Until his 6-year-old son utters the four most powerful words in the English language: “Dad, will you coach?”Keep Swinging chronicles the rookie season of an indoorsy TV writer raising two alpha boys whose life turns around when he gets off the sidelines, puts on a jersey that’s three sizes too big and and throws himself into the world of kids sports. An inspiring, funny, at times gut-wrenching tale for every father and son who’ve ever picked up a bat, ball or hockey puck, it’s also a story about marriage, career, surviving life’s slumps and how you’re supposed to make men out of your boys, but they end up making a man out of you. The author of the bestselling memoir Cad: Confessions of a Toxic Bachelor writes his next chapter.

    Enticed by promises of work with good pay, people flock to textile mills in the South. Many leave their beloved mountains for what they hope is a step up from their grinding poverty. It’s guaranteed pay and housing. Being the sighted sister of the Hooper/Watson family, Lottie is grieved by a dream that sorrow will come to her home. Yet, she leaves Cocke County, Tennessee, with Beck Radford, her new husband, and her four children from a previous, abusive marriage, and goes to Clifton, South Carolina. Lottie is a stranger to village life and close neighbors. Life is harder than any of them imagined. In spite of hard work, widespread poverty remains a fact of life for everyone in the mill town. Lottie’s “gift” of second sight into the future is not an ability she would’ve chosen. One event she didn't see coming, yet someone else did, rips apart their life, as well as everyone’s around them.

    

    There is no indication of where the man came from - his hands and teeth have been removed and he has a crude tattoo of a dragon on his back.When another similarly mutilated body is found, O'Reilly and his new team realise they're on the hunt for a deranged killer.O'Reilly is getting closer to the truth when the case is suddenly taken away from him. The Guernsey Border Agency, headed up by the arrogant DCI Franklin Urban has their own ideas as to who is behind these brutal murders and argue that the jurisdiction is now theirs.O'Reilly left Dublin behind but his past soon catches up with him in the form of a Belfast thug employed by a man O'Reilly owes money to. When O'Reilly's daughter is threatened by these people he persuades her to join him on the island so he can keep an eye on her. Soon he's faced with a choice - he can either do what these people tell him and risk everything he has, or he can defy them and spend the rest of his life looking over his shoulder.Meanwhile, as DCI Urban and the Border Agency believe they're getting closer to the truth, O'Reilly has his own theories and as these suspicions are proved correct he comes face to face with one of the most depraved killers he's ever come across.BOOKS BY STEWART GILESDS JASON SMITH SERIESBook 0.5-PhobiaBook 1-SmithBook 2-BoomerangBook 3-LadybirdBook 4-Occam’s RazorBook 5-HarlequinBook 6-SeleneBook 7-HorsemenBook 8-UnworthyBook 9 – VenomBook 10 – SeveredBook 11 – DemonsBook 12 - DeadeyeDC HARRIET TAYLOR SERIESBook 1-The BeekeeperBook 2-The Perfect MurderBook 3-The BackpackerTrotterdown a box set of DC Harriet Taylor books 1-3DS JASON SMITH &DC HARRIET TAYLOR SERIESBook 1 - The EnigmaBook 2 – DropzoneBook 3 – The Raven Girl (coming soon)PSYCHOLOGICAL THRILLERSMirandaMistressMedusa (coming soon)STANDALONE HORRORThe DivideDI O’REILLY MYSTERIESBlood on the Island

    Ravenstone House, built in the early 1800s, was once a majestic home. Then it was used as an orphanage for decades. When it closed its doors in 1956, the building lay derelict for more than thirty years.In its neighbourhood, the house is well known for being haunted. But only when it is converted into luxury flats do the dark secrets from its past come to light. The unexpected events that follow will upend the lives of the residents as the tortured souls trapped beneath Ravenstone reveal themselves to demand justice.Get us to where we belong.It's not our fault.We did nothing wrong.

     When the body of the girl he loved in high school is found twenty years after her disappearance, Detective Ryan Devereux has a personal stake in finding the people responsible. With his personal life in shambles following the engagement of his ex-wife, Ryan throws himself headlong into the investigation. Things take a turn though when newly discovered evidence leads Ryan to believe that his ex’s new fiancé might have had a hand in the young girl’s murder. As secrets about the past are uncovered, Ryan realizes things were never as he saw them. This Lowcountry detective finds himself thrust down a rabbit hole of danger and deceit the likes of which he might never emerge from. And, when the truth comes out, he might find that the killer is closer to him than he ever imagined. Dead South is book one in the new Lowcountry Mystery Series from bestselling author David Banner. Do you enjoy reading books from Dawn Lee McKenna, Mark Stone, and Steven Becker? If so, come take a walk along the South Carolina Lowcountry. With its thick humidity, Spanish moss, and one-of-a-kind local flair, it’s sure to be a visit you won’t forget!

    

    Felt—a fabric made of tangled fibers—becomes a metaphor for the interweavings of humans, animals, and planet. But Felt is also the past tense of "feel." This is a book of emotions both ordinary and untoward: the shadings of humiliation, obsession, love, and loneliness—as well as states so subtle they have yet to be named. Reticent and passionate, elliptical yet available, Fulton's poems consider flaws and failure, touching and not touching. They are fascinated with proximity: the painter's closeness to the canvas, the human kinship with animals, the fan's nearness to the star. Privacy, the opening and closing of doors, is at the heart of these poems that sing the forms of solitude-the meanings and feelings of virginity, the single-mindedness of fetishism, the tragedy of suicide. Rather than accept the world as given, Fulton encounters invisible assumptions with magnitude and grace. Hers is a poetry of inconvenient knowledge, in which the surprises of enlightenment can be cruel as well as kind. Felt, a deeply imagined work, at once visceral and cerebral, illuminates the possibilities of twenty-first century poetry.

    It has received worldwide productions, whether as a study of parent-child relationships, as in its landmark 1976 production directed by Miller in Beijing, or as a critique of Western capitalism and has been filmed once for television and twice for movies.

    The scenes in this one-act play, for all the characters' disagreements, stalemates, and seeming impasses, explore what happens if one is willing to stay in the room when it is painful to bear the pressure to listen and the obligation to respond.--from the introduction by Claudia RankineClaudia Rankine's first published play, The White Card, poses the essential question: Can American society progress if whiteness remains invisible?Composed of two scenes, the play opens with a dinner party thrown by Virginia and Charles, an influential Manhattan couple, for the up-and-coming artist Charlotte. Their conversation about art and representations of race spirals toward the devastation of Virginia and Charles's intentions. One year later, the second scene brings Charlotte and Charles into the artist's studio, and their confrontation raises both the stakes and the questions of what--and who--is actually on display.Rankine's The White Card is a moving and revelatory distillation of racial divisions as experienced in the white spaces of the living room, the art gallery, the theater, and the imagination itself.

    Meet the man who vacuums bewildered prairie dogs out of their burrows; a frustrated werewolf who roams the streets of Soho getting mistaken for Brian Blessed; a smug carbon-neutral eco-couple; a teenage girl who invites 45,000 MySpace friends to a house party; the author of a business book entitled Highly Successful Secrets to Standing on a Corner Holding Up a Golf Sale Sign and a man whose attempts to teach softball to a group of indolent British advertising executives sparks an international crisis.

    This new volume collects the author’s plays written in the past five years, including References to Salvador Dalí Make Me Hot ("effortlessly melds otherworldly fantasy with gritty realism to make sparks fly onstage."—The Journal News), Sueño (a reworking for Pedro Calderón’s Life is a Dream) and Sonnets for an Old Century, the author’s most recent work, which recently premiered in Los Angeles.Puerto Rican-born playwright José Rivera plays have been produced all over the world and his work has been translated into seven languages. His best known work includes Marisol and Each Day Dies with Sleep. "Rivera has a messianic mission to replace old and dying creeds with vibrant new visions."—Robert Brustein, New RepublicAlso available by José RiveraMarisol and Other Plays PB $15.95 1-55936-136-0 • USA

    Hassler’s wry humor is in full force as this wonderful tale unfolds. In the more poignant and bittersweetThe Life and Death of Nancy Clancy’s Nephew, elderly W.D. Nestor finds his loneliness dispelled by his friendship with a young Staggerford boy, but it is a sudden visit to his one hundred-year-old Aunt Nancy that provides the peace he has always been looking for.

    It chronicles the playwright at the age of eighteen during the early 1930s when he worked at an auto parts warehouse in New York to save enough money to attend college. This scholarly edition with extensive commentary and notes is ideal for students.

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.