So-called illiberal democracy and authoritarian populism are in the political ascendant; the shelves of our bookshops groan with the work of attention-grabbing thinkers insisting that permissiveness, multiculturalism and 'identity politics' have failed us and that we must now fall back on some notion of tradition. We have had our fun, and now it's time to get serious, to shore our fragments against the ruin of postmodernist meaninglessness. It's not only the usual, conservative suspects who have got on board with this argument. Authentocrats critiques the manner in which post-liberal ideas have been mobilised underhandedly by centrist politicians who, at least notionally, are hostile to the likes of Donald Trump and UKIP. It examines the forms this populism of the centre has taken in the United Kingdom and situates the moderate withdrawal from liberalism within a story which begins in the early 1990s. Blairism promised socially liberal politics as the pay-off for relinquishing commitments to public ownership and redistributive policies: many current centrists insist New Labour's error was not its capitulation to the market, but its unwillingness to heed the allegedly natural conservatism of England's provincial working classes. In this book, we see how this spurious concern for 'real people' is part of a broader turn within British culture by which the mainstream withdraws from the openness of the Nineties under the bad-faith supposition that there's nowhere to go but backwards. The self-anointing political realism which declares that the left can save itself only by becoming less liberal is matched culturally by an interest in time-worn traditional identities: the brute masculinity of Daniel Craig's James Bond, the allegedly 'progressive' patriotism of nature writing, a televisual obsession with the World Wars. Authentocrats charges liberals themselves with fuelling the post-liberal turn, and asks where the space might be found for an alternative.

    And even though he was as unwilling to commit to a place or a job as Talbot was to marrying him, he insisted that she keep the baby when a pregnancy surprised them during their fourth year together. As it turned out, Kenny wasn't able to commit to a child either, so when the court ordered visitation and support for their four-month-old daughter, he vanished. His disappearing act was the catalyst for Talbot’s own, as she moved her daughter through nine states in as many years—running from the memory of their failed relationship and the hope of an impossible reunion, all the while raising a daughter on her own. Then, one day while packing boxes, she found a photograph that changed everything.In this memoir-in-essays, Talbot attempts to set the record straight, even as she argues that our shared histories are merely competing stories we choose to tell ourselves. A bold look at the challenges of love and the struggles of a single mother in America today, The Way We Weren't tells a complex, unforgettable story of loss and leaving, and of how Talbot learned that writing can't bring anything back, but that because of it, nothing is ever really lost.

    "They talk and can be heard in conversation-with you, with each other......... They allow you to be a part of their world inasmuch as you have asked them to be a part of yours."That sentiment also applies to the millions of faithful For Better or For Worse fans who follow the popular family strip each day. Suddenly Silver celebrates that decades-old relationship between creator, characters, and readers.Millions of readers share a daily relationship with Lynn Johnston and her cartoon family, the Pattersons. Suddenly Silver: Celebrating 25 Years of For Better or For Worse allows these faithful friends-and new readers, too-to honor that long association through a one-of-a-kind collection of strips that also includes Johnston's musings about her real life and how it's reflected in one of the cartooning world's most beloved and followed families.Suddenly Silver is divided into three sections using cartoons from the strip's early, middle, and more recent years. This insightful structure enables readers to revisit favorite earlier strips and to watch the development of storylines and the growth of characters over the years. Throughout it all, readers will find the same focus on everyday family life humorously portrayed through the good and the not-so-good days. All the cherished characters are present, including parents Elly and John, their children and grandchild, Grandpa Jim, and of course the dogs.Johnston's thoughts about them, their individual development, and their familial evolution makes Suddenly Silver particularly captivating. As Lynn describes her work, readers get to share in the Pattersons' rendition of real life through the heartwarming, the humorous, the tragic, and the triumphant. This book, like the cartoon it honors, will make readers smile while emphasizing what's important in life.For Better or For Worse: What a run! What a celebration! What a future to look forward to!

    For the amusement of his friends, he?d often recount in long e-mails his latest misadventure, whether it was witnessing an armed robbery or being vomited on during his first sexual experience. In 2002, he started collecting those stories on a Web site he founded, mentallyincontinent.com. Soon he had a large following of visitors, including a rabid core group who suggested edits and helped him hone his writing craft. In 2005, he self-published the best stories from his site as a collection and in the years since he?s been holding impromptu readings across the country, selling thousands of copies (mostly out of the back of his truck). In Mentally Incontinent, Joe delivers a batch of hilarious and brand-new stories, featuring his misadventures with a stalker, his blind date with a fifteen-year-old, and his frustrated attempts to convince his mom that he?s not gay. A natural storyteller and a self-proclaimed magnet for weirdness, Joe Peacock has emerged from the bowels of the Internet with some interesting tales to tell.

    For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected -- and most popular -- of its kind. The Best American Travel Writing 2004 transports readers from Patagonia to Ivory Coast to small-town Vermont. Readers are treated to car and truck trips across America, can fall "in lust" in the South Pacific, and go into the heart of the Congo to rescue gorillas. This year's volume is edited by Pico Iyer, who writes in his fascinating introduction, "Restlessness is part of the American way. It's part of what brought many of the rest of us to America." The Best American Travel Writing 2004 displays American restlessness at its most tantalizing and entertaining.

    With refreshing honesty she brings the reader into the room as she gets a Brazilian wax, into the car as she chauffeurs a U.S. senator, and onto the sidewalk with her as she visits the New York apartments of a vanished poet. The perils of falling in love with an unattainable and of being the unattained love come together here with her farewell to a cousin who’s joining a convent. Striking a perfect perch between reflection and humor, Rooney explores every facet of her life as she struggles to find her place in the world

    As a child, he rooted for conventionally good characters like wide-eyed Luke Skywalker in Star Wars. But as Klosterman aged, his alliances shifted—first to Han Solo and then to Darth Vader. Vader was a hero who consciously embraced evil; Vader wanted to be bad. But what, exactly, was that supposed to mean? When we classify someone as a bad person, what are we really saying (and why are we so obsessed with saying it)? In I Wear the Black Hat, Klosterman questions the very nature of how modern people understand the culture of villainy. What was so Machiavellian about Machiavelli? Why don’t we see Batman the same way we see Bernhard Goetz? Who’s more worthy of our vitriol—Bill Clinton or Don Henley? What was O.J. Simpson’s second-worst decision? And why is Klosterman still obsessed with some kid he knew for one week in 1985?Masterfully blending cultural analysis with self-interrogation and limitless imagination, I Wear the Black Hat delivers perceptive observations on the complexity of the anti-hero (seemingly the only kind of hero America still creates). I Wear the Black Hat is the rare example of serious criticism that’s instantly accessible and really, really funny. Klosterman is the only writer doing whatever it is he’s doing.

    This casebook applies the conceptual framework developed in the text across countries with a consistent organization that facilitates comparison and aids understanding.

    

    At a glance, it bears few similarities to any place we know and inhabit. But upon closer examination, the differences between this complex virtual reality and our own might not be as vast as we think. In “How You Play the Game,” author and philosopher Charlie Huenemann looks philosophically at the game of Minecraft (“What is the point of this game? How does one win? Well, this depends on what you want to do”) and grapples with the ethical conundrums, existential crises and moral responsibilities of the virtual realm. From the Overworld to the Ender Dragon, Huenemann offers an entertaining, insightful and often hilarious examination of Minecraft and the strange worlds—both virtual and not—surrounding it.Charlie Huenemann is a Professor of Philosophy at Utah State University. He writes for 3quarksdaily, and has published several books on the history of philosophy.Cover design by Adil Dara.

    With hard-hitting information and a touch of comic relief, Berliner, Glass, and their Associates separate fact from fiction in this comprehensive look at modern education reform. They explain how the mythical failure of public education has been created and perpetuated in large part by political and economic interests that stand to gain from its destruction. They also expose a rapidly expanding variety of organizations and media that intentionally misrepresent facts. Many of these organizations suggest that their goal is unbiased service in the public interest when, in fact, they represent narrow political and financial interests. Where appropriate, the authors name the promoters of these deceptions and point out how they are served by encouraging false beliefs.This provocative book features short essays on important topics to provide every elected representative, school administrator, school board member, teacher, parent, and concerned citizen with much food for thought, as well as reliable knowledge from authoritative sources.

    You want to write great poems. You want to write poems that challenge, inspire and awe. You want to write poems that forever alter your audience, that forever alter yourself. Those poems take guts. Glitter in the Blood: A Poet's Manifesto to Better, Braver Writing will put you in constant contact with your guts. Pushcart prize nominated and highly accomplished performance poet Mindy Nettifee is not going to lead you step-by-step up a how-to staircase. With this collection of essays, prompts and exercises, Mindy is giving you the wrench you need to open up the blood and let it flow into your writing.

    There she meets its founder, who once modeled with a pelican on his arm for a Dewar’s Scotch campaign but has since declined into a pit of fraud and madness. He becomes our embezzling protagonist whose tales about the birds he “rescues” never quite add up. Gerard’s personal stories are no less eerie or poignant: An essay that begins as a look at Gerard’s first relationship becomes a heart-wrenching exploration of acquaintance rape and consent. An account of intimate female friendship pivots midway through, morphing into a meditation on jealousy and class.Sunshine State offers a unique look at Florida, a state whose economically and environmentally imperiled culture serves as a lens through which we can examine some of the most pressing issues haunting our nation.BFF --Mother-father God --Going diamond --Records --The mayor of Williams Park --Sunshine state --Rabbit --Before: an inventory

    This edition has been updated and includes a new preface.

    Featuring 35 full-day accounts and hundreds of highlights, you’ll go behind the scenes with a hot new fashion designer, a McDonald’s manager, a trauma surgeon, a mechanic, a life coach, a boxing promoter. More well-known contributors include actress Angie Everhart, celebrity chef Sara Moulton, race-car driver Sara Fisher, and “Go Fug Yourself” blogger Heather Cocks, all inviting us to work a day in their shoes.