The specter? Her father’s disabling bipolar disorder. Aubry had long known that she wanted to write about her father; his death, and his words, gave her the opportunity to explain his many absences — even while he was physically present — and to sculpt her memory of him. No One is a fictional memoir in dictionary form that investigates the many men behind the masks, and a unified portrait evolves. "A" describes her father’s adopted persona as Antonin Artaud, the poet/playwright; "B" is for James Bond; and, finally, "Z" is for Zelig, the Woody Allen character who could transform his appearance to that of the people around him. Letter by letter, Aubry gives shape and meaning to the father who had long disappeared from her view.The whole is a beautifully written, vivid exploration of a particular experience of mental illness and what it can reveal more generally about human experience.

    Now available in paperback, this unprecedented novel will once again astonish, provoke, and embrace the reader as it attempts to penetrate the unspeakable. Windows on the World unflinchingly imagines the moments from 8:30AM to 10:28AM inside the World Trade Center on September 11. Weaving together philosophy, myth, world politics, and humor, Beigbeder succeeds in creating a tapestry of fury and wonder, a tribute to thousands of unsung heroes.

    A lifelong foodie and Francophile, she immediately begins plotting gastronomic adventures à deux. Then her husband is called away to Iraq on a year-long post—alone. Suddenly, Ann’s vision of a romantic sojourn in the City of Lights is turned upside down.So, not unlike another diplomatic wife, Julia Child, Ann must find a life for herself in a new city. Journeying through Paris and the surrounding regions of France, Ann combats her loneliness by seeking out the perfect pain au chocolat and learning the way the andouillette sausage is really made. She explores the history and taste of everything from boeuf Bourguignon to soupe au pistou to the crispiest of buckwheat crepes. And somewhere between Paris and the south of France, she uncovers a few of life’s truths.Like Sarah Turnbull’s Almost French and Julie Powell’s New York Times bestseller Julie and Julia, Mastering the Art of French Eating is interwoven with the lively characters Ann meets and the traditional recipes she samples. Both funny and intelligent, this is a story about love—of food, family, and France.

    A high-energy romp, the poet's prose memoir recounts his military service in World War I, when a comedy of errors led to his unjust arrest and imprisonment for treason.

    This book brings together his poetry, prose, and letters, including "The Drunken Boat," "The Orphans' New Year," "After the Flood," and "A Season in Hell," considered by many to be his. 'Complete Works' is divided into eight "seasons" - Childhood, The Open Road, War, The Tormented Heart, The Visionary, The Damned Soul, A Few Belated Cowardices, and The Man with the Wind at His Heels - that reflect the facets of Rimbaud's life. Insightful commentary by translator and editor Paul Schmidt reveals the courage, vision, and imagination of Rimbaud's poetry and sheds light on one of the most enigmatic figures in letters.

    "Savoir," by Hélène Cixous, is a brief but densely layered account of her experience of recovered sight after a lifetime of severe myopia, an experience that ends with the unexpected turn of grieving for what is lost. Her literary inventiveness mines the coincidence in French between the two verbs savoir (to know) and voir (to see). Jacques Derrida's "A Silkworm of One's Own" complexly muses on a host of autobiographical, philosophical, and religious motifs—including his varied responses to "Savoir." The two texts are accompanied by six beautiful and evocative drawings that play on the theme of drapery over portions of the body.Veils suspends sexual difference between two homonyms: la voile (sail) and le voile (veil). A whole history of sexual difference is enveloped, sometimes dissimulated here—in the folds of sails and veils and in the turns, journeys, and returns of their metaphors and metonymies.However foreign to each other they may appear, however autonomous they may be, the two texts participate in a common genre: autobiography, confession, memoirs. The future also enters in: by opening to each other, the two discourses confide what is about to happen, the imminence of an event lacking any common measure with them or with anything else, an operation that restores sight and plunges into mourning the knowledge of the previous night, a "verdict" whose threatening secret remains out of reach by our knowledge.

    During the following ten years they were lovers, worked closely together and she became mother to two of his children, Claude and Paloma. Life with Picasso, her account of those extraordinary years, is filled with intimate and astonishing revelations about the man, his work, his thoughts and his friends - Matisse, Braque, Gertrude Stein and Giacometti, among others. Francois Gilot paints a compelling portrait of her turbulent life with the temperamental (and even abusive) genius that was Picasso. As one of the few intimate witnesses to Picasso as a human being and as an artist, her account of him is invaluable for assessing him on both counts.

    But in Great Britain, it is the real football. No pads, no prayers, no prisoners. And that's before the players even take the field.Nick Hornby has been a football fan since the moment he was conceived. Call it predestiny. Or call it preschool. Fever Pitch is his tribute to a lifelong obsession. Part autobiography, part comedy, part incisive analysis of insanity, Hornby's award-winning memoir captures the fever pitch of fandom — its agony and ecstasy, its community, its defining role in thousands of young mens' coming-of-age stories. Fever Pitch is one for the home team. But above all, it is one for everyone who knows what it really means to have a losing season.

    Massacres, conspiracies, clandestine trysts, secret alliances, daring escapes, sumptuous feasts, and duels of wit propel the action in this delightful story of French royalty during the 16th century. Advertising with movie.

    After retreating to Paris he was imprisoned by the French as an undesirable alien even though he had been a respected crusader against fascism. Only luck and his passionate energy allowed him to escape the fate of many of the innocent refugees, who were handed over to the Nazis for torture and often execution.Scum of the Earth is more than the story of Koestler's survival. His shrewd observation of the collapse of the French determination to resist during the summer of 1940 is an illustration of what happens when a nation loses its honour and its pride.--From the 2006 paperback edition.

    Daumal's symbolic mountain represents a way to truth that "cannot not exist," and his classic allegory of man's search for himself embraces the certainty that one can know and conquer one's own reality.

    Living in a run-down boardinghouse, Baton spends his days searching working-class Paris for the modest comforts of warmth, cheap meals, and friendship, but he finds little. And despite his situation, Baton remains vain and unsympathetic, a Bovian antihero to the fullest. Bove himself called My Friends, published in France in 1923, a "novel of impoverished solitude." The book drew praise from such writers as Rilke, Gide, and, later, Beckett, and is to this day perhaps the author's most celebrated work.

    Awarded the Grand Prix for Literature by the Academie Francaise, The Diary of a Country Priest was adapted into an acclaimed film by Robert Bresson. "A book of the utmost sensitiveness and compassion...it is a work of deep, subtle and singularly encompassing art." — New York Times Book Review (front page)

    In My Parents, Guibert blends autobiography and fiction in the captivating mix that is the hallmark of his writing: the book confirms his position as one of great French writers of the fin de si?cle.

    Unique, daring, and unforgettable, it tells the story of an ordinary family who accidentally threaten the security of a hidden civilization as intelligent as our own--a colony of ants determined to survive at any cost....Jonathan Wells and his young family have come to the Paris flat at 3, rue des Sybarites through the bequest of his eccentric late uncle Edmond. Inheriting the dusty apartment, the Wells family are left with only one warning: Never go down into the cellar.But when the family dog disappears down the basement steps, Jonathan follows--and soon his wife, his son, and various would-be rescuers vanish into its mysterious depths.Meanwhile, in a pine stump in a nearby park, a vast civilization is in turmoil. Here a young female from the russet ant nation of Bel-o-kan learns that a strange new weapon has been killing off her comrades. To find out why, she enlists the help of a warrior ant, and the two set off on separate journeys into a harsh and violent world. It is a world where death takes many forms--savage birds and voracious lizards, warlike dwarf ants and rapacious termites, poisonous beetles and, most bizarre of all, the swift, murderous, giant guardians of the edge of the world: cars.Yet the end of the female's desperate quest will be the eerie secret in the cellar at 3, rue des Sybarites--a mystery she must solve in order to fulfill her special destiny as the new queen of her own great empire. But to do so she must first make unthinkable communion with the most barbaric creatures of all. Empire of the Ants is a brilliant evocation of a hidden civilization as complex as our own and far more ancient. It is a fascinating realm where boats are built of leaves and greenflies are domesticated and milked like cows, where citizens lock antennae in "absolute communication" and fight wars with precisely coordinated armies using sprays of glue and acids that can dissolve a snail. Not since Watership Down has a novel so vividly captured the lives and struggles of a fellow species and the valuable lessons they have to teach us.From the Hardcover edition.