Soon McKay and his team start to identify a disturbing pattern behind the killings.Why are candles and roses placed around the bodies?What is this twisted murderer trying to achieve?While the police follow their own leads, a young woman who discovered the first victim begins an investigation of her own.As the case unfolds McKay will be forced to face his own demons.To catch the killer McKay must discover the true motive and untangle the web of truth and lies.Candles and Roses is the first book in the explosive new DI McKay Series.  Death Parts Us: Twenty years ago, Jackie Galloway was a senior cop with a bad reputation. Then he ended up on the wrong side of the wrong people, and his career was ruined. Sacked and with no pension, he ends up eking out his last days on Scotland's Black Isle, his mind lost to dementia, supported only by his long-suffering wife, Bridie. Then Galloway is found dead. The police assume the death to be accidental until Bridie Galloway reveals that her husband has been receiving threatening letters containing only the phrase: 'NOT FORGOTTEN. NOT FORGIVEN.'DI Alec McKay is struggling to come to terms with life without his estranged wife Chrissie, and is living in isolation on the Black Isle. As a junior officer, McKay had been allocated to Galloway's team and has bad memories of the man and his methods. Now he finds himself investigating Galloway's death.But when suspicion falls on him and more police officers are murdered, the pressure is on for McKay to solve the case.Why would the killer seek revenge twenty years after Galloway left the force?As McKay fights to link the events of past and present, he realizes that time is rapidly running out… Their Final Act: Jimmy McGuire, a washed-up comic, is found dead on the streets of Inverness, his body garroted. Back in the 1990s, McGuire had been half of a promising double-act until his partner, Jack Dingwall, was convicted of rape.Soon after, a second corpse is found in an abandoned industrial site on the edge of the Moray Firth. The body has been there for some days and has also been garroted. The victim turns out to be a former musician turned record producer, who had also been the subject of rape allegations.Meanwhile, DI Alec McKay and DCI Helena Grant are still wrestling with the fallout from one of their recent cases following an acquittal.As the body count rises, the police think they have the killer in their sights. But McKay is concerned that the evidence is too neat so when he realises there will be a final victim, he fears that time is running out. The best-selling DI Alec McKay series are gripping serial killer thrillers set in the Scotish Black Isle. They will appeal to fans of authors like Ian Rankin, Helen Fields and Ann Cleeves.

    Now Frederic Tuten, the highly acclaimed author of Tintin in the New World, has imagined the personification of van Gogh's fervor and madness: Ursula, one of the most beguiling creations in recent literature. A morphine-addicted, nineteen-year-old photographer, Ursula is van Gogh's lover and tormentor. But she is lost to him, and he to her, when she steps through a crack in the wall of the Bad Cafe and finds herself in a strange world - New York City at the end of the twentieth century. Van Gogh's Bad Cafe is a fantastical romance set in two different eras. It is a meditation on love and longing; on van Gogh's psyche and his work; on addiction (to passion, drugs, art); on the spirit of the nineteenth versus the twentieth century.

    A fictional town full of very real people who survive the attack of Hurricane Hugo and then find their bearings in the aftermath—often in wild and hilarious ways. The days leading up to the impending disaster are not at all unusual—no portents of disaster, no signs of impending calamity. Bryce works his night shift at the hot dog factory, Isaac drives the bus to school, Evelyn attends a funeral. But when the electricity fails in the middle of the night on September 21, 1989, it marks the moment when everything will change: Hugo has arrived.The storm builds, the wind whips by faster and faster, and interpersonal dramas, grudges, and rivalries are dredged up along with the flotsam and debris. Meanwhile, flood markers, painted red, track the height of the water from past rainstorms, and as the creek level rises higher than ever before, so do the emotions of the townspeople.Alternating between weather forecasts and short stories, Floodmarkers is an exquisitely crafted day-in-the-life of a town. And as Nic Brown has us look bravely at the eye of the storm, he cleverly shows us that human nature can stir up a spectacular tempest all its own.

    Most particularly if she writes poems about death and violence. Or at least that is the lesson that the posthumous careers of Anne Sexton and Sylvia Plath seen to teach us.Reading this new volume of Sexton's previously uncollected poems, one has to wonder what will happen when there are no more half-finished poems left to be published. Will her grocery lists be next?I'm sure that the editor of this volume, Sexton's daughter Linda Gray Sexton, acts out of the desire to complete her mother's oeuvre, and apparently Anne Secton did leave instructions for at least some of her work, the section called "Letters for Dr. Y," to be published after her death. And in all fairness to Linda Gray Sexton I should mention that she and her co-editor Lois Ames did an excellent job of annotating and editing Anne Sexton's collected letters, putting together in A Self-Portroit in Letters (1977) a picture of a remarkably courageous woman and talented artist who fought her madness for many years.The heart of Anne Sexton's work lies in her earliest books - To Bedlam and Part Way Back, Live or Die, All My Pretty Ones. Here searing images take one by surprise, and the poems combine virtuoso technical skill with highly personal material is a way no one dies had ever done before. Yet as she grow older, worn down by her recurring bouts with insanity , Sexton's work grew sloppier, more self-indulgent , repetitive and heavy-handed. Her obsession with death and violence became more and more a part of some personal psychotic heil, more and more distorted each time she wrote, like a drawing one can't quite get right and finally ruins by constant erasure. The poems and the three horror stories in Words for Dr. Y are no exception.I would like to remember Anne Sexton for what I consider to be those extraordinary poems written in the face of great odds - poems like "Music Swims Back to Me," "You, Dr. Martin," "Her Kind." But the continuing publication of her inferior work tends to obscure her real achievement. [susan wood]

    He’s bored. He’s so bored he can move things with his mind.A man fills up a mate’s biscuit tin without ever telling him, to see what happens.Maggie’s boyfriend Iain bought a curtain. It keeps attacking them. She wants it out the house.A man is sitting in his wheelie bin at two in the morning, and he wants to tell you why.Kenny’s mate Scott is suicidal and ridden with guilt. Kenny takes him on holiday to Benidorm. It’ll be some laugh.Praise for Daft Wee Stories:‘The comedy book of the year.’ - Time Out‘Funny, peculiar and original.’ - Guardian‘Didn't realise pieces of paper with no pictures on could be so funny. I mean I was cryin’ all day yesterday into this book. Hilarious’ - Someone on Amazon

    'All for Love' is a collection of brief quotations by many hands, chosen and illustrated with exquisite wit by Laura Stoddart.Here the raptures of love are counter-balanced by the rueful, comic, and often rather crisply cynical observations of men and women who have been there before. Divided into sections on the nature of love, the pursuit of love, love and marriage and the love affair, the book ranges from the passionate to the severely practical. We can smile at the silliness of those blinded by love (Shakespeare), feel a pang of heartache for jilted lovers (Dorothy Parker) reflect with Byron that there is little to be said about a happy marriage, and take note of P G Wodehouse advising girls that chumps make the best husbands, while relishing snatches of great poetry about great loves, from Sappho, Marlowe, Wordsworth, John Clare and Thomas Hardy.'All for Love' is a rare treat for everyone who is in love, contemplating marriage, has a broken heart, or has put the whole business behind them, and wants to be cheered up by some brilliant insights and by Laura Stoddart's enchanting visual comments on them.

    We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

    In the small hours of January 1st, 1919, the cruellest twist of fate changed at a stroke the lives of an entire community.Tormod Morrison was there that terrible night. He was on board HMY Iolaire when it smashed into rocks and sank, killing some 200 servicemen on the very last leg of their long journey home from war. For Tormod – a man unlike others, with artistry in his fingertips – the disaster would mark him indelibly.Two decades later, Alasdair and Rachel are sent to the windswept Isle of Lewis to live with Tormod in his traditional blackhouse home, a world away from the Glasgow of their earliest years. Their grandfather is kind, compassionate, but still deeply affected by the remarkable true story of the Iolaire shipwreck – by the selfless heroism and desperate tragedy he witnessed.A deeply moving novel about passion constrained, coping with loss and a changing world, As the Women Lay Dreaming explores how a single event can so dramatically impact communities, individuals and, indeed, our very souls."Gave me an insight into the Iolaire disaster which no history book could manage… a powerful book…which reveals new layers with every reading. It is history brought to life through fiction, and when it is done in a manner as moving and beautiful as this it is invaluable." Alistair Braidwood, Scots Whay Hae

    I might be the only person in Scotland that’s not fussed, one way or the other. But my friend, Lily, loves the idea. That’s how I wound up on the set, cast as an extra in a low budget movie set in a castle. I’m a freshly-trained history teacher about to begin my new career. History’s my passion and soon I’ll get to teach it all day long. There are so many other, more important things I should be doing right now, rather than standing in line waiting for a costume, then waiting for hair, then waiting for makeup. When I agreed to this, to be part of the crowd scene, Lily was thrilled and promised me a special time. She delivered on that promise-rather too well. Sure, I love history, but that doesn’t mean I’m prepared to be thrust back in time, into our dark past. That’s what happens to me though. I suddenly find myself living the humble and horribly dangerous life of a Scottish lass in 1263. I was not ready for this. I’m a modern woman who likes modern things. I love the idea that there’s a doctor around the corner waiting to cure me. If I had to choose a place and time in history to stop for a while, it wouldn’t be medieval Scotland. That's the end of the Viking era. It’s a tumultuous time in history when the Vikings still own small bits of Scotland, and are determined to hold on, no matter the cost. The Scots are equally as stubborn. Nevertheless, this is where I end up, forced to deal with lawlessness, disease, lack of education, and an entirely foreign sort of man. In these wayward times, men are not like they are in my own century. Here, they’re wilder and a whole lot more frightening. I need to find my way home before something really bad happens to me. I’m not blending in well in the past. Laird Bern is curious and itching to know more. He plans to keep me indefinitely, I think. But that’s not happening because I’m determined to get home again, back to my own time, to the place I belong. Someone else has noticed me too—Storr, the Viking leader. It’s bad enough to be caught between warring Vikings and Scotsmen, but somehow I also find myself trapped in a tug of love. Do I want an ambitious Viking leader or a rugged, Scottish laird, one that is hellbent on getting his own way? What I want is to go home.

    Reid's chief suspect, a ruthless financier, always seems to be one step ahead of him. After one of his men is murdered, Reid suspects he's got a traitor in own camp. When Reid's wife, Anne, becomes deeply embroiled in the investigation, things get dangerously personal. The cold Glasgow spring isn't the only thing chilling Anne's blood when she leaves California to try to save her marriage. The estate gardens she's renovating are owned by her husband's enemy, her sister-in-law is trying to get her killed, and her efforts to help Terrence plunge-and her unborn child-deeper and deeper into peril.

    In scenes of a mixture of pride, madness, and comedy, Carlos plays out his role as deity among the naked islanders, living a fantasy that most readers will find believable, if horrific. Along with the horror, the book does offer some beautiful moments of discovery, as when, as Winkler narrates, the ship takes the Mona Passage to Jamaica...we hear of an Edenic island, green and aromatic, opened like a wildflower. For all of its scenes of braggadocio and brutality, the book often works on you like that vision."--Alan Cheuse, NPR, All Things Considered"Readers are transported to Jamaica, into Winkler's richly invented 16th century, where his flawless prose paints their slice of time, in turn both brutally graphic and lyrically gorgeous. Comic, tragic, bawdy, sad, and provocative, this is a thoroughly engaging adventure story from a renowned Jamaican author, sure to enchant readers who treasure a fabulous tale exquisitely rendered."-- Library Journal "A tale of the frequently tragic--and also comic--clash of races and religions brought on by colonization...Anthony Winkler spins an enlightened parable, rich in historical detail and irony."-- Shelf Awareness "Darkly irreverent...With a sharp tongue, Winkler, a native of Jamaica, deftly imbues this blackly funny satire with an exposé of colonialism's avarice and futility."-- Publishers Weekly "With perceptive storytelling and bracing honesty, Mr. Winkler, author of a half-dozen well-reviewed books, has a lovely way of telling a good story and educating concurrently...God Carlos teaches history in a subtle but meaningful way. Too literary to be lumped in with typical historical fiction, and too historical to be lumped in with typical literary fiction, God Carlos defies categorization."-- New York Journal of Books "God Carlos provides a welcome opportunity to glimpse...the lives of ordinary people, both European and Caribbean, as they experience the calamitous effects of the encounter of two worlds."-- Sargasso: A Journal of Caribbean Literature, Language, & Culture "The author's piercing narrative drives home...Here, Winkler's brilliance as a storyteller is unmistakable...God Carlos is a literary tour de force--atmospheric and incisive. It effuses raw emotion--perplexing, bewildering, and dark...On multiple levels, Winkler proves his salt as a genuine raconteur...the architect of an invaluable literary work."-- The Jamaica Gleaner "Well-written...Winkler's descriptions of sea and sky as seen from a sailing ship, and of the physical beauty of Jamaica, are spot-on and breathtaking."-- Historical Novel Review "In God Carlos and The Family Mansion, Anthony Winkler, the master storyteller, has provided us with texts of both narrative quality and historical substance that should find place in the annals of Caribbean literature."--SX SalonGod Carlos transports us to a voyage aboard the Santa Inez, a Spanish sailing vessel bound for the newly discovered West Indies with a fortune-seeking band of ragtag sailors. She is an unusual explorer for her day, carrying no provisions for the settlers, no seed for planting crops, manned by vain, arrogant men looking for gold in Jamaica.Expecting to make landfall in paradise after over a month at sea, the crew of the Santa Inez instead find themselves in the middle of a timid, innocent people--the Arawaks--who walk around stark naked without embarrassment and who venerate their own customs and worship their own Gods and creeds. The European newcomers do not find gold, only the merciless climate that nourishes diseases that slaughter them. That the Arawaks believed that the arrivals were from heaven makes even more complicated this impossible entanglement of culture, custom, and beliefs, ultimately leading to mutual doom.

    Kids love him and his poetry...and so do adults, a combination of approbation that is unusual in today's world.

    Starting with an account of his childhood in Ireland at the end of the 19th century, the story moves to Scotland where, tramp then gang-labourer then navvy, Dermond Flynn (as he sometimes calls himself) discovers himself as a writer.

    Henryson's finest poem, and one of the rhetorical masterpieces of Scots literature, is the narrative Testament of Cresseid. Set in the aftermath of the Trojan War, the Testament completes the story of Chaucer's Troilus and Criseyde, offering a tragic account of its faithless heroine's rejection by her lover, Diomede, and of her subsequent decline into prostitution and leprosy. Written in Middle Scots, the Testament has been translated by Seamus Heaney into a confident but faithful idiom that matches the original verse form and honors the poem's unique blend of detachment and compassion.A master of high narrative, Henryson was also a comic master of the verse fable, and his burlesques of human weakness in the guise of animal wisdom are delicately pointed with irony. Seven of the Fables are here sparklingly translated by Heaney, their freshness rendered to the last claw and feather. Together, The Testament of Cresseid and Seven Fables provide a rich and wide-ranging encounter between two poets across six centuries.

    It will be disruptive, noisy, and dusty, despite bringing in some new jobs. Publican Glen organizes a protest group, but when the local newspaper takes an interest in him and the story, he starts to feel nervous. When Jenny Forsyth attends a protest meeting and sees the quarry surveyor she discovers a ghost from her past that she would rather keep to herself. Clarissa Ramsay, newly widowed, is too preoccupied to care much about the new threat facing the village—she has just discovered her husband's secret life, and has resolved to make some radical changes to her own.