Barnes’ Dead Silence, a SF horror novel in which a woman and her crew board a decades-lost luxury cruiser and find the wreckage of a nightmare that hasn't yet ended.A GHOST SHIP.A SALVAGE CREW.UNSPEAKABLE HORRORS.Claire Kovalik is days away from being unemployed—made obsolete—when her beacon repair crew picks up a strange distress signal. With nothing to lose and no desire to return to Earth, Claire and her team decide to investigate.What they find at the other end of the signal is a shock: the Aurora, a famous luxury space-liner that vanished on its maiden tour of the solar system more than twenty years ago. A salvage claim like this could set Claire and her crew up for life. But a quick trip through the Aurora reveals something isn’t right.Whispers in the dark. Flickers of movement. Words scrawled in blood. Claire must fight to hold onto her sanity and find out what really happened on the Aurora, before she and her crew meet the same ghastly fate.

    Penthouse access is available via the broken freight elevator. Black tie optional.A dinner party is held in the penthouse of a multimillion-pound development. All the guests are strangers - even to their host, the billionaire owner of the building. None of them know why they were selected to receive his invitation. Whether privileged or deprived, besides a postcode, they share only one thing in common - they've all experienced a shocking disturbance within the building's walls.By the end of the night, their host is dead, and none of the guests ever said what happened. His death remains one of the biggest unsolved mysteries - until now.But are you ready for their stories?Jonathan Sims' debut is a darkly twisted, genre-bending journey through one of the most innovative haunted houses you'll ever dare to enter.

    Richard and Juliette Willoughby’s son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place.Juliette, convinced Ewan still lives there in some form, seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree.Starve Acre is a devastating new novel by the author of the prize-winning bestseller The Loney. It is a novel about the way in which grief splits the world in two and how, in searching for hope, we can so easily unearth horror.

    Rafter lights spilled from the barn doors and Davey saw an arm fall from the canvas-wrapped parcel. He smiled.“She got someone!”Both children grinned and settled in their beds, eyes fixed to the ceiling.This was family growth.

    But the Alexander House is different. Built by a 1700s land baron to contain the madness and depravity of his eldest son, the house is plagued by shadows of the past and the lingering taint of bloodshed. David is haunted, as well. For twenty-two years ago, he turned away the woman he loved, and she took her life in sorrow. And David suspects she’s followed him to the Alexander House.

    In the apartment of Oliver's old professor at Cambridge, there is a painting on the wall, a mysterious depiction of masked revelers at the Venice carnival. On this cold winter's night, the old professor has decided to reveal the painting's eerie secret. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty.By the renowned storyteller Susan Hill--whose first ghost story, The Woman in Black, has run for eighteen years as a play in London's West End--here is a new take on a form that is fully classical and, in Hill's able hands, newly vital. The Man in the Picture is a haunting tale of loss, love, and the very basest fear of our beings.

    A chainsaw-wielding Evil Dead fan defends herself against a trio of undead intruders. A bride-to-be comes to wish that the door between the physical and spiritual worlds had stayed shut on All Hallows' Eve. A lone passenger on a midnight train finds that the engineer has rerouted them toward a past she'd prefer to forget. A mother abandons a life she no longer recognizes as her own to walk up a mysterious staircase in the woods. In her debut collection, Christa Carmen combines horror, charm, humor, and social critique to shape thirteen haunting, harrowing narratives of women struggling with both otherworldly and real-world problems. From grief, substance abuse, and mental health disorders, to a post-apocalyptic exodus, a seemingly sinister babysitter with unusual motivations, and a group of pesky ex-boyfriends who won't stay dead, Something Borrowed, Something Blood-Soaked is a compelling exploration of horrors both supernatural and psychological, and an undeniable affirmation of Carmen's flair for short fiction.

    I don't think people are meant to live here.”Longtime residents of Harper's Cove believe that something is wrong with the Widow's Point Lighthouse. Some say it's cursed. Others claim it's haunted.Originally built in 1838, three workers were killed during the lighthouse's construction, including one who mysteriously plunged to his death from the catwalk. That tragic accident was never explained, and it was just the beginning of the terror. In the decades that followed, nearly two dozen additional deaths occurred in or around the lighthouse including cold-blooded murder, suicide, unexplained accidents and disappearances, the slaughter of an entire family, and the inexplicable death of a Hollywood starlet who was filming a movie on the grounds.The lighthouse was finally shuttered tight in 1988 and a security fence was erected around the property. No one has been inside since.Until tonight.Thomas Livingston is the acclaimed author of thirteen books about the supernatural and this evening he will enter the Widow's Point Lighthouse, searching for material for his next bestseller. He will be locked inside for the weekend with no way of contacting the outside world. And although no human has stepped foot inside the structure in nearly three decades, Livingston will not be alone.In this remarkable collaboration, father and son writing team, Richard and Billy Chizmar, combine forces to tell a chilling ghost story that will make you think twice about what is waiting for you in the dark. This novella is a much-expanded version of the short story of the same title.

    Throughout the story Blackwood personifies the surrounding environment—river, sun, wind—and imbues them with a powerful and ultimately threatening character. Most ominous are the masses of dense, desultory, menacing willows, which "moved of their own will as though alive, and they touched, by some incalculable method, my own keen sense of the horrible.""The Willows" is one of Algernon Blackwood's best known short stories. American horror author H.P. Lovecraft considered it to be the finest supernatural tale in English literature. "The Willows" is an example of early modern horror and is connected within the literary tradition of weird fiction.

    Amidst caring for his disabled son and coming to terms with a failed marriage, he receives a call that his father has been killed in a logging accident in northern Minnesota. Upon his arrival in his hometown, he begins to experience terrifying and unexplainable occurrences that push the boundaries of his sanity. Soon he must face the reality that his father may not have been the man he thought he was. And there are other, darker forces waiting for him as a powerful snowstorm bears down, trapping him with secrets that are far from dead.

    On a rainy April morning, she is reading auras at Spiritual Palms when Susan Burke walks in. A keen observer of human behavior, our unnamed narrator immediately diagnoses beautiful, rich Susan as an unhappy woman eager to give her lovely life a drama injection. However, when the "psychic" visits the eerie Victorian home that has been the source of Susan's terror and grief, she realizes she may not have to pretend to believe in ghosts anymore. Miles, Susan's teenage stepson, doesn't help matters with his disturbing manner and grisly imagination. The three are soon locked in a chilling battle to discover where the evil truly lurks and what, if anything, can be done to escape it.“The Grownup,” originally appeared as “What Do You Do?” in George R. R. Martin’s Rogues anthology.

    But the building's fate hangs in the balance as financing problems halt the project. Contractor Bill McGuire, all set to proceed, can't hide his dismay: with a family and another baby on the way, he can't afford delays. Then a package arrives at the McGuires'--a beautiful antique doll with long blonde hair. His daughter, Megan, wraps her arms around it; his wife, Elizabeth, remains suspicious. Who sent the doll? Who is it for? What neither Elizabeth nor Bill can know is that this innocent-looking gift brings with it a murderous menace...

    Wracked by plague, abandoned by the South, stripped of industry and left to die. But not everything dies so easily. A thing without a name stalks the city, a thing shaped like a man, with a dark heart and long pale fingers yearning to wrap around throats. A monster who cannot die. His frail master sends him out on errands, twisting him with magic, crafting a plan too cruel to name, while the monster’s heart grows fonder and colder and more cunning.These monsters of Elendhaven will have their revenge on everyone who wronged the city, even if they have to burn the world to do it.

    She is able to see the unbroken link of the macabre that ties Edgar Allan Poe to Anne Rice and to recognize the dark psychological bonds between Henry James and Stephen King. This remarkable anthology of gothic fiction, spanning two centuries of American writing, gives us an intriguing and entertaining look at how the gothic imagination makes for great literature in the works of forty-six exceptional writers. In showing us the gothic vision—a world askew where mankind’s forbidden impulses are set free from the repressions of the psyche, and nature turns malevolent and lawless—Joyce Carol Oates includes Henry James’s “The Romance of Certain Old Clothes,” Herman Melville’s horrific tale of factory women, “The Tartarus of Maids,” and Edith Wharton’s “Afterward,” which are rarely collected and appear together here for the first time.Added to these stories of the past are new ones that explore the wounded worlds of Stephen King, Anne Rice, Peter Straub, Raymond Carver, and more than twenty other wonderful contemporary writers. This impressive collection reveals the astonishing scope of the gothic writer’s subject matter, style, and incomparable genius for manipulating our emotions and penetrating our dreams. With Joyce Carol Oates’s superb introduction, American Gothic Tales is destined to become the standard one-volume edition of the genre that American writers, if they didn’t create it outright, have brought to its chilling zenith.rom Wieland, or The transformation / Charles Brockden Brown --The legend of Sleepy Hollow / Washington Irving --The man of adamant / Nathaniel Hawthorne --Young Goodman Brown / Nathaniel Hawthorne --The Tartarus of maids / Herman Melville --The black cat / Edgar Allan Poe --The yellow wallpaper / Charlotte Perkins Gilman --The romance of certain old clothes / Henry James --The damned thing / Ambrose Bierce --Afterward / Edith Wharton --The striding place / Gertrude Atherton --Death in the woods / Sherwood Anderson --The outsider / H.P. Lovecraft --A rose for Emily / William Faulkner --The lonesome place / August Derleth --The door / E.B. White --The lovely house / Shirley Jackson --Allal / Paul Bowles --The reencounter / Isaac Bashevis Singer --In the icebound hothouse / William Goyen --The enormous radio / John Cheever --The veldt / Ray Bradbury --The Dachau shoe / W.S. Merwin --The approved / W.S. Merwin --Spiders I have known / W.S. Merwin --Postcards from the Maginot Line / W.S. Merwin --Johnny Panic and the Bible of dreams / Sylvia Plath --In bed one night / Robert Coover --Schrödinger's cat / Ursula K. Le Guin --The waterworks / E.L. Doctorow --Shattered like a glass goblin / Harlan Ellison --Human moments in World War III / Don DeLillo --The anatomy of desire / John L'Heureux --Little things / Raymond Carver --The temple / Joyce Carol Oates --Freniere (from Interview with the Vampires) / Anne Rice --A short guide to the city / Peter Straub --In the penny arcade / Steven Millhauser --The reach / Stephen King --Exchange value / Charles Johnson --Snow / John Crowley --The last feast of Harlequin / Thomas Ligotti --Time and again / Breece D'J Pancake--Replacements / Lisa Tuttle --Spirit seizures / Melissa Pritchard --Cat in glass / Nancy Etchemendy --The girl who loved animals / Bruce McAllister --Ursus Triad, later / Kathe Koja and Barry N. Malzberg --(from Geek Love) The nuclear family: his talk, her teeth / Katherine Dunn --Subsoil / Nicholson Baker

    Time’s slipping away, doc ... ”Emergency Room Physician Brent Cummings is harboring secrets he’d rather leave in the shadows of his past. But, when he finds a dead woman in a foggy park, all his skeletons come tumbling out of the closet.In a deadly race against time, Brent attempts to alter the future so that he might finally let go of the past.Will he heed the warning in the fog, or will fate prove more dependable than the good doctor?