Yet the fiction books in the Borealis imprint certainly belong to a world other than our own. This line encompasses our science fiction, fantasy and horror novels and anthologies.

    He always played by the rules until a two-bit junkie hit man destroyed his family and left him for dead. But Clay won't let himself lie down until he gets one last thing: revenge

    Some of the stories are inspired by true events and some are inspired by ideas of my dear readers! Find out which ones inside this scary collection."BABYSITTER"Rachel was just a regular teenager living a normal life, when the new, rich family moved into town. They had 2 children and were looking for a babysitter. She thought it would be a nice way to get some money. What was in store for her, however, was a bloody and shocking night to remember."DARK SIDE"Selene and Damien seemed like a normal couple, but Damien started to act weirdly and spent a lot of time in his price room where he did his job. Damien was an artist and needed his private area. What was Damien actually doing in his private room was more terrifying than Selene could ever have imagined."THE CURSE OF HERNANDEZ"A newly married couple found the perfect home to call their own. While cleaning out the upstairs attic the husband discovers an old suitcase. Upon opening, they find the remains of documents and papers with their last name on them- Hernandez. Strange, but they decided to ignore it and throw the suitcase away. They should have never done this because that is when strange things started to happen.

    The Panic Hand assembles in one volume the shorter works of this master, including the World Fantasy Award-winning tale Friend's Best Man and the short novels Uh-Oh and Black Cocktail.

    Ellen Datlow and Terri Windling continue their critically acclaimed and award-winning tradition with another stunning collection of stories. The fiction and poetry here is culled from an exhaustive survey of the field, nearly four dozen stories ranging from fairy tales to gothic horror, from magical realism to dark tales in the Grand Guignol style. Rounding out the volume are the editors' invaluable overviews of the year in fantasy and horror, and a long list of Honorable Mentions, making this an indispensable reference as well as the best reading available in fantasy and horror.ContentsSummation 1999: Fantasy, Terri WindlingSummation 1999: Horror, Ellen DatlowHorror and Fantasy in the Media: 1999, Edward BryantComics: 1999, Seth JohnsonObituaries: 1999, James FrenkelDarkrose and Diamond, Ursula K. Le GuinThe Chop Girl, Ian R. MacLeodThe Girl Detective, Kelly LinkThe Transformation, N. Scott MomadayCarabosse, Delia ShermanHarlequin Valentine, Neil GaimanToad, Patricia A. McKillipThe Dinner Party, Robert GirardiHeat, Steve Rasnic TemThe Wedding at Esperanza, Linnet TaylorRedescending, Ursula K. Le GuinYou Don't Have to be Mad . . .Kim NewmanThe Paper-Thin Garden, Thomas WhartonThe Anatomy of a Mermaid, Mary SharrattThe Grammarian's Five Daughters, Eleanor ArnasonThe Tree Is My Hat, Gene WolfeWelcome, Michael Marshall SmithThe Pathos of Genre, Douglas E. WinterShatsi, Peter CrowtherKeepsakes and Treasures: A Love Story, Neil GaimanWhat You Make It, Michael Marshall SmithThe Parwat Ruby, Delia ShermanOdysseus Old, Geoffrey BrockThe Smell of the Deer, Kent MeyersChorion and the Pleiades, Sarah Van ArsdaleCrosley, Elizabeth Engstromn0 Naming the Dead, Paul J. McAuleyThe Stork-Men, Juan GoytisoloThe Disappearance of Elaine Coleman, Steven MillhauserWhite, Tim LebbonDear Floods of Her Hair, James SallisMrs. Santa Decides to Move to Florida, April SelleyTanuki, Jan HodgmanAt Reparata, Jeffrey FordSkin So Green and Fine, Wendy WheelerOld Merlin Dancing on the Sands of Time, Jane YolenSailing the Painted Ocean, Denise LeeGrandmother, Laurence SnydalSmall Song, Gary A. BraunbeckThe Emperor's Old Bones, Gemma FilesThe Duke of Wellington Misplaces His Horse, Susanna ClarkeHalloween Street, Steve Rasnic TemThe Kiss, Tia V. TravisThe Beast/The Hedge, Bill LewisPixel Pixies, Charles de LintFalling Away, Elizabeth BirminghamHonorable Mentions: 1999

    Henry Prize winner Stephen King delivers a generous collection of stories, several of them brand-new, featuring revelatory autobiographical comments on when, why, and how he came to write (or rewrite) each story.Since his first collection, Nightshift, published thirty-five years ago, Stephen King has dazzled readers with his genius as a writer of short fiction. In this new collection he assembles, for the first time, recent stories that have never been published in a book. He introduces each with a passage about its origins or his motivations for writing it.There are thrilling connections between stories; themes of morality, the afterlife, guilt, what we would do differently if we could see into the future or correct the mistakes of the past. “Afterlife” is about a man who died of colon cancer and keeps reliving the same life, repeating his mistakes over and over again. Several stories feature characters at the end of life, revisiting their crimes and misdemeanors. Other stories address what happens when someone discovers that he has supernatural powers—the columnist who kills people by writing their obituaries in “Obits;” the old judge in “The Dune” who, as a boy, canoed to a deserted island and saw names written in the sand, the names of people who then died in freak accidents. In “Morality,” King looks at how a marriage and two lives fall apart after the wife and husband enter into what seems, at first, a devil’s pact they can win.Magnificent, eerie, utterly compelling, these stories comprise one of King’s finest gifts to his constant reader—“I made them especially for you,” says King. “Feel free to examine them, but please be careful. The best of them have teeth.”

    The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

    The first story in this collection has been adapted to film (Dark Water, Walter Salles), and another, "Adrift" is currently in production with Dimension Films.

    One tale recounts the author's search for a Kafka story that can only be found in an elusive and quite possibly cursed edition. Other stories feature humans dressing in full-body protective exoskins in the personas of old Hollywood movie stars to barter old Earth movies for an alien aphrodisiac and a young boy coming to terms with creation and moulding his own man out of detritus from a nearby forest. In the title story, a great fantasy writer loses touch with the world he has created and pleads with his young assistant to help him visualise the story's end and enable him to complete his greatest novel ever.

    Contents:Night of the Cooters (1987)French Scenes (1988)The Passing of the Western (1989)The Adventure of the Grinder's Whistle (1977)Thirty Minutes over Broadway! (1987)Hoover's Men (1988)Do Ya, Do Ya, Wanna Dance? (1988)Wild, Wild Horses (1988)Fin de Cyclé (1990)

    In the title story, on a murky evening in a warmly lit club off St James, a bishop listens closely as a paranormal detective recounts his most memorable case, one whose horrifying denouement took place in that very building. In 'The Front Room', a devoutly Christian mother tries to protect her children from the evil influence of their grandmother, both when she is alive and when she is dead. A lonely boy finds a friend in 'Boy Number 21', but years later he is forced to question the nature of that friendship, and to ask whether ghosts can perish in fires.This is Susan Hill at her best, telling characteristically flesh-creeping and startling tales of thwarted ambition, terrifying revenge and supernatural stirrings that will leave readers wide-awake long into the night.

    "Nightmare at 20,000 Feet" is just one of many classic horror stories by Richard Matheson that have insinuated themselves into our collective imagination.Here are more than twenty of Matheson's most memorable tales of fear and paranoia, including:"Duel," the nail-biting tale of man versus machines that inspired Steven Spielberg's first film;"Prey," in which a terrified woman is stalked by a malevolent Tiki doll, as chillingly captured in yet another legendary TV moment;"Blood Son," a disturbing portrait of a strange little boy who dreams of being a vampire;"Dress of White Silk," a seductively sinister tale of evil and innocence.Personally selected by Richard Matheson, the bestselling author of I Am Legend and What Dreams May Come, these and many other stories, more than demonstrate why he is rightfully regarded as one of the finest and most influential horror writers of our generation.

    Collecting the creme de la creme of the horror and fantasy fields, this third volume amasses the best from 1989, including works by Scott Baker, Pat Cadigan, Joe Haldeman, Tanith Lee, Jonah Carroll, Robert McCammon and Bruce Sterling, as well as extensive overviews of the year in horror and fantasy, and Ed Bryant's survey of the year's movies.

    Now at last, in “Let the Old Dreams Die,” the title story in this absolutely stunning collection, we get a glimpse of what happened next to the pair. Fans of Let the Right One In will have to read the story, which is destined to generate much word of mouth both among fans and online.“Let the Old Dreams Die” is not the only stunner in this collection. In "Final Processing," Lindqvist also reveals the next chapter in the lives of the characters he created in Handling the Undead. “Equinox” is a story of a woman who takes care of her neighbor’s house while they are away and readers will never forget what she finds in the house. Every story meets the very high standard of excellence and fright factor that Lindqvist fans have come to expect. Totally transcending genre writing, these are world class stories from possibly the most impressive horror writer writing today.

    In film, television, novels, and short stories, he keeps coming back to life, fed by the vital imaginative energies of a world-wide audience that cannot seem to resist his abominable charms. Aristocratic and urbane, deeply erotic and profoundly evil, Dracula's bloodsucking savagery has cast a mesmerizing fascination not only over his victims but over his readers as well. And, as Leonard Wolf suggests, "Vampire fiction...exerts an amazing pull on readers for a reason that we may find disturbing. The blood exchange—the taking of blood by the vampire from his or her victim is, all by itself, felt to be a singularly symbolic event. Symbolic and attractive!" Now, in Blood Thirst; One Hundred Years of Vampire Fiction, Leonard Wolf brings together thirty tales in which vampires of all varieties make their ghastly presence felt;male and female, human and non-human, humorous and heroic;all of them kin to the dreadful bat. From Lafcadio Hearn, Mary E. Wilkins-Freeman, Edith Wharton, August Derleth, and Ray Bradbury to such contemporary masters as Anne Rice, Stephen King, Joyce Carol Oates, John Cheever, and Woody Allen, and in settings as diverse as rural New England and outer space, this collection offers readers a dazzling compendium of vampire stories. Wolf organizes the collection into six categories;The Classic Adventure Tale, The Psychic Vampire, The Science Fiction Vampire, The Non-Human Vampire, The Comic Vampire, and The Heroic Vampire;which allows readers to see the many guises Dracula's descendants have assumed and the many ways they can be interpreted. In his penetrating introduction, Wolf argues that such an arrangement enables us to see the evolution of the vampire from an unmitigated evil to a creature we are more likely to identify with. "In a century in which God and Satan have become increasingly irrelevant in the popular arts, there has been an accompanying secularization of the vampire idea. And, as the stories in Blood Thirst will show, sympathy for the vampire has grown as we have become increasingly interested in the workings of the mind." Indeed, the vampire's ability to change over time, to draw into itself such a richness of symbolic meanings, to conjure itself into so many diabolical shapes, may account for the enduring appeal of the literature written about it. Here, then, is a definitive collection for aficionados and novices alike, and whether readers find the vampires who inhabit these pages sympathetic or horrific, psychologically intriguing or spiritually repellent, morbidly seductive or comically absurd,Blood Thirst gives us all something to sink our teeth into.