With no beauty, and few prospects, she was lucky to discover a lucrative talent - she can make people laugh. Now the queen of London's music hall stage, Dot feels she's not done badly. She has her audience, her independence, and enough money for champagne: a good life. Pretty, popular orphan Kate Eddowes was an unlikely childhood friend for Dot. The older girl's beauty was bound to take her places, and sure enough Kate soon left, lured away by love and the prospect of adventure. A chance encounter on a London street years later makes it clear that Kate's life has not gone according to plan. Though poor and alone, she retains her indomitable spirit. But this is Whitechapel in 1888, and the shadowy streets are no place for a desperate woman to wander...With her inimitable sharpness and wry wit, Laurie Graham brings to life the bustling pleasures and not-so-hidden dangers of life in a crowded city with its extremes of poverty and wealth. And all the while, in the shadows, lurks the lacerating threat of the Ripper.

    With inspiring wit and wisdom he will not only teach you how to be a better writer, but a more observant person and a better student in any field. You'll find yourself uncontrollably thinking deep thoughts about writing, film or anything else you are passionate about in life. Foreword by Glen Keane. "Listen to Brian, he has the unique ability to articulate what makes good writing." - Al Higgins, Writer "News Radio," "Malcolm in the Middle" and "Mike & Molly" "If you don't already have a mentor, here's one you'll love, in portable form." -- Steve Englehart novelist and writer of classic versions of dozen of comics series such as Batman and The Avengers "Brian's book is filled with insightful and useful gems for writers of any experience level. The only reason you'll want to put it down is to go start writing yourself." -- J. Elvis Weinstein writer/producer "Freaks and Geeks," "Mystery Science Theater 3000," "Cinematic Titanic" "Brian writes in clear, readily usable ways to improve your screenwriting. Like time-release story capsules they ignite and helped me over many movies and countless story bends. Give him a read, take a couple and repeat as needed." -- Ronnie del Carmen, story supervisor on UP and Finding Nemo, director and writer at Pixar Animation Studios. "I use Brian McDonald's books in my classes because I'm a student of his work. All teachers are students all the time. Brian hasn't forgotten that he occupies both a seat in the classroom and the spot in front of the classroom." -- Shawn Wong Professor, Department of English University of Washington

    It tells you about every aspect of writing, from having an idea to getting the idea out into the world (and getting paid for it too). It covers everything from journalism to screen-writing, from speeches to sketches, from sitcoms to novels. With thirty years' experience as an award-winning script-writer, journalist, author and broadcaster David Quantick is ideally suited, as a writer, to write this definitive writer's guide to writing... everything.

    This is the book you want stapled to your chest when you march into the battle of authorship!” – Karina Cooper, author of BLOOD OF THE WICKED“Chuck Wendig hammers out writing and career advice that's always brave, profane, creative, clever, and honest. And don't forget hilarious. You'll never laugh so hard learning so much." – Matt Forbeck, game designer and author of AMORTALS and VEGAS KNIGHTS.It’s time once more for a grim and greasy descent into the penmonkey’s world as Chuck Wendig offers up a gonzo NSFW look at what life is like as a writer.REVENGE OF THE PENMONKEY takes writers through their paces and karate-chops them in the trachea with a no-holds-barred drill sergeant approach to a writing career. Wendig -- equal parts novelist, game designer, screenwriter and all-around freelance penmonkey – gives a candid and hilarious look at what it takes to survive as a modern day inkslinger.Features 30 essays such as:“How To Tell If You’re A Writer”“How To Jumpstart A Stalled Novel”“Panster Versus Plotter”“Six Signs You’re Not Ready To Be A Professional Writer”“Why Writers Drink”“Word-Karate: On Writing Action Scenes”“Writers Should Be Motherf**king Rock Stars” Are you ready to go big and go bold? Are you ready to bleed on the page for your work? Then gaze into the unblinking eye of REVENGE OF THE PENMONKEY, a book of humorous writer-focused essays and articles of booze-soaked, profanity-brined writing advice.* * *At terribleminds.com, Chuck Wendig dispenses nuggets (okay, more like outright manifestos) of writing advice on a daily basis, and the site has been named one of the Top 101 Websites For Writers of 2011 by WRITER’S DIGEST.

    If you’re looking for a deeper connection with your journal, author and artist Kristal Norton sheds light on a more rewarding form of journaling with a brief introduction to art journaling and 20 bonus art prompts. She also shares pages of her creative journal that were inspired by the prompts in the book, showing how each prompt can be used and interpreted in many ways.This book is overflowing with inspiration:• 101 creative writing prompts that encourage introspection, great for traditional journaling as well as art journaling• Visual examples of prompts interpreted by the author• 20 quick and easy art prompts to get you started adding color and imagery to your journal• Bonus video of author and artist Kristal Norton creating an art journal page from start to finish using this book for inspiration• A PDF version of all the prompts in this book so that you can print, cut out, and put them in a jar for easy access when you’re feeling stuck

    In his world they're larger than life, walking, talking heroes. He's too young, but he starts to train in secret, challenging himself in the Bondi surf. But his secret comes to light, one hot Sunday in 1938 - a day that was to become infamous.

    Recognized by industry insiders in the Philippines as “the man perfect to write this book,” the author has been at the helm of various publications, from Manila Standard’s The Good Life, for which he was lifestyle editor for seven years, to Manila Bulletin’s Sense&Style, in which he is the current editor-in-chief. He began practically as the “other editor” of Lifestyle Asia back when it was blazing the trail for glossy magazines in the early nineties. Blurring the distinction between instruction and inspiration, WHWN boldly takes the reader along the author’s adventures and misadventures in the publishing world. With a foreword by ruthless editor and bestselling author Jullie Yap Daza and with vignettes from the country’s top editors and writers, never has any book on writing in the Philippines been such a pleasure to read that it makes you want to “write here write now.”

    He shares the staff's lifesaving techniques and the tools used to measure--and ultimately improve--visual, auditory, tactile, mobile, and manual development. Doman explains the unique methods of treatment, and then describes the program with which parents can work with their own children at home in a familiar and loving environment. Included throughout are case histories, drawings, and helpful charts and diagrams.

    Like the last kiss from a scorned one-nighter. Like the walls of inch-thick dirt that have been there for 14 years. Redundant conversations in a basement that echo for months on end. A staircase with old, stinky wood. Prime time kabobohan. 4-day old socks. Reflective surfaces in moments of discomfort. Blood all the wrong places. A painful gut. And just like the pain of process-oriented frustration, I hate it.

    "Sometimes," writes the author, "we recognize one by a tiny quiver in the pit of our stomach, a prickle of tears, our hearts lifting up." And sometimes they simply bowl us over.A destitute mother feeds her children for a week from a mysteriously refilling pot. A rainbow celebrates a child's release from suffering. An angel protects a teenager from terror in a hayloft. A medic at an isolated accident site suddenly finds the equipment needed to save a life. An imperfect heart is spontaneously made whole.Many of the stories here came from people who had read Joan Wester Anderson's bestseller Where Angels Walk. They showed, she says, that "the greatest and most profound adventures with Him were taking place not at the feet of distant gurus but in our own kitchens, our cars, wherever hearts were open. Such happenings were far too precious to hide in my files." Instead she shares with us a book of wonders: amazing, uplifting, inspiring."In short, unadorned stories, Anderson retells fresh accounts of modern miracles...She emphasizes that miracles most often happen in partnership with a loving, attentive God; and her prevailing message of hope is irresistible."--Publishers Weekly

    This is a manual offering plain-language insight into the everyday mechanics of creating a book from hazy idea to finished manuscript. These real-world challenges - how to approach a manuscript, to manage research, to fix the right point of view - represent important and recurring obstacles every writer, novice or professional, must overcome. This practical user manual is a must-have starting point for anyone facing that challenge. It is not a book on writing technique or how to get published. It's a practical guide to the craft of planning, starting and finishing a novel.

    

    Filipino and American historians have recreated the Philippine Revolution to suit the political needs of succeeding generations, disregarding aspects that now emerge so clearly in Alvarez's account- an embittered factionalism, strong undercurrents of messianism and animism and a violent machismo. To give their new nation Western style heroes and heroism, postwar Filipino Historians often stripped these events of their authenticity. Alvarez gives us back these elements without denigrating the dignity or glory of the revolution. “In the interest of noble truth” he wrote of the successes as well as failures, bravery as well as brutality, providing the new raw material for recreating this aspect of the Filipino past.Without denigrating the dignity or glory of the Revolution, this book gives an account of the successes as well as failures, and bravery as well as brutality of the war, providing raw material for recreating this aspect of the Filipino past. This book contains both the Tagalog and English texts.

    "Of our journalists, one of the most able in the new style is Jose F. Lacaba. As TV and newsreel do, he puts you right on the scene... [H]e communicates the emotion, even the meaning of what's happening without having to spell it out." - Quijano de Manila

    Marcelina's father comes home from a trip to Manila with beautiful hand-made sleeping mats for each member of his large family, including the three daughters who died when they were very young.