Whether considering a bird’s nest, the seeming patience of oak trees, or the artworks of Franz Marc, Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments.At its heart, Blue Horses asks what it means to truly belong to this world, to live in it attuned to all its changes. Humorous, gentle, and always honest, Oliver is a visionary of the natural world.

    S. Merwin, Allen Ginsberg, and Lawrence Ferlinghetti. In work spanning 30 years (1955-1985), Parra, the pioneer of "antipoetry," remains fresh, bold, and inventive, deftly and humorously subverting convention. Editor David Unger brings together poems from Parra's groundbreaking collection Poemas y antipoemas, the witty aphorisms of Artefactos, and his original and uncompromising later work.

    But rather than trading on nostalgia, the storied journal—reconceived in 2010 by editor Lorin Stein—continues to search outside the mainstream for the most exciting emerging writers. Harmonizing a timeless literary feel with impeccable modern taste, its pages are vivid proof that the best of today’s writing more than upholds the lofty standards that built the magazine’s reputation.The Unprofessionals collects pieces from the new iteration of the Paris Review by contemporary writers who treat their art not as a profession, but as a calling. Some, like Zadie Smith, Ben Lerner, and John Jeremiah Sullivan, are already major literary presences, while others, like Emma Cline, Benjamin Nugent, and Ottessa Moshfegh, will soon be household names. A master class in contemporary writing across genres, this collection introduces the must-know voices in the modern literary scene.

    It is the finest anthology of lyric poetry ever published."Truth" by Geoffrey Chaucer"Ophelia's Song" by William Shakespeare"The Canonization" by John Donne"To Heaven" by Ben Jonson"Ode on Solitude" by Alexander Pope"The Tyger" by William Blake"The Solitary Reaper" by William Wordsworth"Ode to a Nightingale" by John Keats"God's Grandeur" by Gerard Manley Hopkins"Sailing to Byzantium" by William Butler Yeatsand more than ninety additional classic poems.

    She’s the quintessential modern woman—assertive, razor sharp, and fully in control. Her success in the marketplace is undeniable, a downright boon to society. But what happens when the alpha female gets married? She becomes an alpha wife, of course. An alpha wife is in charge of everything and everyone. She is, quite simply, the Boss. The problem is, no man wants a boss for a wife. That type of relationship may work for a spell, but it will eventually come crashing down. Since 1970, just as women became more and more powerful outside the home—more alpha—the divorce rate has quadrupled. And it is women who lead the charge. Today, 70% of divorce is initiated by wives. Do men just make lousy husbands? Not at that rate, says Suzanne Venker, bestselling author of The War on Men. The truth is that women don’t know how to be wives. Why would they? That’s not what they were raised to become. But women can learn. There’s an art to loving a man, says Venker, and any woman can master it. An alpha female herself, Venker learned how to be a wife the hard way—through trial and error. Lots of error. And here’s what she knows today—the set of skills a woman needs to pursue a career, or even to raise children, is the exact set of skills that will mess up her marriage but good. No man likes to be told what to do. And no woman respects the man who does. The Alpha Female's Guide to Men and Marriage gives women who are used to being in charge the tools they need to make their marriages less competitive and more complementary. Part memoir, part advice, this brave manifesto argues that while marriage is more challenging for the alpha female, it is possible to find peace in your marriage. In fact, it may be easier than you think.

    The poems’ subject is the natural world, but their images would never occur in nature. This book is serious and funny at the same time, like a big grave with a clown lying in it.

    Screenwriter, director, and star of the acclaimed film Me and You and Everyone We Know, Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection.

    It is, to begin with, a book which gives prominence to poems rather than to the poets who wrote them. It is truly international, bringing together poems not just from these islands but from many parts of the English-speaking world. It is the first book to identify a strain in the poetry of the last half-century which is characteristic of the 'strange times' we live in - an age when, as the editors note, scientific discovery itself has encouraged us to 'make free with the boundaries of realism'. It values imagination, surprise, vivid expression, the outlandish and the playful above ideology and sententiousness. It is, in short, living proof that poetry in the English language continues to thrive and to matter.

    Dating from the Middle Ages to the 20th century, these splendid poems remain evergreen in their capacity to engage our minds and refresh our spirits. Among them are Marlowe: "The Passionate Shepherd to His Love"; Shakespeare: "Sonnet XVIII" ("Shall I compare thee to a summer's day?"); Donne: "Holy Sonnet X" ("Death, be not proud"); Marvell: "To His Coy Mistress"; Wordsworth: "I Wandered Lonely as a Cloud"; Shelley: "Ode to the West Wind"; Longfellow: "The Children's Hour"; Poe: "The Raven"; Tennyson: "The Charge of the Light Brigade"; Whitman: "O Captain! My Captain!"; Dickinson: "This Is My Letter to the World"; Yeats: "When You Are Old"; Frost: "The Road Not Taken"; Millay: "First Fig."Works by many other poets — Milton, Blake, Burns, Coleridge, Byron, Keats, Emerson, the Brownings, Hardy, Housman, Kipling, Pound, and Auden among them — are included in this treasury, a perfect companion for quiet moments of reflection.

    This new book takes place in Lockdown Three. This time Key can make Government-sanctioned expeditions out onto the streets of London (remember?). And it is there that the inaction takes place. Phone calls to his mother, promenades with his loyal friend, bubble-negotiations, sitting his fat arse down on benches, drinking mocha. Another three months of mind-freezing inertia. This time on the move. Conversations interspersed with poetry.

    Now he gives birth to a cast of gruesomely sympathetic children – misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and the tragedy of these dark yet simple beings – hopeful, hapless heroes who appeal to the ugly outsider in all of us, and let us laugh at a world we have long left behind (mostly anyway).

    The forces of nature and the strength of the human spirit inspire the poems in Absolute Trust in the Goodness of the Earth. Alice Walker opens us to feeling and understanding, with poems that cover a broad spectrum of emotions. With profound artistry, Walker searches for, discovers, and declares the fundamental beauty of existence, as she explores what it means to experience life fully, to learn from it, and to grow both as an individual and as part of a greater spiritual community. About Walker’s Horses Make a Landscape Look More Beautiful, America said, “In the tradition of Whitman, Walker sings, celebrates and agonizes over the ordinary vicissitudes that link and separate all of humankind,” and the same can be said about this astonishing new collection, Absolute Trust in the Goodness of the Earth.

    What you see isn't always the only thing you receive. Come for the popcorn, the show, and the animals. Stay for the Horror. We insist. Panis Et Poenam by Alex Winck Make My Escape by C.L. Williams SOLD by Katie Jaarsveld Diamonique by Samie Sands Heaven Must Be Missing An Angel by Andrew Darlington Stuff of Dreams by Rick Eddy WONDERLAND by Samie Sands The Freak by Kevin Hall Clown in the Mirror by Katie Jaarsveld Carnival Carnage by Samie Sands

    "Choose any angle you like," she writes, "The world is split in two." One poem, "Bicameral," moves from a child's cleft palate to a gunshot wound to the hanging skeins of a fabric in a postwar art exhibit. In the wool cut from the sheep to make the materials of art, she finds a tangled record of violence and repair: "The body it becomes will ever / bind it to the human and a trail of woe."Longtime readers of Gregerson's poetry will be facinated by her departure from the supple tercets in which she has worked for nearly twenty years: Magnetic North is a bold anthology of formal experiments. It is also a heartening act of sustained attention from one of our most mindful poets.

    Her wandering hero refuses to conform to the established order that descends into military terror and machismo.