Kaye takes the reader on a journey from a complex but iridescent childhood, drawing them into adolescence, and finally on to adulthood. There are first kisses, lost friendships, hair blowing in the wind while driving the vastness of an empty road, and the author positioned in the middle, trying to make sense of it all. Readers will find joy and vulnerability, in equal measure. Date & Time is a welcoming story, which freezes the calendar and allows us all to live in our best moments.

    It is an ode to his muse, his all-consuming love, his everything- how it feels to find love, lose it, and get it back. Pour yourself some coffee and curl up with this book to let yourself feel something beautiful and true.

    Cross-Genre. Asian American Studies. In this new prose document, Bhanu Kapil follows a film crew to the Bengal jungle to re-encounter the true account of two girls found living with wolves in 1921. Taking as its source text the diary of the missionary who strove to rehabilitate these orphans--through language instruction and forcible correction of supinated limbs--HUMANIMAL functions as a healing mutation for three bodies and a companion poiesis for future physiologies. Through wolfgirls Kamala and Amala, there is a grafting: what scars down into the feral opens out also into the fierce, into a remembrance of Kapil's father. The humanimal text becomes one in which personal and postcolonial histories cross a wilderness to form supported metabiology. Lucidly, holographically, your heart pulsed in the air next to your body; then my eyes clicked the photo into place. Future child, in the time you lived in, your arms always itched and flaked. To write this, the memoir of your body, I slip my arms into the sleeves of your shirt. I slip my arms into yours, to become four-limbed.

    In China, Qian’s parents were professors; in America, her family is "illegal" and it will require all the determination and small joys they can muster to survive.In Chinatown, Qian’s parents labor in sweatshops. Instead of laughing at her jokes, they fight constantly, taking out the stress of their new life on one another. Shunned by her classmates and teachers for her limited English, Qian takes refuge in the library and masters the language through books, coming to think of The Berenstain Bears as her first American friends. And where there is delight to be found, Qian relishes it: her first bite of gloriously greasy pizza, weekly "shopping days," when Qian finds small treasures in the trash lining Brooklyn’s streets, and a magical Christmas visit to Rockefeller Center — confirmation that the New York City she saw in movies does exist after all.But then Qian’s headstrong Ma Ma collapses, revealing an illness that she has kept secret for months for fear of the cost and scrutiny of a doctor’s visit. As Ba Ba retreats further inward, Qian has little to hold onto beyond his constant refrain: Whatever happens, say that you were born here, that you’ve always lived here.Inhabiting her childhood perspective with exquisite lyric clarity and unforgettable charm and strength, Qian Julie Wang has penned an essential American story about a family fracturing under the weight of invisibility, and a girl coming of age in the shadows, who never stops seeking the light.

    . . In 1908, Jialing is only seven years old when she is abandoned in the courtyard of a once-lavish estate outside Shanghai. Jialing is zazhong—Eurasian—and faces a lifetime of contempt from both Chinese and Europeans. Until now she’s led a secluded life behind courtyard walls, but without her mother’s protection, she can survive only if the estate’s new owners, the Yang family, agree to take her in.Jialing finds allies in Anjuin, the eldest Yang daughter, and Fox, an animal spirit who has lived in the courtyard for centuries. But Jialing’s life as the Yangs’ bondservant changes unexpectedly when she befriends a young English girl who then mysteriously vanishes.Murder, political intrigue, jealousy, forbidden love … Jialing confronts them all as she grows into womanhood during the tumultuous early years of the Chinese republic, always hopeful of finding her long-lost mother. Through every turn she is guided, both by Fox and by her own strength of spirit, away from the shadows of her past toward a very different fate, if she has the courage to accept it.

    May they find every word they were looking for.***I know you don’t want to talk sometimes. Sometimes because it hurts and sometimes because you’re just not supposed to talk about what you want to talk about. Sometimes it can be hard to say, “this is beautiful,” when no one else can see what you see. Or, “Here, this is where the pain is.” But some part of you knows, the truth about the words you cannot say is that they only hurt until you say them. They only hurt until the person who needs to hear them, hears them.  Because we are human, and the closest we’ve ever come to showing each other who we really are, and how we love, is with words.So I’m going to try to say to you here, what I wish you’d say to me too. Please.Listen. We can change things. Here.

    In this hilarious book of tongue-in-cheek poetry, the author of the internationally syndicated comic strip Sally Forth helps cats unlock their creative potential and explain their odd behaviour to ignorant humans. With titles like Who Is That on Your Lap?, This Is My Chair, Kneel Before Me, Nudge, and Some of My Best Friends Are Dogs, the poems collected in I Could Pee on This perfectly capture the inner workings of the cat psyche. With photos of the cat authors throughout, this whimsical volume reveals kitties at their wackiest, and most exasperating (but always lovable).

    His poems combine 'karumi', or lightness of touch, with the Zen ideal of oneness with creation. Each poem evokes the natural world - the cherry blossom, the leaping frog, the summer moon or the winter snow - suggesting the smallness of human life in comparison to the vastness and drama of nature. Basho himself enjoyed solitude and a life free from possessions, and his haiku are the work of an observant eye and a meditative mind, uncluttered by materialism and alive to the beauty of the world around him.

    H. Auden endowed poetry in the English language with a new face. Or rather, with several faces, since his work ranged from the political to the religious, from the urbane to the pastoral, from the mandarin to the invigoratingly plain-spoken.This collection presents all the poems Auden wished to preserve, in the texts that received his final approval. It includes the full contents of his previous collected editions along with all the later volumes of his shorter poems. Together, these works display the astonishing range of Auden's voice and the breadth of his concerns, his deep knowledge of the traditions he inherited, and his ability to recast those traditions in modern times.

    imperialism in order to radically alter our understanding of freedom, power, and control. In poems of desire, gender, bodies, legacies, and imagined futures, Tran's poems elucidate the complex and harrowing processes of reckoning and recovery, enhanced by innovative poetic forms that mirror the nonlinear emotional and psychological experiences of trauma survivors. At once grand and intimate, commanding and deeply vulnerable, All the Flowers Kneeling revels in rediscovering and reconfiguring the self, and ultimately becomes an essential testament to the human capacity for resilience, endurance, and love.

    Thammavongsa is a master at homing in on moments like this -- moments of exposure, dislocation, and messy feeling that push us right up against the limits of language.The stories that make up How to Pronounce Knife focus on characters struggling to find their bearings in unfamiliar territory, or shuttling between idioms, cultures, and values. A failed boxer discovers what it truly means to be a champion when he starts painting nails at his sister's salon. A young woman tries to discern the invisible but immutable social hierarchies at a chicken processing plant. A mother coaches her daughter in the challenging art of worm harvesting.In a taut, visceral prose style that establishes her as one of the most striking and assured voices of her generation, Thammavongsa interrogates what it means to make a living, to work, and to create meaning.How to pronounce knife --Paris --Slingshot --Randy Travis --Mani pedi --Chick-a-chee! --The universe would be so cruel --Edge of the world --The school bus driver --You are so embarassing --Ewwrrkk --The gas station --A far distant thing --Picking worms

    Be civil in a hostile environment. Go to college, get an education, start a career. Do all the right things. Buy an apartment. Buy art. Buy a sort of happiness. But above all, keep your head down. Keep quiet. And keep going.The narrator of Assembly is a black British woman. She is preparing to attend a lavish garden party at her boyfriend’s family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can’t escape the question: is it time to take it all apart?Assembly is a story about the stories we live within – those of race and class, safety and freedom, winners and losers.And it is about one woman daring to take control of her own story, even at the cost of her life. With a steely, unfaltering gaze, Natasha Brown dismantles the mythology of whiteness, lining up the debris in a neat row and walking away.

    It would take a young warrior to survive it.Cinelle Barnes was barely three years old when her family moved into Mansion Royale, a stately ten-bedroom home in the Philippines. Filled with her mother’s opulent social aspirations and the gloriously excessive evidence of her father’s self-made success, it was a girl’s storybook playland. But when a monsoon hits, her father leaves, and her mother’s terrible lover takes the reins, Cinelle’s fantastical childhood turns toward tyranny she could never have imagined. Formerly a home worthy of magazines and lavish parties, Mansion Royale becomes a dangerous shell of the splendid palace it had once been.In this remarkable ode to survival, Cinelle creates something magical out of her truth—underscored by her complicated relationship with her mother. Through a tangle of tragedy and betrayal emerges a revelatory journey of perseverance and strength, of grit and beauty, and of coming to terms with the price of family—and what it takes to grow up.

    I think I am in friend-love with you. What’s friend-love? It’s that super-awesome bond you share with someone who makes you happy every time you text each other, or meet up for an epic outing. It’s not love-love. You don’t want to swap saliva; you want to swap favorite books. But it’s just as intense and just as amazing. And it’s this search for that connection that comic-book artist Yumi Sakugawa captures in I Think I Am in Friend-Love with You. It’s perfect if you've ever fallen in friend-love and want to show that person how much you love them...in a platonic way, of course.

    As he sets about reducing her to his idealised version of a kept woman, bullying her out of her life as an academic and writer in the process, she attempts to push back - a resistance he resolves to break with violence and rape. Smart, fierce and courageous When I Hit You is a dissection of what love meant, means and will come to mean when trust is undermined by violence; a brilliant, throat-tightening feminist discourse on battered faces and bruised male egos; and a scathing portrait of traditional wedlock in modern India.