Now on the run in search of their big sister Raynell, ironically they are forced to rely on their trash-picking skills for sustenance and shelter. Reunited at last with Raynell in St. Louis, Boy and Sissy shed their old identities, reinvent themselves as graffiti artists, and splash their new names on city bridges and walls. But one night's expedition goes horribly wrong, and Sissy looks again to trash, this time as the beginning of something artful and beautiful.

    And she's sick of herself. So when she spots mysterious bad boy Grady Dillon, she devises a plan to make herself over into someone new, someone who will attract Grady's attention. She succeeds but a little too well. When Molly discovers she's pregnant, she's forced to make the hardest choice of her life. This addictive readable portrayal of Molly's struggle to accept her pregnancy and the fact that her life will never be the same is told entirely in poetry, from sonnets to haiku.

    The story takes place in a small Vermont town in the year 1924, revealing the devastating impact of the Ku Klux Klan on this pastoral, insular community. At the heart of the tale are two motherless girls who come to the attention of the newly formed Klan: 12-year-old Leanora Sutter, who is black, and 6-year-old Esther Hirsch, who is Jewish. Hesse tells her story, which is based on real events, through the eyes of 11 different characters. Each point of view is expressed in poetic form, but with a stark clarity of difference that makes the voices unique and identifiable. There is a fire-and-brimstone preacher whose sermons reveal him as a zealot and whose actions brand him as a hypocrite. There is a middle-aged farm woman named Sara who takes Esther under her wing despite the warnings of her neighbors, trying to help the child understand why the Klan has marked her and her widowed father as targets for their hatred. Esther's only other friend is Leanora, who is about to learn some harsh lessons on tolerance and hatred herself at the hands of the Klan. And linking them all together is 18-year-old Merlin Van Tornhout, a young man struggling to fit in with the adult world and determine for himself the difference between right and wrong. The remaining characters who circle the periphery of this core group reflect the various mind-sets and biases that were common during this era of fear and persecution, even in a setting as bucolic as the Vermont countryside.Hesse weaves real historic events into her tale, such as the murder trial of the infamous kidnappers Leopold and Loeb, giving the work a definite period flavor. Using prose that is both sparse and powerful, she builds the tension with a slow crescendo of inevitability that ends in violence, but also offers up an unforgettable lesson on the true power of friendship and acceptance. (Beth Amos)

    Her father wants her to be a dutiful daughter, waiting for an arranged marriage like her sister Ruby.Running is a quiet rebellion. But Amber wants so much more - and she's ready to fight for it.It's time for a revolution.

    Soon after, angry and guilt-ridden Emily is sent to a boarding school in Amherst, Massachusetts, where two quirky fellow students and the spirit of Emily Dickinson offer helping hands. But it is up to Emily Beam to heal her own damaged self, to find the good behind the bad, hope inside the despair, and springtime under the snow.

    But what's really on her mind is her mother. Why is she dressing in Dad's baggy khaki pants with a silk scarf around her neck? What is she planning when she pores over maps in the middle of the night? When did she stop being Mom and start being Amelia Earhart? Alex tries to keep her budding love life apart from the growing disaster at home as her mother sinks further into her delusions. But there are those nights, when everyone else is asleep, when it's easier to confide in Amelia than it ever was to Mom. Now, as Amelia's flight plans become more intense, Alex is increasingly worried that Amelia is planning her final flight - the flight from which she never returns. What could possibly be driving Mom's delusions, and how far will they take her?

    But when things in her hometown start becoming volatile, Jude and her mother are sent to live in Cincinnati with relatives.At first, everything in America seems too fast and too loud. The American movies that Jude has always loved haven’t quite prepared her for starting school in the US—and her new label of “Middle Eastern,” an identity she’s never known before. But this life also brings unexpected surprises—there are new friends, a whole new family, and a school musical that Jude might just try out for. Maybe America, too, is a place where Jude can be seen as she really is.

    In 1955, in Caroline County, Virginia, amidst segregation and prejudice, injustice and cruelty, two teenagers fell in love. Their life together broke the law, but their determination would change it. Richard and Mildred Loving were at the heart of a Supreme Court case that legalized marriage between races, and a story of the devoted couple who faced discrimination, fought it, and won.

    A new reading-group guide written by the author is included in the back of this paperback edition.

    Helen is not much to look at--that's why her friends want her to come along. But Helen gets under Gabe's skin in a way no other girl has. It was one night. One night with lasting consequences. Now Helen has to decide if she wants to keep the baby--and if she should tell Gabe, who hasn't spoken to her since their one night together. Filled with love, fear, and the tough choices born of casual acts, One Night is a passionate and compellingly readable novel about teen life, the hardships of parenthood--and the joy and forgiveness between family and friends. From the Hardcover edition.

    He makes sure to always do the right thing and be responsible. With his mom deployed and his dad constantly working, Leo is often left in charge of his two younger siblings. Then Leo's brother, Jack, gets caught up in a dangerous plot that rocks the community. Can Leo keep his promise to stand by his brother no matter what, or will he stand on the side of justice?"--Page 4 of cover.

     The last person seventeen-year-old Eleanor Livingston wants to see on the elevator—let alone get stuck with—is her ex-boyfriend Travis, the guy she's been avoiding for five months. Plagued with the belief that when she speaks the truth, bad things happen, Elly hasn’t told Trav anything. Not why she broke up with him and cut off all contact. Not what happened the day her father returned from his deployment to Afghanistan. And certainly not that she misses him and still thinks about him everyday. But with nowhere to hide and Travis so close it hurts, Elly’s worried she won’t be able to contain her secrets for long. She’s terrified of finally revealing the truth, because she can’t bear to watch a tragedy befall the boy she still loves.

    Gay Awareness Week was beginning at the University of Wyoming, and the keynote speaker was Lesléa Newman, discussing her book Heather Has Two Mommies. Shaken, the author addressed the large audience that gathered, but she remained haunted by Matthew’s murder. October Mourning, a novel in verse, is her deeply felt response to the events of that tragic day. Using her poetic imagination, the author creates fictitious monologues from various points of view, including the fence Matthew was tied to, the stars that watched over him, the deer that kept him company, and Matthew himself. More than a decade later, this stunning cycle of sixty-eight poems serves as an illumination for readers too young to remember, and as a powerful, enduring tribute to Matthew Shepard’s life.

    Being adopted is a fact of life in the McLane household: fourteen-year-old Lizzie, as well as her older brother and sister were adopted as infants. But dry facts rarely encompass feelings, and what it feels like to be adopted is something Lizzie never dares openly discuss with her loving parents--let alone with outsiders. More and more Lizzie yearns to confide in others, especially her boyfriend, Peter. But something stops her. Will Peter think she is less because her birthmother gave her away? Would telling be disloyal to her adoptive parents? Told entirely through the poems Lizzie writes for herself, this intimate, moving story gives voice to the thoughts Lizzie cannot utter aloud. Lizzie transforms relationships and events in her daily life--family dinners, the school dance, hanging out with friends--into blues poems, list poems, sonnets, sestinas, and free verse that delve into her secret wishes and her fears. Often Lizzie feels like two people: the person everyone knows, and the one known to precious few. But when a tragic accident occurs, Lizzie finds the courage to say who she truly is and to set off on a new path of self-discovery and truth. In an Afterword the author discusses her own experience as an adopted child and how writing can help make sense of one's life. Also included are a Guide to Poetic Forms and an Appendix of Poems (poems referred to in the novel, by Lucille Clifton, Hayden Carruth, Anne Sexton, Donald Hall, and others).

    Then Emilie’s mom enrolls her in public school, and Emilie goes from studying at home in her pj’s to halls full of strangers. To make matters worse, Emilie is paired with starting point guard Chatham York for a major research project on Emily Dickinson. She should be ecstatic when Chatham shows interest, but she has a problem. She hasn’t told anyone about her epilepsy. Emilie lives in fear her recently adjusted meds will fail and she’ll seize at school. Eventually, the worst happens, and she must decide whether to withdraw to safety or follow a dead poet’s advice and “dwell in possibility.”