"Elegance has become the Dillons' hallmark. . . . Matching the art is Aardema's uniquely onomatopoeic text . . . An impressive showpiece."-Booklist, starred review.Winner of Caldecott Medal in 1976 and the Brooklyn Art Books for Children Award in 1977.

    Who will the king choose?Award-winning artist John Steptoe’s rich cultural imagery of Africa earned him the Coretta Scott King Award for Mufaro’s Beautiful Daughters. The book also went on to win the Boston Globe-Horn Book Award. This stunning story is a timeless treasure that readers will enjoy for generations.Coretta Scott King Award for IllustrationCaledcott HonorReading Rainbow BookBoston Globe-Horn Book

    . . . It's all done with a commendable amount of taste, imagination, and style."--School Library Journal (starred review)"A beautifully convincing tale."--The New York Times Book Review"Using elements of traditional Japanese art, the illustrator has made marvelously imaginative pictures."--The Horn Book"Lent's pictures are a lively blend of finely detailed, delicate drawings and rip-roaring good humor."--The Boston Globe"A good read-aloud with lots of suspense."--LearningAwards: ALA Notable Children's Book Child Study Association Book of the Year The Horn Book Fanfare

    A wild stallion becomes her friend and she decides to ride free with the herd even after she is found.

    He is a rogue, a mischief maker, and a wise, lovable creature who triumphs over larger foes.In this traditional Ashanti tale, Anansi sets out on a long, difficult journey. Threatened by Fish and Falcon, he is saved from terrible fates by his sons. But which of his sons should Anansi reward? Calling upon Nyame, the God of All Things, Anansi solves his predicament in a touching and highly resourceful fashion.In adapting this popular folktale, Gerald McDermott merges the old with the new, combining bold, rich color with traditional African design motifs and authentic Ashanti language rhythms. Anansi the Spider is a 1973 Caldecott Honor Book.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    He kept them in a box beside his throne. But Ananse, the Spider man, wanted them -- and caught three sly creatures to get them. This story of how we got our own stories to tell is adapted from an African folktale.

    A Southern folktale in which kind Blanche, following the instructions of an old witch, gains riches, while her greedy sister makes fun of the old woman and is duly rewarded.

    But only the girl who proves she can see him will be his bride. The two beautiful but spoiled daughters of a poor village man try their best to be chosen, but it is their Rough-Face-Girl sister, scarred on her face and arms from tending fires, who sees the Invisible Being in the wonder of the natural world.The dramatic illustrations reflect the vibrant earth colors of the native landscape and the wisdom and sensitivity of the protagonist.

    . . . The illustrations are fraught with delicious humor and detail. Like its predecessor, perfect for several uses, from picture book hour to beginning reading."--Kirkus Reviews. Caldecott Honor Medal.

    On her way to deliver a basket of food to her sick grandmother, Elisabeth encounters a sly wolf.Book Details: Format: Library Binding Publication Date: 6/1/1982 Pages: 32 Reading Level: Age 5 and Up

    . . . The droll illustrations, with tones blended to luminescent shading, are complete and humorous themselves.' -- Association of Library Service to Children, ALA.

    But the proud tiger must suffer the consequences when he becomes ungrateful and forgets his humble origins. Marcia Brown’s magical woodcuts bring this Indian fable to life with the mastery that won her a second Caldecott Medal.

    But what did he make it into after that? And after that?As children turn the pages of this book, they can use the die-cut holes to guess what Joseph will be making next from his amazing overcoat, while they laugh at the bold, cheerful artwork and learn that you can always make something, even out of nothing.

    When Strega Nona leaves him alone with her magic pasta pot, Big Anthony is determined to show the townspeople how it works.