But staying in the background was not possible for Mengers. Irrepressible and loaded with chutzpah, she became a driving force of Creative Management Associates (which later became ICM) handling the era’s preeminent stars.A true original with a gift for making the biggest stars in Hollywood listen to hard truths about their careers and personal lives, Mengers became a force to be reckoned with. Her salesmanship never stopped. In 1979, she was on a plane that was commandeered by a hijacker, who wanted Charlton Heston to deliver a message on television. Mengers was incensed, wondering why the hijacker wanted Heston, when she could get him Barbra Streisand.Acclaimed biographer Brian Kellow spins an irresistible tale, exhaustively researched and filled with anecdotes about and interviews more than two hundred show-business luminaries. A riveting biography of a powerful woman that charts show business as it evolved from New York City in the 1950s through Hollywood in the early 1980s, Can I Go Now? will mesmerize anyone who loves cinema’s most fruitful period.

    By 1978 he was the biggest concert draw in the history of stand-up. In 1981 he quit forever. This book is, in his own words, the story of "why I did stand-up and why I walked away." Emmy and Grammy Award winner, author of the acclaimed New York Times bestsellers Shopgirl and The Pleasure of My Company, and a regular contributor to The New Yorker, Martin has always been a writer. His memoir of his years in stand-up is candid, spectacularly amusing, and beautifully written. At age ten Martin started his career at Disneyland, selling guidebooks in the newly opened theme park. In the decade that followed, he worked in the Disney magic shop and the Bird Cage Theatre at Knott's Berry Farm, performing his first magic/comedy act a dozen times a week. The story of these years, during which he practiced and honed his craft, is moving and revelatory. The dedication to excellence and innovation is formed at an astonishingly early age and never wavers or wanes. Martin illuminates the sacrifice, discipline, and originality that made him an icon and informs his work to this day. To be this good, to perform so frequently, was isolating and lonely. It took Martin decades to reconnect with his parents and sister, and he tells that story with great tenderness. Martin also paints a portrait of his times-the era of free love and protests against the war in Vietnam, the heady irreverence of The Smothers Brothers Comedy Hour in the late sixties, and the transformative new voice of Saturday Night Live in the seventies.Throughout the text, Martin has placed photographs, many never seen before. Born Standing Up is a superb testament to the sheer tenacity, focus, and daring of one of the greatest and most iconoclastic comedians of all time.

    However, most of the individual stories will be released separately. **Twelve bestselling and award-winning authors each bring you a sexy night of romance, fun and a little magic. ‘Tis the season for falling for the right guy!Two people stuck in an elevator, snowed in, on an all-night bus trip, locked in a store... Can a magical fruitcake be the special ingredient they're all looking for? **‘Tis the season for giving, too!**20% of the proceeds will be donated to the hunger relief organization Feeding America December 25: “Scrooge You” by MK SchillerChristmas is the worse time of the year for Eva. It’s nothing but a reminder of her tragic past. To make matters worse, her boyfriend invites his entire family over…so she goes into total Scrooge mode.When three ghosts visit her, will she be able to remember the joy in her heart and the true meaning of Christmas?December 26: “Unexpected Daddy” by Gemma BrocatoShe let him go to pursue his dreams without telling him she was pregnant. Five years later, he’s back in town and her secret’s out. Can they get over past hurts to seize a future for their small family?December 27: “The Meant to Be Girl” by Tawdra KandleWhen Ashley Webbar meets Zane Fletcher, the new lawyer in Burton, it's insta-lust . . . but she soon realizes he's already smitten with someone else, even if Zane himself doesn't seem to know it.Ashley is so busy matchmaking that she might miss out on her own happily-ever-after . . . if something or someone doesn't intervene first. This just might call for a Christmas miracle.December 28: “For One Night Only” by Carrie ElksWhen two strangers are stranded at a rest stop in the middle of Nowheresville—thank you, Mr. Bus Driver—they’re forced to spend the night together. Not that it’s exactly a hardship, thanks to the sizzling chemistry between them. But when morning, and rescue, comes, they both find themselves asking one question. Will they see each other again, or was their connection for one night only?December 29: “Best Friends for a Night” by Alice GainesEvery year, Steve has been cheering up his army buddy’s widow with popcorn and zany movies on the anniversary of her husband’s death. Will a little holiday magic make Steve and Hannah more than friends?December 30: “Entwined” by Kristi RoseDonovan survived combat, but can he survive being stranded over Christmas with the girl of his dreams? He swore he’d stay away from his best friend’s kid sister years ago, but after a near-death helicopter crash, this sailor knows second chances don't come around often. Loving Bailey would mean risking not only his friendship but his heart. And that would be one wound that would never heal.December 31: “Rekindled” by Stacy FinzThe last place Branna and Drex want to spend New Year’s Eve is stuck on a broken-down elevator, together. They’ve finally put their divorce behind them and don’t want to open old wounds. But fate and a fruitcake step in, making them question whether love could be better the second time around. January 1: “New Year’s Negotiation” by Kate AllentonWhen Detective Elizabeth Cross’s high school crush and star of all of her what-ifs shows up at the stroke of midnight on New Year’s Eve ready to take her on a trip down memory lane, she’ll have to decide if this is a second chance at having her happily ever after or the start of another broken heart.January 2: “Playing House” by Kim GoldenCassie Delk isn’t having the best holiday season. With her ex-husband about to get remarried, she’s not very excited about still being single. The last thing she expects is for a second chance at love to turn up on her doorstep.January 3: “Book of Love” by Cd BrennanHey, wait a minute, Mr. Postman! Where's your Christmas spirit?Nothing infuriates Melanie more than the one-armed, ex-army hunk who chucks her mail at her book shop door. When Nick delivers a special package at the end of the day, she's ready to give him what for. Except a blizzard strands them together, and the fruitcake delivery sparks magic between them instead. Now, Melanie isn't sure what she wants to give him—a piece of her mind or all of her heart.January 4: “A Winter Wonderland” by Rebecca HunterComing face-to-face with her first love after ten years is a reminder of everything Selena left behind when she moved from Delilah’s Cove. And an evening with Jace is even more dangerous when mixed with a little magic… January 5: “Wild Honey” by Sarah HeggerTwo people who couldn’t be more different. One elevator, a dark and stormy night, and a magical, bourbon-laced fruitcake. What could go right?

    Fiction by Hugo and Nebula award winners and nominees as well as talented newcomers. Stories were selected by the Unidentified Funny Objects series curator Alex Shvartsman.

    One of the first -- and still one of the best -- dissections of the wildly destructive rock-and-roll lifestyle, Spider Kiss isn't about giant cockroaches that attack Detroit or space invaders that smell like chicken soup. Instead, it's the story of Luther Sellers, a poor kid from Louisville with a voice like an angel who's renamed Stag Preston by a ruthless promoter. Preston's meteoric rise on the music scene is matched only by the rise in his enormous appetites -- and not just for home cooking -- and soon the invisible monkey named Success is riding him straight to hell. This raucous early novel reinforces Ellison's reputation as one of America's most dynamic writers.

    And the success tore them apart. Walt Disney and Ub Iwerks’s friendship is a story of betrayal, love, war, money, power, tragedy, intrigue, humor, despair, and hope. You’ll love them both—when you don’t want to drop anvils on their heads. Discover the men behind the mouse, and the mystery behind the magic. A Mouse Divided is a stirring depiction of two underdogs. One invented Mickey Mouse—and one said he did. You’ll love Walt Disney more than you ever thought possible—until you don’t. And you’ll sympathize with Walt’s friend-turned-rival Ub Iwerks, always in Walt’s shadow. This true story of how the Disney empire was made is a captivating page-turner, endlessly fascinating and revealing. And it’s never been fully told—until now.

    Anita Loos first published the diaries of the ultimate gold-digging blonde in the flapper days of 1925. Now Gentlemen Prefer Blondes and its brunette sequel are together at last in a two-in-one volume, complete with the original hilarious Ralph Barton illustrations throughout.

    Librarian's note: An alternate cover edition can be found hereThis novel tells the story of America's race to Mars and the web of passionate conflict it weaves among the astronauts and their wives -- and between Russia and the United States, the contestants in this deadly race.

    It continues after midnight, when a young boy, held captive in a basement, is filled with unearthly visions of fantastic and frightening worlds. How could his kidnappers know that the ransom would be their own souls? For, as the hours pass, the boy's nightmares invade his captors like parasites-and soon, they become real.This audiobook also contains the short stories "Underworld," "O Rare and Most Esquisite," "The Rendering Man," "The Fruit of Her Womb," "The Hurting Season," "Chosen," "The Night Before Alec Got Married," "Only Connect," "The Little Mermaid," "Damned if You Do," and "The Ripening Sweetness of Late Afternoon." You can also listen to the acclaimed novelettes, "White Chapel" and "I am Infinite, I Contain Multitudes."

    Then his roommate’s missing brother turns up in a local hospital having sliced open his own chest and legs for some sick, inexplicable reason. In Oakland, the Reverend Garner, a recovering addict, leaves his ministry in search of his teenage daughter, who was last seen in the company of her ghoulish kidnapper. And the Los Angeles police are meanwhile baffled in their hunt for the elusive “Wetbones” serial killer who leaves nothing of his victims behind except a damp, grisly pile of bones. Though Tom, the reverend, and the LAPD are on separate quests for answers, they are all being led into the darkest shadows of Hollywood, where the debauchery never ceases and pleasure is a drug that devours human flesh, blood, and sanity. But the true source of the all-consuming addiction is the most horrifying revelation of all, for it is not of this rational Earth. From International Horror Guild Award–winning author John Shirley, the acclaimed “splatterpunk” classic Wetbones combines the monstrous inventiveness of H. P. Lovecraft with the exquisite excess of Clive Barker. A true masterwork of modern terror, it’s decidedly not for the faint of heart.

    With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational audience.For its scattered listeners, Noise always seems to be new and to come from somewhere else: in North America, it was called "Japanoise." But does Noise really belong to Japan? Is it even music at all? And why has Noise become such a compelling metaphor for the complexities of globalization and participatory media at the turn of the millennium?In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the "cultural feedback" that generates and sustains Noise. He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners. He explores the technologies of Noise and the productive distortions of its networks. Capturing the textures of feedback—its sonic and cultural layers and vibrations—Novak describes musical circulation through sound and listening, recording and performance, international exchange, and the social interpretations of media.

     Manhattan, 1948. America's most famous exstriptease artist, glamorous Maggie Starr, now runs her late husband's newspaper syndicate, distributing the Wonder Guy comic strip. Wonder Guy, soaring superhero, represents all that is good about postwar America. But when the cartoon character's publisher winds up dead, Maggie finds herself working with her stepson Jack Starr (also her V.P. and chief troubleshooter) to find a killer among cartoonists, wives, mistresses and minions of a different sort of "syndicate"-suspects with motives that are anything but superheroic.

    But romance can become obsession, and nowadays, love songs are creepier than ever. Even the Police’s stalker anthem “Every Breath You Take” is a popular choice at weddings and funerals.In Touch Me, I’m Sick, Tom Reynolds offers hilarious riffs on 52 love songs that have gone off the rails into the realm of the tawdry, the overwhelming, the obsessive, the self-absorbed, and the completely weird. Including songs by artists as diverse as Melissa Etheridge, Michael Jackson, Paul Anka, Sinéad O’Connor, and Slipknot, he also pillories a handful of the 1,700 different songs called “Butterfly.” Praise for Tom Reynolds’ I Hate Myself and Want to Die"A tremendous idea . . . Reynolds ameliorates the pain of having put his ear up close to some of the most inconsiderate despair anthems of our time by having enormous fun deconstructing them."  —The Sunday Times"Full of premium trivia and pinpoint pomposity-pricking, Reynolds has made comedy gold from the full base metal of misery." "An entertaining and well-researched set of cautionary tales music fans will enjoy. Consider the list a batch of enthralling liner notes for a box set that comes with razor blades."  —Playboy<"Bridget Jones would love it."  —The Scotsman

    Ibbotson concentrates on the infinite variety of Great Love--its discovery, development, recognition, loss, and denouement. Her characters, males and females of all ages and professions, are frequently seen during the Christmas season and in prewar Vienna and Russia. In many stories, people find and lose each other--often with an O. Henry twist. Ibbotson, a winner of the Romantic Novelists Association award, writes charmingly about love, forgiveness, loss, and happiness.