1 of 2 After all, I need not give up the thought of doing that, too, in time; because even now, talking with whoever is worthy, I can give a reason for my faith in one and another excellence, the fresh strange music, the affluent language, the exquisite pathos and true new brave thought; but in this addressing myself to you your own self, and for the first time, my feeling rises altogether. I do, as I say, love these books with all my heart - and I love you too. Do you know I was once not very far from seeing - really seeing you? Mr. Kenyon said to me one morning 'Would you like to see Miss Barrett?' then he went to announce me, - then he returned .. you were too unwell, and now it is years ago, and I feel as at some untoward passage in my travels, as if I had been close, so close, to some world's-wonder in chapel or crypt, only a screen to push and I might have entered, but there was some slight, so it now seems, slight and just sufficient bar to admission, and the half-opened door shut, and I went home my thousands of miles, and the sight was never to be? I thank you, dear Mr. Browning, from the bottom of my heart. You meant to give me pleasure by your letter - and even if the object had not been answered, I ought still to thank you. But it is thoroughly answered. Such a letter from such a hand!

    The authors identify 10 qualities, attributes, and skills that help to explain Lincoln's effectiveness, despite seemingly insurmountable odds:1. Implementing and sustaining a mission and vision with focused and profound clarity2. Communicating ideas effectively with precise and straightforward language3. Building a diverse and competent team to successfully address the mission4. Engendering trust, loyalty, and respect through humility, humor, and personal example5. Leading and serving with emotional intelligence and empathy6. Exercising situational competence and responding appropriately to implement effective change7. Rising beyond personal and professional trials through tenacity, persistence, resilience, and courage8. Exercising purposeful visibility9. Demonstrating personal growth and enhanced competence as a lifetime learner, willing to reflect on and expand ideas10. Believing that hope can become a realityChapters devoted to each element explore the historical record of Lincoln's life and actions, then discuss the implications for modern educators. End-of-chapter exercises provide a structure for reflection, analysis of current behaviors, and guidance for future work, so that readers can create their own path to success--inspired by the example of one of the greatest leaders of all time.

    Banks (1870–1938) was an ambitious young American journalist (born in New Jersey, raised in Wisconsin) who worked as a typist and reporter in Baltimore, then took the unlikely post of secretary to the American Ambassador in Peru, before coming to London to seek her fortune. She achieved her goal admirably in 1894 with a form of 'stunt journalism' that had first been practised by James Greenwood, who dressed in rags and presented himself as a 'casual' pauper to the parish authorities, writing up his experience in his sensational article 'A Night in a Workhouse'. Banks, very much a late nineteenth-century 'New Woman', likewise decided to go 'undercover' amongst the poor — first as a servant, then in several other positions, masquerading as a crossing sweeper, laundress and, at the opposite end of the social spectrum, pretending to be an heiress, to see how easy it might be to buy one's way into the aristocratic upper echelons of London 'Society'. Banks's ploy was successful and the resulting articles became the talk of the capital — and guaranteed her a future career in journalism. Her own autobiography records the words of the Pall Mall Gazette ... 'Her strange, wild and curious adventures are the common theme of conversation in thousands of English homes ...' and, although Banks's subterfuge may not seem 'wild' to modern readers, it remains striking. It was the impersonation of a servant which caused the greatest furore, not least the fear that the upstart young American was promoting a very un-British egalitarian agenda, one sympathetic to the complaints of servants against mistresses, undermining the normal healthy relations between the classes. In fact, the book provides a rather too convenient comparison of two households — the first where the employer exploits and over-works her staff, the second where the cook and maids have the whip-hand over an overly timid and caring mistress. Banks herself, however, had no great political agenda. She confesses frankly in her autobiography that 'I did it for "copy" ... to earn my living'.Such was the interest in Banks's work, that the press sought out the employers who were fooled by the artful reporter. 'Mrs. Allison' (not her real name) was interviewed by the populist Pick Me Up magazine and declared herself 'completely hoodwinked'. She claimed, however, that she only employed Miss Banks because of the pathetic story she told at interview about her penury, and that — contrary to the impression in the book — the cleanliness of her household suffered a good deal due to the reporter's ignorance. Mrs. Allison recounts how she knew there was trouble when her other maid informed her, 'Ma'am, the new housemaid's sweeping the stairs with a bonnet whisk!' In short, according to Mrs. Allison, her American employee 'did not hesitate to declare herself as competent and reliable, although she entered every house under false pretences without being able to sew on a button, darn a stocking, or scrub a floor'.Banks's success was so great because her deception played on the existing fears of the middle- and upper-classes about servants, i.e. that, when members of the family were not present, staff were incompetent and/or deceptive — traitors beneath one's own roof — even if this only amounted to taking unwarranted 'perquisites' from household groceries, or seeing male 'followers'. Whether Miss Banks provides us with a completely truthful account or 'journalistic gingerbread' (to quote the rather unsympathetic Pick Me Up) I must leave it to the reader to judge — regardless, the book remains a fascinating read.

    A significant figure in French society and literary circles, whose close friends included Madame de La Fayette and La Rochefoucauld, she reflected on both significant historical events and personal issues, and in this selection of the most significant letters, spanning almost fifty years, she is by turns humorous and melancholic, profound and superficial. Whether describing the new plays of Racine and Moliere, speculating on court scandals including the intrigues of the King's mistresses or relating her own family concerns, Madame de Sevigne provides throughout an intriguing portrait of the lost age of Le Roi Soleil.

    Intellectual and independent, she had the strength to defy polite society with her highly unorthodox private life which included various romances and regular encounters with the primarily male intelligentsia. This insightful and provocative biography investigates Eliot’s life, from her rural and religious upbringing through her tumultuous relationship with the philosopher George Henry Lewes to her quiet death from kidney failure. As each of her major works are also investigated, Jenny Uglow attempts to explain why her characters were never able to escape the bounds of social expectation as readily as Eliot did herself.

    In this selection of letters and autobiographical fragments we hear the authentic voices of the three novelist sisters, Charlotte, Emily and Anne, their brother, Branwell, and their father, the Reverend Patrick Brontë. We share in their progress over the years: the exuberant childhood, absorbed in wild, imaginative games; the years of struggling to earn a living in uncongenial occupations before Jane Eyre, Wuthering Heights and The Tenant of Wildfell Hall took the literary world by storm; the terrible marring of that success as, one by one, Branwell, Emily and Anne died tragically young; the final years as Charlotte, battling against grief, loneliness and ill health, emerged from anonymity to take her place in London literary society and, finally, found an all too brief happiness in marriage to her father's curate.Juliet Barker, author of the highly acclaimed biography The Brontës has used her unrivalled knowledge of the family to select extracts from letters and manuscripts, many of which are appearing here in print for the first time. Charlotte was a letter-writer of supreme ability, ranging from facetious notes and homely gossip to carefully composed pages of literary criticism and, most movingly of all, elegiac tributes to her beloved brother and sisters. Emily and Anne remain tantalizingly evasive. Very few of their letters are extant. Emily's are mere businesslike notes, though these have been supplemented by her more revealing diary papers; Anne's letters are equally frustrating, but only because their quality makes us regret their paucity.Branwell emerges as distinctly as Charlotte from his letters. Whether trying to impress William Wordsworth with his literary abilities, showing off to his artistic friends or finally coming to terms with a life of failed ambition, his character is laid bare on every page. The Reverend Patrick Brontë's devotion to his children and passionate advocacy of liberal causes are equally well illustrated in what can only be a small selection from his voluminous correspondence.The Brontë letters are supplemented by extracts from other contemporary sources, which allow us to see the family as their friends and acquaintances saw them. A brief narrative text guides the reader through the letters and sets them in context. By allowing the Brontës to tell their own story, Juliet Barker has not only produced an innovative form of biography but also given us the unique privilege of participating intimately in the lives of one of the most famous and best-loved families of English literature.

    It is a delight and a solace, a challenge and a reward, and perhaps even an obsession. For two centuries Austen has enthralled readers. Few other authors can claim as many fans or as much devotion. So why are we so fascinated with her novels? What is it about her prose that has made Jane Austen so universally beloved?In essays culled from the last one hundred years of criticism juxtaposed with new pieces by some of today’s most popular novelists and essayists, Jane Austen’s writing is examined and discussed, from her witty dialogue to the arc and sweep of her story lines. Great authors and literary critics of the past offer insights into the timelessness of her moral truths while highlighting the unique confines of the society in which she composed her novels. Virginia Woolf examines Austen’s maturation as an artist and speculates on how her writing would have changed if she’d lived twenty more years, while C. S. Lewis celebrates Austen’s mirthful, ironic take on traditional values.Modern voices celebrate Austen’s amazing legacy with an equal amount of eloquence and enthusiasm. Fay Weldon reads Mansfield Park as an interpretation of Austen’s own struggle to be as “good” as Fanny Price. Anna Quindlen examines the enduring issues of social pressure and gender politics that make Pride and Prejudice as vital today as ever. Alain de Botton praises Mansfield Park for the way it turns Austen’s societal hierarchy on its head. Amy Bloom finds parallels between the world of Persuasion and Austen’s own life. And Amy Heckerling reveals how she transformed the characters of Emma into denizens of 1990s Beverly Hills for her comedy Clueless. From Harold Bloom to Martin Amis, Somerset Maugham to Jay McInerney, Eudora Welty to Margot Livesey, each writer here reflects on Austen’s place in both the literary canon and our cultural imagination.We read, and then reread, our favorite Austen novels to connect with both her world and our own. Because, as A Truth Universally Acknowledged so eloquently demonstrates, the only thing better than reading a Jane Austen novel is finding in our own lives her humor, emotion, and love.

    Tragic, virginal, sweet, stoic, selfless, Anne. The less talented Brontë, the other Brontë.Or that's what Samantha Ellis, a life-long Emily and Wuthering Heights devotee, had always thought. Until, that is, she started questioning that devotion and, in looking more closely at Emily and Charlotte, found herself confronted by Anne instead.Take Courage is Samantha's personal, poignant and surprising journey into the life and work of a woman sidelined by history. A brave, strongly feminist writer well ahead of her time -- and her more celebrated siblings -- and who has much to teach us today about how to find our way in the world.

    George Bull, a distinguished translator of many Italian classics, has brought his skill and experience to bear on translating this new selection of Michelangelo's letters and poetry, as well as the 'Life' the biography written by Michelangelo's pupil Ascanio Condivi.

    But then, everyone in her close-knit Devonshire village seems to find different ways to cope: there's the indomitable Lady B, who writes to Hitler every night to tell him precisely what she thinks of him; the terrifyingly efficient Mrs Savernack, who relishes the opportunity to sit on umpteen committees and boss everyone around; flighty, flirtatious Faith who is utterly preoccupied with the latest hats and flashing her shapely legs; and then there's Charles, Henrietta's hard-working husband who manages to sleep through a bomb landing in their neighbour's garden. With life turned upside down under the shadow of war, Henrietta chronicles the dramas, squabbles and loyal friendships that unfold in her affectionate letters to her 'dear childhood friend' Robert. Warm, witty and perfectly observed, "Henrietta's War" brings to life a sparkling community of determined troupers who pull together to fight the good fight with patriotic fervour and good humour. "Henrietta's War" is part of The Bloomsbury Group, a new library of books from the early twentieth-century chosen by readers for readers.

    The older artist, Rainer Maria Rilke (1875–1926), replied to the novice in this series of letters—an amazing archive of remarkable insights into the ideas behind Rilke's greatest poetry. The ten letters reproduced here were written during an important stage in Rilke's artistic development, and they contain many of the themes that later appeared in his best works. The poet himself afterwards stated that his letters contained part of his creative genius, making this volume essential reading for scholars, poetry lovers, and anyone with an interest in Rilke, German poetry, or the creative impulse.

    Lewis received thousands of letters from young fans who were eager for more knowledge of his bestselling Narnia books and their author. Here are collected many of his responses to those letters, in which he shares his feelings about writing, school, animals, and of course, Narnia. Lewis writes to the children - as he wrote for them - with understanding and respect, proving why he remains one of the best-loved children's authors of all time.

    It's a book that has remained current for over half a century, fighting off critics and changing tastes in fiction. But do even its biggest fans know all there is to appreciate about The Great Gatsby?Maureen Corrigan, the book critic for "Fresh Air" and a Gatsby lover extraordinaire, points out that while Gatsby may be the novel most Americans have read, it's also the ones most of us read too soon -- when we were "too young, too defensive emotionally, too ignorant about the life-deforming powers of regret" to really understand all that Fitzgerald was saying ("it's not the green light, stupid, it's Gatsby's reaching for it," as she puts it). No matter when or how recently you've read the novel, Corrigan offers a fresh perspective on what makes it so enduringly relevant and powerful. Drawing on her experience as a reader, lecturer, and critic, her book will be a rousing consideration of Gatsby: not just its literary achievements, but also its path to "classic" (its initial lukewarm reception has been a form of cold comfort to struggling novelists for decades), its under-acknowledged debt to hard-boiled crime fiction, its commentaries on race, class, and gender.With rigor, wit, and an evangelistic persuasiveness, Corrigan will leave readers inspired to grab their old paperback copies of Gatsby and re-experience this great novel in an entirely new light.

    This fascinating new selection tells Chekhov's story as a man and a writer through affectionate bulletins to his family, insightful discussions of literature with publishers and theater directors, and tender love letters to his actress wife. Vividly evoking landscapes, people, and his day to day life, the letters offer revealing glimpses into Chekhov's preoccupations-the onset of tuberculosis, his dual careers as doctor and writer, and his ambivalence about his growing reputation as Russia's foremost playwright and author. This volume takes us inside the mind of one of the world's greatest writers, and the character that emerges from these pages is resilient, generous, charming, and life enhancing.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.