The chase is the local craze, and so it has ever been since the mythological times when the Tarasque, as the county dragon was called, flourished himself and his tail in the town marshes, and entertained shooting parties got up against him. So you see the passion has lasted a goodish bit.

    Sentenced to life imprisonment in the penal colony of French Guiana, he became obsessed with one goal: escape. After planning and executing a series of treacherous yet failed attempts over many years, he was eventually sent to the notorious prison, Devil's Island, a place from which no one had ever escaped . . . until Papillon. His flight to freedom remains one of the most incredible feats of human cunning, will, and endurance ever undertaken.Charrière's astonishing autobiography, Papillon, was published in France to instant acclaim in 1968, more than twenty years after his final escape. Since then, it has become a treasured classic -- the gripping, shocking, ultimately uplifting odyssey of an innocent man who simply would not be defeated.

    His friends and foes know him only as the Scarlet Pimpernel. But the ruthless French agent Chauvelin is sworn to discover his identity and to hunt him down.

    In the company of his faithful squire, Sancho Panza, his exploits blossom in all sorts of wonderful ways. While Quixote's fancy often leads him astray—he tilts at windmills, imagining them to be giants—Sancho acquires cunning and a certain sagacity. Sane madman and wise fool, they roam the world together, and together they have haunted readers' imaginations for nearly four hundred years.With its experimental form and literary playfulness, Don Quixote has been generally recognized as the first modern novel. The book has been enormously influential on a host of writers, from Fielding and Sterne to Flaubert, Dickens, Melville, and Faulkner, who reread it once a year, "just as some people read the Bible."

    He becomes obsessed with a young dancer whom he believes is the double of his beloved wife, leading him to psychological torment and humiliation, culminating in a deranged murder. This 1892 work is a poet's novel, dense, visionary, and haunting. Bruges, the 'dead city', becomes a metaphor for Hugues' dead wife as he follows its mournful labyrinth of streets and canals in a cyclical promenade of reflection and allusion--the ultimate evocation of Rodenbach's lifelong love affair with the enduring mystery and mortuary atmosphere of Bruges.

    The play depicts an authoritarian regime and the play's central character, the young Antigone, mirrored the predicament of the French people in the grips of tyranny. One of the masterpieces of the modern French stage.

    An ordinary man struggling to survive in extraordinary circumstances, Robinson Crusoe wrestles with fate and the nature of God. This edition features maps.

    But when the mysterious Countess Ellen Olenska returns to New York after a disastrous marriage, Archer falls deeply in love with her. Torn between duty and passion, Archer struggles to make a decision that will either courageously define his life—or mercilessly destroy it.

    Going from village to village with its act, ‘nobody’s boy’ has numerous adventures until his boss also falls on hard times and perishes, homeless and destitute. Remi’s life includes a number of surprising twists and turns, leading to a climax and a very happy conclusion when he is reunited with his family.

    Feeling helpless and frustrated, his youngest daughter, Agnes, applies for a job as a governess to the children of a wealthy, upper-class, English family.Ecstatic at the thought that she has finally gained control and freedom over her own life, Agnes arrives at the Bloomfield mansion armed with confidence and purpose. The cruelty with which the family treat her however, slowly but surely strips the heroine of all dignity and belief in humanity.A tale of female bravery in the face of isolation and subjugation, Agnes Grey is a masterpiece claimed by Irish writer, George Moore, to be possessed of all the qualities and style of a Jane Austen title. Its simple prosaic style propels the narrative forward in a gentle yet rhythmic manner which continuously leaves the listener wanting to know more.Anne Brontë, the somewhat lesser known sister, was in fact the first to finish and publish Agnes Grey under the pseudonym of Acton Bell. Charlotte and Emily followed shortly after with Jane Eyre and Wuthering Heights.As Anne passed away from what is now known to be pulmonary tuberculosis at the age of just 29, she only published one further title; The Tenant of Wildfell Hall. As feminist in nature as Agnes Grey, Anne's brave voice resonates and permeates during one of the most prejudiced and patriarchal times of English history.

    She barely eats, works at night as a cleaner and lives in a tiny attic room. Downstairs in a beautiful, ornate apartment, lives Philibert Marquet de la Durbellière, a shy, erudite, upper-class man with an unlikely flatmate in the shape of the foul-mouthed but talented chef, Franck. One freezing evening Philibert overcomes his excruciating reticence to rescue Camille, unconscious, from her garret and bring her into his home.As she recovers Camille learns more about Philibert; about Franck and his guilt for his beloved but fragile grandmother Paulette, who is all he has left in the world; and about herself. And slowly, this curious quartet of misfits all discover the importance of food, friendship and love.

    The literary critic Roland Barthes dies—struck by a laundry van—after lunch with the presidential candidate François Mitterand. The world of letters mourns a tragic accident. But what if it wasn’t an accident at all? What if Barthes was . . . murdered?

    Into their midst comes Jean-Baptiste Baratte, a young, provincial engineer charged by the king with demolishing it.At first Baratte sees this as a chance to clear the burden of history, a fitting task for a modern man of reason. But before long, he begins to suspect that the destruction of the cemetery might be a prelude to his own.

    The mother of two—confident, beautiful teenage Hortense and shy, babyish Zoé—is forced to maintain a stable family life while making ends meet on her meager salary as a medieval history scholar. Meanwhile, Joséphine’s charismatic sister Iris seems to have it all—a wealthy husband, gorgeous looks, and a très chic Paris address—but she dreams of bringing meaning back into her life. When Iris charms a famous publisher into offering her a lucrative deal for a twelfth-century romance, she offers her sister a deal of her own: Joséphine will write the novel and pocket all the proceeds, but the book will be published under Iris’s name. All is well—that is, until the book becomes the literary sensation of the season.

    First performed in Paris in 1947, its action was inspired by a real-life scandal, the murder by two maids, sisters Christine and Léa Papin, of their mistress and her daughter. Genet's maids - Solange and Claire - occupy themselves, whenever their Madame is out of doors, by acting out ritualised fantasies of revenging their downtrodden status. But when the game goes beyond their control the maids are compelled to try to make their fantasy a reality.'The most extraordinary example of the whirligigs of being and appearance, of the imaginary and the real, is to be found in [Genet's] The Maids. It is the element of fake, of sham, of artificiality, that attracts Genet in the theatre.' Jean-Paul Sartre