When you’re sixteen, you have your whole life ahead of you. Unless you’re Sarah. Not to give anything away, but . . . she’s dead. Murdered, in fact. Sarah’s murder is shocking because she couldn’t  be  any more average. No enemies. No risky behavior. She’s just the girl on the sidelines.It looks like her afterlife, on the other hand, will be pretty exciting. Sarah has woken up dead at the Mall of America—where the universe sends teens who are murdered—and with the help of her death coach, she must learn to move on or she could meet a fate totally worse than death: becoming a mall walker.As she tries to finish her unfinished business alongside her fellow dead teens, Sarah falls hard for a cute boy named Nick. And she discovers an uncanny ability to haunt the living. While she has no idea who killed her, or why, someone she loves is in grave danger. Sarah can’t lose focus or she’ll be doomed to relive her final moments again and again forever. But can she live with herself if she doesn’t make her death matter?

    Gabe has brought his wife, Eve, and daughters, Loren and Cally, down to Devon, to the peaceful seaside village of Hollow Bay. He can work and Eve and the kids can have some peace and quiet and perhaps they can try, as a family, to come to terms with what's happened to them...Crickley Hall is an unusually large house on the outskirts of the village at the bottom of Devil's Cleave, a massive tree-lined gorge - the stuff of local legend. A river flows past the front garden. It's perfect for them...if it a bit gloomy. And Chester, their dog, seems really spooked at being away from home. And old houses do make sounds. And it's constantly cold. And even though they shut the cellar door every night, it's always open again in morning The Secret of Crickley Hall is James Herbert's finest novel to date. It explores the darker, more obtuse territories of evil and the supernatural. With brooding menace and rising tension, he masterfully and relentlessly draws the reader through to the ultimate revelation one that will stay to chill the mind long after the book has been laid aside.

    Then the shocking death of Jim - their creative genius and Beatrice's boyfriend - changed everything.One year after graduation, Beatrice is returning to Wincroft - the seaside estate where they spent so many nights sharing secrets, crushes, plans to change the world - hoping she'll get to the bottom of the dark questions gnawing at her about Jim's death.But as the night plays out in a haze of stilted jokes and unfathomable silence, Beatrice senses she's never going to know what really happened. Then a mysterious man knocks on the door. Blithely, he announces the impossible: time for them has become stuck, snagged on a splinter that can only be removed if the former friends make the harshest of decisions. Now Beatrice has one last shot at answers... and at life.And so begins the Neverworld Wake.

    The place is New York City. Horace Carpetine has been raised to believe in science and rationality. So as apprentice to Enoch Middleditch, a society photographer, he thinks of his trade as a scientific art. But when wealthy society matron Mrs. Frederick Von Macht orders a photographic portrait, strange things begin to happen.Horace's first real photographs reveal a frightful likeness: it's the image of the Von Machts' dead daughter, Eleanora.Pegg, the Von Machts' black servant girl, then leads him to the truth about who Eleanora really was and how she actually died. Joined in friendship, Pegg and Horace soon realize that his photographs are evoking both Eleanora's image and her ghost. Eleanora returns, a vengeful wraith intent on punishing those who abused her.Rich in detail, full of the magic of early photography, here is a story about the shadows, visible and invisible, that are always lurking near.

    Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism.Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father’s book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father’s death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?

    And when they arrive at Camp Featherlite at the start of the worst blizzard in the history of Flagstaff, Arizona, it's clear that something isn't right.Vee barely has a chance to meet the other members of her pod, all who seem as unhappy to be at Featherlite as she does, when a camper goes missing down by the lake. Then she spots something horrifying outside in the snow. Something...that isn't human. Plus, the camp's supposed "miracle cure" for obesity just seems fishy, and Vee and her fellow campers know they don't need to be cured. Of anything.Even worse, it's not long before Camp Featherlite's luxurious bungalows are totally overrun with zombies. What starts out as a mission to unravel the camp's secrets turns into a desperate fight for survival--and not all of the Featherlite campers will make it out alive.

    Clair Prep, one of the others being his infinitely more popular older brother. It’s hard enough fitting in but to make matters worse and definitely more complicated, Jake can see the dead. In fact he sees the dead around him all the time. Most are harmless. Stuck in their death loops as they relive their deaths over and over again, they don’t interact often with people. But then Jake meets Sawyer. A troubled teen who shot and killed six kids at a local high school last year before taking his own life. Now a powerful, vengeful ghost, he has plans for his afterlife–plans that include Jake. Suddenly, everything Jake knows about ghosts and the rules to life itself go out the window as Sawyer begins haunting him and bodies turn up in his neighborhood. High school soon becomes a survival game–one Jake is not sure he’s going to win.

    To escape a home she doesn't belong in anymore, she assumes the name of a former classmate and accepts a teaching job at the Cherokee Female Seminary.Nothing prepares her for what she finds there. Her pupils are the daughters of the Cherokee elite—educated and more wealthy than she, and the school is cloaked in mystery. A student drowned in the river last year, and the girls whisper that she was killed by a jealous lover. Willie's room is the very room the dead girl slept in. The students say her spirit haunts it.Willie doesn't believe in ghosts, but when strange things start happening at the school, she isn't sure anymore. She's also not sure what to make of a boy from the nearby boys' school who has taken an interest in her—his past is cloaked in secrets. Soon, even she has to admit that the revenant may be trying to tell her something. . . .

    After all, the year before her father's body was found with his heart missing, and since then everyone has moved on. Even her best friend, Miranda, has become more interested in boys than in spending time at the old ghost tree, the way they used to when they were kids.So when Lauren has a vision of a monster dragging the remains of the girls through the woods, she knows she can't just do nothing. Not like the rest of her town. But as she draws closer to answers, she realizes that the foundation of her seemingly normal town might be rotten at the center. And that if nobody else stands for the missing, she will.

    Moving across the country seems like the perfect chance to start over.In their isolated new neighborhood, Skye manages to fit in, but Deirdre withdraws from everyone, becoming fixated on the swampy woods behind their house and building monstrous sculptures out of sticks and bones.Then Deirdre disappears.And when something awful comes scratching at Skye's window in the middle of the night, claiming she's the only one who can save Deirdre, Skye knows she will stop at nothing to bring her sister home.

    She's found new friends and has even started to fall for mysterious outsider Ollie Larsson. But her past isn't far behind.Then, one by one, the students of Osborne Hugh begin to die in a series of gruesome murders, each with increasingly grotesque flair. As the terror grows closer and her feelings for Ollie intensify, Makani is forced to confront her own dark secrets.

    . . where history has a tendency to repeat itself.Ever since Margot was born, it’s been just her and her mother. No answers to Margot’s questions about what came before. No history to hold on to. No relative to speak of. Just the two of them, stuck in their run-down apartment, struggling to get along.But that’s not enough for Margot. She wants family. She wants a past. And she just found the key she needs to get it: A photograph, pointing her to a town called Phalene. Pointing her home. Only, when Margot gets there, it’s not what she bargained for.Margot’s mother left for a reason. But was it to hide her past? Or was it to protect Margot from what’s still there?The only thing Margot knows for sure is there’s poison in their family tree, and their roots are dug so deeply into Phalene that now that she’s there, she might never escape.

    The only guide naïve Bliss has to her new environment is what she’s seen on The Andy Griffith Show. But Mayberry is poor preparation for Crestview Academy, an elite school where the tensions of the present and the dark secrets of the past threaten to simmer into violence. Openhearted, naïve Bliss is happy to be friends with anyone. That’s not the way it has ever worked at Crestview, and soon Bliss is at the center of a struggle for power between three girls—two living and one long dead.

    Together, he and Cathaline--his friend and mentor--track down the fearful creatures that lurk in the Old Quarter of London. It is on one of these hunts that he first encounters Alaizabel Cray. Alaizabel is half-crazed, lovely, and possessed.Whatever dreadful entity has entered her soul has turned her into a strange and unearthly magnet--attracting evil and drawing horrors from every dark corner. Cathaline and Thaniel must discover its cause--and defend humanity at all costs.

    Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, the lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.