Pure Drivel is a collection of pieces, most of them written for the New Yorker, that demonstrate Martin's playful way with words and his unerring ability to create a feeling of serendipitous improvisation even on the printed page. Here's a passage from a piece that announces a shortage of periods in the Times Roman font: "Most vulnerable are writers who work in short, choppy sentences," said a spokesperson for Times Roman, who continued, "We are trying to remedy the situation and have suggested alternatives, like umlauts, since we have plenty of umlauts--and, in fact, have more umlauts than we could possibly use in a lifetime! Don't forget, umlauts can really spice up a page with their delicate symmetry--resting often midway in a word, letters spilling on either side--and not only indicate the pronunciation of a word but also contribute to a writer's greater glory because they're fancy, not to mention that they even look like periods, indeed, are indistinguishable from periods, and will lead casual readers to believe that the article actually contains periods!" Although some of these pieces flirted with topicality when they first appeared, Martin is most successful when he leaves the real world behind and gives his wit free rein. This collection preserves the best (so far) of his glorious improvisations. --Simon Leake

    Pearlman writes about the predicaments of being human. The title story involves an affair, an illegitimate pregnancy, anorexia, and adolescent drug use, but the real excitement comes from the intricate attention Pearlman devotes to the interior life of young Emily, who wishes she were a bug. In "Sonny," a mother prays for her daughters to be barren so they never have to experience the death of a child. "The Golden Swan" transports the reader to a cruise ship with lavish buffets-and a surprise stowaway. In prose that is as wise as it is poetic, Pearlman shines light on small, devastatingly precise moments to reflect the beauty and grace found in everyday life. She maps the psychological landscapes of her exquisitely rendered characters with unending compassion and seeming effortlessness. Both for its artistry and for the lives of the characters it presents, Honeydew is a collection that will pull readers back time and again. These stories demonstrate once more that Pearlman is a master of the form and that hers is a vision unfailingly wise and forgiving.

    In Fortune Smiles - his first book since Orphan Master - he continues to give voice to characters rarely heard from, while offering something we all seek from fiction: a new way of looking at our world.In six masterly stories, Johnson delves deep into love and loss, natural disasters, the influence of technology, and how the political shapes the personal. "George Orwell Was a Friend of Mine" follows a former warden of a Stasi prison in East Germany who vehemently denies his past, even as pieces of it are delivered in packages to his door. "Nirvana," which won the prestigious Sunday Times short story prize, portrays a programmer whose wife has a rare disease finding solace in a digital simulacrum of the president of the United States. In "Hurricanes Anonymous" - first included in the Best American Short Stories anthology - a young man searches for the mother of his son in a Louisiana devastated by Hurricanes Katrina and Rita. And in the unforgettable title story, Johnson returns to his signature subject, North Korea, depicting two defectors from Pyongyang who are trying to adapt to their new lives in Seoul, while one cannot forget the woman he left behind. Unnerving, riveting, and written with a timeless quality, these stories confirm Johnson as one of America's greatest writers and an indispensable guide to our new century.

    In his singular universe, televisions talk (and sometimes sing), animals live in small apartments where their nephews visit from the sea, and men and women and boys and girls fall down wells and fly through space and find love on Ferris wheels. In a voice full of fable, myth, and dream, Stories for Nighttime and Some for the Day draws us into a world of delightfully wicked recognitions, and introduces us to a writer of uncommon talent and imagination.Contains 40 stories, including "The Duck," "The Man and the Moose," and "Death and the Fruits of the Tree," as heard on NPR's This American Life, "The Book," as heard on Selected Shorts, and "The TV," as found in The New Yorker.A selection of the Barnes & Noble Discover Great New Writers Program and the Starbucks Coffee Bookish Reading Club.Winner of the 2011 Nobbie Award for Best Book of the Year."This guy can write!" –Ray Bradbury, author of Fahrenheit 451

    Whether writing about the love (and conflict) between parents and children or between husband and wife, or about the struggles of aging single mothers or disheartened political organizers to make sense of the world, she brings the same unerring ear for the rhythm of life as it is actually lived.The Collected Stories is a 1994 National Book Award Finalist for Fiction.

    Credited with influencing the likes of Chekhov, Maugham, Babel, and O. Henry, Maupassant had, at the time of his death at the age of forty-two, written six novels and some three hundred short stories. Yet in English, Maupassant has, curiously, remained unappreciated by modern readers due to outdated translations that render his prose in an archaic, literal style.In this bold new translation, Sandra Smith—the celebrated translator of Irene Nemirovsky's Suite Francaise—brings us twenty-eight of Maupassant's essential stories and two novellas in lyrical yet accessible language that brings Maupassant into vibrant English. In addition to her sparkling translation, Smith also imposes a structure that captures the full range of Maupassant's work. Dividing the collection into three sections that reflect his predominant themes—nineteenth-century French society, the Franco-Prussian War of 1870–71, and the supernatural—Smith creates "an arrangement suggesting a culture of relation, of structure, of completion" (Richard Howard).In "Tales of French Life," we see Maupassant explore the broad swath of French society, not just examining the lives of the affluent as was customary for writers in his day. In the title story of the collection, "The Necklace," Maupassant crafts a devastating portrait of misplaced ambition and ruin in the emerging middle class.The stories in "Tales of War" emerge from Maupassant’s own experiences in the devastating Franco-Prussian War and create a portrait of that disastrous conflict that few modern readers have ever encountered. This section features Maupassant's most famous novella, "Boule de Suif."The last section, "Tales of the Supernatural," delves into the occult and the bizarre. While certain critics may attribute some of these stories and morbid fascination as the product of the author's fevered mind and possible hallucinations induced by late-stage syphilis, they echo the gothic horror of Poe as well as anticipate the eerie fiction of H. P. Lovecraft.The result takes readers from marriage, family, and the quotidian details of life to the disasters of war and nationalism, then to the gothic and beyond, allowing us to appreciate Maupassant in an idiom that matches our own times. The Necklace and Other Stories enables us to appreciate Maupassant as the progenitor of the modern short story and as a writer vastly ahead of his time.

    A story set in the far antiquity of Bakker's fictional world world of Eärwa, the setting for his Prince of Nothing and Aspect Emperor series.

    Here in a single volume is the finest short fiction of the year, selected by Richard Ford, the eminent novelist, short story writer, and essayist.

    The literature is chronologically arranged by genre and supported by informative and concise editorial matter, including a complete guide to writing about literature at the back of the book. This volume in Bedford/St. Martin’s popular series of Portable Anthologies and Guides offers the series’ trademark combination of high quality and great value.

    A woman flees the scene of her husband's heart attack, leaving her entire past behind her. Striving to master colour and line, a painter discovers the resolution to his artistic problems when a beautiful and magical water snake appears in his pool. And a wealthy Englishwoman gradually loses her identity while wandering through a shopping mall. Elegantly crafted and suffused with boundless wisdom, these bewitching tales are a testament to a writer at the height of her powers.

    Kevin Brockmeier's fiction has always explored the space between the fantastical and the everyday with profundity and poignancy. As in his previous books, The Ghost Variations discovers new ways of looking at who we are and what matters to us, exploring how mysterious, sad, strange, and comical it is to be alive--or, as it happens, not to be.

    Short Stories by Ann Beattie, Ethan Canin, Joy Williams, Richard Ford, Tobias Wolff, Alice Munro, Thomas McGuane, Lord Tweedsmuir, Donald Barthelme, Raymond Carver, and many others.

    The narrator recalls a girl he once knew. He and Evangeline, both shy, never find the courage to speak to each other in high school. Every evening, however, Evangeline meets him at the Osage orange tree on the edge of her property. He delivers a newspaper to her, and they talk—and as the year progresses a secret friendship blossoms. This magical coming-of-age tale is brought to life through linocut illustrations by Oregon artist Dennis Cunningham, with an afterword by poet Naomi Shihab Nye, a personal friend of Stafford’s.In the tradition of the work of great fiction writers like Steinbeck, O’Connor, and Welty, The Osage Orange Tree stands the test of time, not just as an ode to a place and a generation but as a testament to the resilience of a nation and the strength of the human heart.

    Henry’s “The Gift of the Magi,” William Faulkner’s “A Rose for Emily,” Charlotte Perkins Gilman’s “The Yellow Wallpaper,” and James Thurber’s “The Secret Life of Walter Mitty,” have been long regarded as literary classics, while others, such as Frank Stockton’s “The Lady or the Tiger?” and Ellis Parker Butler’s “Pigs Is Pigs,” are lesser known but well worth discovering.The carefully selected stories, each preceded by an illuminating headnote, powerfully illustrate the varied richness of our national literature and history. This beautifully packaged volume, containing the unforgettable classic short stories that evoke our shared American tradition and national identity, makes the perfect gift for the short story aficionado and novice alike.

    O'Leary to Barack Obama. "Flexing impressive literary chops, the beer vendor/creative-writing professor captures both the tough, defensive exterior and the vulnerable, often-broken heart of his city."— Timeout Chicago"Chicago, a page at a time. Michael Czyzniejewski gets right to the point in telling the city's stories." — Chicago Tribune"...Michael Czyzniejewski’s “Chicago Stories,” forty fictional monologues riffing on the common culture of the Windy City’s shared history, projected forward into a possible future. Not quite historical fiction—more like historical jazz." — Newcity Lit"In 'Chicago Stories,' Michael Czyzniejewski summons all of Chicago — its ghosts, living and dead, its heroes and fools, sinners and saints, its people and places and all of its occasions — and in these pages they have gathered, strange and unlikely bedfellows, to sing a new song for Chicago. It will twist your arm behind your back, this song. It will break your fingers."— Billy Lombardo, author of The Man With Two Arms and The Logic of a Rose: Chicago Stories