He is a brilliant kicker both from the hand and at penalty goals, a sublime organizer of play from the out-half position, and a cool head in the pressure-cooker of club and international rugby. The list of the Cork man's achievements goes on and on:  he is the leading points scorer in Irish rugby history, and one of the top ten in the world; the leading points scorer in the history of the Heineken Cup; and the first ever points and try scorer at the home of Gaelic sports, Croke Park. In his candid, illuminating autobiography, O'Gara tells the story of those many on-field successes, culminating in the glorious year of 2006 when his tactical prowess and will to win first helped guide Ireland to the Triple Crown in the Six Nations championship, then Munster to a memorable Heineken Cup victory over Biarritz at the Millennium Stadium in Cardiff. O'Gara kicked a perfect five out of five in the 23-19 win as Munster lifted the coveted trophy for the first time, sparking wild celebrations heard all the way back in Limerick and Cork. Yet as in any sporting career, there have been the setbacks as well, most notably Ireland's disappointing performance in the Rugby World Cup in France last year. O'Gara reveals what really went on in a divided dressing-room as a series of flat performances sent the Irish crashing out, while he personally had to deal with a series of front-page allegations about his private life. O’Gara has never been shy about the fact that he's fond of a drink and a bet, and he confronts his critics head on in this book. This is the unforgettable story of a rugby player at the top of his game, of a life lived to the full, and of a passionate and proud representative of the people of Cork and Ireland.

    We find in Beckett's masterful, exquisite prose, the familiar themes from his earlier works here expressed in the anguished murmurings of the solitary human consciousness.

    They are about guns, campaign buttons, and a cabin in the Vermont woods that stinks of wood smoke and kerosene -- and about their associations of pleasure, menace, and regret.The resulting volume may be compared to the plays that have made Mamet famous: it is finely crafted and deftly timed, and its precise language carries an enormous weight of feeling.

    This, the first of four volumes, contains his first five plays, including The Birthday Party (1958), his first full-length drama; as well as two short stories—The Black and White and The Examination—both written before Pinter turned to the theatre. Pinter's exacting and complex use of language and the features that mark his "comedies of menace" are clearly realized in these plays and stories. His speech Writing for the Theatre introduces the volume and establishes the context for these early years.

    Lee's fascinating play . . . goes far beyond cheap satire, ultimately becoming a compassionate and stimulating exploration of one man's existential crisis . . . She proves unexpectedly adept at strict naturalism . . . [A] mournful and inquisitive play."—New York Times"She sacrifices nothing; bodies, voices, jokes, food, tragedy, cities are all artistic fodder, as are her various selves and the mirthful, bloody life of her imagination."—New YorkerProvocative playwright Young Jean Lee lends her shrewd perspective to this atypical take on the family drama. A father and his three sons unite and unravel, both aware of and undone by privilege and its pressure. When inherent social expectation conflicts with a desire to remain stagnant, the resulting identity confusion is new territory for the tightknit family. Strikingly observant and curiously drawn, Lee departs from her experimental style to create a naturalistic observation of the most socially unobstructed of our species, the straight white male.Young Jean Lee has been hailed as "one of the best experimental playwrights in America" by Time Out New York. She has written and directed nine shows in New York with Young Jean Lee's Theater Company and toured her work to over twenty cities around the world. Her other plays include We're Gonna Die, Untitled Feminist Show, The Shipment, Lear and Songs of the Dragons Flying to Heaven. Awards include two Obies, the Festival Prize of the Zuercher Theater Spektakel, a Prize in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship and a Doris Duke Artist Award.

    

    As his three adult children sort through a lifetime of hoarded mementos and junk, they collide over clutter, debt, and a contentious family history. But after a disturbing discovery surfaces among their father's possessions, the reunion takes a turn for the explosive, unleashing a series of crackling surprises and confrontations.Winner of the 2014–2015 Obie Award for Best New American Play.

     Reba runs away from her shabby and desolate rural community for the lure of New York City. Her tall and awkward frame lands her work modeling, but she is not prepared for the glamorous, drug-fueled life of a celebrated mannequin. After a series of painful relationships, she sees hope and an exit toward stability and sanity in the man who saves her brother's life. This man is Rick, a successful SoHo general practitioner with a warm family and an idyllic life that has left him restless and hollow. He doesn't take Reba seriously until he finds himself so enmeshed in her beauty that he risks losing everything--his home, his children and his beloved wife. Now this master monologist and author of the acclaimed Mall returns with a sprawling novel of urban desperation and desire that brings to mind the winding narratives of Tom Wolfe salted with the dark urges of Philip Roth. The New York Times hailed Eric Bogosian's fiction as "caustic, fast-paced....Adapting himself to fiction with...the same garrulous intensity he brings to plays and monologues, Mr. Bogosian sets in motion a suburban nightmare." And Entertainment Weekly has lauded his "merciless satirical vision (that) takes you deep into the dark heart of the American dream." Wasted Beauty is Bogosian's enthralling journey through the high life of drugs and fashion celebrity, middle-class guilt and sexual obsession. Copyright © 2005 by Simon & Schuster

    For two jaded middle-aged couples, coming face-to-face with what might have been proves to be a shattering experience. The genius script by Sondheim and Goldman makes a cinematic, nightmarish hallucination of past and present blended together, employing lush era musical theatre pastiche and a deft eye for storytelling to tell not only the story of Ben, Phyllis, Sally and Buddy, but also the story of how the promise of America between the World Wars disintegrated into memory. Considered by many to be one of the best American musicals of all time, and still at the peak of form and craft. Those that saw the original Broadway production in 1971 and the all-star Lincoln Center concert in 1985 remember it as one of the most dazzling and poignant shows ever."A stunning musical…a pastiche so brilliant as to be breathtaking."—New York Daily News"Follies is utterly magnificent."—Women’s Wear DailyStephen Sondheim is the preeminent composer and lyricist of the American musical theatre. His best known works include West Side Story, Gypsy, Sunday in the Park with George, Into the Woods, Company, among others. Mr. Sondheim celebrates his 70th birthday this year.The late James Goldman is best known for his play and screenplay A Lion in Winter and also was the author of Blood, Sweat and Stanley Poole and A Family Affair.

    Mum’s in hospital. Dad says she’s ‘done something stupid’. She finds it hard to be happy.So you start to make a list of everything that’s brilliant about the world. Everything that’s worth living for.1. Ice Cream. 2. Kung Fu Movies. 3. Burning Things. 4. Laughing so hard you shoot milk out your nose 5. Construction cranes. 6. MeYou leave it on her pillow. You know she’s read it because she’s corrected your spelling. Soon, the list will take on a life of its own.A new play about depression and the lengths we will go to for those we love.

    The dialogue crackles with hilarious, caustic putdowns as the indomitable Maggie deals with her feckless family and unwanted suitors. Everyone wants a part of Big Maggie and her property but she has other ideas.

    Its lyrical scenes still etch a portrait of Cyrano as a man of uncompromising bravery except in matters of the heart. They come off beautifully in the intimate off-Broadway-size Roundabout Theater. To the open minded, Langella's work will hardly seem felonious and it may be a breakthrough!" --David Patrick Stearns, U S A Today"Frank Langella has abridged the text and given the play a bare-bones production shorn of extravagance. CYRANO is compelling enough in its characterizations, dialogue and situations to withstand minimalism." --Frank Scheck, Hollywood Reporter"Frank Langella's adaptation is relatively short, fast and intimate. The speed of the shortened version allows the ideas behind the play to emerge with great force and clarity. The result is a terrifically enjoyable and surprising thought-provoking piece of theater." --Fintan O'Toole, Daily News, New York

    The newest Broadway musical by Pulitzer Prize-winning collaborators Stephen Sondheim and James Lapine, winner of the Tony Award for Best Musical, 1994.

    Mythic themes as well as many other topics are masterfully explored in this rich selection of 134 lyrics chiefly selected from six volumes of verse published between 1889 and 1914. Among the poems included are "The Stolen Child" and "Down by the Salley Gardens" (Crossways, 1889); "To the Rose upon the Rood of Time," "The Lake Isle of Innisfree," "When You Are Old," and "To Ireland in the Coming Times" (The Rose, 1893); "The Song of Wandering Aengus" and "A Poet to His Beloved" (The Wind Among the Reeds, 1899); "The Song of Red Hanrahan" (In the Seven Woods, 1903); "No Second Troy" and "The Fascination of What's Difficult" (The Green Helmet and Other Poems, 1910); "To a Friend Whose Work Has Come to Nothing" and "To a Shade" (Responsibilities, 1914); and many more. This representative selection offers readers a splendid sampling of the distinctive Yeatsian voice — romantic, yearning, full of the magic and mysticism Yeats imbibed as a boy in the West of Ireland, later counterbalanced by an anguished realism grounded in the poet's nationalistic and political sympathies.

    They know nothing of the mysterious trunk in the captain's cabin, containing a precious, otherworldly cargo. At sea the boys are discovered by a precocious young girl named Molly, a Star-catcher in training, who realizes that the trunk's precious cargo is starstuff, a celestial substance so powerful it must not fall in the wrong hands. When the ship is taken over by pirate - led by the fearsome Black Stache, a villain determined to claim the trunk and treasure for his own dubious dreams of world domination - the journey quickly becomes fraught with danger threatening the lives of Molly and the boys. This Tony-Award winning, magical and hilarious adventure at least reveals the origins of Peter Pan, The Lost Boys, Wendy, their piratical nemesis, Captain Hook - and a far-off place known as Neverland. Searching for that perfect gift for the Broadway fan in your life? Explore more from Disney Editions:How Does the Show Go On? An Introduction to the Theater - The Frozen EditionThe Lion King: Pride Rock on BroadwayThe Lion King: Twenty Years on Broadway and Around the WorldMy Pride: Mastering Life's Daily Performance from Broadway's Record-Breaking Lion KingDisney Aladdin: A Whole New World - The Road to Broadway and Beyond