Meanwhile, her husband Daniel mourns the demise of his marriage and his life.Full of Dorothy Porter's customary bite and sensuality, Wild Surmise is an engrossing duet between two passionately estranged voices. An intensely moving verse novel of passions and vulnerabilities, love and death.

    Whether recalling her former career as a naturalist experimenting on white rats or watching birds from her wheelchair, she draws the reader into unforgettable places rich in image and story. Lucia Perillo is the author of four books of poetry that have won the Norma Farber First Book Award, the Kate Tufts Prize, the Balcones Prize, and the Kingsley Tufts Award. Her critically acclaimed memoir, I’ve Heard the Vultures Singing: Field Notes on Poetry, Illness, and Nature, was published in 2007.

    accompanied by evocative illustrations, it is an intimate and unapologetically personal journey through a life the way we remember them, as Keaton puts it "chaotic, fragmented and often grammatically incorrect".

    It is the only known chantefable from what was once a very popular literary tradition, and it is from this work the term chantefable was coined in its concluding lines: "No cantefable prent fin" ("Our chantefable is drawing to a close"). Stylistically, the chantefable combines elements of the chanson de geste (e. g., The Song of Roland), lyric poems, and courtly novels-literary forms already well-established by the twelfth century. The work probably dates from the early 13th century, and is known from only one surviving manuscript dating from the later part of the century. The work's authorship is unknown. It is generally considered a roman d'adventure, or a romantic work of action and adventure.

    Just when she doesn't think things could get any worse, they do. When her car stalls out at a busy intersection and she gets out to check under the hood, a guy steals her car. Armed with a dress and a pair of Chucks, Avery runs after the thief. When a hot stranger offers to help, she can't say no. That's how Avery mets Sean Ferro, the totally sexy, totally damaged guy with more secrets than she has time for. Avery doesn't have time for anything anymore. Her is life falling apart and it's not just the car. It's everything, and it doesn't matter how tightly she tries to hold on, there's nothing left to hold on to. With the sudden death of her parents, it's only a matter of months until Avery's shot at college is gone, and she's living in a cardboard box. Other students have their families to rely on when things get bad. Avery has no one. But there's one option, one incredibly sexy, morally devoid, option. If Avery takes a job as a call girl, one guy could save her. One client. One time. She just has to say yes. Genre: Romantic Suspense Collection A: Includes Volumes 1-3 Pages: 352 THE FERRO FAMILY The Arrangement (Sean & Avery) Damaged (Peter & Sidney) Stripped (Jon & Cassie) The Proposition (Bryan & Hallie) Easy (Jocelyn Ferro) Broken Promises (Trystan & Mari) The Wedding Contract (Nick & Sky) Secrets & Lies (Kerry) H.M. WARD'S NEW YORK CITY LOVE STORIES REVIEWS: "H.M. Ward writes an emotional, deeply felt story that will rock your world." -Carly Phillips, New York Times Bestselling Author "H.M. Ward takes this series to a whole new level of intensity!" -Cary Mattiller "One of the most emotionally charged novels I have read all year." -Crystal via Goodreads "If you love The Arrangement, then you will not be disappointed with The Proposition." Linda Wallace "Amazing, awesome, and unbelievably sexy." -Cheryl, via Goodreads "You can't go wrong with any book written by H.M. Ward." -Christon Benford "This is a story about true love/ first love never dying and making it through all odds. An incredible book." -Gabby's Book Blog "This has to be H.M. Ward's best work yet!" -Sheri via Goodreads "The tension is palpable and so physically powerful; it literally reaches out and tugs at all my emotions. My God, it was beautifully erotic. When a story elicits so much emotion from you, you know it's good." Tessamari Reviews "I want to marry this book and have it's fictional babies" "Move over Christian Grey and welcome Sean Ferro." -Reading, Eating, & Dreaming "You can't go wrong with a book written by H.M. Ward." -Christon Benford "I thought nothing could top Damaged & The Arrangement Series. I was wrong." -Curious Kindle Reader "Serious sexual tension!" -Spare Time Book Blog "Hilarious, witty, with a 'gut punching' story line." -Workman "Amazing, hot, sexy, and leaves you wanting more." -ENA AUTHOR BIOGRAPHY: H.M. Ward continues to reign as a NEW YORK TIMES bestselling author who is swiftly approaching 13 million copies sold, placing her among the literary titans. Ward has been featured in articles in the NEW YORK TIMES, FORBES, and USA TODAY to name a few.

    0-935906-02-9$5.00 / Javan Press

    Rexroth’s poems of nature and protest are remarkable for their erudition and biting social and political commentary; his love poems justly celebrated for their eroticism and depth of feeling.The cloth edition was one of the most widely reviewed poetry titles in 2003:“Scholars and critics who endeavor to discuss mid-20th century American poetry responsibly ignore Rexroth at their peril.”—Los Angeles Times Book Review, cover feature and selected as a Book of the Year“Rexroth is probably best known as the ‘Father of the Beat Generation.’ These poems reveal that great beauty lies beyond that cliché.”—NPR’s All Things Considered“Rexroth’s prodigious breadth of learning, his hungry attention to the natural world, his contempt for warmongering and his profound, occasionally overlapping love of women are all on flourishing display.”—The San Francisco Chronicle“Rexroth never mistook his poetry for a product, and he could present ideas and images in an urgent, memorable and eloquent way.”—The Nation“Rexroth is one of the most readable and rewarding 20th-century American poets.”—BooklistKenneth Rexroth (1905–1982) was one of the world’s great literary minds. In addition to being a poet, translator, essayist and teacher, he helped found the San Francisco Poetry Center and influenced generations of readers with his Classics Revisited series.

    

    Each was a defence and elaboration of his short satirical poem The Angry Hive, 1705. The version of the Fable of 1723 and 1732 are the fullest defences of his early paradox that social benefit is the unintended consequence of personal vice. It is an argument that is generally held to lie behind Adam Smith's doctrine of the 'hidden hand' of economic development.

    "The Himalayas Within Him" finds Heart worrying about the sound of his own heartbeat, wondering why it doesn't "blare like a quartet of trombones" as it reflects his "ardent complexity." In "Goodbye to the Hands That Have Touched Him" Heart, after suffering many sleepless nights, decides "that love exists at the root of his problems. Without love his path would be as smooth as a plate of glass and he'd sleep like a kitten." Dividing the Heart poems is the long "Oh, Immobility, Death's Vast Associate, " a jazzy disquisition on human isolation and inaction in the midst of a planet full of people feeling similarly. Throughout Pallbearers Envying the One Who Rides Dobyns has painstakingly sculpted straight-forward language into a distinct sound, creating an unforgettable collection of poems that offers readers unexpected revelations about the complexities of the heart.

    One of the UK’s most exciting up-and-coming hip-hop artists, Scroobius Pip, is a master of the spoken word lyric.From his childhood musings in the school playground to his feelings on the rat race, Pip has selected from his online fan collective artistic collaborations that bring the power of his lyrics to the printed page, creating an innovative multimedia collection of modern poetry.

    Here is a volume of poetry approaching Carolyn Forche's The Angel of History as a stark meditation on Blanchot's sense of writing as the "desired, undesired torment which endures everything." Levine engages the traditional resources of lyric poetry in an exploration of historical and cultural landscapes ravaged by imponderable events. Enola Gay's "mission" can seem spiritual, imaginative, and militaristic as the speaker in these poems surveys marshes and fields and a land on the edge of disintegration. Levine sifts the psychological residue that accumulates in the wake of unspeakable acts and so negotiates that terrain between the banality of language and the need to stand witness and to speak. Levine's stunning second book, with its grave cultural implications and its surveillance of a distinctly postmodern malaise, offers multiple readings. Here are compact poems with uncanny power, rhythm, and a strange, formal beauty echoing and renewing the legacy of Wallace Stevens for a new era.

    In addition to all Cave's lyrics recorded with The Bad Seeds during this time, King Ink II includes several lyrics as yet unrecorded, as well as a number written for other artists and for the Wim Wenders films Faraway, So Close! and Until the End of the World. A short film treatment and a substantial essay on the subject of language and the Bible, "The Flesh Made Word, " are among further material which is not available elsewhere.

    His voice and sensibility are distinctive, and the places he goes are ones where not many writers are able or willing to venture. The dark world of his poems, which face many of the hardest truths we must learn to live with, is lit by humor, tenderness, compassion, and honesty. For this edition, the poet has selected from the best of his previous collections, in some cases making substantial revisions, and has added his newest poems. The resulting collection is exciting in its breadth, consistency, depth, and distinction.

    These narrative poems take readers into the heart of southern Appalachia—its highways and strip malls and gun culture, its fragility and danger—as the speaker wrestles with what it means to be the only Jewish family in an Evangelical neighborhood and the anxieties of raising one white son and one black son amidst racial tensions and school lockdown drills. With a firm hand on the pulse of the uncertainty at the heart of 21st century America and a refusal to settle for easy answers, Meitner’s poems embrace life in an increasingly fractured society and never stop asking what it means to love our neighbor as ourselves.