The family who moved next door and brought chaos to their quiet lives. The two girls who were murdered, their killer never found. But the only thing she can't remember is the one thing she wishes she could.Ten years ago, Tess's older sister died. Ruled a tragic accident, the only witness was Tess herself, but she has never been able to remember what happened that night in the woods.Now living in London, Tess has resolved to put the trauma behind her. But an emergency call from her father forces her back to the family home, back to where her sister's body was found, and to the memories she thought were lost forever…

    True crime podcaster Trinity Scott is chasing breakout success, and her brand-new serial may get her there. Her subject is Clayton Jay Pelley. More than two decades ago, the respected family man and guidance counselor confessed to the brutal murder of teenage student Leena Rai. But why he killed her has always been a mystery.In a series of exclusive interviews from prison, Clayton discloses to Trinity the truth about what happened that night beneath Devil’s Bridge. It’s not what anyone in the Pacific Northwest town of Twin Falls expects. Clayton says he didn’t do it. Was he lying then? Or now?As her listeners increase and ratings skyrocket, Trinity is missing a key player in the story: Rachel Walczak, the retired detective who exposed Pelley’s twisted urges and put him behind bars. She’s not interested in playing Clayton’s game - until Trinity digs deeper and the podcast’s reverb widens. Then Rachel begins to question everything she thinks she knows about the past.With each of Clayton’s teasing reveals, one thing is clear: he’s not the only one in Twin Falls with a secret.

    

    Someone comes into your orbit and swivels you on your axis, like the wind working on a rooftop weather vane. And when they leave, as the wind always does, you are different; you have a new direction. And it’s not always north.Any woman who’s ever been involved with a bad, bad man and been dumped will understand what it feels like to be broken, broken-hearted and bent on revenge. Taylor Bishop is hurt, angry and wants to destroy Angus Hollingsworth in the way he destroyed her: Insidiously. Irreparably. Like a puzzle, he’d slowly dissembled … stolen a couple of pieces from, and then discarded, knowing that nobody would ever be able to put it back together ever again. So Taylor consulted The Art of War and made a plan. Then she took the next step – one that would change her life forever. Then things get really out of control – and The Sunday Girl becomes impossible to put down.

    But screams pierce the darkness, and he stumbles upon a dead-end road where a man is beating a woman—nearly to death. In a moment of courage, he stops the assault, but he’s left to face the man, who turns his wrath into an ominous threat: if the boy ever reveals what he has seen, his family will pay the ultimate price. The secret Greer now carries begins his emotional unraveling.In Seattle, Gillian Trett is a photographer with a troubled marriage and a childhood she’s trying to forget. Domestic tension mounts when her husband’s stepsister arrives. Desperate for a distraction, and a way to advance her career, Gillian throws herself into uncovering the history behind an old man’s Holocaust photo of boys in a forest. The mysterious children and the truth behind the scene haunt her—she can’t let go of the image, or of her own shadowed past.Then a horrifying revelation entangles Gillian’s path with young Greer’s. The boy and the woman, separated by a generation and a hundred miles, each confront the terrible power of harbored secrets—not only to eclipse the truth but also to illuminate the dark, unknown dimensions of their loved ones and themselves.

    A haunting letter addressed to My Dearest is found among her possessions, leaving her roommate Quinn Collins to question how well she really knew her friend. Meanwhile, in a small town an hour outside Chicago, a mysterious woman appears in the quiet coffee shop where eighteen-year-old Alex Gallo works as a dishwasher. He is immediately drawn to her, but what starts as an innocent crush quickly spirals into something far more sinister.As Quinn searches for answers about Esther, and Alex is drawn further under the stranger's spell, master of suspense Mary Kubica takes readers on a taut and twisted thrill ride that builds to a stunning conclusion and shows that no matter how fast and far we run, the past always catches up with us.

    With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder.But now Mira is back in Kipsen to attend Celine’s wedding at the plantation, which has been transformed into a lush vacation resort. Mira hopes to reconnect with her friends, and especially, Jesse, to finally tell him the truth about her feelings and the events of that devastating long-ago day.But for all its fancy renovations, the Woodsman remains a monument to its oppressive racist history. The bar serves antebellum drinks, entertainments include horrifying reenactments, and the service staff is nearly all black. Yet the darkest elements of the plantation’s past have been carefully erased—rumors that slaves were tortured mercilessly and that ghosts roam the lands, seeking vengeance on the descendants of those who tormented them, which includes most of the wedding guests. As the weekend unfolds, Mira, Jesse, and Celine are forced to acknowledge their history together, and to save themselves from what is to come.

    For some, America is a bewildering and alienating place where coworkers can’t pronounce your name but will eagerly repeat the Sanskrit phrases from their yoga class. Harit, a lonely Indian immigrant in his midforties, lives with his mother who can no longer function after the death of Harit’s sister, Swati. In a misguided attempt to keep both himself and his mother sane, Harit has taken to dressing up in a sari every night to pass himself off as his sister. Meanwhile, Ranjana, also an Indian immigrant in her midforties, has just seen her only child, Prashant, off to college. Worried that her husband has begun an affair, she seeks solace by writing paranormal romances in secret. When Harit and Ranjana’s paths cross, they begin a strange yet necessary friendship that brings to light their own passions and fears.Reminiscent of Angela Flournoy’s The Turner House, Ayad Akhtar’s American Dervish, and Jade Chang’s The Wangs vs. the World, No One Can Pronounce My Name is a distinctive, funny, and insightful look into the lives of people who must reconcile the strictures of their culture and traditions with their own dreams and desires.

    The two women hadn't spoken since Natalie left in anger seven years ago, when her mother refused to support her chosen career as a chef. Natalie is shocked to discover the vibrant neighborhood of San Francisco's Chinatown that she remembers from her childhood is fading, with businesses failing and families moving out. She's even more surprised to learn she has inherited her grandmother's restaurant.The neighborhood seer reads the restaurant's fortune in the leaves: Natalie must cook three recipes from her grandmother's cookbook to aid her struggling neighbors before the restaurant will succeed. Unfortunately, Natalie has no desire to help them try to turn things around--she resents the local shopkeepers for leaving her alone to take care of her agoraphobic mother when she was growing up. But with the support of a surprising new friend and a budding romance, Natalie starts to realize that maybe her neighbors really have been there for her all along.

    The daughter of Chinese parents who came to the United States to secure the American dream for their children, Joan is intensely devoted to her work, happily solitary, successful. She does look up sometimes and wonder where her true roots lie: at the hospital, where her white coat makes her feel needed, or with her family, who try to shape her life by their own cultural and social expectations. Once Joan and her brother, Fang, were established in their careers, her parents moved back to China, hoping to spend the rest of their lives in their homeland. But when Joan’s father suddenly dies and her mother returns to America to reconnect with her children, a series of events sends Joan spiraling out of her comfort zone just as her hospital, her city, and the world are forced to reckon with a health crisis more devastating than anyone could have imagined. Deceptively spare yet quietly powerful, laced with sharp humor, Joan Is Okay touches on matters that feel deeply resonant: being Chinese-American right now; working in medicine at a high-stakes time; finding one’s voice within a dominant culture; being a woman in a male-dominated workplace; and staying independent within a tight-knit family. But above all, it’s a portrait of one remarkable woman so surprising that you can’t get her out of your head.

    With shimmering prose and mesmerizing precision, David Chariandy takes us inside the lives of Michael and Francis. They are the sons of Trinidadian immigrants, their father has disappeared and their mother works double, sometimes triple shifts so her boys might fulfill the elusive promise of their adopted home. Coming of age in The Park, a cluster of town houses and leaning concrete towers in the disparaged outskirts of a sprawling city, Michael and Francis battle against the careless prejudices and low expectations that confront them as young men of black and brown ancestry -- teachers stream them into general classes; shopkeepers see them only as thieves; and strangers quicken their pace when the brothers are behind them. Always Michael and Francis escape into the cool air of the Rouge Valley, a scar of green wilderness that cuts through their neighbourhood, where they are free to imagine better lives for themselves. Propelled by the pulsing beats and styles of hip hop, Francis, the older of the two brothers, dreams of a future in music. Michael's dreams are of Aisha, the smartest girl in their high school whose own eyes are firmly set on a life elsewhere. But the bright hopes of all three are violently, irrevocably thwarted by a tragic shooting, and the police crackdown and suffocating suspicion that follow.With devastating emotional force David Chariandy, a unique and exciting voice in Canadian literature, crafts a heartbreaking and timely story about the profound love that exists between brothers and the senseless loss of lives cut short with the shot of a gun.

    "A poetic story for anyone who has longed to leave home, only to find that home resides within you."--Sandra CisnerosWe live in the dregs of Queens, New York, where airplanes fly so low that we are certain they will crush us...This remarkable story brings you deep into the lives of a group of friends--young women of color growing up in Queens, New York City's most vibrant and eclectic borough. Here, streets echo with languages from all over the globe, subways rumble above dollar stores, trees bloom and topple across sidewalks, and the briny scent of the ocean wafts from Rockaway Beach. Here, girls like Nadira, Gabby, Naz, Trish, Angelique, and many others, attempt to reconcile their immigrant backgrounds with the American culture they come of age in. Here, they become friends for life--or so they vow.Exuberant and wild, they sing Mariah Carey at the tops of their lungs and roam the streets of The City That Never Sleeps, pine for crushes who pay them no mind--and break the hearts of those who do--all the while trying to heed their mothers' commands to be dutiful daughters, obedient young women. As they age, however, their paths diverge and rifts form between them, as some choose to remain on familiar streets, while others find themselves ascending in the world, drawn to the allure of other skylines, careers, and lovers, beckoned by existences foreign and seemingly at odds with their humble roots.In musical, evocative prose, Brown Girls illustrates a collective portrait of childhood, motherhood, and beyond, and is an unflinching exploration of race, class, and marginalization in America. It is an account of the forces that bind friends to one another, their families, and communities, and is a powerful depiction of women of color attempting to forge their place in the world. For even as the dueling forces of ambition and loyalty, freedom and marriage, reinvention and stability threaten to divide them, it is to each other--and to Queens--that the girls ultimately return.

    But can you trust her?The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn’t want them to hope. She wants them to die.Laura hasn’t had it easy: she’s survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn’t love talking to people worse off than she is. She craves it.But now someone’s on to her—Ryan, whose world falls apart when his pregnant wife ends her life, hand in hand with a stranger. Who was this man, and why did they choose to die together?The sinister truth is within Ryan’s grasp, but he has no idea of the desperate lengths Laura will go to…Because the best thing about being a Good Samaritan is that you can get away with murder.

    One witness—a fifteen year old girl from the wrong side of the tracks, one known for lying and her own brushes with the law.Is it any surprise no one believed her?Officer Miranda Rader of the Harmony, Louisiana PD is known for her honesty, integrity, and steady hand in a crisis—but that wasn’t always so. Miranda comes from the town of Jasper, a place about the size of a good spit on a hot day, and her side of the tracks was the wrong one. She’s worked hard to earn the respect of her coworkers and the community.When Miranda and her partner are called to investigate the murder of one of the town’s most beloved college professors, they’re unprepared for the brutality of the scene. This murder is unlike any they’ve ever investigated, and just when Miranda thinks she’s seen the worst of it, she finds a piece of evidence that chills her to the core: a faded newspaper clipping about that terrible night fifteen years ago. The night she’d buried, along with her past and the girl she’d been back then. Until now that grave had stayed sealed…except for those times, in the deepest part of the night, when the nightmares came: of a crime no one believed happened and the screams of the girl they believed didn’t exist.Then another man turns up dead, this one a retired cop. Not just any cop—the one who took her statement that night. Two murders, two very different men, two killings that on the surface had nothing in common—except Miranda.

    In Confessions of an Innocent Man, the dream comes true and in a spectacular way."--John Grisham, New York Times bestselling author of The Reckoning A thrillingly suspenseful debut novel, and a fierce howl of rage that questions the true meaning of justice.Rafael Zhettah relishes the simplicity and freedom of his life. He is the owner and head chef of a promising Houston restaurant. A pilot with open access to the boundless Texas horizon. A bachelor, content with having few personal or material attachments that ground him. Then, lightning strikes. When he finds Tieresse--billionaire, philanthropist, sophisticate, bombshell--sitting at one of his tables, he also finds his soul mate and his life starts again. And just as fast, when she is brutally murdered in their home, when he is convicted of the crime, when he is sentenced to die, it is all ripped away. But for Rafael Zhettah, death row is not the end. It is only the beginning. Now, with his recaptured freedom, he will stop at nothing to deliver justice to those who stole everything from him.This is a heart-stoppingly suspenseful, devastating, page-turning debut novel. A thriller with a relentless grip that wants you to read it in one sitting. David R. Dow has dedicated his life to the fight against capital punishment--to righting the horrific injustices of the death penalty regime in Texas. He delivers the perfect modern parable for exploring our complex, uneasy relationships with punishment and reparation in a terribly unjust world.