Here is the inside story of a monumental achievement conceded even by its enemies to mark a turning point in the art of cinema."If 2001 has stirred your emotions, your subconscious, your mythological yearnings, then it has succeeded."--Stanley Kubrick

    (1964)Casablanca (1967)

    The prospect is about as exciting as a wet blanket, but with her rogue spy ex-husband after her, Charlie's willing to tough it out.After all, everything's going great... Charlie's getting to bond with her retired spy grandmother, enjoyed the company of the resident cat and learned how to make a mean vanilla cupcake. That's until she gives one of those cupcakes to a guest and they drop dead seconds later.It's murder, and Charlie's the prime suspect. The clock is ticking--can she solve the mystery before her ex finds her?Join Charlie and Gamma on their adventures, as they solve mysteries, take care of kittens and hide from their worst enemies in Gossip, Texas. Grab your copy today!Books in this set include:Vanilla VendettaStrawberry SinCocoa Conviction

    My Man Jeeves 1919Right Ho, Jeeves 1922Death At The Excelsior, Others 1914

    Pepper's cover, Terry Southern was an audacious original. Now Dig This is a journey through Terry Southern's America, from the buttoned-down '50s through the sexual revolution, rock 'n' roll, and independent cinema (which he helped inaugurate by cowriting and producing Easy Rider), up to his death in 1995. It spans Southern's stellar career, from early short stories and a Paris Review interview with Henry Green, to his legendary Esquire piece covering the 1968 Chicago Democratic Convention with Jean Genet and William Burroughs and his equally infamous account of life neck-high in girls and cocaine aboard The Rolling Stones' tour jet, to his memories of twentieth-century legends like Abbie Hoffman, Kurt Vonnegut, and Stanley Kubrick, with whom he wrote Dr. Strangelove. "A voice electric with street rhythm and royal with offhand intellection ... stuffed with strange and silken scraps." -- Troy Patterson, Entertainment Weekly "The subterranean Texan's finest moments are exquisite reads ... like a hot poker in the eye of conventional narrative." -- A. D. Amorosi, Philadelphia City Paper "The range of writing ... [was] as lethal as Mailer claimed and still awaiting the attention it deserves." -- Charles Taylor, Newsday "... reveals a writer defined by his generosity, by the pursuit of fun and by an insatiable ... literary appetite...." -- Claire Dederer, The New York Times Book Review

    It only hits the news in times of mishap but behind the scenes of this hugely popular and vibrant city are hundreds of ex-pats living the dream of a life in the sun.John Kean’s hilarious book, ‘Lost Wife, Saw Barracuda – True Stories from a Sharm el Sheikh Scuba Diving Instructor’ is an inside fly-on-the-wall look at the ups and downs of swapping the rat race for a life in Sharm el Sheikh. It is frank, honest and gripping in sometimes epic proportions, but the humor and magnetic appeal of Sharm el Sheikh and Egypt shines through every time in this beautifully written true story.Over a decade, this mild-mannered, ex-stockbroker has been chased by aggressive sharks, had a 737 airliner drop from the sky into the sea, broken four bones, been arrested three times and finally, blown up by terrorists. On the plus side, Sharm el Sheikh’s outstanding natural appeal, year round sun and amazingly talented and friendly community of Egyptian and ex-pat residents has made it a home from home, free of the stresses of everyday life in Europe.Unlike other fly on the wall or ‘inside’ books, John actually takes you along with him for the ride. His accounts are genuine, highly informative and very funny. Turning tragedy and mishap into humor is the book’s strength and you’ll find a laugh on nearly every page.The story is heavily upstaged by the comical antics of five, highly entertaining characters coming to terms with neutral buoyancy, hangovers and Egyptian taxi drivers. The legendary exploits of the latter are awarded an entire chapter where we’re introduced to, Airbag, Sharm el Sheikh’s worst driver and in contrast, Joseph, who takes up the offer of a job swap, gives John his taxi and becomes a scuba diver for the day!The most dramatic chapter of Lost Wife, Saw Barracuda is the vivid, minute-by-minute account of dive staff involvement during the Sharm bombings in July 2005. This rare civilian insight of a grand scale terrorist attack shows the human cost of those caught up and the tremendous resolve of unlikely rescuers in preventing further loss of life.Despite occasional tragedy, Lost Wife, Saw Barracuda is a positive book that will thrill and entertain, portray scuba diving as an engaging and enjoyable sport and show readers the brighter side of Sharm el Sheikh and Egyptian life. Anyone can read and enjoy this wonderfully funny story.

    Coot cat Reverend Ivan Stang, high holy of the Church of the SubGenius, has compiled a bestiary of American creeps and crazies so that you can write to them and receive mail that is weird, horrible, wonderfully absurd, or a combination of all three. Each entry has a paragraph or two and the last known mailing address of some fringe loonies. The book is only current through 1988, though; the only thing wrong with it is that it's high time for an update--with URLs, of course. Let's see ... there are catalogs of perpetual motion machines; brochures from South American flying saucer cults; something called "The Battle Cry of Aggressive Christianity" (Christian, not likely--aggressive, you bet); and bizarre roundups such as "News of the Weird," the Church of Beaver Cleaver, and so on. What makes this book so funny is the author's willingness to list (and ridicule) any group, no matter how repulsive. This means, too, that High Weirdness contains a group to offend everyone; consider yourself warned. In fact, if you aren't offended by some of these groups, you must be pretty offensive yourself. So there.

    It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. Including such classics as Truckin' My Blues Away, Harmonica Blues, and Please Warm My Weiner, Crumb's opus also features more recent covers done for CDs. R. Crumb: The Complete Record Cover Collection is a must-have for any lover of graphics and old-time music.

    In this electrifying account Steven Gaines reveals the gothic tale of violence, addiction, greed, genius, madness, and rock 'n' roll behind the wholesome, surf-and-sun image. Through candid interviews with close friends, family, and the Beach Boys themselves, Heroes and Villains portrays and evaluates all those who propelled the California myth, and the group who sang about it, into worldwide prominence: Murry Wilson, the corrosive father who abused them as children and exploited them as adults; Dennis Wilson, who explored every avenue of excess (including welcoming the entire Manson family into his home) to his inevitable self-destruction; the Wilsons' cousin, frontman Mike Love, whose devotion to Eastern religion could not quell his violent temper; the wives (more than ten), mistresses, managers, and producers who consumed huge pieces of the "musical pie"; and of course, the band's artistic center, Brian Wilson, the mentally fragile musical genius who achieved so much and then so little. With dozens of photos, Heroes and Villains recounts the bitter saga of the American dream realized and distorted and the music that survived.

    Tim and the gang are up to their elbows in dinos, drugs, and dwarves.

    L. Moore '75 essay by Lester del Rey Shambleau [Northwest Smith] '33 novelette by C. L. Moore Black Thirst [Northwest Smith] '34 novelette by C. L. Moore The Bright Illusion '34 story by C. L. Moore Black God's Kiss [Jirel of Joiry] '34 novelette by C. L. Moore Tryst in Time '36 novelette by C. L. Moore Greater Than Gods '39 novelette by C. L. Moore Fruit of Knowledge '40 novelette by C. L. Moore No Woman Born '44 novelette by C. L. Moore Daemon '46 story by C. L. Moore Vintage Season '46 novella by Henry Kuttner & C. L. Moore Afterword--Footnote to Shambleau & Others '75 essay by C. L. Moore

    Harnessing his vision and transcendent reality, these four pieces of long-form prose earmark a renowned filmmaker at the dawn of his career.

    A world of speakeasies and dancing girls where a gambler or bootlegger is perfectly normal and respectable in every way. Those familiar with "Guys and Dolls" know what to expect!

    Henry of science fiction… stories that range from the wryly humorous to the deadly serious, but are always unforgettable.Contents:ix · Introduction · Robert Bloch · in 1 · “Arena” · nv Astounding Jun ’44 31 · Imagine · pp F&SF May ’55 33 · It Didn’t Happen · ss Playboy Oct ’63 47 · Recessional · vi Dude Mar ’60; Portfolio, gp 49 · Eine Kleine Nachtmusik · Fredric Brown & Carl Onspaugh · ss F&SF Jun ’65 69 · Puppet Show · ss Playboy Nov ’62 81 · Nightmare in Yellow · vi Dude May ’61; Five Nightmares, gp 85 · Earthmen Bearing Gifts · vi Galaxy Jun ’60 89 · Jaycee · vi Nightmares and Geezenstacks, Bantam, 1961 91 · Pi in the Sky · nv Thrilling Wonder Stories Win ’45 121 · Answer · vi Angels and Spaceships, Dutton, 1954 123 · The Geezenstacks · ss Weird Tales Sep ’43 133 · Hall of Mirrors · ss Galaxy Dec ’53 141 · Knock · ss Thrilling Wonder Stories Dec ’48 153 · Rebound [“The Power”] · vi Galaxy Apr ’60 157 · Star Mouse [Mitkey] · ss Planet Stories Spr ’42 179 · Abominable · vi Dude Mar ’60; Portfolio, gp 183 · Letter to a Phoenix · ss Astounding Aug ’49 193 · Not Yet the End · vi Captain Future Win ’41 197 · Etaoin Shrdlu · nv Unknown Feb ’42 221 · Armageddon · ss Unknown Aug ’41 227 · Experiment · vi Galaxy Feb ’54; Two Timer, gp 229 · The Short Happy Lives of Eustace Weaver I, II, & III [“Of Time and Eustace Weaver”] · ss EQMM Jun ’61 237 · Reconciliation · vi Angels and Spaceships, Dutton, 1954 239 · Nothing Sirius · ss Captain Future Spr ’44 257 · Pattern · vi Angels and Spaceships, Dutton, 1954 259 · The Yehudi Principle · ss Astounding May ’44 271 · Come and Go Mad · nv Weird Tales Jul ’49 315 · The End [“Nightmare in Time”] · vi Dude May ’61; Five Nightmares, gp

    Follow the flailing escapades of maverick music manager Campbell Ouiniette at the Calgary Folk Festival, as he leaves a trail of empty liquor bottles, cigarette butts, bruised egos, and obliterated relationships behind him. His top headlining act has abandoned him for the Big Time. In a fit of self-delusion or pure genius (or perhaps a bit of both), Ouiniette devises an intricate scam, a last hurrah in an attempt to redeem himself in the eyes of his girlfriend, the music industry, and the rest of the world. He reveals his path of destruction in his own transparently self-justifying, explosive, profane words, with digressions into the Edmonton hardcore punk rock scene, the Yugoslavian Civil War, and other epicentres of chaos.