But he doesn’t keep them safe.Elspeth, Meggy and Xavier are locked in a flat. They don’t know where they are, and they don’t know why they’re there. They only know that the shadow man has taken them, and he won’t let them go. Desperate to escape, the three of them must find a way out of their living hell, even if it means uncovering a very dark truth. Because the shadow man isn’t a nightmare. He’s all too real. And he’s watching. Helen Fields is back with a heart-pounding new book, perfect for fans of Cara Hunter and Stuart MacBride.

    Ostracised by her colleagues, her family and her partner, she begins to wonder if she really is losing her mind.And then she meets the next victim.So compulsive you can't stop reading.So chilling you won't stop talking about it.A pitch-black and devastatingly original psychological thriller.

    I didn’t have anything to do with Frank’s death. I don’t have an alibi, so you’ll have to take my word for it...Forty-eight hours after leaving her husband’s body at the base of the stairs, Tanya Dubois cashes in her credit cards, dyes her hair brown, demands a new name from a shadowy voice over the phone, and flees town. It’s not the first time.She meets Blue, a female bartender who recognizes the hunted look in a fugitive’s eyes and offers her a place to stay. With dwindling choices, Tanya-now-Amelia accepts. An uneasy―and dangerous―alliance is born.It’s almost impossible to live off the grid today, but Amelia-now-Debra and Blue have the courage, the ingenuity, and the desperation, to try. Hopscotching from city to city, Debra especially is chased by a very dark secret…can she outrun her past?

    His mother, April, is haunted by her own demons, a secret trauma she has carried for years. Between them is Aiden McCall, loyal to both but unable to hold them together. Connected by bonds of circumstance and duty, friendship and love, these three lives are blown apart when Aiden and Thad witness the accidental death of their drug dealer and a riot of dope and cash drops in their laps. On a meth-fueled journey to nowhere, they will either find the grit to overcome the darkness or be consumed by it.

    That seems like it would be a difficult task, but it's not. Not anymore, thanks to the internet.I am, quite possibly, the most popular recluse ever. Not many shut-ins have a 200-member fan club, a bank account in the seven-figure range, and hundreds of men lining up to pay for undivided attention.They get satisfaction, I get a distraction. Their secret desires are nothing compared to why I hide... my lust for blood, my love of death.Taking their money is easy. Keeping all these secrets... one is bound to escape.What if you hid yourself away because all you could think of was killing? And what if one girl's life was depending on you venturing into society?Enter a world of lies, thrills, fears, and all desires, in this original thriller from A. R. Torre.

     Former sheriff’s department sergeant Jade Monroe has just graduated from the FBI’s serial crimes unit in homicide and is called to Houston with her partner, J.T. Harper, to take on her first assignment—apprehending the person responsible for these gruesome crimes. With victims piling up and the clock ticking, Jade and J.T. need to intensify their search because there’s no sign the killer is slowing down. After a late-night epiphany while she’s alone, Jade suddenly comes face to face with the killer, and now Jade is missing. The clock continues to tick—but this time it’s for her. Note: All Jade Monroe books are standalone stories but since characters carry over, they are best read in chronological order. Series One - Detective Jade Monroe Crime Thriller Series #1 Maniacal #2 Captive #3 Fallacy #4 Premonition #5 Exposed Note: The Jade Monroe FBI Thriller books follow on the heels of the conclusion of Exposed, Book 5 in the Detective Jade Monroe Crime Thriller Series. Series Two – Agent Jade Monroe FBI Thriller Series #1 Snapped #2 Justified

    a life that's about to turn deadly for everyone she loves. Fearing for her life after witnessing a gruesome murder, Juliette Granger whisks her two-year-old daughter Nora away in the dead of night and flees, planning to start a new life in a small, forgettable town under an alias. An hour into the escape, headlights flash behind her. A vehicle pulls alongside, and a masked man demands she stop the car. She refuses him, and a deadly game of cat and mouse begins.

    She had never seen Eric so angry, so consumed by pure and terrifying hatred. Then, in the heat of the moment, Eric was struck down in a traffic accident. His death was instantaneous. Shocked and relieved, Rachael had nothing left to fear. Until Eric’s body disappeared from the morgue—and Rachael was stalked by someone who looked like her dead husband…

    . .Lucia’s fingers found her own. She gazed at Caro as if from a distance. Her lips parted, her words a whisper: ‘He knows.’London, 1782. Desperate for her politician husband to return home from France, Caroline 'Caro' Corsham is already in a state of anxiety when she finds a well-dressed woman mortally wounded in the bowers of the Vauxhall Pleasure Gardens. The Bow Street constables are swift to act, until they discover that the deceased woman was a highly-paid prostitute, at which point they cease to care entirely. But Caro has motives of her own for wanting to see justice done, and so sets out to solve the crime herself. Enlisting the help of thieftaker, Peregrine Child, their inquiry delves into the hidden corners of Georgian society, a world of artifice, deception and secret lives.But with many gentlemen refusing to speak about their dealings with the dead woman, and Caro's own reputation under threat, finding the killer will be harder, and more treacherous than she can know . . .

    The story is a simple one but the overtones are immediately present. "Natalie Waite who was seventeen years old but who felt that she had been truly conscious only since she was about fifteen lived in an odd corner of a world of sound and sight, past the daily voices of her father and mother and their incomprehensible actions." In a few graphic pages, the family is before us—Arnold Waite, a writer, egotistical and embittered; his wife, the complaining martyr; Bud, the younger brother who has not yet felt the need to establish his independence; and Natalie, in the nightmare of being seventeen. The Sunday afternoon cocktail party, to which Arnold Waite has invited his literary friends and neighbors, serves to etch in the details of this family's life, and to draw Natalie into the vortex. The story concentrates on the next few critical months in Natalie's life, away at college, where each experience reproduces on a larger scale the crucial failure of her emotional life at home. With a mounting tension rising from character and situation as well as the particular magic of which Miss Jackson is master, the novel proceeds inexorably to the stinging melodrama of its conclusion. The bitter cruelty of the passage from adolescence to womanhood, of a sensitive and lonely girl caught in a world not of her own devising, is a theme well suited to Miss Jackson's brilliant talent.

    This is a man who has lied all his life.Roy is a conman living in a small English town, about to pull off his final con. He is going to meet and woo a beautiful woman and slip away with her life savings. But who is the man behind the con? What has he had to do to survive a life of lies? And who has had to pay the price?When Roy meets a wealthy widow online, he can hardly believe his luck. Just like Patricia Highsmith’s Tom Ripley, Roy is a man who lives to deceive—and everything about Betty suggests she’s an easy mark. He’s confident that his scheme to swindle her will be a success. After all, he’s done this before.Sure enough, Betty soon lets Roy move into her beautiful home, seemingly blind to the web of lies he’s woven around her. But who is Roy, really? Spanning almost a century, this stunning and suspenseful feat of storytelling interweaves the present with the past. As the clock turns back and the years fall away, long-hidden secrets are forced into the light. Some things can never be forgotten. Or forgiven.

    Fans of Paula Hawkins’ The Girl on the Train will love this modern reimagining of Patricia Highsmith’s classic Strangers on a Train from the author of the acclaimed The Girl with a Clock for a Heart—which the Washington Post said “should be a contender for crime fiction’s best first novel of 2014.”On a night flight from London to Boston, Ted Severson meets the stunning and mysterious Lily Kintner. Sharing one too many martinis, the strangers begin to play a game of truth, revealing very intimate details about themselves. Ted talks about his marriage that’s going stale and his wife Miranda, who he’s sure is cheating on him. Ted and his wife were a mismatch from the start—he the rich businessman, she the artistic free spirit—a contrast that once inflamed their passion, but has now become a cliché.But their game turns a little darker when Ted jokes that he could kill Miranda for what she’s done. Lily, without missing a beat, says calmly, “I’d like to help.” After all, some people are the kind worth killing, like a lying, stinking, cheating spouse. . . .Back in Boston, Ted and Lily’s twisted bond grows stronger as they begin to plot Miranda's demise. But there are a few things about Lily’s past that she hasn’t shared with Ted, namely her experience in the art and craft of murder, a journey that began in her very precocious youth.Suddenly these co-conspirators are embroiled in a chilling game of cat-and-mouse, one they both cannot survive . . . with a shrewd and very determined detective on their tail.

     Faced with his parents’s divorce, eleven-year-old Lucas runs away from his house with the hope that his family will get back together to find him. On his way walking through the empty streets, he is picked up by a mysterious woman who offers to take care of him and provide him with a loving family. The boy then wakes up in shackles, confined to a bed in a decrepit house in the middle of nowhere and will have to face his deepest fears in order to survive in his new home. Join Lucas in a desperate attempt to get back to his family in Madhouse, the first published book from horror-thriller author Miguel Estrada.

    Mystery surrounds the movie, and as Sandy learns of the tragedies which haunted its production, she finds herself threatened by an ancient force protecting secrets deeper than the suppression of a 50-year-old movie.

    Her mother taught her the three rules of walking: Never interfere. Never be seen. Never walk the same person’s dream more than once. Dea has never questioned her mother, not about the rules, not about the clocks or the mirrors, not about moving from place to place to be one step ahead of the unseen monsters that Dea’s mother is certain are right behind them.Then a mysterious new boy, Connor, comes to town and Dea finally starts to feel normal. As Connor breaks down the walls that she’s had up for so long, he gets closer to learning her secret. For the first time she wonders if that’s so bad. But when Dea breaks the rules, the boundary between worlds begins to deteriorate. How can she know what’s real and what’s not?