This is the poetry of a beautiful life.

    A poetic consideration of the tender connection between human society and the wild, the book is by turns passionate, political, funny, and harrowing. It is also a journey into that greatest of uncharted lands-the wilderness of the mind-and Griffiths beautifully explores the language and symbolism that shape our experience of our own wildness. Part travelogue, part manifesto for wildness as an essential character of life, Wild is a one-of-a-kind book from a one-of-a-kind author.

    As festering violence threatens to explode in the opulent and magical city of Malacia, Renaissance man Perian de Chirolo finds himself at the center of the maelstrom.

    Taylor, a theoretical physicist who has been one of the most inventive nuclear scientists of our time.Taylor was one of the most brilliant engineers of the nuclear age, but in his later years he became concerned with the possibility of an individual being able to construct a weapon of mass destruction on their own. McPhee tours American nuclear institutions with Taylor and shows us how close we are to terrorist attacks employing homemade nuclear weaponry.

    But the environmental emergency is also a crisis for our philosophical habits of thought, confronting us with a problem that seems to defy not only our control but also our understanding. Global warming is perhaps the most dramatic example of what Timothy Morton calls “hyperobjects”—entities of such vast temporal and spatial dimensions that they defeat traditional ideas about what a thing is in the first place. In this book, Morton explains what hyperobjects are and their impact on how we think, how we coexist with one another and with nonhumans, and how we experience our politics, ethics, and art.Moving fluidly between philosophy, science, literature, visual and conceptual art, and popular culture, the book argues that hyperobjects show that the end of the world has already occurred in the sense that concepts such as world, nature, and even environment are no longer a meaningful horizon against which human events take place. Instead of inhabiting a world, we find ourselves inside a number of hyperobjects, such as climate, nuclear weapons, evolution, or relativity. Such objects put unbearable strains on our normal ways of reasoning.Insisting that we have to reinvent how we think to even begin to comprehend the world we now live in, Hyperobjects takes the first steps, outlining a genuinely postmodern ecological approach to thought and action.

    The cover shows Gilbert's new star Killer in a pose and milieu that will bring back memories for long-time fans -- imitating the hammer-wielding Luba in her adopted Palomar. That's because Killer has discovered that her great-grandmother Maria (Luba's mother) starred in a late 1950s crime movie, and begins to delve into the details of her family's twisted history. Complicating things is the fact that Luba's half-sister Fritz played Maria in an amped-up biopic version of her life, creating a postmodern alternate version of the classic "Poison River" which originally told Maria's story (in a tie-in release, see page 52 for the graphic novel version of this movie, Maria M. Part One)! In the other half of the book, Jaime continues to explore his intriguing new character Tonta: In "Fuck Summer," Tonta is talked into joining the summer swim team but can't figure out why the brand new swim coach knows her -- so, with help from friends, she sets out to find the answer. Meanwhile, something far more sinister is brewing behind the scenes...

    The tactics have been slick, but PR expert James Hoggan and investigative journalist Richard Littlemore have compiled a readable, accessible guidebook through the muck. Beginning with leaked memos from the coal industry, the oil industry and the tobacco-sponsored lie-about-science industry, the authors expose the plans to "debunk" global warming; they track the execution of those plans; and they illuminate the results—confusion, inaction, and an epidemic of public mistrust.Climate Cover-Up names names, identifying bogus experts who are actually paid lobbyists and flaks. The authors reveal the PR techniques used to misinform, to mangle the language, and to intimidate the media into maintaining a phony climate change debate. Exposing the seedy origins of that debate, this book will leave you fuming at the extent, the effect, and the ethical affront of the climate cover-up.

    His column was called "Natural Acts," and for the next fifteen years he delighted Outside's readers with his fascinating ruminations on the world around us. The Boilerplate Rhino brings together twenty-six of Quammen's most thoughtful and engaging essays from that column, none previously printed in any of his earlier books. In lucid, penetrating, and often quirkily idiosyncratic prose, David Quammen takes his readers with him as he explores the world. His travels lead him to rattlesnake handlers in Texas; a lizard specialist in Baja; the dinosaur museum in Jordan, Montana; and halfway across Indonesia in search of the perfect Durian fruit. He ponders the history of nutmeg in the southern Moluccas, meditates on bioluminescent beetles while soaking in the waters of the Amazon, and delivers "The Dope on Eggs" from a chicken ranch near his hometown in Montana. Quammen's travels are always jumping-off points to explore the rich and sometimes horrifying tension between humankind and the natural world, in all its complexity and ambivalence. The result is another irrepressible assortment of ideas to explore, conundrums to contemplate, and wondrous creatures to behold.

    It talks about various topics about fear, God, and Christian Living.

    With her ocean-going rowing shell and her husband, Doug Fesler, in a small boat of his own, she has disappeared every summer for years, exploring the rugged shorelines of Alaska, Canada, Greenland, Spitsbergen, and Norway. Carrying what they need to be self-sufficient, the two of them have battled mountainous seas and hurricane-force winds, dragged their boats across jumbles of ice, fended off grizzlies and polar bears, been serenaded by humpback whales and scrutinized by puffins, and reveled in moments of calm.As Fredston writes, these trips are "neither a vacation nor an escape, they are a way of life." Rowing to Latitude is a lyrical, vivid celebration of these northern journeys and the insights they inspired. It is a passionate testimonial to the extraordinary grace and fragility of wild places, the power of companionship, the harsh but liberating reality of risk, the lure of discovery, and the challenges and joys of living an unconventional life.

    Subsisting entirely on junk food and beer, El Borbah conducts his investigations with tough talk and a short temper. He smashes through doors and skulls as he stalks a perfectly realized film-noir city filled with punks, geeks, business-suited creeps and mad scientists.El Borbah features five science-fiction and true-detective episodes: In "Robot Love," rebellious kids in nightclubs replace their "parts" with mechanical substitutes as part of a new fad, only to find that their parents have been automating themselves all along; in "Love in Vein" a mad visionary sperm donor plans a master race and turns "his" kids against their parents; "Bone Voyage" details the exploits of a cult called the Brotherhood of the Bone, a kind of cross between the Masons and the Mansons. The fantastic plots take up the weird fears of a scientific society, but the action is pure pulp. Charles Burns effortlessly spins yarns with gritty punchlines and pictures so perfect they must have existed in some collective memory of junk drama. And through it all crashes El Borbah, trying to make an honest buck from dishonest people.Burns is the author of Black Hole, the acknowledged masterpiece of the form that Fantagraphics serialized through the 1990s and will be collected into a massive graphic novel in 2005 by Pantheon Books. El Borbah is Burns' earliest work, created in the early 1980s, though the work remains eerily contemporary. Steeped in a "sci-fi-noir" aesthetic informed by Burns' steadily childhood diet of B-movies and comic books, but with a sophisticated sense of humor that is often as disturbing as it is funny, El Borbah is comics as its most entertaining.

    . . Yet, the life of almost every single organism draws nearer to certain death. On the other hand, "suicide" inside the mitochondria that live within us results in the death of millions of cells each second for our own good! Why is death such a universal companion to life on Earth? Why haven't animals evolved to break free of its shackles?In this wide-ranging exploration of death, Jules Howard attempts to shed evolutionary light on one of our biggest and most unshakable taboos. He visits a salon that's trying to abolish our queasiness over talking about death. He also looks to the nematode, one of the most basic of life-forms, for clues about why near-starvation actually can prolong life. Encountering some of the world's oldest animals, and meeting the scientists attempting to unravel their mysteries, Howard also comes face-to-face with evolution's outliers--the animals that may one day avoid death altogether.Written in an engaging style, Death on Earth's journey ends with the inevitable question: Can we ever become immortal? And if we could, would we really want to?

     At the same time THE JEWEL GARDEN is the story of a creative partnership that has weathered the greatest storm, and a testament to the healing powers of the soil. In his weekly column for the Observer, Monty Don has always been candid about the garden's role in helping him to pull back from the abyss of depression; THE JEWEL GARDEN elaborates on this much further. Written in an optimistic, autobiographical vein, Monty and Sarah's story is truly an exploration of what it means to be a gardener.

     When workaholic Eleanor receives an anonymous message that her estranged brother Dennis is dead, at first she doesn’t believe it. But when attempts to contact him fail, she puts her upcoming work project on hold and rushes to Finnick, Louisiana — the small, backward town where her brother lived. There, the locals tell her that Dennis committed suicide, although she isn’t so sure about that. Eleanor temporarily settles into Dennis’s creepy, turn-of-the-century house, intending to only stay long enough to pack his few belongings. But that night, Eleanor spots a young boy in the cemetery behind Dennis’s house, speaking to the gravestones. When she approaches him, Eleanor’s interruption of the boy’s ritual sets off a chain reaction of horror she could have never prepared for. The footsteps downstairs, the voices, and the shadowy apparitions are only the beginning. Dennis wasn’t alone in that house, and neither is she. Eleanor soon learns that the boy is being oppressed by a demonic entity. What’s worse, her brother Dennis had also interfered with the boy’s nightly ritual and incurred the wrath of the evil spirit. Now Eleanor must finish what her brother started — to rescue the boy from the clutches of hell before he loses his soul forever. But why is the demon so interested in the boy? What does it want? Eleanor discovers there are others in Finnick who know of the boy’s nightly visits to the graveyard and want them to continue. And they will do whatever it takes to stop Eleanor from ruining their carefully laid plans. The Gravewatcher is the debut novel from supernatural horror author Rockwell Scott.

    A massive rescue effort was launched, with penguin expert Dyan deNapoli—better known as The Penguin Lady—serving as a rehabilitation supervisor. By the end of a grueling, but ultimately rewarding, three months, she and her fellow volunteers had de-oiled, nursed back to health, and released into the wild nearly all of the affected birds. The Great Penguin Rescue is the extraordinary and heartwarming true story of the world’s largest and most successful wildlife rescue and a moving portrait of these captivating birds.