The harder he fights his pull to her the harder he falls. She’s too good for him and he knows it, but he can’t stay away. He’s a bad boy who likes his women as fast as the car he races, but Liri Hart is under his skin and in his veins. No matter how hard he tries to push her away, she keeps coming back for more, hoping she can be the one to change him. They say you never get over your first love. One thing is for sure. Neither of them will ever be the same again. This is the story of Killian & Liri.

    Editors Danielle Barnhart and Iris Mahan have drawn on their profound knowledge of the poetry scene to put together an extraordinary list of poets taking a feminist stance against the new authority. What began as an informal collaboration of like-minded poets—to be released as a handbound chapbook—has grown into something far more substantial and ambitious: a fully fledged anthology of women’s resistance, with a portion of proceeds supporting Planned Parenthood and the Center for Reproductive Rights.Representing the complexity and diversity of contemporary womanhood and bolstering the fight against racism, sexism, and violence, this collection unites powerful new writers, performers, and activists with established poets. Contributors include Elizabeth Acevedo, Sandra Beasley, Jericho Brown, Mahogany L. Browne, Danielle Chapman, Tyehimba Jess, Kimberly Johnson, Jacqueline Jones LaMon, Maureen N. McLane, Joyce Peseroff, Mary Ruefle, Trish Salah, Patricia Smith, Anne Waldman, and Rachel Zucker.

    But while the selected poems in this volume may focus upon loss and grief, they also reflect solace, respite, and joy.  A goodbye is an opportunity for kindness, for forgiveness, for intimacy, and ultimately for love and a deepening acceptance of life as it is rather than what it was. Goodbyes can be poignant, sorrowful, sometimes a relief, and—now and then—even an occasion for joy.  They are always transitions that, when embraced, can be the door to a new life both for ourselves and for others. In this inspiring and consoling volume, Housden encourages readers to embrace poetry as a way of enabling us to better see and appreciate the beauty of the world around and within us.

    Poetry. Essays. Comprised of footnotes to a non-existent text, THE BODY: AN ESSAY is a meditation on absence, loss and disappearance that offers a guarded "narrative" of what may or may not be a love letter, a dream, a spiritual autobiography, a memoir, a scholarly digression, a treatise on the relation of life to book. Christian Bok describes Boully's groundbreaking text as one that "may simply annotate a fantastic biography from another reality, referring only to itself as a kind of dream within a dream...The reader can only fantasize about the original contexts that might have made such information significant to its author, and ultimately, implies that the body of any text consists of nothing but a void-filled with the exegetical projection of our own imagination." First published in 2002 and excerpted in such anthologies as The Next American Essay and The Best American Poetry 2002, THE BODY: AN ESSAY continues to challenge conventional notions of plot and narrative, genre and form, theory and practice, unremittingly questioning the presumptive boundaries between reflection, imagination, and experience.

    Ewing's narrative takes us from the streets of 1990s Chicago to an unspecified future, deftly navigating the boundaries of space, time, and reality. Ewing imagines familiar figures in magical circumstances, and identifies everyday objects - hair moisturizer, a spiral notebook - as precious icons.Her visual art is spare, playful, and poignant: a cereal box decoder ring that allows the wearer to understand what Black girls are saying; a teacher's angry, subversive message scrawled on the chalkboard. Electric Arches invites fresh conversations about race, gender, the city, identity, and the joy and pain of growing up.

    Now, a whole new batch of teen writers has emerged with their own unique voices. Leave This Song Behind features the best poetry submitted by those writers to Teen Ink over the last five years. The pieces in this book were chosen because they were so powerful that they stood out from the rest. Teen Ink editors took a deep look into each poem's strengths then divided Leave This Song Behind into seven sections based on the poetic techniques or qualities that moved them most. Vivid sensory details made some poems shine; others caught their attention with simple, sparse language. Still others were chosen because of their thoughtful use of form; compelling stories; strong figurative language; unexpected connections and wit; and fresh writing about familiar topics. Dig in and let these brave young voices capture your heart and mind with their passion, their pain, and their amazing poetry!

    In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family’s and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed, in America’s invasions of Afghanistan and Iraq, and in the discriminations endured at the checkpoints of daily encounter.At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. “Let it matter what we call a thing,” she writes. “Let me look at you.”

    Belittled, ridiculed, and beaten down by his so-called friends, he is pushed to his breaking point. He must make a change. With his quirky aunt Nellie by his side, Will moves to the sunny town of Seaside City, where he embarks on a journey to reinvent himself, discover first love, and maybe find a little bit of happiness along the way. Hannah is Seaside City's resident extrovert-but behind her facade of confidence, she is riddled with insecurities. When she meets Will, Hannah decides to take him under her wing and become his guide. For a girl who desperately needs to be heard and understood, Will just may be exactly the friend she needs. Daniel is Hannah's gorgeous twin brother-the perfect combination of funny, charming, and intelligent. Even though he should be off limits, Will cannot help but fall for him. But will a devious girlfriend and the confusion of sexual identity come between them? The Big Summer is a witty and touching tale that explores the ups and downs of first love, the struggles of self-acceptance, the value of friendship, and the true meaning of happiness."

    Known for her eponymous blog and her confessional style of writing, this is Trista Mateer's second collection of poetry.

    Two very different young people discover who loves them, and who they can love back.Bailey is 17, mixed race, lives with his mum and dad in Hackney and spends all his time playing guitar or tending to his luscious ginger afro. Indigo is 17 and new to London, having grown up in the care system after being found by her mum's dead body as a toddler. All Indigo wants is to know who she really is. When Bailey and Indigo meet at sixth form, sparks fly. But when Bailey becomes the target of a homeless man who seems to know more about Indigo than is normal, Bailey is forced to make a choice he should never have to make.A story about falling in love and everyone's need to belong.

    Their dyaspora, much like a butterfly's fluctuating path, is a shifting landscape in which there is much travel between two worlds, between their place of origin and their adopted land.This compilation of essays and poetry brings together Haitian-Americans of different generations and backgrounds, linking the voices for whom English is a first language and others whose dreams will always be in French and Krey�l. Community activists, scholars, visual artists and filmmakers join renowned journalists, poets, novelists and memoirists to produce a poignant portrayal of lives in transition.Edwidge Danticat, in her powerful introduction, pays tribute to Jean Dominique, a sometime participant in the Haitian dyaspora and a recent martyr to Haiti's troubled politics, and the many members of the dyaspora who refused to be silenced. Their stories confidently and passionately illustrate the joys and heartaches, hopes and aspirations of a relatively new group of immigrants belonging to two countries that have each at times maligned and embraced them.

    They say there was no shadowy figure on the bridge that night. No oil-black tears running down Hailey's face. No guy who appeared from a bright light in the forest. Frustrated, Marayah locks those memories away and tries to focus on the future, but the past keeps pulling her back. A guy who looks like the stranger from the forest enrolls in her school, and her nightmares are getting worse. But when she finds a note in her locker, the mystery of the accident becomes more terrifying than ever. The note is from Hailey.“Marayah,If I’m dead— it wasn’t an accident.”

    A vibrant and transcendent journey about growth and healing. Ancestry and honoring one’s roots. Expatriation and rising up to find a home within yourself.Divided into five chapters and illustrated by Kaur, the sun and her flowers is a journey of wilting, falling, rooting, rising, and blooming. A celebration of love in all its forms. this is the recipe of lifesaid my motheras she held me in her arms as i wept think of those flowers you plantin the garden each year they will teach youthat people toomust wiltfallrootrisein order to bloom

    Focusing on the grace of working people, she captures the pain and beauty of women in all their variety, caught in the "lunar pull" of our time.

    For the people who need an extra dose of positivity in their day. This is not a poetry book for you to read and relate to in a sorrow filled way. It is for you to read and say yes, I can be better, and I will.