When he and his wife and business partner, Barbara Cushman Rowell, perished in a small-plane crash in 2002, he had just completed a landmark assignment for National Geographic and had begun making stunning new images of his favorite old haunts in the Sierra Nevada.Fortunately for us, his productivity was immense and his photographs eticulously archived, making possible this first and only comprehensive retrospective of his work. It includes more than 175 images representing all phases and dimensions of Rowell’s singular career, chosen by the editors with whom he worked most closely, overseen by his family and studio colleagues, and reproduced to the highest standards of lithography from digital masters of his 35mm frames. Complementing and illuminating the pictures are essays and commentaries by Rowell’s friends and associates from the worlds of mountaineering, conservation, photography, and publishing, along with an in-depth biographical introduction by Robert Roper and an appreciation of his work by photography critic Andy Grundberg.

    From canoe camping next to unnamed lakes, to kayaking in Alaska’s pristine waters, she describes her many encounters with the bears, moose and other animals that make this wilderness their home. With her partner David she helped to build a cabin on a remote piece of property, off the grid and accessible only by boat. Illustrated with the photos she took along the way, her story is sometimes comic, and sometimes tragic, but throughout its pages she speaks with the voice of one who loves nature and the wilderness.

    

    But he was saved by a pair of grizzled old fur trappers, and he learned to fend for himself and live off the land.When Jim finally returns home to St. Louis, he finds that there was more to his father's murder than he'd thought. Though the Indians did the killing, someone else did the planning--someone too close for comfort. Now young Jim must untangle a thick web of lies, and when the dirty dealings come to light he will come face-to-face with a murderer. But if he tastes the vengeance owed him, it won't be as the boy everyone knew as Jim--it will be as a man named Trace McCall...

    

    Prince was a legend of artistry and individuality, a man who lived for his music and positioned himself outside the confines of the recording industry. News of his untimely passing shocked and shattered his millions of fans. Filled with rare and carefully curated photos of Prince from all stages of his career, this visually stunning unofficial music biography tells Prince s story through conversations that journalist (and Prince fanatic) Mobeen Azhar had with the people who knew him best friends, musicians, artists, and members of his inner circle many speaking out about the great artist for the first time. These firsthand accounts paint a more personal picture of Prince than any seen before, and, along with the images, pay homage to the originality, musical genius, glamour, and sex appeal that Prince embodied."

     As a nineteen year old he had heard that one of his brothers had been killed in the Battle of Goliad, an early confrontation in the Texan war of independence with Mexico, and swore to travel West to “take pay of the Mexicans” for his brother’s death. In the following years he fought time and again against the Mexicans for the newly formed Republic of Texas and saw action at Salado Creek, Hondo River and during the Mier Campaign. After returning for the wars in Mexico he abandoned the Texan military and joined the Texas Rangers under the leadership of John Coffee Hays and served for a number of years defending Texans against Native American and border bandits along the frontier. This riotous narrative of the adventures of one of the saltiest and most individualistic pioneer Indian fighters that the state ever produced is told in a leisurely, satirical fashion that reflects a way of life long since lost. Duval's chronicle of one of Texas' greatest adventurers is filled with Wallace's humor and colorful speech. Wallace emerges from the book in all his vigor and robustness, and the reader is transported to a rugged, uncultivated frontier where a few men who were rough enough were carving out a new empire. The flavor and the spirit of early Texas have been captured for countless readers by John C. Duval's Big Foot Wallace. About one-fourth of Big Foot Wallace is devoted to a detailed account of Wallace's experiences in the Mier Expedition. The remainder of the book deals with his adventures on the frontiers of Texas as an Indian fighter, a soldier of fortune, and a member of the first company of Rangers. John C. Duval, the author of Big Foot Wallace, has been called the first man of letters in Texas. Earlier Texans devoted their time to writing about politics and land, but Duval wrote of the frontier and its people with a clarity of perception equaled by few writers in any period. Duval was a man of the camp and range. Civilization did not fit him very well, and he spent much of his time in the wilderness alone. Like his friend and companion, Big Foot Wallace, Duval was an adventurer whose experiences were varied and exciting. In Big Foot Wallace Duval relates a number of his experiences that had been shared with Wallace. Writing late in life, Duval set down memories of events that had mellowed with time. He strove for pictorial and dramatic effects, not historical accuracy. Still Big Foot Wallace has been acclaimed by historians for its amazing accuracy. This book was published in 1870. Duval passed away in 1897 and Wallace in 1899.

    He moved in rarefied circles, a friend to presidents, vaudeville stars, leading thinkers. And he was thirty-two years old in 1900 when he gave it all up to pursue his Great Idea: to capture on film the continent’s original inhabitants before the old ways disappeared.An Indiana Jones with a camera, Curtis spent the next three decades traveling from the Havasupai at the bottom of the Grand Canyon to the Acoma on a high mesa in New Mexico to the Salish in the rugged Northwest rain forest, documenting the stories and rituals of more than eighty tribes. It took tremendous perseverance - ten years alone to persuade the Hopi to allow him into their Snake Dance ceremony. And the undertaking changed him profoundly, from detached observer to outraged advocate. Eventually Curtis took more than 40,000 photographs, preserved 10,000 audio recordings, and is credited with making the first narrative documentary film. In the process, the charming rogue with the grade school education created the most definitive archive of the American Indian. His most powerful backer was Theodore Roosevelt, and his patron was J. P. Morgan. Despite the friends in high places, he was always broke and often disparaged as an upstart in pursuit of an impossible dream. He completed his masterwork in 1930, when he published the last of the twenty volumes. A nation in the grips of the Depression ignored it. But today rare Curtis photogravures bring high prices at auction, and he is hailed as a visionary. In the end he fulfilled his promise: He made the Indians live forever.

     Knots is a collection of poetry and prose about love and heartbreak, tragedy and grief, survival and loss. It's a journey through the numerous knots that we tie in life, and the ones we tangle and untangle with. It explores the realities of mental illness & suicide, social taboos & violence against women, pain & darkness, self love & healing in all its naked glory. The rhythm of Knots resonates directly with the poet's heart, conveying to the readers that there is a way to untangle every knot in life, but sometimes, some of these knots are what we are made of. Foreword by Dr. Santosh Bakaya

     On this occasion, the men in question are vicious thugs and killers. They don't give in easy. And mostly he brings them in slung over a saddle. But after tracking and killing a group of merciless bandits, he realises the bloodshed is too much for him. He resigns his badge and rides south to Mexico where he hangs up his guns. The peaceful life Joe is seeking is wrecked when the notorious bandit Gomez Farias guns down his friends. The Hammer of God is roused. The blood that flowed in his former life as lawman was but a trickle compared to the flood unleashed when Joe rides out on the vengeance trail… Hammer of God is a thrilling and classic adventure story set in the Wild West. Praise for Philip McCormac 'You can taste the dust and blood of the Old West on every page.' - Tom Kasey, best-selling author of Trade Off. Philip McCormac lives in the East Midlands, England, is married with two grown-up children and five grandchildren. He is the author of fourteen Western novels including Son of a Gun and Vengeance Unbound. He is also the author of detective thriller Tone Death.

    As soon as they drive across Andalusia, they fall in love with its rugged beauty, whitewashed villages, red geraniums, giant aloes, and endless olive trees. After weeks of visiting ruins and dilapidated sheds advertised as homes, they find a little stone cottage in a mountain valley in the middle of nowhere. Equipped with everything that a romantic soul desires: a patio shaded by grape vines, an ancient bay leaf tree, and a formidable oak in front of a long driveway, they fall in love with this property and decide to reform it into a guest house. With little foresight or planning, they exchange cushy expats lives for a life in the sun.Quite quickly, however, they find themselves battling cowboy builders, no electricity, a dry well, torrential rain storms, and a freezing cold winter without a roof over their heads. Through all these adventures, they develop relations with their neighbours who had lived in the valley for many generations. Puzzled by the strangers’ behaviour, the neighbours teach them about olive picking, and the cultivation of local vegetables. But primarily, they offer their endless generosity and insight into life in rural Andalusia.As they begin to settle in, financial problems confront our somewhat naïve couple. Without steady pay checks and construction bills piling up, their idea of the good life starts to fall apart. Written with a wry sense of honest humour, this story is filled with twists and turns that take the reader on a journey from a life where every day was monotonously repetitive to a place where every day presents a new challenge.

    After spending several months in New York City, the family signed up for a journey to the Republic of Texas where they could homestead and eventually acquire 137 free acres for their efforts. Soon growing discontented with, not only the land, but also the management of the colony in which they had settled, the Horns decided to return to England. But, it was not to be. Attacked and captured by a party of Comanche Indians, Sarah Ann was faced with challenges and realities the like of which she never could have dreamed. Over a period of fifteen months of Comanche captivity, she and her captors rode endlessly across the Texas plains until finally she was purchased out of bondage and befriended by traders in New Mexico. This is the true story of a remarkable woman who endured an unimaginable amount of suffering and pain in her short lifetime.

    In this book, she has written a few poems, where she has described herself in some complex and in simple words. Most of the poems are about her black and white memories and few are on generic topics. In this book, the reader will see her describing a relationship between mother nature and human nature in a poetic way.

    His thrilling collection of mini-biographies reveals fascinating details about a host of legendary gunslingers, painting a vivid portrait of a world of sharpshooters, cattle rustlers, and frontier justice. First published as a series of magazine articles in 1907, these life-and-death dramas introduce you to some of the most famous gunfighters America has ever known. The roundup includes Wyatt Earp, who had a reputation for courage and calm, but went on the warpath when one of his five brothers was killed by stagecoach robbers; Doc Holliday, a mean-tempered dentist who loved poker and moonshine — and found trouble wherever he traveled; Ben Thompson, a fearless gunman who served in the Civil War and was determined to continue fighting after the last battle ended; Luke Short, a slightly built man with nerves of steel, who started out as a gambler and ended up a Shakespeare-quoting gentleman; and Bill Tilghman, who captured some of the West's most desperate criminals. Illustrated with forty-eight rare 19th-century photos, these colorful accounts will appeal to anyone with a love of Western lore.