Father was consumed by his medical practice and an analytical approach to life. But he understood the sensual hunger growing inside his children's young bodies. He knew they could help each other answer "The Need". Father had Science. Father had Reason. And he had Pin.

    Surrounded by wealth yet ostracized by her peers, Babette had little interest in love until she met Korbinian, a scandalous German baron with the audacity to regard her as his equal. But when the intrigues of her grandfather's enemies conspire to tear them apart, Varanus will embark upon a journey of vengeance, love, and redemption that will take her beyond the limitations of mortality and reveal to her the dark forces that command humanity from the shadows. Faced with madness, murder, hidden cults, and erudite vampires, does she have the strength to withstand the storm that rises against her?

    Inspired by our native landscapes and traversing boundaries of the past and future, this collection is Tom Cox's first foray into fiction. Funny, strange and poignant, it elicits the unexpected and unseen to raise our hackles and set imaginations whirring.Inspired by our native landscapes, saturated by the shadows beneath trees and behind doors, listening to the run of water and half-heard voices, Tom Cox's first collection of short stories is a series of evocative and unsettling trips into worlds previously visited by the likes of M.R. James and E.F. Benson.Railway tunnels, the lanes and hills of the Peak District, family homes, old stones, shreds fluttering on barbed wire, night drawing in, something that might be an animal shifting on the other side of a hedge: Tom has drawn on his life-long love of weird fiction, folklore and nature's unregarded corners to write a collection of stories that will delight fans old and new, and leave them very uneasy about turning the reading lamp off.

    But when the life of their young son is taken, Jeanie starts to wonder if her family is being targeted by something supernatural. In this novella based on a true story, Jeanie narrates her family's time at the Maple House and the experiences in what she thought would be her dream home that still plague her family today.

    Talk about the horse's mouth! This book is long overdue."- Peter Straub "Lovecraft opened the way for me, as he had done for others before me -- Robert Bloch, Fritz Leiber, and Ray Bradbury among them. The reader would do well to remember that it is his shadow, so long and gaunt, and his eyes, so dark and puritanical, which overlie almost all of the important horror fiction that has come since."- Stephen King "The oldest and strongest emotion of mankind is fear."- H.P. Lovecraft  In 1927, Howard Philips Lovecraft published a 30,000-word essay titled "Supernatural Horror in Literature." In it, the father of American horror writing  whose tales  presented one of the earliest scholarly studies of the supernatural in fiction, defined the horror story as one in which "a certain atmosphere of breathless and unexplainable dread of outer, unknown forces must be present." Those authors discussed in Lovecraft's seminal essay were used as the basis for the 1993 anthology H.P. Lovecraft's Book of Horror, edited by Dave Carson and Stephen Jones. With H.P. Lovecraft's Book of the Supernatural, Jones uses that same essay as inspiration for a new anthology of nineteen new selections, each preceded by an excerpt from Lovecraft. Included here are works from authors as varied as Edgar Allen Poe, Arthur Conan Doyle, Rudyard Kipling, and Robert Louis Stevenson. While these stories maycarry a classical pedigree, their contents remain just as chilling and disturbing as anything cooked up by modern-day horror writers. The book also includes a short essay from Lovecraft himself, "Notes on Writing Weird Fiction," in which he lays out tips and rules for mastering the form.

    Edgar Allan Poe's gothic tale of the crumbling Usher mansion -- and its ghastly inhabitants -- comes to life as never before in this one of a kind graphic novel adaptation.

    Among the many tales of YUGGOTH CULTURES is the illustrated story "Zaman's Hill", a story originally written for Moore's aborted novel "Yuggoth Cultures" and inspired by the disturbing works of author H.P. Lovecraft. This brilliantly crafted centerpiece leads to a frightful journey through the Cthulhu Mythos in horror stories by Antony Johnston and a wealth of artistic talents.

    Brain Lumley is the author of Necroscope.

    But business is lean and times are tight, so he’s thrilled when the aged and esteemed Augusta Withrow appears in his office, bearing an offer he really ought to refuse. She has a massive family estate to unload - lock, stock, and barrel. For a check and a handshake, it’s all his.It’s a big check. It’s a firm handshake. And it’s enough of a gold mine that he assigns his daughter Dahlia to personally oversee the project.Dahlia preps a couple of trucks, takes a small crew, and they caravan down to Chattanooga, Tennessee, where the ancient Withrow house is waiting - and so is a barn, a carriage house, and a small, overgrown cemetery that Augusta Withrow left out of the paperwork.Augusta Withrow left out a lot of things.The property is in unusually great shape for a condemned building. It’s empty, but it isn't abandoned. Something in the Withrow mansion is angry and lost. This is its last chance to raise hell before the house is gone forever, and there's still plenty of room in the strange little family plot.New from Cherie Priest, a modern master of supernatural fiction, The Family Plot is a haunted house story for the ages - atmospheric, scary, and strange, with a modern gothic sensibility that every bit as fresh as it is frightening.

    Perhaps "too" much history.362 Belisle Street is a homeowner's dream. A nice neighborhood, close to schools, new hardwood floors, unique original detail. So why then, wonders real estate agent Glenn Darnley, won't this charming property stay off the market? Perhaps the clawed feet of the antique bathtub look a little too threatening. Or maybe it's the faint hospital-like smell of the room off the top of the stairs. It's possible that the haunting music that pours out from under the steps keeps the residents awake at night.In the three parts of Susie Moloney's hair-raising novel "The Dwelling," ownership of 362 Belisle changes four times -- with Glenn Darnley brokering each deal. The first occupants are a young couple, Rebecca and Daniel Mason, who have big dreams of wealth and success. It doesn't take long for them to realize that they're not welcome in their new house. After a ghostly seduction and a violent confrontation, the property is once again for sale. Next comes Barbara Parkins, a divorcee, and her unhappy young son, Petey. Lonely and looking for companionship, the two find comfort in some new, playful young friends. When the Parkins family leaves, the house is sold again. Last, ownership goes to Richie Bramley, a drunken writer and lost soul. But like the others, he can't settle down in this house -- which has a mind, and a heart, of its own.For Glenn, however, the house is a dream, always warm and welcoming. The floors gleam, and sun pours in through the windows. Owners come -- and 362 Belisle makes sure owners go. It's waiting patiently for its beloved to realize how much it loves her. It's waiting for Glenn, the very special person who can finally turn this house into a home."The Dwelling" is clever, scary, and ultimately moving. It's a novel for everyone who ever spent time looking for "just the right house."

    Published in a beautiful small-format hardback, perfect as a Halloween read or a Christmas gift.One winter, in the dark days of King Richard II, a tailor was riding home on the road from Gilling to Ampleforth. It was dank, wet and gloomy; he couldn't wait to get home and sit in front of a blazing fire.Then, out of nowhere, the tailor is knocked off his horse by a raven, who then transforms into a hideous dog, his mouth writhing with its own innards. The dog issues the tailor with a warning: he must go to a priest and ask for absolution and return to the road, or else there will be consequences...First recorded in the early fifteenth century by an unknown monk, The Tale of the Tailor and the Three Dead Kings was transcribed from the Latin by the great medievalist M.R. James in 1922. Building on that tradition, now bestselling historian Dan Jones retells this medieval ghost story in crisp and creepy prose.

     A small team of prospectors and their local guides are looking for gold. What they find is blood and terror and death. The valley's monstrous inhabitants are not about to let go of its secrets lightly.

    Eliza Caine arrives in Norfolk to take up her position as governess at Gaudlin Hall on a dark and chilling night. As she makes her way across the station platform, a pair of invisible hands push her from behind into the path of an approaching train. She is only saved by the vigilance of a passing doctor.When she finally arrives, shaken, at the hall she is greeted by the two children in her care, Isabella and Eustace. There are no parents, no adults at all, and no one to represent her mysterious employer. The children offer no explanation. Later that night in her room, a second terrifying experience further reinforces the sense that something is very wrong.From the moment she rises the following morning, her every step seems dogged by a malign presence which lives within Gaudlin’s walls. Eliza realises that if she and the children are to survive its violent attentions, she must first uncover the hall’s long-buried secrets and confront the demons of its past…

    Think of what you’ve just read.” Lovecraftian stories are the bread and butter of the true horror fan. During his lifetime, Lovecraft himself encouraged other writers to develop stories in the vein we now call Lovecraftian: horror, based around the idea that Earth had been colonized by malign aliens in the remote past, long before mankind arose and became civilized, who eventually became worshipped and feared as evil Gods by their human servitors. Eventually these aliens had been “banished” to another dimensional limbo by a benign Elder Race, but might one day return to reclaim the Earth “when the stars are right.” That deep seated unease threads through this collection of Richard. A Lupoff's short stories that seem to share a common universe. Praise for Richard A. Lupoff: "Lupoff writes with intelligence, humour, wisdom, and a zest for life." - Joe Gorges, author of Hammett. Richard A. Lupoff began his writing career as a print and broadcast journalist while attending university. After earning his degree he served twice in the United States Army, first as an enlisted man, then as an officer. Following military service he worked for twelve years in the computer industry, while also serving as a guest lecturer at universities including the University of California (Berkeley) and Stanford University. As author and editor he has written more than fifty volumes, ranging from science fiction, mystery, fantasy, horror, and mainstream fiction to the evolution of cartooning and comics. He is a past winner of the Hugo Award, and a finalist for the Nebula and Oscar Awards. He has achieved the rare distinction of being represented in “Best of the Year” anthologies in three fields: science fiction, mystery, and horror.

    She wanted this old Victorian for herself. The rumors the house was haunted didn’t bother Jennifer, who is a skeptic by nature. But her skepticism turns to intrigue when she finds a letter dated 1909 in the attic tucked into the folds of a wedding dress. The letter mentions a murder, but no name of the victim and is signed with only initials. Jennifer's challenge is to track down the identity of the victim, as well as the killer. However, her research brings forth two spirits, one of which is evil.