Pamela Horn's book examines the lives of these ladies from their childhood and marriage to their role as a 'Lady Bountiful'. It covers their leisure pursuits, sporting activities, country house weekends, and much more besides, up to the life-transforming years of the First World War.

    'What Killed Jane Austen?' comprises fascinating stories of famous patients, quacks and charlatans, tales of discoveries, disasters and diseases, addictions and obsessions - and eccentrics, reformers and pioneers.

    Words that are by turns inspiring, moving, courageous, and heartbreaking. Their powerful stories create a compelling portrait of the lives, struggles, and successes of this extraordinary nation and its extraordinarily resilient women. With an introduction by Laura Bush, honorary founding co-chair of the U.S.-Afghan Women’s Council.Afghanistan has been described as “the worst nation in the world to be a woman.” More than fifty percent of girls who are forced into marriage are sixteen or younger. Too many women live in fear and in many areas, education and employment for women are still condemned. The women featured in We Are Afghan Women are fighting to change all that. From rug weavers to domestic violence counselors to business owners, educators, and activists, these courageous women are charting a new path for themselves, their families, their communities, and their nation. Told in their own voices, their stories vividly capture a country undone by decades of war and now struggling to build a lasting peace.Meet Dr. Sakena Yacoobi, who ran underground schools for girls until the Taliban fell, and today has established educational centers across Afghanistan to teach women and girls basic literacy. Or Freshta Hazeq, who as a female business owner, has faced death threats, sabotage, and even kidnapping threats against her children. Naheed Farid is the youngest female member of Afghanistan’s parliament. During her campaign, opponents cut Naheed’s face out of campaign posters and her family risked complete ruin, but her husband and father-in-law never wavered, encouraging her to persevere. Here, too are compassionate women such as Masooma Jafari, who started a national midwives association. Her own mother was forced into marriage at age twelve and gave birth to her first child at age thirteen.With an introduction by former First Lady Laura Bush, We Are Afghan Women chronicles the lives of young and old, daughters and mothers, educated, and those who are still learning. These determined women are defying the odds to lead Afghanistan to a better future. Their stories are a stark reminder that in some corners of the world the struggle continues and that women’s progress in society, business, and politics cannot be taken for granted. Their eloquent words challenge all of us to answer: What does it truly mean to be a woman in the twenty-first century?

    How did this happen? Patricia Fara reveals how suffragists including Virginia Woolf's sister, Ray Strachey, had already aligned themselves with scientific and technological progress, and that during the dark years of war they mobilized women to enter conventionally male domains such as science and medicine. Fara tells the stories of women including mental health pioneer Isabel Emslie, chemist Martha Whiteley, a co-inventor of tear gas, and botanist Helen Gwynne Vaughan. Women were carrying out vital research in many aspects of science, but could it last?Though suffragist Millicent Fawcett declared triumphantly that "the war revolutionized the industrial position of women. It found them serfs, and left them free," the truth was very different. Although women had helped the country to victory and won the vote for those over thirty, they had lost the battle for equality. Men returning from the Front reclaimed their jobs, and conventional hierarchies were re-established.Fara examines how the bravery of these pioneers, temporarily allowed into a closed world before the door slammed shut again, paved the way for today's women scientists.

    The attached tag bears his own name and address. Who is she? And why would a complete stranger send her to him? As Solly attempts to find the answers, other Ballygurry inhabitants are drawn into the mystery. Their inquiries lead to the secluded monastery of Santa Eulalia on the medieval trail to Santiago de Compostela. As the Ballygurry pilgrims begin to thaw in the Spanish sunshine, a number of interwoven mysteries from the past gradually unfurl to rekindle old hatreds--"and restore old passions.

    It was a gun – a sawn-off shotgun.’Featured on ITV's Lorraine with Michael Sheen and Rachel Williams. Darren was funny and attractive, and 21-year-old Rachel fell head-over-heels for him; it wasn’t long before they moved in together, and she fell pregnant with his child. But his inner demons soon surfaced... Weakened and alone, Rachel was beaten and tormented by him for 18 years, until one day, Darren turned up at her place of work with a shotgun and left her for dead. But her ordeal wasn’t over… Devastating yet inspiring, Rachel’s story of hope tells of how you can always find the light, even in the very darkest of times.‘Incredibly poignant and powerful.’ – Victoria Derbyshire ‘Transformative. Life changing.’ – Michael Sheen

    Although undoubtedly a period of conquest and destruction, it was also one of mutual curiosity, global trade and the exchange of ideas.In Part Two, The Cult of Progress, we see how the Industrial Revolution transformed the world, impacting every corner, and every civilisation, from the cotton mills of the Midlands through Napoleon's conquest of Egypt to the decimation of both Native American and Maori populations and the advent of photography in Paris in 1839.Incredible art - both looted and created - relays the key events and their outcomes throughout the world.

    The Deadly Sisterhood An epic saga of the Italian Renaissance from the author of CATHERINE DE MEDICI Full description

    Flow spans its fascinating, occasionally wacky and sometimes downright scary story: from mikvahs (ritual cleansing baths) to menopause, hysteria to hysterectomies—not to mention the Pill, cramps, the history of underwear, and the movie about puberty they showed you in 5th grade. Flow answers such questions as: What’s the point of getting a period? What did women do before pads and tampons? What about new drugs that promise to end periods—a hot idea or not? Sex during your period: gross or a turn-on? And what’s normal, anyway?  With color reproductions of (campy) historical ads and early (excruciating) femcare devices, it also provides a fascinating (and mind-boggling) gallery of this complex, personal and uniquely female process. As irreverent as it is informative, Flow gives an everyday occurrence its true props – and eradicates the stigma placed on it for centuries.

    Interweaving the personal with the political, she vividly evokes the events and people who participated in our era's most far-reaching social revolution. Rosen's fresh look at the recent past reveals fascinating but little-known information including how the FBI hired hundreds of women to infiltrate the movement. Using extensive archival research and interviews, Rosen challenges readers to understand the impact of the women's movement and to see why the revolution is far from over.

    This lively story has never been told before: the complete history of women's reading and the ceaseless controversies it has inspired. Belinda Jack's groundbreaking volume travels from the Cro-Magnon cave to the digital bookstores of our time, exploring what and how women of widely differing cultures have read through the ages.Jack traces a history marked by persistent efforts to prevent women from gaining literacy or reading what they wished. She also recounts the counter-efforts of those who have battled for girls' access to books and education. The book introduces frustrated female readers of many eras—Babylonian princesses who called for women's voices to be heard, rebellious nuns who wanted to share their writings with others, confidantes who challenged Reformation theologians' writings, nineteenth-century New England mill girls who risked their jobs to smuggle novels into the workplace, and women volunteers who taught literacy to women and children on convict ships bound for Australia.Today, new distinctions between male and female readers have emerged, and Jack explores such contemporary topics as burgeoning women's reading groups, differences in men and women's reading tastes, censorship of women's on-line reading in countries like Iran, the continuing struggle for girls' literacy in many poorer places, and the impact of women readers in their new status as significant movers in the world of reading.

    To critics, it was either "a degrading, senseless misuse of film and time" or "an intelligent, absorbing and deeply disturbing horror film." However it was an immediate hit with audiences. Banned and celebrated, showcased at the Cannes film festival and included in the New York MoMA's collection, it has now come to be recognized widely as one of the greatest horror movies of all time.A six-foot-four poet fresh out of grad school with limited acting experience, Gunnar Hansen played the masked, chain-saw-wielding Leatherface. His terrifying portrayal and the inventive work of the cast and crew would give the film the authentic power of nightmare, even while the gritty, grueling, and often dangerous independent production would test everyone involved, and lay the foundations for myths surrounding the film that endure even today.Critically-acclaimed author Hansen here tells the real story of the making of the film, its release, and reception, offering unknown behind-the-scenes details, a harrowingly entertaining account of the adventures of low-budget filmmaking, illuminating insights on the film's enduring and influential place in the horror genre and our culture, and a thoughtful meditation on why we love to be scared in the first place.