those who have healed and those who are still in process. Those who aren't able to move on and those who have successfully done it. It is for feminists, the activists, the believers, the gender norm shatterers.It is a gift, a book on its journey to make difference in it's reader's life.

    But wait? Meriday, the slave girl “You want every slave to walk behind you and be a fart catcher. I could never be like that. Not ever.” – Hatred of slavery is the lifeblood that compels her. The story of her life’s journey from the plantation South to Chicago mesmerizes in its brutality and soothes by its exploration into the human spirit. The men she encounters along her odyssey: a field-hand slave forced to shed his Christian name and accept the one his masters give him in jest, a dwarf with a giant’s heart, a ship’s captain, and a black Union army sergeant; they are heroes of epic proportion.Santine – Fascinated by a photo of Meriday taken more than a hundred and fifty years before, she has an affiliation with it, but doesn’t understand why. She is comforted and frightened at the same time by her daily talks with the slave girl, now an angel, that she believes has taken her under wing. Accepting a challenge with an unbelievably large prize on the line, the Harvard bound high school senior from Chicago leads her all black inner-city chorus to Boston in competition against the elite Ivy League High Schools. By nobody’s reckoning were they ever supposed to be there, and by nobody’s reckoning could they ever compete for the win. And by her reckoning, there was never supposed to be a boy in in the faraway Massachusetts city.Grandma Brown – Meriday’s second great granddaughter and Santine’s eighty-year-old mentor who never saw a computer she didn’t love. Going to the chorus competition as a chaperone, she’s feisty and fearless as she steamrolls over obstacles. The Beantown prima donnas never saw her coming.This delightfully unusual story easily flows back and forth through history, from slave times to modern African American consciousness while touching on the spiritual theme of guardian angels and the protections they so lovingly provide. A powerful novel that touches all the emotional bells. You’ll laugh, you’ll cry, you’ll fist pump till your arm tires. This is coming of age, contemporary and historical fiction, a page turner for the teen, young adult, mother, father, or grandparent reader who just enjoys a whopping good tale.Scroll to the top of the page and select the 'buy button' now.

    But Vinia is tragically already married to Dryden's employer, Joe, manager of the Black Prince coal pit. Joe's jealousy over the growing connection between his wife and Dryden, sends Dryden into the arms of the beautiful and fiery Roberta Grant. But can Dryden ever truly forget Vinia?

    tank, The Korean Word For Butterfly is told from three alternating points-of-view:Billie, the young wanna-be poet looking for adventure with her boyfriend who soon finds herself questioning her decision to travel so far from the comforts of American life;Moon, the ex K-pop band manager who now works at the English school struggling to maintain his sobriety in hopes of getting his family back;And Yun-ji , a secretary at the school whose new feelings of resentment toward Americans may lead her to do something she never would have imagined possible. The Korean Word For Butterfly is a story about the choices we make and why we make them. It is a story, ultimately, about the power of love and redemption.*The author would like to note that this book deals, in part, with abortion. It tries, as best it can, to explore the issue with compassion rather than judgement.*"5 stars...full of fresh and original writing." -Kindle Book Review

    The sketches are written in the "haibun" style--a linking of verse and prose. The title piece, in particular, reveals Basho striving to discover a vision of eternity in the transient world around him and his personal evocation of the mysteries of the universe.

    The world knew him as a union official, a long-time member of the Teamsters Union; he was a member of Jimmy Hoffa’s inner circle at the top of the national union. He had run-ins with the law in this position. He was charged with the murder of a rebel union member in a riot that occurred outside the Teamster’s Local Philadelphia Union Hall, but the charges were later dropped. He went to prison in the 80s after being caught on a wire instructing once of his crew to break someone’s legs and was named in Rudy Giuliani’s Mafia Commission Trial as an unindicted co-conspirator and one of only two non-Italian members of the Mafia Commission. As an old man suffering from cancer that would soon kill him, Frank Sheeran shared his story with his attorney. He told him of the things that were already known, but he shared much, much more. This book explores Frank Sheeran’s confessions as a lifelong criminal with ties to some of the biggest crimes of the 20th century. Inside this book, you will find: A detailed account of Frank Sheeran’s time in the army during the second world war, where he was in combat for an astounding four hundred and eleven days, with a focus on the war crimes he has admitted to; A look into Sheeran’s post-war slides into a life of crime, finding himself working for the Mafia before he even knew what the Mafia was; Information on his time as a hitman for the Mafia and how that led him to work for Jimmy Hoffa as muscle and hitman for the powerful Teamster Boss; Frank Sheeran’s accounts of his connections to the Bay of Pigs Invasion and the Assassination of JFK; and His confession to the murders of Crazy Joe Gallo and of his friend, Jimmy Hoffa.