Nico goes silent, and the group at the table looks at him. “I am,” he says, “but I was planning on sending her into a school that has hidden supers, not on a drug bust. She has a very specific goal in mind, you know.” “Yes, I am aware,” Mastermental says. “And if you really wish to ignore this—” “I didn’t say that,” Nico says, as Morgan jerks in silent protest. “But it’s not what she’s planning on going into.” “Yes, but she is the perfect person to infiltrate a track and field group, as well as see who else is affected. There is a possibility that it goes much higher than that, Lauren has fractured memories of even teachers acting strangely, as well,” Mastermental says. “But as much as I dislike stereotyping—” “I look like a normal, high school jock, right?” Morgan offers.

     I mean, it took more than a year before anybody looked up from their smartphones long enough to wonder why so many of their neighbors were infected. Why so many were dying. The vaccination riots came and went. The grocery store shelves emptied out. The spigots eventually ran dry. That was around the time I moved underground and sealed the hatch on my backyard bunker. That was a couple of years ago. Now, my radio hasn't picked up a signal from the world up top since I can't remember when. My exterior camera died in a storm last spring. And the loneliness has set in, gnawing at me, making me think crazy thoughts, including the one that'll change everything. I have to leave the bunker and see if anyone is left alive.

    The play is a complex, often metaphorical, and at times symbolic examination of AIDS and homosexuality in America in the 1980s. Certain major and minor characters are supernatural beings (angels) or deceased persons (ghosts). The play contains multiple roles for several of the actors. Initially and primarily focusing on a gay couple in Manhattan, the play also has several other storylines, some of which occasionally intersect.

    But Donn longs for a wider kingdom. He deserts his bride, roams the world, fights in wars, is footloose - yet finds that he is homesick. Sixteen years later he returns to take up the threads of his old life, to learn to love his afflicted daughter, and to bring progress to the neglected green valley. Light comes, water flows, the land prospers. Then, on a night of innocent festivity, a monstrous crime is perpetrated. His kingdom violated, Donn dedicates himself to a terrible revenge that can only destroy the avenger as well as the hunted

     After the death of his second wife, and with patient numbers falling, Doctor Watson is considering retirement. That is, until he gets an urgent telegram from Martha, the housekeeper of an old friend. Sherlock Holmes is ill. Watson must make his way o his cottage in the village of Fullworth as soon as possible. But he arrives to find Holmes alive and well, if a little melancholy. The telegram was a clever ploy by Martha to return Holmes to his former vigour. In the village, Arshak Sarkies suggests a holiday for the pair as his guests at the Raffles Hotel in Singapore – it should be just what the doctor ordered. But knowing Holmes, they will only be able to tempt him abroad with the promise of one last case... When they finally arrive at the hotel, it seems that Watson’s scheme has come true after all. The wealthy wife of a hotel resident, Mr Derek Masterton, has been found dead in her apartment, her ‘Singapore Sugarplum’ sweets laced with arsenic. With her money protected by a will, who would have the motive to kill Mrs Masterton? How could they have gotten so close, and have predicted her every move? And what of the strange goings-on reported by the butler? Thrown back into the investigating game, Holmes and Watson must use all their deductive powers to solve the case of the poisoned sugarplums. ‘Sherlock Holmes at the Raffles Hotel’ is a brilliant addition to the Holmes and Watson casebooks. 'A treat for any Holmes fan'. - Robert Foster, best-selling author of 'The Lunar Code'. John Hall spent many years in the civil service before becoming a professional writer specialising in crime fiction. His book ‘Death of a Collector’ won the Sherlock magazine’s competition for the best new fictional detective. Endeavour Press is the UK’s leading independent publisher of digital books.

    Romantically attached, they continue to exchange letters through the boarding school and college years—where Andy goes on to excel at Yale and law school, while Melissa flunks out of a series of "good schools." While Andy is off at war Melissa marries, but her attachment to Andy remains strong and she continues to keep in touch as he marries, becomes a successful attorney, gets involved in politics and, eventually, is elected to the U.S. Senate. Meanwhile, her marriage in tatters, Melissa dabbles in art and gigolos, drinks more than she should, and becomes estranged from her children. Eventually she and Andy do become involved in a brief affair, but it is really too late for both of them. However Andy's last letter, written to her mother after Melissa's untimely death, makes it eloquently clear how much they really meant, and gave to, each other over the years—physically apart, perhaps, but spiritually as close as only true lovers can be.

    Not yet ready to fully embrace adulthood, Simons finds himself surrendering to cynicism, as well as to the temptations of his “turned-out-well” first cousin, Patricia.To avoid sinking further into his rut, Simons embarks on a road trip through the South. After a disastrous stint as a Corpus Christi fisherman, he exits the Lone Star State, doubling back to the Louisiana bayou to spend some quality time with his former friend and mentor—and his mother’s ex-lover—Taurus. But as even Taurus’s once sought-after wisdom wears thin, Simons begins to suspect that the grass is not greener on the other side—it may be burnt, brown, and dead wherever he goes.

    

    Can an incestuous relationship be a happy one? Steeped in an unearthly and unsettling Groningen fenland landscape, relationships like that between Victor and his sister tend to mist up the perspectives of the "normal".

    Richards spends his days monitoring small development projects and his nights attending embassy cocktail parties and bedding various visiting American women and diplomats’ wives.The time is the early 1980s, when the American Empire has begun to tentatively flex its muscles once again. Kutar is a diplomatic backwater, a former British colony, barely a blip on the State Department’s radar back in Washington. For centuries desultory tribal conflict has flared sporadically in the arid hills hundreds of miles from the coastal capital of Laradan, and as the book opens rumors of a new skirmish there reach the city’s inhabitants. As always, the residents of Laradan ignore the stories, but this time something is different: The Americans decide to do something about it. As any casual student of geopolitics might guess, this is bad news for the people of Kutar. Urged on by a Kurtzian American military advisor named Colonel Munn, the little-used Kutaran army marches into the hills. In quick order they are decimated, and with stunning rapidity the heights above Laradan are occupied by a rebel force possessed of the government’s abandoned artillery. Soon the Americans, and all other foreigners, are ordered from the country and leave the people of Laradan to their fate. For his own deeply personal reasons, David chooses to stay on in the besieged city, and moves into the Moonlight Hotel, a crumbling colonial dinosaur. There he is joined by an eclectic assortment of other foreigners, including a senior British diplomat, an acid-tongued Romanian countess, and Amira, an aristocratic young woman who previously spurned David’s romantic advances. Together, this small community tries to maneuver over the radically-changed landscape of the beleaguered city, while holding out hope that the outside world might yet come to its rescue. Then the shooting begins in earnest.

    You play the part of Emily's friend to whom she confides the story of her life and gradually exposes the secrets of her mind.The play is a journey through human consciousness, and through time. As Emily tells you about her life, we are introduced to a host of striking characters. We see sharp vignettes of a period in Singapore which is no longer familiar. And when we have heard her story, we ask: Who is Emily? Is she a nurturer or a destroyer, a domestic tyrant or a frightened child? Is she a traditional Asian wife, or Singapore's first truly liberated lady? Can we really understand her? Does she understand herself?The play leaves us fascinated. It enlarges our experience of life.Since its award-winning appearance in 1985, Emily of Emerald Hill has become an icon of the English-language theatre in Singapore and Malaysia. Many different actresses have played the role, and it has been seen by more people than any other locally-written play.

    Set in September of 1916, the play combines historical fact and legend, exploring the deep-seated Ameri

    So when the British Secret Service asks him to become their ‘man in Havana’ he can’t afford to say no. There’s just one problem…he doesn’t know anything! To avoid suspicion, he begins to recruit nonexistent sub-agents, concocting a series of intricate fictions. But Wormold soon discovers that his stories are closer to the truth than he could have ever imagined… In Clive Francis’ adaptation, Graham Greene’s classic satirical novel becomes a wonderfully funny and fast-moving romp.

    

    Martin's innovative Case Studies in Contemporary Criticism series has introduced more than a quarter of a million students to literary theory and earned enthusiastic praise nationwide. Along with an authoritative text of a major literary work, each volume presents critical essays, selected or prepared especially for students, that approach the work from several contemporary critical perspectives, such as gender criticism and cultural studies. Each essay is accompanied by an introduction (with bibliography) to the history, principles, and practice of its critical perspective. Every volume also surveys the biographical, historical, and critical contexts of the literary work and concludes with a glossary of critical terms. New editions reprint cultural documents that contextualize the literary works and feature essays that show how critical perspectives can be combined.