Because I would never, ever know peace again.' Charlene Downes was 14 when she went missing in Blackpool's seedy underbelly. Once a happy-go-lucky schoolgirl, she had become a truant - hanging out with the wrong crowd by the takeaway shops and pier. But Charlene's mum, Karen, always knew her typical teenage daughter would come home.Until one day she didn't.Karen has been searching for 15 years, campaigning for the truth of what happened to her daughter. To this day, Karen and her family have no body, no convictions and no answers. Arrests were made and a murder trial took place, but no one has ever been brought to justice.On the 15th anniversary of Charlene's disappearance, Karen shares this heartbreaking account of every parent's worst nightmare.

    Running wild and free on the veldt. Elephants and giraffe for playmates. What more could a child want? As a builder for the then-Rhodesian government, Dad's job was low-paying and demanding. We were sent to areas where there were few trappings of civilization, such as electricity or potable water. My siblings and I ran barefoot in the bush and swam in crocodile and parasite-infected rivers. We were never clean. We loved it.Our camps were spartan and makeshift, and scorpions, spiders, and snakes regularly invaded our space. There were no schools. I was home-schooled by Mom. Then, at age eight, my parents sent me to a religious boarding school; an institution ripped straight out of the pages of Dickens. It was there I discovered not all adults were kind or empathetic people. In the bush, we were forced to create our own amusements--making our smash hit movie on a riverbank, or writing plays that we produced on a squeaky, portable 8-track tape recorder. We spent sultry nights playing poker in our caravan, reading books, and writing stories. My parents were artists and writers; creative, but not the most practical people. They made mistakes, and in 1963 a whopping blunder bankrupted us and forced our family back into the bush. This memoir will take the reader through my life from birth in 1950 to the abrupt end of my childhood in 1969. Tea, Scones, and Malaria is a story about my family's gypsy-like trek through the African bushveld. It is about loneliness, poverty, dysfunction, and tropical diseases. It is also the laugh-out-loud memoir of a child who finds ways to entertain herself and survive in a world that is the literal definition of wild. How I survived it all, I will never know.

    Just a few months after their wedding, and a few weeks after running a 10K, a rare autoimmune disease landed Joclyn in the hospital with a failing heart. Enduring four open heart surgeries, rounds of experimental chemotherapy, a punctured lung, a lost voice, a pacemaker, an unsympathetic nurse, bedpans, and legitimately gruesome hospital food, it seemed the bad news would never end. But with the help of a top-notch medical team, supportive and loving friends and family, courage, a will to live, and a desire to just go home, they learned the true value of love, hope and life. Joclyn, an occupational therapist, Jeremy, a public school administrator, live in Sacramento, California with their dog, Ramsay. Their experience received national attention and helped facilitate legislative reform surrounding “surprise medical bills,” out-of-network bills received when a patient has done everything he possibly can to remain in-network.

    Handsome, charming Roman men; perfectly made cappuccino and risotto; breathtakingly beautiful antiquities and that incomparable Italian light—none of these are perhaps quite as idyllic as they might seem to the casual traveler. With a jaded eye but an always vulnerable heart, Geoghegan gives us the anti-Eat, Pray, Love, a tale every bit as atmospheric but way funnier than the runaway best-seller. This is what life in Italy really looks like when you're a 30-something woman running from grief and trying to find her way back to love. Elizabeth Geoghegan writes in English, dreams in Italian, and wishes she could remember how to speak French. She earned an MFA in fiction writing from the School of the Art Institute of Chicago and an MA in creative writing from the University of Colorado at Boulder. She is currently completing a story collection, The Book of Boys, and at work on a novel called The Year of the Cock, a black comedy set in Southeast Asia. She lives in Rome, Italy, on a dead-end street between a convent and a jail. This is a short e-book published by Shebooks--high quality fiction, memoir, and journalism for women, by women. For more information, visit http://shebooks.net.

    

    Best known as the lead singer and enigmatic front man, songwriter, bassist of The Church, Steve has experienced both amazing international success and all the excesses that go with it, as well as a well known heroin addiction that delivered some very dark times. The Church has been a significant and constant influence on the Australian music industry and readers will be keen to hear from one of the industry's most successful, creative and long-standing key protagonists. Kilbey is Australian rock and roll royalty and for the first time this is his story. Come inside the world of Steve Kilbey singer songwriter and bassist of one of Australia's best loved bands, The Church. From his migrant ten pound pom childhood through his adolescence growing up during the advent of The Beatles, Dylan and The Stones to his early adventures in garage bands and neighbourhood jams. His misadventures with a full time job and a 9 to 5 life and wild adventures with The Church as they conquer Australia and then the world. The tours. The records. The women. And then the heroin addiction which enslaved him for ten long years. Then the two sets of twins he fathers along the way and branching off into acting, painting and writing. From snowy Sweden to a cell in New York City, from Ipanema beach to Bondi, Kilbey stumbles through his surrrealistic life as an idiot savant that will make you smile as well as want to kick him up the arse. After coming out the other side his tale is simply too good not to be told. Narrated with unusual and often pristine clarity we and with much focus on his considerable musical talent.

    Set against the mean streets of L.A.'s South Bay 'hoods, the book is populated by a cast of vivid characters, including Tupac Shakur, Snoop's one true friend and musical soulmate, cut down at the beginning of a brilliant career, and Suge Knight, whose Death Row Records brought street-level credibility--and gangland tactics--into the corporate suites of the entertainment industry.From the Crip gang members who recruited Snoop virtually off the playground to the pimps and players, whores and hustlers who formed his extended family on the streets and behind prison walls, Tha Doggfather offers a scathing, unexpurgated look at life on the edge in a modern urban jungle. Snoop's rise to the pinnacle of rap stardom is chronicled, along with his nearly career-ending arrest and trial for a murder he didn't commit.Raised to the pinnacle, brought to the brink, Snoop Dogg eventually found sanity and salvation in his relationship with Shantay Taylor, his high school sweetheart. Married in 1997, the couple started a new life with their two young sons, even as Snoop's career reached new heights in his creative collaboration with Master P and No Limit Records.

    Recollections of Farrar's father are prominent throughout the stories. Ultimately, it is music and musicians that are given the most space and the final word since music has been the creative impetus and driving force for the past 35 years of his life.In writing these stories, he found a natural inclination to focus on very specific experiences; a method analogous to the songwriting process. The highlights and pivotal experiences from that musical journey are all represented as the binding thread in these stories, illustrated throughout with photography from his life. If life is a movie, then these stories are the still frames.

    An inspiring, no-holds-barred, audacious memoir by Bettye LaVette, one of R&B's greatest legends - guaranteed to make news, and make hearts break, too.

    Since that terrible day the myths and legends which surround his life have continued to grow. Only one man knows the real truth. That man is Don Taylor, Bob Marley's manager, friend and confidant. Now, in this astonishing and brilliantly written book, Don Taylor tells: How he and Bob were shot down and left for dead by gangsters wielding Uzi submachine guns. Of Bob's love affairs with scores of women, including a beautiful princess and former Miss World Cindy Breakspeare. The secret of the millions of pounds Bob placed around the world. How Bob foiled a plot to kidnap Mick Jagger. How Rita Marley was able to sign Bob's signature on checks for huge sums of money. How Bob secretly carried guns or knives and threatened to kill those who crossed him. The bizarre and curious circumstances which led to Bob Marley's death. All these stories, and hundreds more, are told with deep affection and a simple, direct honesty which makes this book indispensible for anyone who is interested in this towering figure of world music.

    It will make you happy. Legendary producer and co-founder of Chic, Nile Rodgers wrote 'We are Family' for Sister Sledge and 'I'm Coming Out' for Diana Ross, produced 'Let's Dance' for David Bowie and 'Like a Virgin' for Madonna. He has worked with just about every major star, from Michael Jackson and Bob Dylan to Prince and Duran Duran. But before he reinvented pop music, Nile Rodgers invented himself. Born into a mixed-race family of dopefiend bohemians, he learned "at a very early age" everything he needed to know about love, loss, fashion, art, music, and the subversive power of underground culture. The stars of the scene were his glamorous teenage mom and heroin-addicted Jewish stepfather, but there were also monkeys, voodoo orishas, jazz cats, and contract killers in the mix. By the age of 16, Nile was busking his way through the 60s, half-hippie and half-Black Panther. He jammed with Jimi Hendrix, took acid with Timothy Leary, toured with Big Bird on Sesame Street's road show, and played guitar behind history's greatest soul singers. And then, one night, he discovered disco. This was pop's most glamorous and decadent age. Nile Rodgers wrote the songs, produced the hits and lived behind the velvet rope holding court in the bathroom stalls at Studio 54, club-hopping with Madonna, scarfing down burgers with Diana Ross. Le Freak is the personal, moving story of a creative genius, told in his own unique voice "warm, intimate and relentlessly charming. It is also a stunning recreation of an age" told by the man who wrote its soundtrack.

    Six prefabs, three pubs, a school, a church and a yard where the electricity board kept cables. Two long rows of terraced house faced each other at one end of the street; and, at the other, big houses with big doors and even bigger windows. There was a phone box next to one of the pubs and when it rang everyone came out to see who it was for. It was a tiny road - at one end of which there was Greenwich Park. It was heaven being there, its beauty always shone on me from the trees at sunsets and from the bushes in the rain. I was there in all weathers. It was 1964, I was ten years old and this is when my memory really begins. The previous decade is built up from vague recollections that lean heavily on the imagination.'Chris Difford is a rare breed. As a member of one of London's best-loved bands, the Squeeze co-founder has made a lasting contribution to English music with hits such as 'Cool For Cats', 'Up The Junction', 'Labelled With Love', 'Hourglass' and 'Tempted'. Some Fantastic Place is his evocative memoir of an upbringing in Sixties' South London and his rise to fame in one of the definitive bands of the late Seventies and early Eighties.

    He tried to look you right in the eyes to see how you were feeling about it.” —Will Kalson, friend and first manager Following Mac Miller’s tragic passing in 2018, Donna-Claire Chesman dedicated a year to chronicling his work through the unique lens of her relationship to the music and Mac’s singular relationship to his fans. Like many who’d been following him since he’d started releasing mixtapes at eighteen years old, she felt as if she’d come of age alongside the rapidly evolving artist, with his music being crucial to her personal development. “I want people to remember his humanity as they’re listening to the music, to realize how much bravery and courage it takes to be that honest, be that self-aware, and be that real about things going on internally. He let us witness that entire journey. He never hid that.” —Kehlani, friend and musician. The project evolved to include intimate interviews with many of Mac’s closest friends and collaborators, from his Most Dope Family in Pittsburgh to the producers and musicians who assisted him in making his everlasting music, including Big Jerm, Rex Arrow, Wiz Khalifa, Benjy Grinberg, Just Blaze, Josh Berg, Syd, Thundercat, and more. These voices, along with the author’s commentary, provide a vivid and poignant portrait of this astonishing artist—one who had just released a series of increasingly complex albums, demonstrating what a musical force he was and how heartbreaking it was to lose him. “As I’m reading the lyrics, it’s crazy. It’s him telling us that he hopes we can always respect him. I feel like this is a message from him, spiritually. A lot of the time, his music was like little letters and messages to his friends, family, and people he loved, to remind them of who he really was.” —Quentin Cuff, best friend and tour manager.

    Since the November day in 1997 when Michael's death in a Sydney hotel room became world-wide news, his mother and sister have read tales spun by journalists, lovers and business associates, people who only knew him for a fraction of his 37 years, if at all. These stories tell of the notorious highs and lows of Michael the superstar, and of the doting, but unconventional, father of Tiger Lily.

    Yet even before the competition had started, Quinn was caught up in the most emotionally draining events of his career, as Ireland's World Cup campaign was rocked by Roy Keane's sudden departure. All his efforts at mediation failed, leaving him exhausted. As he worked to find a solution, Quinn looked back on his life and career, and saw echoes of his current situation. In this fascinating autobiography, updated for this edition, he recalls the all-night drinking sessions with Tony Adams and Paul Merson, the gambling, the good times and the bad. It is a remarkable story, brilliantly told.