William Daniels is an enigma—a rare chameleon who has enjoyed massive success both in Hollywood and on Broadway and been embraced by fans of successive generations. Few of his peers inspire the fervor with which buffs celebrate his most iconic roles, among them George Feeny in Boy Meets World, KITT in Knight Rider, Dr. Mark Craig in St. Elsewhere, and John Adams in the play and film 1776. Daniels guides readers through some of Hollywood’s most cherished productions, offering recollections of entertainment legends including Lauren Bacall, Warren Beatty, Kirk Douglas, Michael Douglas, Audrey Hepburn, Marilyn Monroe, Mike Nichols, Jason Robards, Barbra Streisand, and many more. Looking back on his seventy-five-plus-year career, Daniels realizes that although he never had the courage to say “no” to being an actor, he backed into stardom. With his wife, actress Bonnie Bartlett, by his side, he came to realize that he wound up exactly where he was supposed to be: on the screen and stage.

    Internationally-renowned directing coach Weston demonstrates what constitutes a good performance, what actors want from a director, what directors do wrong, script analysis and preparation, how actors work, and shares insights into the director/actor relationship.

    From its early days in a large empty warehouse in Southern California's San Fernando Valley, to its Oscar-winning accommplishments creating special effects for the STAR WARS trilogy, RAIDERS OF THE LOST ARK, ET, POLTERGEIST, and a host of others.

    Her long-awaited autobiography tells of her fabulous life from early days in Berlin to her Hollywood career and beyond. 24 pages of photos.

    Most of this instructive and funny book is written in dialogue form and based on film classes Mamet taught at Columbia University. He encourages his students to tell their stories not with words, but through the juxtaposition of uninflected images. The best films, Mamet argues, are composed of simple shots. The great filmmaker understands that the burden of cinematic storytelling lies less in the individual shot than in the collective meaning that shots convey when they are edited together. Mamet borrows many of his ideas about directing, writing, and acting from Russian masters such as Konstantin Stanislavsky, Sergei M. Eisenstein, and Vsevelod Pudovkin, but he presents his material in so delightful and lively a fashion that he revitalizes it for the contemporary reader.

    Included are discussions on: cinematic time and space; compositional rules; and types of editing.

    Drawing on 40 years of experience on movies ranging from Long Day's Journey Into Night to The Verdict, Lumet explains the painstaking labor that results in two hours of screen magic.

    He reveals his working relationships with his many collaborators, including Harold Clurman, Lee Strasberg, Clifford Odets, Arthur Miller, Tennessee Williams, Marilyn Monroe, Marlon Brando, James Dean, John Steinbeck and Darryl Zanuck, and describes his directing "style" as he sees it, in terms of position, movement, pace, rhythm and his own limitations. Kazan also retraces his own decision to inform for the House Un-American Activities Committee, illuminating much of what may be obscured in McCarthy literature.

    Today's aspiring writer can be tomorrow's showrunner. But it's not easy. Conceiving and writing a pilot that can launch a series is a complex assignment even for a seasoned pro. This book will take you through the entire process, from your initial idea through the finished script. You'll learn how to identify a concept that can carry one hundred episodes or more; how to create characters who will stay interesting year after year; how to design the unique world those characters will live in; how to identify the essential elements that will set your series apart from everyone else's; and most importantly, how to capture it all in one 60-page script. William Rabkin is a veteran showrunner whose executive producing credits include the long-running Diagnosis Murder and the action hit Martial Law. His recent writing credits include Monk, Psych, and The Glades. He has written a dozen pilots for broadcast and cable networks, and written and/or produced more than 300 hours of dramatic television. He currently teaches screenwriting in the University of California, Riverside-Palm Desert's low residency MFA program.

    Mann, the highly-acclaimed author of Wisecracker: The Life and Times of William Haines, now takes us on a wild roller-coaster ride through the 20th century, led by a sassy, chain-smoking 107-year-old actress named Florence Lawrence. Masterfully blending fact with fiction, Mann has reimagined this very real historical figure. From her vaudeville childhood as "Baby Flo, The Child Wonder Whistler" to the snowy Bronx backlot where she shot her first motion picture, the lovely Florence Lawrence commanded -- and demanded -- attention. By 1910, she was the legendary, enigmatic Biograph Girl -- the world's very first movie star.Sixty years later, the fiercely competitive Sheehan twins discover a feisty, mysterious old lady named Flo Bridgewood...a woman who turns out to be none other than the renowned Biograph Girl -- who supposedly died decades before. When the Sheehan brothers find her, she's relaunched into a new and unorthodox stardom. But Flo soon discovers that the times -- and nature of celebrity -- have changed dramatically from the beginning of the century to the end.

    Big deal. You should try the lunches they serve out of Newark. Compared with the chicken napalm I ate on my last flight, the men in Con Air are about as dangerous as balloons.”Anthony Lane on The Bridges of Madison County—“I got my copy at the airport, behind a guy who was buying Playboy’s Book of Lingerie, and I think he had the better deal. He certainly looked happy with his purchase, whereas I had to ask for a paper bag.” Anthony Lane on Martha Stewart—“Super-skilled, free of fear, the last word in human efficiency, Martha Stewart is the woman who convinced a million Americans that they have the time, the means, the right, and—damn it—the duty to pipe a little squirt of soft cheese into the middle of a snow pea, and to continue piping until there are ‘fifty to sixty’ stuffed peas raring to go.”For ten years, Anthony Lane has delighted New Yorker readers with his film reviews, book reviews, and profiles that range from Buster Keaton to Vladimir Nabokov to Ernest Shackleton. Nobody’s Perfect is an unforgettable collection of Lane’s trademark wit, satire, and insight that will satisfy both the long addicted and the not so familiar.

    More than a mere set of guidelines, Thinking Like a Director details a technique that covers every facet of theatrical production, from first reading through final rehearsals. The key to directorial thinking, Bloom asserts, is a dual perspective--an ability to focus on both the internal lives of the play's characters and the external elements of the play's structure. In this illuminating, engaging, and accessible handbook, the art of dramatic interpretation and the craft of working with actors are integrated into a single, unified method.

    What the industry's most succcessful writers and directors have in common is that they have mastered the cinematic conventions specific to the medium.

    Charting celebrities from rehab to retox, to jails, cults, institutions, near-death experiences and the Democratic Party, Hollywood, Interrupted takes readers on a surreal field trip into the amoral belly of the entertainment industry. Each chapter -- covering topics including warped Hollywood child-rearing, bad medicine, hypocritical political maneuvering and the complicit media -- delivers a meticulously researched, interview-infused, attitude heavy dispatch which analyzes and deconstructs the myths created by the celebrities themselves.Celebrities somehow believe that it's their god-given right to inflict their pathology on the rest of us. Hollywood, Interrupted illustrates how these dysfunctional dilettantes are mad as hell... And we're not going to take it any more.

    Cult diva and connoisseur of mongrel video Carol Schwartz and her stellar cast of notable critics and scribbling outpatients, deliver 1,300 irreverent reviews of masterpieces and misfits, many of them rewritten and expanded. More than 250 are new to this edition, like 'Cannibal Holocaust', 'Switchblade Sisters' and Ed Wood's 'I Woke Up Early The Day I Died'. Carol adds anime, underground and Hong Kong flicks to the weird, wild and wonderful mix. This much fun ought to be illegal. Cult fans will appreciate the increased number of cinematographers, writers and cast members in the entries; DVD availability; a Cult Connections resource guide to help further fanatic pursuits; and more, yes more movie taglines and quotes.