A is for Activist is an ABC board book for the next generation of progressives: Families that want their kids to grow up in a space that is unapologetic about activism, environmental justice, civil rights, LGBTQ rights, and so on.

    But with the fierce and fearless Grandma Rachel at her side, the woods turn magical, and berry picking becomes an enchanting adventure that ends with the beauty and power of the sunrise.A memory from Dovey Johnson Roundtree’s childhood. With Grandma Rachel’s lessons as her guiding light, Dovey Mae would go on to become a trailblazer of the civil rights movement—fighting for justice and equality in the military, the courtroom, and the church.

    They run barefoot through unlit woods, sleep beneath bushes, take shelter in a kind stranger's home. Where are they heading? They are heading for Freedom by way of the Underground Railroad."A stellar introduction to the Underground Railroad, narrated by a group of slaves. Readers experience the fugitives' escape, their long nighttime journey punctuated by meetings with friends and enemies, and their final glorious arrival in a place of freedom....Though subdued in palette until the eruption of color as the figures reach the threshold of freedom, the author's collaged nocturnal paintings shimmer with an arresting luminescence." For preschool to grade 3 readers. --Jayne Damron, School Library Journal (starred review)

     The tree in the courtyard was a horse chestnut. Her leaves were green stars; her flowers foaming cones of white and pink. Seagulls flocked to her shade. She spread roots and reached skyward in peace. The tree watched a little girl, who played and laughed and wrote in a diary. When strangers invaded the city and warplanes roared overhead, the tree watched the girl peek out of the curtained window of the annex. It watched as she and her family were taken away—and when her father returned after the war, alone. The tree died the summer Anne Frank would have turned eighty-one, but its seeds and saplings have been planted around the world as a symbol of peace.

    Along the way, the children encounter all sorts of animals including elephants, lions and monkeys, while counting from one to ten in both English and Swahili. The lively, rhyming text is accompanied by an illustrated guide to counting in Swahili, a map, notes about each of the animals, and interesting facts about Tanzania and the Maasai people. A portion of the proceeds from the sale of each book will be donated to the African Wildlife Foundation, to aid their wildlife conservation and community building efforts in Tanzania. (Softcover) 32pp;10.25 x 10 inches

    What did she know? Gordon Parks is most famous for being the first black director in Hollywood. But before he made movies and wrote books, he was a poor African American looking for work. When he bought a camera, his life changed forever. He taught himself how to take pictures and before long, people noticed. His success as a fashion photographer landed him a job working for the government. In Washington DC, Gordon went looking for a subject, but what he found was segregation. He and others were treated differently because of the color of their skin. Gordon wanted to take a stand against the racism he observed. With his camera in hand, he found a way. Told through lyrical verse and atmospheric art, this is the story of how, with a single photograph, a self-taught artist got America to take notice.

    But the story is about more than brooms, mops, and vacuums. Mama and Papa turn the deserted office building into a magnificent kingdom filled with paper. Then they weave a fantasy of dragons and kings to further engage their reluctant companion--and even encourage him to one day be the king of a paper kingdom.The Paper Kingdom expresses the joy and spirit of a loving family who turn a routine and ordinary experience into something much grander. Magical art by Pascal Campion shows both the real world and the fantasy through the eyes of the young narrator.

    . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko, this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.

    Baby eats one and puts five in the basket, but Mama doesn't notice. As Mama and Baby wend their way through the stalls, cheeky Baby collects five oranges, four biscuits, three ears of sweet corn, two pieces of coconut . . . until Mama notices that her basket is getting very heavy! Poor Baby, she thinks, he must be very hungry by now! Rhythmic language, visual humor, and a bounty of delectable food make this a tale that is sure to whet little appetites for story time.

    Home may be on the road or the sea, in the realm of myth, or in the artist's own studio. A meditation on the concept of home.

    Based on true events.

    Protesting. Standing up for what’s right. Uniting around the common good—kids have questions about all of these things they see and hear about each day. Through sparse and lyrical writing, Rob Sanders introduces abstract concepts like “fighting for what you believe in” and turns them into something actionable. Jared Schorr’s bold, bright illustrations brings the resistance to life making it clear that one person can make a difference. And together, we can accomplish anything.

    Children discover all the bright colors in their Hispanic American neighborhood.

    He will help her to pick up her baby brother from daycare and shop at the store (which has cut off the family’s credit), and he’ll keep her company all along the way until she is safe at home. He will always come back when she needs him, unlike the father whom she sees only in a photograph — a photograph in which he clearly resembles a lion.

    I am the darker brother.They send me to eat in the kitchenWhen company comes,But I laugh,And eat well,And grow strong.Langston Hughes was a courageous voice of his time, and his authentic call for equality still rings true today. Beautiful paintings from Barack Obama illustrator Bryan Collier accompany and reinvent the celebrated lines of the poem “I, Too,” creating a breathtaking reminder to all Americans that we are united despite our differences.